Architectural and Decorative Drawings

Pencil sketches of historical buildings and objects, highlighting intricate designs and details in architectural elements and artifacts.

GirlsPortret in profile to the left, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. pencil

Scheppig Carl (1803-1885), wall painting in Pompeii (1834): Detail. Pencil watercolored on paper, 13.8 x 22.9 cm (including scan edges) Scheppig Carl (1803-1885): Wandmalerei, Pompeji

Etching by Stefano della Bella illustrating an imperial festival with horse ballet, created around 1652.

Bull Gustav (1807-1880), mill building (1835): Technical details. Tusche watercolor on the box, 57.2 x 69.3 cm (including scan edges) Stier Gustav (1807-1880): Mühlengebäude

Partial black background for preceding recto. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Latch Plate. Dated: c. 1936. Dimensions: overall: 30.7 x 23 cm (12 1/16 x 9 1/16 in.). Medium: graphite, pen and ink, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Francis Law Durand.

Ardanarishvara; equestrian warrior with raised sword Unidentified ca. 1800 These eighteen drawings depict sculptural piers in the Pudu Mandapa (New Pillared Hall), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623-59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked J. Whatman and with the firms trademark fleur-de-lis and the year 1798. View more. Ardanarishvara; equestrian warrior with raised sword. Unidentified artist, Indian. India, Madurai, Tamil Nadu. ca. 1800. Ink and wash on J. Whatman paper watermarked 1798. Paintings

Design for a pin with a blue scarab 19th century Anonymous, French, 19th century French. Design for a pin with a blue scarab 392397

Some sketches, projects and, executed buildings , cover picture, test print, Otto Wagner -

Aube en Dentelle, Appartenant au Couvent de la Visitation 1857 Hippolyte Malègue French. Aube en Dentelle, Appartenant au Couvent de la Visitation 285823

Schmalz Otto (1861-1915), travel sketches from Italy (April 21, 1887): Florence: Baptistry (views of details door). Pencil on paper, 42.8 x 30.9 cm (including scan edges)

Mauritanian warrior, sketch. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Gypsum models for sculptures at the Palais du Louvre: "La Paix" by leprêtre.part of Réunion des Tuileries au louvre 1852-1857, album 3.

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Ornament. Pencil, coal on transparent, 45.7 x 27.8 cm (including scan edges)

Rohscan

Böhmer Franz (1907-1943), Atelier Graf Plettenberg in Berlin-Dahlem (1940-1940): Detail. Pencil on transparent, 24.8 x 33.3 cm (including scan edges) Böhmer Franz (1907-1943): Atelier Graf Plettenberg, Berlin-Dahlem

Portrait of the Elisabeth Herzogin zu Sachsen

GIPS models for sculptures on the Palais du Louvre: "La Lutte" by Alexandre Schoenewerk, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

N.N., Consoles, Paris, Versailles. (From: Motifs historiques d´Architecture et de sculpture d´ornement, ed. V. César Daly, Vol. Stitch on paper, 32 x 45 cm (including scan edges)

Lazio Viterbo Viterbo Museo Civico53. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Strack Johann Heinrich (1805-1880), candlestick for the Crown Prince Palace in Berlin (without date): Five-armed candlestick. Pencil watercolor on the box, 45.4 x 28.1 cm (including scan edges) Strack Johann Heinrich (1805-1880): Leuchter für das Kronprinzenpalais, Berlin

Bull Gustav (1807-1880), ornaments for porcelain paintings on vases (without dat.): Ornamant details. Pencil on cardboard, 35.7 x 12.9 cm (including scan edges) Stier Gustav (1807-1880): Ornamente für Porzellanmalereien auf Vasen

Gypsum Models for Sculptures at the Louvre Palace: "Poetry and philosophy" by Pierre Léon. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

H.C. Henneberg (1826-1893); Andreas Flinch (1813-1872); Carl Peter Theodor Rothweiler (1821-1881); Johan Thomas Lundbye (1818-1848); , Five traesnite after J. th. Lundbye. Member Sheet from the Danish Radenerforening, 1840's

