Architectural and Figure Sketches

A series of pencil sketches featuring architectural designs and figures. The focus is on form and structure, with studies showcasing different styles and details.

Design for a book band and ornaments with flowers, 1897 Design for a book binding for a work by Frederik van Eeden. Page 22 Verso from a sketchbook with 29 sheets. paper. chalk. pencil flowers ~ ornament. book-cover, binding

Mars in a medallion. Mars carries a sword and helmet. Above the medallion Two smaller medallions with representations of the constellations Ram and Scorpio. Design for a glass-in-lead window for the Chamber of Commerce in the Beurs van Berlage in Amsterdam. Leaf 5 Recto from a sketchbook with 45 sheets.

Study magazine with architecture, a StraScène and interior with figures, 1819 - 1849 Leaf 35 Recto from a sketchbook with 52 sheets. paper. pencil street (+ city(-scape) with figures, staffage). interior of the house. architecture

Standing Figure, 1819 - 1849 Also two studies. Leaf 47 Verso from a sketchbook with 60 sheets. paper. pencil standing figure

Architectural detail with Rolwerk, 1883 - 1922 Page 26 Verso from a sketchbook with 27 magazines. paper. chalk architectural detail. ribbon, scroll, banderole ~ ornament

Design for a book band and ornaments with flowers, 1897 Design for a book binding for a work by Frederik van Eeden. Page 22 Verso from a sketchbook with 29 sheets. paper. chalk. pencil flowers ~ ornament. book-cover, binding

Drawing, Fragment of a Colonnade, Fountain; Frederic Edwin Church (American, 1826-1900); USA

Gropius Martin (1824-1880), grille (without date): View. Pencil on paper, 24.3 x 21.3 cm (including scan edges) Gropius Martin (1824-1880): Gitter

Ornaments with leaves, c. 1901 Page 65 Verso from a sketchbook with 79 sheets. chalk foliage ~ ornament

Twee studies van het Rijkswapen.Two studies of the national arms, a version of the weapon of the Kingdom of the Netherlands. Links Two lions on either side of a crowned coat of arms, surrounded by bricks. On the right the lion with the sword, also accumulated. Leaf 14 Recto from a sketchbook with 27 sheets.

Geometric patterns and a cart on a market, George Hendrik Breitner, 1882 - 1883 Page 11 from a sketchbook with 29 sheets. The Hague paper. pencil ornament ~ geometric motifs. stall, booth (~ market). hand-cart

Sketch leaf, Jan Brandes, 1770 - 1808 drawing Sketch of a building or departure decorated with tenders. Inscription: 'Linen'. paper. pencil ornament ~ festoon, garland

Figure, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of a female figure kneeling., USA, n.d., figures, Drawing, Drawing

Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault 340403

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 47.9 x 29.9 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Maaswerkward van de Nieuwe Kerk in Amsterdam, George Hendrik Breitner, 1888 Page 10 from a sketchbook with 24 sheets. Amsterdam paper. pencil church-window, e.g. rose-window. architectural detail new church

Cityscape with figures. Leaf 23 Verso from a sketchbook with 45 sheets.

Design for a chandelier: detail of a swan holding a candlestick. Artist: Anonymous, German, 19th century. Dimensions: Sheet: 15 3/4 x 20 3/16 in. (40 x 51.2 cm). Date: early 19th century.Recto: design for a chandelierVerso: geometric sketches. Museum: Metropolitan Museum of Art, New York, USA.

Design for Panelled Ceiling with Figures and Carving. Artist: John Gregory Crace (British, London 1809-1889 Dulwich) , and Son. Dimensions: sheet: 21 1/4 x 15 1/4 in. (54 x 38.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Lehmmübner Paul (1855-1916), St. Willibrord Church in Wesel (1892): Stencil for the deciduous wreath of the capitals. Pencil on cardboard, 12.8 x 19.9 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirche St. Willibrord, Wesel

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.5 x 21.5 cm (including scan edges)

Messel Alfred (1853-1909), Wertheim, Leipziger Straße, Berlin. 2. Construction phase (1899-1900), engine furniture car, pencil, colored pencil watercolored on transparent, TU UB Plan collection inv. No. 12721

