Architectural and Decorative Drawings

Pencil sketches of historical buildings and objects, highlighting intricate designs and details in architectural elements and artifacts.

GirlsPortret in profile to the left, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. pencil

Quast Ferdinand von (1807-1877), St. Johannis Church in Niederlahnstein. Gravestone of a shilling of Lahnstein from the 14th century (approx. 1854): Turning the upper fragment with crowned eagle heads, dragons and Latin labeling. Pencil on transparent with verso tightly glued tissue paper, 33.7 x 21.5 cm (including scan edges) Quast Ferdinand von (1807-1877): St. Johannis-Kirche, Niederlahnstein. Grabstein eines Schilling von Lahnstein aus dem 14. Jahrhundert

Quast Ferdinand von (1807-1877), swinging smoke barrel () On the northern portal of the Cathedral Notre-Dame by Chartres (without date): View of the vessel hanging on cords with homework (post-or drawing from Didron, Annales Archéologiques, VIII. ). Ink on transparent, 36.1 x 28.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Schwingendes Rauchfass () am Nordportal der Kathedrale Notre-Dame, Chartres

Curtain, Anonymous, c. 1895 - c. 1899 drawing paper. pencil hangings and drapery. decorations (interior of the house)

Drawing, Man; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 14.8 × 11.2 cm (5 13/16 × 4 7/16 in.)

Franz Alt made diverse pencil sketches in his sketchbook between 1855 and 1867, documenting landscapes, figures, and architectural forms.

Numbers, plate six from 1st Etchings. Jasper Johns (American, born 1930); printed by Donn Steward (American, 1921-1986); bound by Carolyn Horton; published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 109 x 83 mm (image, left); 119 x 93 mm (plate, left); 320 x 250 mm (image, right); 336 x 250 mm (plate, right); 662 x 508 mm (primary support); 710 x 560 mm (secondary support); 710 x 1125 mm (open folio); 710 x 565 x 35 mm (closed portfolio). Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Quast Ferdinand von (1807-1877), collegiate church in Gernrode. Restoration (1858-1872): Three leaves on cardboard with view sketches: 1st chapter in the cloister, 2nd cloister, arcades, columns and cornerstone chapter, 3rd holy grave: detaila. Pencil on cardboard, pencil on transparent, 35.4 x 28.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Stiftskirche, Gernrode. Restaurierung

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (May 25, 1852): Catania: Tonlamp in the Biscari Museum (floor plan, view). Pencil on paper, 39.4 x 34.7 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (11.03.1887): Naples: three cut glass plates (views). Ink on paper, 42.6 x 30.7 cm (including scan edges)

Two lying naked women, Moissej Kogan, 1889 - 1943 print Paris paper drypoint lying figure - AA - female human figure

The title of the title "La Grande Dame"; Jasi Ski, Feliks Stanis AW (1862-1901), Grasset, Eugéne (1845-1917), Porcaboeuf A. & Succeseurs (Paris; Printing house; Fl. Ca 1890-1929); 1929 (print); 1892 (matrix) (1892-00-00-1929-00-00);La Grande Dame (magazine - Paris - 1893-1896) - Illustration, Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972) - collection, Bristol, French (culture), French graphics, Polish graphics, Poland (Poland ( Culture), sunflowers, purchase (provenance)

Butterflies, beetles and a bee, Virgilius Solis, 1524 - 1562 print Nuremberg paper etching / engraving insects: butterfly. insects: beetle. insects: bee

Le rêveur , Daydreaming, Alphonse Legros (1837-1911)

Image of a mural in the Jacobikerk in Utrecht: a black border with a black ornament, on the southern wall of the transept near the choir fence ().

Deraisme, Pierre -Georges (n.1859 - D.1932), plant and animal motif (main title), 1905. Graphite, ink on white verge. Petit Palais, Museum of Fine Arts of the City of Paris.

