Architectural and Figure Sketches

A series of pencil sketches featuring architectural designs and figures. The focus is on form and structure, with studies showcasing different styles and details.

Design for a book band and ornaments with flowers, 1897 Design for a book binding for a work by Frederik van Eeden. Page 22 Verso from a sketchbook with 29 sheets. paper. chalk. pencil flowers ~ ornament. book-cover, binding

White embroidery project Bojarska, Irena, studio of the Industrial Museum

Victor Hugo (1802-1885). "Guinette Tour". Graphite pencil on woven paper. 1834. Paris, house of Victor Hugo. Hauteville House. 74627-12 CHATEAU Fort, graphite pencil, drawing, dungeon, romantic movement, vellum paper, romanticism, guinette tower

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

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Giovanni Battista Borra, 1713-1770, Italian, View and Plan of the Grotto of St. Jerome at Lydda (Lod), ca. 1750. Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper.

Wodospad Tijuca. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Study of wells and cow Ren� Marjolin (1812-1895). Study of wells and cow. Graphite pencil. Paris, museum of romantic life.

Drawing sketch book: Sketch informs (Page 54) Camille-Jean-Baptiste Corot (1796-1875). Drawing book of drawings: Sketch informs (page 54). Pencil.

Designs for lamps. Leaf 16 Recto from a sketchbook with 17 sheets.

Variations of design for surtout de table (in two parts), Unknown, Pen and black ink, gray wash on laid paper, france, ca. 1770-75, metalwork, Drawing, Drawing

Drawing, Design for Kidney-Shaped Writing Table with Eight Drawers; Designed by A.N. Davenport Co.; pen and black ink, graphite on thin cream paper; 22.5 x 21.0 cm (8 7/8 x 8 1/4 in. )

Designs fpr Chairs, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Studies for eight chairs on a lightly washed background, Italy, ca. 1800, furniture, Drawing, Drawing

Durm Joseph (1837-1919), Ionic capitals from Asia Minor. (From: Atlas to the magazine for Building, ed. V.F. Endell, Jg. 26, 1876.) (1876-1876): Perspective views, details. Stitch on paper, 45.4 x 29.4 cm (including scan edges) Durm Joseph (1837-1919): Ionische Kapitelle aus Kleinasien. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. F. Endell, Jg. 26, 1876)

Walkers and figures leaning over a balustrade, 1819 - 1849 Leaf 59 Verso from a sketchbook with 60 sheets. paper. pencil walking. balustrade

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A sketch sheet by Rudolf Weyr using pencil, brown pen, and brown brush, showing line work and tonal variation in a study format.

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Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.3 x 30 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Eva Fox and Harry Mann Waddell, Bit, c 1936 Bit

Two Glass Containers for Scientific Experiments with Liquids (Illustrations for "Saggi di naturali esperienze"). Artist: Attributed to Anonymous, 17th century. Dimensions: sheet: 11 1/16 x 7 3/8 in. (28.1 x 18.7 cm). Date: 1666. Museum: Metropolitan Museum of Art, New York, USA.

Victor Hugo (1802-1885). "Victor Hugo book - Decor project". Between 1856 and 1870. Brown ink. Paris, house of Victor Hugo. Notebook, decor, drawing, French writer, brown ink, project

Frisian, composed of Acanthus tendrils ..

Hoffmann Emil (1845-1901), Sima from Pompeii (07.03.1870): Plan content N.N. detected. Pencil on cardboard, 58.9 x 76.3 cm (including scan edges) Hoffmann Emil (1845-1901): Sima aus Pompeji

Decorative frame with ionic capital, c. 1890 - c. 1922 Page 31 Recto from a sketchbook with 43 sheets. paper. pencil other architectural details (CORNICE). Ionic order ~ architecture

Messel Alfred (1853-1909), Wertheim, Leipziger Straße, Berlin. 2. Construction phase (October 19), entrance sign in the glass hall, 1:10, pencil, colored pencil on transparent, TU UB Plan collection inv. No. 12705

Drawing for an iron stairway with marble treads 19th century Anonymous, British, 19th century British. Drawing for an iron stairway with marble treads 363096

Letter N with Artemis van Ephesus, Claude Mellan, 1639 - 1643 print print maker: Franceprinter: Paris paper engraving decoration of printed matter. letters, alphabet, script

Design for an earthenware flowerpot, Design for a green flowerpot, draughtsman: Theo Colenbrander, 14-Nov-1916, tracing paper, brush, h 139 mm × w 140 mm

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser,' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork, Drawing, Drawing