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies of weaponry. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Design for a Chandelier. Artist: George Wickes (British, Bury St Edmunds, Suffolk 1698-1761 Thurston, Suffolk). Dimensions: 21 3/4 × 30 5/8 in. (55.3 × 77.8 cm). Date: ca. 1742-45.The design is one of two recorded designs for silver chandeliers, supplied to Robert Walpole by George Wickes for Houghton Hall (Norfolk) in 1743. Whether Wickes himself designed the pieces is unclear. It appears that the designs were never executed in silver, as they are not recorded in the inventories made after Walpole's death in 1745. This drawing focusses on the main body of the chandelier and shows two variants for the decoration of the arms, which possibly explains the two loose sheets it is made on. On the left side, a dragon-like mask forms the mount for the arms, while on the right side the arm is supported by the characteristic head of a Saracen, which confirms the connection with the Walpole family, and Robert Walpole in particular. Museum: Metropolitan Museum of Art, New York, USA.

Design for Three Chairs. Artist: Anonymous, British, 19th century. Dimensions: sheet: 10 3/4 x 14 15/16 in. (27.3 x 38 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Lehmmübner Paul (1855-1916), Uckermärkisches Museum in Prenzlau. Conversion of the Holy Geist Church (1898): Table: View. Pencil on transparent, 43 x 51.4 cm (including scan edges) Lehmgrübner Paul (1855-1916): Uckermärkisches Museum, Prenzlau. Umbau der Heilig-Geist-Kirche

Bitzert L., ceiling designs for an unknown building S.K.H. (1849): Details in the anteroom and meeting room. Pencil on paper, 33.6 x 50.2 cm (including scan edges)

Klomp Johannes Franziskus (1865-1946), St. Antonius von Padua, Rheine (September 30, 1902): Ornaments of the transept gallery (1: 1). Pencil, colored pencil on transparent, 96.5 x 135 cm (including scan edges)

Rüster Emil (1883-1949), detail (without dat.): Vaulted sketch on average. Pencil on paper, 21.6 x 33.5 cm (including scan edges) Rüster Emil (1883-1949): Detail

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 13 1/2 x 19 9/16 in. (34.3 x 49.7 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Jean Pesne created around 1670 showing detailed studies of eyes and heads.

Pencil studies by Ludwig Richter showing two illustrations for the book 'Richilde' from Musäus' 'Volksmarchen of the Germans', around 1841-1842.

Design for Embroidery Pattern, Graphite, brush and ink on paper, Embroidery pattern, before 1916, Drawing, Drawing

Geography, geometry, astrology, Gottlieb Friedrich Riedel, 1779 print Three trophies. At the top left with attributes belonging to geography, at the top right of geometry and in the middle of astrology. Augsburg paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. 'Corografia', 'Geografia', 'Hidrografia' (Ripa). 'Geometria' (~ quadrivium); 'Geometria' (Ripa). 'Astrologia' (Ripa)

Gropius Martin (1824-1880), sketch album 3: Architectural details (1871-1871): Details. Pencil on paper, 34.4 x 20.6 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 3: Architektonische Details

Järnefelt, Eero, work, Sketch book, 1930s, pencil and crayon, drawing, 42 cm x 32.5 cm, Järnefelt, Eero, 1930s, pencil and crayon, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Ground Plan for a Catafalque for the King of Sardinia, Vittorio Amedeo (d.1732) around 1732 Workshop of Giuseppe Galli Bibiena Italian. Ground Plan for a Catafalque for the King of Sardinia, Vittorio Amedeo (d.1732) 344381

Giovanni Battista Borra, 1713-1770, Italian, Plan of the Port of Sigacik (ancient Teos), ca. 1750. Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper.