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): Ceiling in the stairwell and foyer 1:50 (by Inv.No. 1455). Colored light break, gold heighted on paper, 68.5 x 97.3 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Ex Libris van Huyssen van Kattendijke, 1776 - 1831 print Ex-libris with the coat of arms of Kattendijke with a coat of arms, flanked on either side by a Hercules. Under a banderole with the saying: nec timid nec tumide (neither reckless nor fearful). paper engraving coat of arms (symbol of sovereignty). (story of) Hercules (Heracles)

Joachim Lelewel Vivier, Teodor (1823 1841)

0 through 9, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 119 x 94 mm (plate); 655 x 507 mm (sheet). Etching over photoengraving in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Stier Gustav (1807-1880), travel sketchbook 1828: Dom, Halberstadt (06.08.1828): Details. Pencil on paper, 24 x 29.8 cm (including scan edges)

Haeberlin Joh. Heinrich (1799-1867), windshield mill (without dat.): View, details. Tusche watercolor on the box, 68.6 x 56.3 cm (including scan edges) Haeberlin Joh. Heinrich (1799-1867): Windschneidemühle

Sievers Carl (1834-1891), ornamental studies (1854-1854): ceiling painting. Pencil watercolored, gold -raised on transparent, 24.2 x 30.4 cm (including scan edges) Sievers Carl (1834-1891): Ornamentstudien

Drawing, San Lorenzo in Miranda, Rome, Italy; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.4 × 10.3 cm (6 7/8 × 4 1/16 in.)

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.4 x 21.6 cm (including scan edges)

Bull Hubert (1838-1907), train station in Uelzen (1885): Wartesaal I. and II. Class: Doubleofa. Pencil on transparent, 111.9 x 54.2 cm (including scan edges) Stier d. Ä. Hubert (1838-1907): Bahnhof, Uelzen

Quast Ferdinand von (1807-1877), grave crosses in the small Wallachia, on a Walachian cemetery and on the path to Targu Giulu (Targu Jiu) In Romania (1869, 1871): Three leaves with passage: perspective views of the crosses, after Neue Blatt, 1871, p. 201 (Walachischer Friedhof) and the Globus XV,. Ink on transparent, 35.7 x 28.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Grabkreuze in der Kleinen Walachei, auf einem walachischen Friedhof und am Pfad nach Tirgu Giulu

Fireplace decorated with leaf vines, putti and masks

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): Perspective view of the Oberlichter in stair hall 1: 1. Pencil on transparent, 111.4 x 90.6 cm (including scan edges) Böhmer & Petrich : Dienstwohnung des Reichsaußenministers Joachim von Ribbentrop, Berlin-Mitte. Umbau

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.6 x 9.8 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Vatikanisches Museum, Rom

Design for a Standing Frame 1841-84 Charles Hindley and Sons British. Design for a Standing Frame 367333

White embroidery project for a napkin Birtusówna, Zofia

Gypsum Models for Sculptures at the Louvre Palace: "The Arts and The Sciences" by François Jouffroy. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

GIPS models for sculptures on the Palais du Louvre: "La Peinture et la sculpture" by Eugène Louis Lequesne, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Drawing, View of Venice, Italy; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.4 × 10.3 cm (6 7/8 × 4 1/16 in.)

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Ornament. Pencil, coal on transparent, 38.9 x 36.5 cm (including scan edges)

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): wall painting. Pencil watercolored on paper, 23.6 x 35.1 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Sievers Georg (1803-1887), Villa Sy in Berlin-Tiergarten (without date): ceiling painting in the basement. Pencil watercolored on paper, 35.2 x 21.5 cm (including scan edges) Sievers Georg (1803-1887): Villa Sy, Berlin-Tiergarten

Woman, Robert Frederick Blum, American, 1857-1903, Graphite on laid paper, Sketch of a female figure, standing, seen from behind., USA, 1881-1882, figures, Drawing, Drawing

Schlemm O., herb frieze (without date): vegetable frieze fillings. Pencil on paper, 39.2 x 54.4 cm (including scan edges) Schlemm O. : Pflanzenfries

Plaster models for decorations on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Coal sketches by Hans Canon showing indistinct spatial divisions, with an accompanying invoice, highlighting compositional structure.