Piece. Culture: probably Spanish. Dimensions: 5 1/8 × 1 7/8 in. (13 × 4.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 168 × 119 mm (image/plate); 317 × 214 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing of Two Medieval Swords 19th century Mariano Fortuny Marsal Spanish. Drawing of Two Medieval Swords. Mariano Fortuny Marsal (Spanish, Reus 1838-1874 Rome). Spanish. 19th century. Paper, ink, graphite. Works on Paper-Drawings

Deraisme, Pierre -Georges (n.1859 - D.1932), Fuschia pin (main title), 1905. Graphite, ink, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

John the Baptist (Schr. 2850n). Artist: Anonymous, German, 15th century. Dimensions: sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.4 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Summer Oscar (1840-1894), Städelsche's art institute in Frankfurt/Main. 4. Project (1874): Mittelbau attic. Ink, pencil, ink colored, watercolor on cardboard, 100.6 x 67.2 cm (including scan edges) Sommer Oscar (1840-1894): Städelsches Kunstinstitut, Frankfurt/Main. 4. Projekt

Neues Reich. Dynastie XIX. Theben Thebes. Memnonia Ramesseum. Tempel Ramses II. Hypostyl, Thür der Westseite.. Weidenbach, M.. 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Ramesseum (Thebes, Egypt), Thebes (Egypt : Extinct city), Doors & doorways , Egypt, Gods , Egyptian

Plaster models for decorations of the Palais du Louvre: on the left by Jules Lafrance, in the middle of Pierre Edouard Charrier, on the right unknown, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Schmalz Otto (1861-1915), travel sketches from Italy (09.05.1887): Venice: Palazzo Ducale (Views Details). Pencil on paper, 42.8 x 30.8 cm (including scan edges)

Piece of a Tombstone from Barking Chruch, Essex, Daniel Lysons, 1762-1834, British, 1809, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm), architectural subject, church, memorial, tombstone, All Hallows-by-the-Tower, Barking, England, Greater London, London, United Kingdom

Natalie Simon, Picture Frame Carved Wood, c 1936 Picture Frame-Carved Wood

Quast Ferdinand von (1807-1877), Marienkirche in Hadersleben (July 31, 1874): Two leaves on cardboard, upper drawing: View upper central aisle pillar with fighter and floor plan, lower drawing Eight details: cut of the port. Pencil on paper, 22.6 x 27 cm (including scan edges) Quast Ferdinand von (1807-1877): Marienkirche, Hadersleben

Vignette for Di Langit, Nieuwe Spiegelstraat 28 in Amsterdam, Bernard Willem Wierink, 1866 - 1939 print Around the text: by scone dinghen, so you are oming. paper vignette

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (03/30/1887): Rome: Villa Mattei (Views Details). Pencil on paper, 42.9 x 30.9 cm (including scan edges)

Image of vampire as a garwave on tower of Notre Dame and vista over Paris; Le stryge; Eaux-Forte sur Paris. Image of vampire as a gargoyle leaning over the edge of the upper balcony of one of the towers of the Notre Dame. The artist has opted for an oval cut-out with the right of the church and left a view of Paris with black crows flying past the can.

Kaiser-Franz-Josef Foundation hospital cancer research hospital, vestibule painting and view of the wall with the normal clock regulator, Otto Wagner -, artist

Ornamental drawings (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Ornamental drawings (recto) blank (verso) 362624

Gypsum models for a vault decoration of the Palais du Louvre by Flandrin. Part of Réunion des Tuileries au Louvre 1852-1857, album 3.

Ewerbeck, Franz (1839-1889), Details of the choir stalls, Ypres (1878): Details. Ink on paper, 39 x 22 cm (including scan edges) Ewerbeck, Franz (1839-1889): Details vom Chorgestühl, Ypern

Portrait of Henri IV, Henri de Navarre, (1550-1610), King of France Portrait of Henri IV, Henriportrait of Navarre, (1550-1610), King. Portrait of France. Business card (verso) .Tire on albuminum paper. Between 1860-1890. Cute photography.