Quast Ferdinand von (1807-1877), pattern of floor coverings from old cells in the Museum Dresden, wall painting S. Maria Capit. (Without Dat.): Numerous sketches with geometric ornamentation. Pencil on paper, pencil on transparent, ink on paper, 40.5 x 25.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Muster von Fußbodenbelägen aus Altenzelle im Museum Dresden, Wandmalerei

Key to the print of the Battle of Waterloo, 1815, 1815 print Key in the presentation of the print of the Battle of Waterloo, June 18, 1815, when the Prince of Orange is injured. At the bottom in two columns De Legenda 1-11. Amsterdam paper etching / letterpress printing battle (+ land forces) Hougoumont. Waterloo

Designs for a wall painting in the town hall in Den Bosch. Among other studies of two people in coats with crowns on the head and the mother of God on the throne of Solomon. Leaf 31 Verso and 32 recto from a sketchbook with 33 sheets.

Design for Arched Stained Glass Windows (recto); Design for an Architectural Element (verso). Artist: John Dibblee Crace (British, London 1838-1919 London). Dimensions: sheet: 13 3/16 x 9 7/8 in. (33.5 x 25.1 cm). Date: ca. 1898. Museum: Metropolitan Museum of Art, New York, USA.

Designs for a vignette for the Elckerlyc Vereeniging in Amsterdam, c. 1900 - c. 1907 Los sketchbook. With two sketches and a copy of the club leaf stored in a blue cardboard folder. paper. chalk vignette

Night and Day, in Two Octagons, for a Bedroom, Felice Giani, Italian, 1758-1823, Pen and dark brown ink on heavy laid paper, Top: Selene rides upon chariot with two horses towards left. Flying putto with torch accompanies her. Trophy consisting of bow and quiver shown at bottom. Caption, written with ink on top: 'notte'; top right: camera da letto'. Bottom: Apollo rides in chariot with four horses toward right. Arc of zodiac in rear. Trophy with lyre shown at bottom. Caption, beneath: 'Giorno.' Written center: 'Giorno(Giugno) canchro Luglio leone/ Agosto vergine/ Settembre libra.', Italy, ca. 1815, architecture, interiors, Drawing, Drawing

Klingholz Fritz (1861-1921), ornaments, capitals and bases (without date): View. Pencil watercolored, gold heighted on paper, 34.1 x 24.1 cm (including scan edges) Klingholz Fritz (1861-1921): Ornamente, Kapitelle und Basen

Deraisme, Pierre -Georges (n.1859 - D.1932), Barte brocte (main title), 1911. Graphite. Ink on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Gropius Martin (1824-1880), sketch album 5: Grabmäler, Venice-San Michele (without Dat.): Details. Pencil on paper, 16.6 x 21.3 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 5: Grabmäler, Venedig-San Michele

Designs for ornaments with pattern of hexagons, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk ornaments ~ art

Designing for a monument with a bank and the coat of arms of Haarlem. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 213 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

Design of a writing example: Al may. Sig. Henrico den Haen (...), 1605 drawing Calligraphic drawing with the salutation: Al may. Sig. Henrico den Haen ... below that six lines in Italian: Sig. Honorando, et Amico ... signed: affectt ISSI Mo Velde. The text is framed with curl. The drawing is part of an album. Rotterdam paper. ink pen / calligraphy calligraphy

Deraisme, Pierre -Georges (n.1859 - D.1932), Pardelle handle (main title), 1900. Graphite, ink and watercolor on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Persius Reinhold (1835-1912), vases, trophies: views, details. Pencil on paper, 34.5 x 21.3 cm (including scan edges)

An etching by Johann Oswald Harms from 1678-1680 depicting a Planet Ballet stage design with Sol and personifications of the four seasons, showing allegorical figures and scenic elements.

Pomp te Utrecht.Pump in Utrecht. On the left a figure. Leaf 42 Verso from a sketchbook with 44 sheets manufactured in Zeeland and Utrecht.