Triptych, or Miniature Altar Piece, Carved in Box Wood. Charles Thurston Thompson (English, 1816 - 1868)

Study for Share Certificates in a Fraudulent Franco-Californian Company, No. 1. Charles Meryon; French, 1821-1868. Date: 1855. Dimensions: 166 × 140 mm (image); 166 × 140 mm (block); 277 × 218 mm (sheet). Gillotage in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Five suitcases, two statues and an ivory relief, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper chest, coffer (+ wood and other phytogenic material). piece of sculpture, reproduction of a piece of sculpture. temporary exhibition, 'Salon' Tours

Design for a rug, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush tapestry. carpet, rug

Above: Erminia and the shepherd; Below: Atalanta hunting the Calydonian Boar, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and brown wash on laid paper, Vertical rectangle. Top: a man is seated in the shade of a tree, holding a vessel on his lap. His horse is tied to another tree, right. A woman stands before him wearing a sword. Inscription above: '...Erminia.' Bottom right: The Calydonian hunt. The boar is seen in the foreground, standing over a fallen warrior. Horsemen at right. Atalanta stands at left, with poised bow. Inscription above. Top center: 'Storia di Erminia' (Erminia's story). Below: 'La chaccia di Atalanta' (Atalanta hunting)., Netherlands, ca. 1600, figures, Drawing, Drawing

Lehmgrübner Paul (1855-1916), town hall in Hannoversch Münden (1898): Gothic window walls. Pencil on cardboard, 34.2 x 18.2 cm (including scan edges) Lehmgrübner Paul (1855-1916): Rathaus, Hann. Münden

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 570 x 393 mm (sheet). Etching and aquatint in blue and yellow ochre on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ionisch cymatium c. 1890 - c. 1922 Load -bearing frame decorated with convex egg -shaped and arrow -shaped elements. Page 26 Recto from a sketchbook with 43 sheets. paper. pencil other architectural details (CORNICE)

Quast Ferdinand von (1807-1877), S. Georg in Saloniki/Thessaloniki (without dat.): Urban: View Mosaik (floor), According to Charles Texier and Richard P. Pullan, XXXIV, FIG. 1. Pencil on transparent, Partly watercolored, 35.4 x 29.3 cm (including scan edges) Quast Ferdinand von (1807-1877): S. Georg, Thessaloniki

Design for a Painted Ceiling with Alternative Suggestions, Possibly for the Entrance Hall, Frederick Crace, English, 1779-1859, George IV, King of England, English, 1762 - 1830, Brush and watercolor, pen and black ink on white wove paper mounted on heavy white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Painted sky ceiling, curved top with four alternative border suggestions., 1801 or earlier, interiors, Drawing, Drawing

Composition of Gipsen Ornaments, including a Caryatide, from the studio of J. Delbove, Brussels, 1860 - 1882 photograph Photo from an incomplete series of 13 photos. Photo has traces of an eye on the top that shows that the photo hung. Recto on the photo in red pen numbers per pleaded plaster object, corresponding with a handwritten frame that is stuck Verso. Brussels paper albumen print piece of sculpture, reproduction of a piece of sculpture

Gypsum models for decorations of the Palais du Louvre by Marie Etienne Cusseau.Part of Réunion des Tuileries au Louvre 1852-1857, album 3.