Velten Jurij Matwejewitsch (1730-1801), bathroom of the Empress in the Winter Palace St.Petersburg (approx. 1765): floor plan, longitudinal cut, cross-section of the stove, scale bar. Tusche watercolor on paper, 50.8 x 72.4 cm (including scan edges) Velten Jurij Matwejewitsch (1730-1801): Bad der Kaiserin im Winterpalast St. Petersburg

Sailing ship on a calm sea, 1780 - 1848 Leaf 39 Recto from a sketchbook with 53 sheets. paper. pencil. ink pen sailing-ship, sailing-boat

Leopold Bauers 1899 sketches in pencil and ink depict floral ornamental designs for beds. The drawings focus on decorative patterns, plant forms, and layout arrangements.

Studies of Pillars, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on medium, moderately textured, beige, wove paper, Sheet: 9 13/16 × 7 5/8 inches (24.9 × 19.4 cm)

Pencil studies by Leopold Bauer focusing on ornamental designs and decorative motifs, created in 1899.

Augustus Welby Northmore Pugin, 1812-1852, British, Designs for Gothic Ornamentation, undated. Graphite and pen and brown ink on medium, smooth, cream wove paper.

Boetticher Carl (1806-1889), »Tectonics of the Hellenen« (table band, 2nd edition Berlin 1874): Tafel 29. Stahlstich on paper, 30 x 43.8 cm (including scan edges)

Carriage Design, 18th century, Jacques François Blondel, French, 1705 - 1774, 7 1/16 x 9 1/2 in. (17.94 x 24.13 cm) (image), Graphite on paper, France, 18th century

Design for a Six-Legged Adjustable Round Table on Casters, A.N. Davenport Co., Graphite on thin, cream paper, Round molded top with dividing stretcher running across center raised on 6 straight tapering legs on casters., 1900-05, furniture, Drawing, Drawing

A pencil sketch by Peter Fendi depicts a mosaic floor, recorded in his sketchbook between 1820 and 1823, showing the pattern and design.

Michel Paul sen. (1877-1938), sketchbook. 1901 (24.08.1901): Fries, building sculpture, bike window, views, streets, perspective view in Mainz. Pencil on paper, 24 x 19 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1901

Plate X, from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Machine, not a lathe' perhaps fo tracing and cutting copies of wood pieces. A man working at machine, upper right, controlling folding slats attached to curved wood on which a large looped wood piece is hooked, touching a screw. Description in Latin on verso of 1949-152-207., Europe, 1582, Print, Print

Study sheet, including with a gondola and a head of Pharaoh Seti I, 1858 - 1860 Also an architecture study, horse head and a car. Verso side of a loose leaf belonging to a sketchbook with 23 sheets with sketches made during a trip through Egypt. Egypt paper. watercolor (paint). pencil pen / brush gondola. horse Egypt

Quast Ferdinand von (1807-1877), baptismal stones from granite in Coeselitz near Gützow and in Fessel (1856): side view (simple sketch), cut and supervision, scale strip (two leaves). Pencil on transparent, 36.2 x 28.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Taufsteine aus Granit, Coeselitz bei Gützow und Fessel

Frame work with acanthus leaves, c. 1890 - c. 1922 Page 27 Recto from a sketchbook with 43 sheets. paper. pencil other architectural details (CORNICE). acanthus ~ ornament

Böhmer Franz (1907-1943), Reich Ministry of Nutrition and Agriculture in Berlin-Mitte (1938-1938): Round table in the waiting room: Gundriss, below, view 1:10. Colored pencil over a break on paper, 40.6 x 35.4 cm (including scan edges)

Attributed to John Carter, 1748-1817, British, Seats in Henry VII Chapel, Westminster Abbey, ca. 1793. Graphite and pen and black ink on slightley textured, medium, white laid paper.

Study for a procession, Vintage Festival,” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857-1903, Black pastel crayon, graphite on paper, Sketch of male and female figures in procession through an arcade with columns and pedestals. Similar to -b, shown to the group -16, inclusive. Parts of the architecture are sketched., New York, NY, USA, 1895-1898, mural designs, Drawing, Drawing

Gloer project detailing architectural fragments Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project detailing fragments of architecture. Pencil.

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Study for Christie's Auction Room. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 196 × 260 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 213 mm × w 231 mm. Museum: Rijksmuseum, Amsterdam.