Gropius Martin (1824-1880), sketch album 5: fence (without date): Details. Pencil on paper, 16.4 x 21 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 5: Zaun

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Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.4 x 29.9 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies for architectural decoration. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Drawing, Design for Kidney-Shaped Writing Table with Blotter and Book Atop; Designed by A.N. Davenport Co.; graphite on thin cream paper; 23.8 x 21.0 cm (9 3/8 x 8 1/4 in. )

Bliżej Kultury Simmler, Józef (1823 1868)

Design for a brooch, Mathieu Lauweriks, 1913 drawing Design for a piece of jewelry. tracing paper. pencil brooch, agraffe, clasp

Fragments of prints with secular and spiritual traditional costumes, Abraham de Bruyn, 1581 - 1596 print Fragments of various prints, including from prints 30 and 37 to 39. Cologne paper engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes)

Inferno VIII, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Design for a stained glass window with a world map, Anonymous, in or after 1907 - 1930 drawing Design for a rectangular stained glass window with a world map in a round shape in the middle. Also three other allegorical designs that probably have to fill the round shape of the window in the same way, including a performance with a caduceus (trade), an owl on a book (wisdom) and two camels in a palm (moderation). Amsterdam tracing paper. watercolor (paint). pencil brush map of the world. owls. hoofed animals: camel

Stained glass drawing: Geometric patterned border Prosper Lafaye (1806-1883). Stained glass drawing: geometric border, between 1845 and 1875.

Just between two trees and animal trap. Two performances on a leaf. Above: just tense between two trees. Below: a animal trap or trench between two posts.

Two cupboards and a tube, Pietro Ruga, After Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching ornaments ~ art. ornamental cupboard

Klingholz Fritz (1861-1921), ceiling console (July 26, 1885): Perspective view, cut. Pencil watercolor on the box, 13 x 21.6 cm (including scan edges) Klingholz Fritz (1861-1921): Deckenkonsole

The wall on the right in the interior of the 4th Chambers of the World in Dakka in Nubia; Leroux, Louis (fl. Ca 1829-1847), Rifaud, Jean-Jacques (1786-1852); 1830 (1830-00-00-1830-00-00);

Edelfelt, Albert, work, Sketch book, drawing, 22.5 cm x 30.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Nieuwjaarswens van George Révész, Kornél Révész, 1933 Ex Libris is part of cover with 64 ex Libris on 34 separate set -up sheets, a catalog and a text sheet. Budapest paper etching / drypoint draughtsman at work. furniture and household effects

Drawing, Design for a Rectangular Table with Ball-and-Claw Feet; Designed by A.N. Davenport Co.; graphite on thin cream paper; 21.3 x 27.9 cm (8 3/8 x 11 in. )

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359279

Correct Survey of Dublin, As It Stood in the Year 1610. James Malton; English, 1761-1803. Date: 1792. Dimensions: 275 × 475 mm (plate); 420 × 555 mm (sheet). Aquatint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904): Ceiling view of the large kinglog 1:25. Pencil on cardboard, 51.3 x 67.6 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau

Drawing, Design for Round Table on Carved Cabriole Legs; Designed by A.N. Davenport Co.; pen and black ink on thin cream paper; 21.0 x 27.6 cm (8 1/4 x 10 7/8 in. )

Berndtson, Gunnar, work, Sketch book, drawing, 7.5 cm x 12 cm, Berndtson, Gunnar

Les rochers , Alphonse Legros (1837-1911)

Pencil sketches by Adolf Loos showing decorative garlands for Villa H. Konstandt in Olmütz, Czech Republic, on Johannesgasse, created around 1919 on paper.

Ex libris Anna Kühne. Hilf Gott Alle Zeit; Burckhardt, Johanna Louise Caroline (1849-1935); 1908 (1908-00-00-1908-00-00);Kühne, Anna (Fl. Ca 1908), Kühne, Anna (Fl. Ca 1908) - exlibris, partage plus, trees, Swiss graphics, modernism (style), landscapes, Swiss (culture)

Bliżej Kultury Stanisławski, Jan (1860 1907)

Quast Ferdinand von (1807-1877), round arch or niche with door, coat of arms (without dat.): Tearing, two profiles, two coats of arms. Ink on paper, 11.5 x 22 cm (including scan edges) Quast Ferdinand von (1807-1877): Rundbogen oder Nische mit Tür, Wappen

George E Rhone, Technique Demonstration, 1935 1942 Technique Demonstration

Morsetelegaaf. .

Design for a Stage Set at the Opéra, Paris 1825-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1825-90. Graphite. Drawings

Quast Ferdinand von (1807-1877), viticulture in Bolzano, Merano and Tramin in Tyrol (1862): Three views of pergola near Bozen and Tramin, Pontanne at Merano (re-drawing or drawing according to Agron. Zeitung, 1862, p. 425). Ink on paper, 16.2 x 21.5 cm (including scan edges) Quast Ferdinand von (1807-1877): Weinbau, Bozen, Meran und Tramin

Design for a pepper and salt set, Mathieu Lauweriks, 1874-1932 drawing pencil salt-cellar, salt-shaker. spice-box

Quast Ferdinand von (1807-1877), Stab of Saint Erhard and enamelled cross in Regensburg (16.08.1857): Two leaves: View of the roundbow knob (after- or through drawing according to Sighard I, p. 28), fleeting sketch of the cross with assignment The label. Ink on transparent, pencil on paper, 26.7 x 38 cm (including scan edges) Quast Ferdinand von (1807-1877): Stab des Heiligen Erhard und emailliertes Kreuz, Regensburg

A sketch sheet by Rudolf Weyr using pencil with brown laved and white highlights, depicting figures and compositional elements.