Hôtel Colbert, Windows 1891 James McNeill Whistler American. Hôtel Colbert, Windows 372817

Ale Cans, plate three from 1st Etchings. Jasper Johns (American, born 1930); printed by Donn Steward (American, 1921-1986); bound by Carolyn Horton; published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 282 x 282 mm (image/plate, upper); 77 x 77 mm (image, lower); 89 x 89 mm (plate, lower); 650 x 506 mm (primary support); 710 x 562 mm (secondary support); 710 x 1125 mm (open folio); 710 x 565 x 35 mm (closed portfolio). Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Interior of the Sigismund Chapel Board 15 from the Portfoiio: Leon Wyczółkowksi, Wawel Castle , Kraków 1911/1912 Wyczółkowski, Leon (1852 1936)

Ink drawing with feather on paper of Hermesvilla in Vienna XIII by Carl von Hasenauer, illustrating architectural form and composition.

Arabic with vases, torch and feathers, Jean Baptiste Fay, 1784 - 1796 print Four vertical panels with arabesks and birds, arrows, vases, a torch, snakes, a medallion, feathers, dods and a mask. Paris paper etching / engraving ornament ~ arabesque. vase ~ ornament. torch. birds

Studies on the auditorium in the old Burgtheater, figure groups in a lodge, Gustav Klimt -, artist

Deraisme, Pierre -Georges (N.1859 - D.1932), Monogram button (Main title), 1892. Graphite, ink and gouache on beige cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Frame. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Moorish rider and Arab man, Abraham de Bruyn, 1576 - 1596 print Two prints on a magazine, with German caption and Latin inscription. Left: Horse and rider to the right. The horse is in step. The rider is of Moorish origin. He has a spear in his hand and drives a horse without a saddle. Around an ornamental frame. Right: horse and rider to the right. The horse is in step. The rider is dressed as an Arabian Lord. He has a staff in his hand. Around an ornamental frame. Left under some fragments, presumably from prints 74 and 76 from the series. Cologne paper engraving warfare; military affairs (+ cavalry, horsemen). folk costume, regional costume. military clothing and other equipment (uniforms, cap, armour, helmet, etc.)

st, high market - marriage fountain - detailed view - final grille, Josef Wlha -, photographer

Quast Ferdinand von (1807-1877), two crosses with quadrilob (without date): Views of the lily crosses with four-leaf ornament. Pencil on paper, 29.2 x 19.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Zwei Kreuze mit Quadrilob

Phorminus, grande lyre, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. lyre, cithara, psaltery Royal Palace

Design for Wall Decoration Pierre François Léonard Fontaine French. Design for Wall Decoration 335770

Design by René Boyvin. Édouard Baldus (French, born Germany, 1813 - 1889)

Design for a vase, Theo Colenbrander, 1851 - 1930 drawing Design for pottery. tracing paper. pencil container of ceramics: jar, jug, pot, vase

Men who unload tons of a sailing ship, 1797 - 1838 The sailing ship is anchor. The tons are unloaded from the ship and stacked in a sloop. Leaf 9 Verso and 10 Recto from a sketchbook with 65 sheets. paper. pencil. watercolor (paint) brush The sailing ship is anchor. The tons are unloaded from the ship and stacked in a sloop. Leaf 9 Verso and 10 Recto from a sketchbook with 65 sheets. paper. pencil. watercolor (paint) brush

Heinrich Vogeler's 1899 etching 'To Spring; At Noon' depicts a serene midday spring scene using detailed line work to illustrate nature and atmospheric effects.

Insertion. Culture: Italian. Dimensions: 9 1/8 × 2 1/4 in. (23.2 × 5.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (24.03.1887): Rome: Ancient capitals in the garden of the Villa Medici (floor plans, views). Pencil on paper, 42.6 x 30.7 cm (including scan edges)

Schinkel Karl Friedrich (1781-1841), collection of architectural designs, Berlin 1858. Building academy in Berlin (1831): Images of the window parapets. Stitch on paper, 54.2 x 42 cm (including scan edges) Schinkel Karl Friedrich (1781-1841): Sammlung Architektonischer Entwürfe, Berlin 1858. Bauakademie, Berlin

Bull Gustav (1807-1880), tomb for Schinkel in Berlin (1842): Cut, supervision of the gray cover. Tusche watercolor on the box, 51 x 40.6 cm (including scan edges) Stier Gustav (1807-1880): Grabmal für Schinkel, Berlin

Shell Pattern Mount. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Sheet: 14 1/2 x 11 in. (36.8 x 28 cm). Date: 1897-99. Museum: Metropolitan Museum of Art, New York, USA.