Design for a Round Pedestal Table on Casters. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

William Finden, 1787-1852, British, An Arabesque, 1834. Line engraving and stipple engraving on thick, slightly textured, beige, wove paper, with cream, chine colle.

Frisian with triumphal tour of Quintus Fabius Maximus on Schouw in the mayor's room of the town hall on Dam Square, consisting of seven parts, Hubert Quellinus, after Artus Quellinus (I), 1663 print Frisian with triumphal tour of Quintus Fabius Maximus on the fireplace in the mayor's room of the Town Hall on Dam Square in Amsterdam. At the far left a river god with the horn of abundance and the woolvin with Remus and Romulus. In the trip, among other things, women and children, trumpet blazers, banner and standard carriers, soldiers, riders, sacrificial animals, priests, prisoners of war, trophies, Quintus Fabius Maximus in his triumphal wagon and men and women with musical instruments. Under numbered 1 to 7 and on each part marked: O. paper etching / engraving conqueror triumphing, triumphal entry of victor. triumphs (allegorical and symbolic). triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. priest ~ Roman religion. animal sacrifice ~ Roman relig

Sketchbook 3: Ornament studies, I. eight -part Tuilerien Paris, II. Six -part Roman antiquity, III. Six -part Mont St. Michel Normandy 13th century, IV. Epernay French Renaissance

Five Dutch industries, Anonymous, c. 1915 - c. 1970 drawing. photomechanical print The five most important Dutch industries, namely gas, port, water, electricity and cleaning with associated buildings such as a water tower and power plant. Also a vignette with the letters che knife in mirror image in a sun. paper. India ink (ink). pencil. watercolor (paint). deck paint pen / brush / printing block industries

Schmalz Otto (1861-1915), travel sketches from Italy (28.04.1887): Florence: Fries and consoles in Bargello (views). Pencil on paper, 42.9 x 31.1 cm (including scan edges)

Design for a Chair. Artist: Anonymous, French, 19th century. Dimensions: 7 3/8 x 6 1/4 in. (18.7 x 15.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Unknown architect, fountain in a garden. Monthly competition October 1865 (10.1865): Upper. Ink on paper, 40.3 x 28.2 cm (including scan edges)

Two Actors, Kikugana Eizan, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, ca. 1800, figures, Print, Print

Album, Album of Prints: Ornament Designs by Cuvilliés père; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768), François de Cuvilliés the younger (German, 1731 - 1777), Jean-Charles Delafosse (French, 1734-1791), Matthäus Günther (German, 1705 - 1788); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796), Franz Xaver Andreas Jungwierth (German, 1720-1790), Charpentier, Joseph Kaltner (German, ca. 1758 - after 1824); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758), Gabriel Huquier (French, 1695-1772); bound album of etchings and engravings on paper

Anemonies 1897 England. Color etching and aquatint on cream wove paper, tipped onto tan wove paper mount with lavis in black and graphite . Theodore Roussel

How the hose fire spray and pump should be stored in the fire spray house after use, approx. 1750, 1700 - 1799 print A representation of how the hose fire spray and pump should be stored in the fire spray house after use, approx. 1750 Belongs to the incentives at the fire spray book by Jan van der Heyden. Northern Netherlands paper etching fire-extinguishing equipment

Man and a boy with baskets Katsushika, hokusai (1760 1849)

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.6 x 10 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Vase, Neapel

Five Parts for Rings. Rings from the first half of the 17th century are usually still richly ornamented with enamelwork. The shoulder of the ring - next to the setting - was the place to fill in graceful engraving with enamelling. This small print by the otherwise unknown master Cornelis Both presents five different designs.