Monumental block centered with naked figures, study of the base Guillaume Boichot (1735-1814). Monumental block cantoned with naked figures, study of the base. Feather and ink of China, 1735-1815.

Chemise. Dated: c. 1937. Dimensions: overall: 32.8 x 27.9 cm (12 15/16 x 11 in.) Original IAD Object: yoke: 12" accross; sleeve: 6" long; 42" long; 40" wide at the bottom. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gladys C. Parker.

Picture Frame. Dated: c. 1936. Dimensions: overall: 27.8 x 22.8 cm (10 15/16 x 9 in.) Original IAD Object: 12 1/2x14 1/2"outside; 7 1/2x9 1/2"inner meas.. Medium: watercolor, colored pencil, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Manuel G. Runyan.

Writing example: Quatre Sortes de Personages (...), Simon Frisius, After David Roelands, 1616 - 1617 Write example with five lines of text in French: quatre sortes the characters ... the text is framed by curl. The print is part of an album. Flushing paper engraving Write example with five lines of text in French: quatre sortes the characters ... the text is framed by curl. The print is part of an album. Flushing paper engraving

Design for a wine list, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Grapesros with grape leaves and a cup. paper. watercolor (paint). pencil brush bunch of grapes. drinking-vessels

Design for a necklace. Draughtsman: Mathieu Lauweriks. Dating: c. 1874 - c. 1932. Measurements: h 203 mm × w 127 mm. Museum: Rijksmuseum, Amsterdam.

Design for Rumble Sleigh, no. 3811 1883 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alf

Drawing..

Drawing, Textile Design: Prisma; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); graphite on tracing paper; 11.4 × 27.3 cm (4 1/2 × 10 3/4 in.)

Lupus healing, Correction of the plans No, and , Otto Wagner -, artist

Pen drawing by Paul Klee titled 'If you no longer believe in it', executed on paper with limile dab on cardboard in 1927, depicting abstract forms and line composition.

Playbill for "Le Chariot de Terre Cuite" (The Little Clay Cart) 1895 Henri de Toulouse-Lautrec Lautrec designed this playbill for Victor Barrucands adaptation of the fourth-century Sanskrit love story translated as "Le Chariot de terre cuite" (The Little Clay Cart). An ornamental elephant, possibly inspired by the papier-mché model at the Moulin Rouge, forms the base of a decorative platform at the top of which anarchist critic Félix Fénéon strikes a dramatic pose. Fénéon recited the prologue for the production, which opened Jan 22, 1895 at the Thétre de lOeuvre in Paris. Lautrec also designed the sets for the fifth act.. Playbill for "Le Chariot de Terre Cuite" (The Little Clay Cart). Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). 1895. Lithograph printed in blue. Prints

Birdfaves. Two performances on a leaf. Above: Landscape with a standing net to catch birds. Below: three figures, whereby the operation of a folding trap is just explained.

Rathey Otto, Provincial Museum, Breslau (1873): Grundriss eG. Tusche watercolor on the box, 69.7 x 78.8 cm (including scan edges) Rathey Otto : Provinzialmuseum, Breslau

Nohl Maximilian (1830-1863), Or 'San Michele in Florence (08.10.1858): 2 statues at the main cornice: View. Pencil on paper, 22.3 x 29.9 cm (including scan edges) Nohl Maximilian (1830-1863): Or´ San Michele, Florenz

Firming build, Estealth types descriving, bastunment

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Detailed cut. Pencil, colored pencil on transparent, 40.6 x 46.1 cm (including scan edges)

Design for Phaeton, no. 158. Dimensions: sheet: 6 3/4 x 10 in. (17.1 x 25.4 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1850-74.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodie

Constructions for Animal Falls, Bernard Picart (workshop or), After Bernard Picart, 1730 print Three performances on a leaf. Above: Different traps and bows between the bushes. Middle: Construction with a pin. Below: just to catch birds. Amsterdam paper etching bird hunting

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