Signature magazine on the occasion of the twenty -five year anniversary of the N.V. Philips light bulb factories, Carel Adolph Lion Cachet, 1916 print Ornament edge with light bulbs. cardboard industries. light bulb (electric)

The return of ashes (TF)

Diebitsch Carl von (1819-1869), Alhambra, Granada. () (Without Dat.): Detail. Pencil on cardboard, 17.8 x 16.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada ()

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): Detail (ceiling) on solution 2. Pencil on transparent, 40.6 x 37.3 cm (incl. Scan edges) Böhmer & Petrich : Dienstwohnung des Reichsaußenministers Joachim von Ribbentrop, Berlin-Mitte. Umbau

Frame, Empty frame. Part of the third album with drawings of flowers. Tenth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French., anonymous, Southern Netherlands, 1809 - 1814, paper, watercolor (paint), pencil, pen, h 430 mm × w 270 mm

Three Figures, Johan Antonie de Jonge, 1884 - 1927 Three figures, possibly sitting at a table. Leaf 9 Verso from a sketchbook with 33 sheets. South Holland (Possible) paper. chalk sitting figure (+ three persons)

Title print with four putti a drapery with text persistent, Abraham Bosse, 1636 print Paris paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. hangings and drapery

Printed Cotton. Dated: c. 1937. Dimensions: overall: 30.5 x 23.5 cm (12 x 9 1/4 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Julie C. Brush.

Two reliefs from the Palais des Tuileries in Paris, Édouard Denis Baldus, c. 1865 - in or before 1870 photomechanical print France paper ornaments ~ art. sculpture (+ relief ~ sculpture)

Gypsum Models for Sculptures at the Louvre Palace: "Abundance" by Louis Veray. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Objets en Electrum, Antiquités du Bosphore Cimmérien conservé es au Musée impérial de l'Ermitage, Piccard, Rodolphe, 1807-1888, Engraving, 1854, Line, plate 33, volume 3.

McVickers Theater, Chicago, Illinois, Sketch 1878-1896 Madison Street, 78-84 West. Graphite on paper . Louis H. Sullivan (Architect)

Deraisme, Pierre -Georges (n.1859 - D.1932), comb (main title), 1897. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Dagobert Peche's 1920-1921 woodcut on Japanese paper depicts multiple stamp designs, including 50-heller and 5-heller marks, emphasizing detailed lines and graphic composition.

Ornament designs on blocks.

Painted Glass Window. Dated: c. 1937. Dimensions: overall: 50.8 x 38.1 cm (20 x 15 in.) Original IAD Object: 4 1/2" high; 2 7/8" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James McLellan.

Frontispiece coverage; InterPretaties van Odilon Redon van "The flowers of evil" Van Charles Baudelaire, 1 (9). .

Job (2nd plate) , Biblical events, Job Biblical figure, Alphonse Legros (1837-1911)

Ludlow Castle - Rising of the Water - Nymphs, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, first published state

Detail of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 58 prints on 50 sheets. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture Basilica of San Marco

GIPS models for sculptures on the Palais du Louvre: left "La Paix" by Charles Capellaro and right "L'Autmne" by Alexandre Schoenewerk, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Fragment of the ceiling of the Hôtel de Villette lounge, Voltaire mortuary house, 1 rue de Beaune. Paris (7th arr.). Photograph by Ferdinand Roux. Gelatino-silver-bromide draw, January 14, 1905. Paris, Carnavalet museum. 123100-15

Three tiles from The Alhambra. William Chaffers (English, 1811 - 1892)

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