Bull Gustav (1807-1880), ornaments for porcelain paintings on vases (without dat.): Ornamant details. Pencil on transparent, 26.6 x 19.8 cm (including scan edges) Stier Gustav (1807-1880): Ornamente für Porzellanmalereien auf Vasen

Writing example: Sig. Fr at Ello Mio (...), Simon Frisius, After Jan van de Velde (I), 1608 print Writing example with the salutation: Sig. Fr at Ello Mio Colend. il sig. Giovanni Waesbergio ... below that six lines of text in Latin, mainly consisting of abbreviations: amo ... on the left a vase or ciborie in curl. The print is part of an album. publisher: AmsterdamRotterdamRotterdam paper engraving calligraphy

Carved Picture Frame. Dated: 1940/1941. Dimensions: overall: 56 x 45.5 cm (22 1/16 x 17 15/16 in.) Original IAD Object: 20 1/4"long; 17 1/2"wide. Medium: gouache, watercolor, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Adolph Opstad.

Yoshiwara, section of a sheet from the series Cutouts of Famous Places in Edo (Harimaze Koto meisho) 1852 Japan. Color woodblock print; section of harimaze sheet . Utagawa Hiroshige

Design for a stained glass window with rectangular shapes, Anonymous, in or after 1907 - 1930 drawing Amsterdam paper. ink. watercolor (paint). pencil brush ornaments ~ art

Two women and an angel, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Two women in gowns, the left with a staff and the right with a horn and bucket with grain, watch an angel with wreath (Victory) In the middle. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving angels. adult woman

Design for a lid cup, Frédéric-Jules Rudolphi, c. 1845 - c. 1855 Lid cup with a dancing figure such as lid crowning and musician and dancing boys. Paris paper. cardboard. graphite (mineral) brush

Plaster model for a decoration with leaves on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Reproduction of a floor plan, in split and reliefs, from the Houses and Monuments of Pompeii, by Fausto and Felice Niccolini, Volume I, Tomb of Naevoleia Tyche, single Plate, 1854-1896.

Three hair combs, a sphinx and a sword; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Aqua Laxativa Viennensis, Caricature on Adolf Wiesner, MP of the National Assembly in Frankfurt , Eduard Gustav May -, publisher

Textile. Dated: 1935/1942. Dimensions: overall: 65.9 x 51 cm (25 15/16 x 20 1/16 in.). Medium: graphite and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Plow of Hesiod and the Wheeled Plow of Virgil. Original caption: Plow of Hesiod and the wheeled plow of Virgil, copied by H. W. Hendley of the BPR from Die Wagen und Fahrwerke der Griechen und Romer und Anderer Alten Volker by Johann Christian Ginzrot, Vol I.

Scheppig Carl (1803-1885), marble bowl, Naples (15.08.1834): View. Pencil on cardboard, 23 x 32 cm (including scan edges) Scheppig Carl (1803-1885): Marmorschale, Neapel

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Frieze with the monogram of Charles IV, A frieze with a medallion with the monogram of Charles IV surrounded by a laurel wreath. Left and right flags, weapons and a putto blowing a trumpet., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 52 mm, width 182 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Serenade. Night cityscape with a singer and spectators.

Ministère d'État (Salon Thétre). Édouard Baldus (French, born Germany, 1813 - 1889)

Ms. Lezerier

Project for a Fountain for La Place du Carrousel ca. 1806 Pierre François Léonard Fontaine French. Project for a Fountain for La Place du Carrousel 418338

St. Sebastian (Schr. 2858a). Artist: Anonymous, German, 15th century. Dimensions: sheet: 5 9/16 x 4 5/16 in. (14.1 x 10.9 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Edging 16th century Italian, Venice. Edging 226395

Young Woman Carrying Box in Her Hands Katsukawa Shunch Japanese. Young Woman Carrying Box in Her Hands. Katsukawa Shunch (Japanese, active ca. 1783-95). Japan. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Design for a box for a manicure set, Mathieu Lauweriks, 1911 drawing Design for a piece of jewelry. paper. ink. pencil pen jewel-box. manicure

Print made by William Blake, 1757-1827, British, For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave.. ", 1826. Etching and line engraving on moderately thick, slightly textured, cream wove paper.