Furniture parts, c. 1886 - 1923 drawing Amsterdam (possibly) paper. pencil furniture and household effects

Drawing, Study of balusters and sculptural motifs; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Buda conquered by the Austrians. Artist: Giuseppe Maria Mitelli (Italian, Bologna () 1634-1718 Bologna). Dimensions: 11 13/16 × 28 5/8 in. (30 × 72.7 cm)Plate: 10 3/4 × 26 15/16 in. (27.3 × 68.4 cm). Date: 1686.The Hungarian city of Buda was occupied by the Turks for almost 150 years before it was liberated by the combined forces of the Austrians and Hungarians in 1686. The print is on two joined sheets. The word BUDA (as in Budapest) is constructed from contorted figures and different forms. It is framed by an etched border and in the upper section is the symbol of the Imperial Eagle. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Jan Pietersz. Saenredam showing the punishment of Niobe, created in 1594.

Quarter of a Ceiling, Livre de Portion de Plafonds en Vousures (Book of Portions of Vaulted Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the younger, German, 1731 - 1777, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, View of a quarter of a vaulted ceiling, the border decorated with ornamental cartouches in Rococo style, the largest cartouche at lower left, with a vase of flowers at its base. Along left edge, two winged putti sit beneath a canopy of flowers. Within a cartouche, a partial view of architectural structure at left, a palm at right. Along right edge, view of a curving exterior stair with trees in background., Munich, Germany, Paris, France, 18th century, albums (bound) & books, Bound print, Bound print

Paramenten, c. 1830 - c. 1850 Paris paper. graphite (mineral) Paris paper. graphite (mineral)

Design for a Round Table on Scrolling Base, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table top raised on reeded columnar supports, atop a molded base terminating in scroll-like feet with carved rosettes., 1900-05, furniture, Drawing, Drawing

Lehmmübner Paul (1855-1916), District Suburetics in Prenzlau. () (1886): Detail Keller window 1: 1. Ink on transparent, 52.8 x 28.9 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kreis-Ständehaus, Prenzlau ()

Design for Plumed Oil Lamp ca. 1770-90 Anonymous, French, 18th century French. Design for Plumed Oil Lamp 344281

Design. Leaf 22 Recto from a sketchbook with 29 sheets.

Burial monument, chairs, cupboards, a bed and couch, c. 1850 Leaf 31 Verso and 32 Recto from a sketchbook with 37 sheets. paper. pencil. watercolor (paint) brush monument, statue. table. furniture for storage. bench. bed

Design for a covered armchair with cheeks and copper legs on roll wheels, with side view and floor plans under both views, B. Winghofer, 1851 drawing Mainz ink. graphite (mineral) drawing

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): Consoles: Details, Views. Pencil, colored pencil on cardboard, 39.7 x 44.6 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Design and a figure study, c. 1900 Page 2 Recto from a sketchbook with 15 sheets. paper. pencil head (human). architectural representations in general

Study for Hospital, Middlesex, from Microcosm of London 1807-1808 England. Graphite on cream wove paper . Augustus Charles Pugin

Design for a Silver Tea Sea, Mathieu Lauweriks, 1910 drawing paper. ink. chalk. pencil pen work of applied art (+ precious metals ~ arts). tea- and coffee-service. salver

Klomp Johannes Franziskus (1865-1946), Holy Family Church, Lünen (November 13, 1903): Detail of the wind turbine and cross of the roof rider 1: 1. Pencil on transparent, 46.6 x 61.3 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Heilige Familie-Kirche, Lünen

Design with pattern of Judas pins, Julie de Graag, 1887 - 1924 drawing Design in the form of a semicircle. tracing paper. pencil foliage, tendrils, branches ~ ornament. plants and herbs: honesty

Klomp Johannes Franziskus (1865-1946), unaffected drawings and travel sketches (0-0): Capital for pulpit and altar (according to Johannes Otzen). Light break on paper, 27.5 x 30.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Zeichnungen und Reiseskizzen

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 9.9 x 16.6 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Grabmal auf Père Lachaise, Paris