Border, Block-printed, Two borders mounted on a board. One of the motifs is a knotted drapery in a wreath, rope twist., France, 1820-50, Wallcoverings, Border

Doric column of the temple found under the church of the Holy Trinity in Tarente, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 323 mm × w 184 mm

Klomp Johannes Franziskus (1865-1946), unaffected drawings and travel sketches (0-0): Models for limestone (according to Johannes Otzen). Light break on paper, 20 x 21.8 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Zeichnungen und Reiseskizzen

Boom as a symbol of the state form in the Republic, 1786, Johan Christoffel Schultsz, After A. Resinger, 1786 print A map of the United Netherlands from which a tree grows as a symbol of the form of state and form of government in the Republic, 1786. At the bottom a pedestal with a four -line verse, on the left a wreath of oak leaves and the hood on the right. The print includes a magazine with a statement. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving tree as a scheme of relations, diagram in form of a tree Netherlands

Three festons with fruit, flowers, corn and leaves in the southern gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 print Three festons with fruit, flowers, corn and leaves in the eastern part of the southern gallery of the town hall on Dam Square in Amsterdam. For the doorposts left and right of the statue of Mercury. At the bottom of the middle: M. paper etching / engraving ornament ~ festoon, garland. fruits and vegetables ~ ornament City Hall of Amsterdam (1655-1808)

Elongated object decorated with Hoorns, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. pencil

Four designs for vases, a dish and a box and dish of earthenware. Draughtsman: Theo Colenbrander. Dating: 1851 - 1930. Measurements: h 599 mm × w 442 mm. Museum: Rijksmuseum, Amsterdam.

Etching by Max Klinger titled 'Rest', opus VI, sheet 8, created in 1893 on rolled out French China paper, depicting a resting figure scene.

Drawing, Design for Rectangular Dinign Table of Mahogany; Designed by A.N. Davenport Co.; graphite on thin cream paper

Hoffmann Emil (1845-1901), Theater on Lützowplatz in Berlin (28.09.1891): Foyer of 1st Riches (pre-sketch). Pencil watercolor on the box, 35.6 x 28.9 cm (including scan edges) Hoffmann Emil (1845-1901): Theater auf dem Lützowplatz, Berlin

Liemann Ludwig Theodor, sketchbook of the Italian journey (without date): Bl. 50: Rome. 3 sketches: Piazza S. Maria in Aracoeli (perpective view, watercolor drawing), S. Maria in Domnica, S. Salvatore (perspective. Bleing pencil watercolored on paper, 60.9 x 45 cm (incl. Scan edges)

Puppet to the light; Stachiewicz, Piotr (1858-1938); after 1890 (1890-00-00-1915-00-00);Christmas (iconogr.), Young Poland (Styl), PartaGe Plus, Weekly Ilustrowany (Warsaw-magazine-1859-1939)-Illustration, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944 ) - collection, puppets, dolls, Poland (culture), Polish drawings, theater, purchase (provenance)

Drawing, Design for a Vase; France; pen and black ink, yellow, red color pencil, graphite on cream tracing paper; 27 x 21cm (10 5/8 x 8 1/4in.)

House Looking Glass. Dated: c. 1940. Dimensions: overall: 45.6 x 35.4 cm (17 15/16 x 13 15/16 in.) Original IAD Object: 20 1/4" x 11 3/8". Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Emilio Zito.

Linen and Cotton Homespun. Dated: c. 1940. Dimensions: overall: 17.6 x 16.8 cm (6 15/16 x 6 5/8 in.) Original IAD Object: 1 1/2" wide; 2" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Magnus S. Fossum.

Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Administration building (1928-1928): Hall. Print on paper, 30.3 x 21.6 cm (including scan edges)

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 9.8 x 16.6 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Grabmal auf Père Lachaise, Paris

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