Exploration scientifique de l'Algérie pendant les années 1840, 1841, 1842: publiée par ordre du Gouvernement et avec le concours d'une commission académique. Beaux-arts, architecture et sculpture, Ollivier, Emile Edmond, 1800-1864, Ravoisié, Amable, Steel engraving, 1846-, 1853

"She climbed to the top of the fence...and sat down...not far away she saw a scarecrow, placed high on a pole..". Denslow, W. W. (William Wallace), 1856-1915. 1900. Drawings, Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Baum, L. Frank (Lyman Frank), 1856-1919. Wizard of Oz , Pictorial works

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): ceiling painting. Pencil watercolored, gold heighted on paper, 30.5 x 37.1 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Drawing Book of Drawings: Sailboat (Page 47) Camille-Jean-Baptiste Corot (1796-1875). Sketch book of drawings: sailboat (page 47). Pencil.

unknown architect, plaque. Monthly competition January 1879 (01.1879): Return view, 2 cross -sections; Explanation text. Pencil on paper, 45.3 x 57.5 cm (including scan edges) N.N. : Gedenktafel. Monatskonkurrenz Januar 1879

Järnefelt, Eero, Portrait of Gunnar Berndtson, 1892 - 1894, technique text: gouache, painting, PORTRAIT; man; Gunnar Berndtson; artist; knee shot; sitting; armchair, 53 cm x 46 cm, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Wall" reconstruction projects in Bohdanów - Detals of SupraPorty, Verso fragment of the vault; Ruszczyc, Ferdynand (1870-1936); 1916 (1916-00-00-1916-00-00);Bohdanów (Belarus), Partage Plus, residential buildings, projects, craftsmanship, purchase (provenance)

Wall decoration from a church interior. Leaf 41 Recto from a sketchbook with 41 pages.

Perspective study of an Arched Colonnade. Artist: Anonymous, French, 16th century. Dimensions: sheet: 17 1/8 x 11 7/16 in. (43.5 x 29.1 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Door 19th century Anonymous, British, 19th century British. Design for a Door 386492

Firming build, Estealth types descriving, bastunment

Winch; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Design for a stained glass window with the theme 'De Vrede', 1923-1924 The theme is portrayed by (among other things) a dancing couple with a figure who plays the violin. Design for a stained glass window for the boardroom of the Nederlandsche Handelsmaatschappij in Amsterdam. Page 1 recto from a sketchbook with 12 sheets. paper. pencil work of applied art (+ glass ~ arts). peace

Quast Ferdinand von (1807-1877), foot of a chalice that no longer exists, from Kleve, kept in Han NOver? (1857): Supervision of the star-shaped foot from the end of the 15th century with a crucifix ornament After Ernst Aus'm Weerth: Kunstdek. Tusche on transparent, 35.6 x 29 cm (including scan edges) Quast Ferdinand von (1807-1877): Fuß eines Kelches, der nicht mehr existiert, aus Kleve, aufbewahrt in Hannover?

Study Sketches of Interior in St. George's Chapel, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on medium, moderately textured, cream, laid paper, Sheet: 6 7/16 × 7 7/16 inches (16.4 × 18.9 cm)

Candlestick topped with a crown and other sketches. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Design for Cartouche. Artist: Anonymous, French, 18th century. Dimensions: Overall: 3 1/8 x 8 5/16 in. (7.9 x 21.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Fragment of a Bokaal, Henri Charles Guérard (Attributed To), 1856 - 1897 print paper etching container of glass: bottle, jar, vase

Summer Oscar (1840-1894), Städelsche's art institute in Frankfurt/Main. 3rd project (1874): Perspective interior view of the hall in the side wing. Ink on cardboard, 53.3 x 64.6 cm (including scan edges) Sommer Oscar (1840-1894): Städelsches Kunstinstitut, Frankfurt/Main. 3. Projekt

Sir Robert Smirke the younger, 1781-1867, British, Architectural Drawing, 1802-1804. Graphite on thin, moderately textured, beige, wove paper.

A study by Rudolf Weyr focusing on architectural decoration, showing ornamental elements, patterns, and design details, emphasizing structure and form.

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