Architectural and Furniture Designs

Etchings featuring intricate designs of altars and cabinetry, highlighting baroque elements and detailed craftsmanship from the 17th century.

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Triumphal arch with Charles IV, Triumphal arch with three passages crowned with an image of Charles IV on horseback and a laurel wreath. Caryatids stand between the passages. Above the passages images of Pax and Ceres in triumphal chariots and burning hearts., print, ornament print, book illustration, prints, ornament prints, height 273 mm, width 192 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Collection of planks of furniture: Cabinet. First board from a sequence of 21. Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: cabinet. First board of a sequence of 21. Etching. 1575.

Altar, c. 1658 - c. 1670 print In the middle there is an octagonal painting with the mission of Christ. Second print. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Subsema with NIS, c. 1655 - c. 1657 print The niche is formed by twisted columns crowned with a composite capital. From the second edition. Paris (possibly) paper engraving

Drawing, Project for an altar; Italy; pencil, pen, sepia, brush and grey water color on paper

School Met Putti, Emanuel Eyel (POSSIBLY), AFTER France xaver Hervelman, 1746 print Fireplace with rocaille ornaments, flower motifs, three putti and a three -armed candlestick. Publishing number 274. Augsburg paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Triumphal arch with Charles IV, Triumphal arch with three passages crowned with an image of Charles IV on horseback and a laurel wreath. Caryatids stand between the passages. Above the passages images of Pax and Ceres in triumphal chariots and burning hearts., print, ornament print, book illustration, prints, ornament prints, height 273 mm, width 192 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Rinceaux Panels, One Fontainebleau School Cartouche. Artist: Anonymous, Italian, 16th century; Anonymous, French, 16th century; Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: 14 1/4 × 9 3/8 × 7/16 in. (36.2 × 23.8 × 1.1 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Corinthian main frame, capital and basement, anonymous, After Giovanni Battista Montano, 1636 print At the bottom is an explanation. after design by: Italy (possibly)publisher: Rome paper engraving

Drawing, Wall decoration; France & Italy

Fireplace between two wall panels; Schouwen and wooden paneling in interiors. In the middle of a medallion with the bust of an emperor, stopped by two women.

Design for Altars, from 'Autels et Retables', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Cabinet with two doors, Jean Lepautre, in or before c. 1709 - 1716 print The doors are decorated with vases in octagonal panels. At the top is a Keizersbust flanked by two women. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Paris, Mariette, Pierre (II), France, Marot, Jean (I), Tombs or Mausoleums, Tombstone in the form of a tempietto, The niches contain statues, on top Minerva sits on a trophy of arms. From the first edition., print, engraving, ornamental print, prints, engravings, ornamental prints, height 211 mm, width 126 mm, French, 1619 - 1679-12-15, print maker, printmaker, 1629 - 1716, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Door frame with putti and vase; Door Pictures. Door frame with rocaille ornaments, leaf motifs, two putti with garlands and a half cartouche and half vase with flowers above. Publisher number 298.

Choral bench with Ionian columns on either side, c. 1657 - c. 1665 print Choral bench with Ionian columns on either side. Print is part of an album. Paris paper etching ornaments ~ art. seats of the clergy, choir-stalls

Submash with painting by Narcissus, François de Poilly (i) (Possible), after François de Poilly (I), 1632 - 1693 print On the left, various details are depicted. From series of title page and 5 magazines, second edition. Paris (possibly) paper etching

Ch. Claesen (as a draftsman): Fireplace from the time of Ludwig des XIII

Fountain in the garden of Vincenzo Giustiniani; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Fountain in the garden of Vincenzo Giustiniani. Central a standing naked figure. At the bottom of a lying flow god with cornucopia and an urn where water flows out. Above the columns the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Portal Decorated with Mascarons, a Triton and Sphinxen, Wendel Dietterlin (I), 1593 - 1595 Numbered: 45. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. ornament ~ hybrid beings; human and animal forms mixed

Graftombe from Admiraal Maarten Harpertsz. Tromp in Oude Kerk in Delft, Cornelis van Dalen (II), After Jacob van Campen, After Rombout Verhulst, 1656 - 1664 print Graftombe from Admiraal Maarten Harpertsz. Tromp in Oude Kerk in Delft. Image of the fallen Admiral in Harness lying on Tomb with sea battle at Terheide on Frisian. Against the wall marble relief with putti with coats of arms and armor flanked by columns and militaria. On top of frame crowned with weapons shield held by griffins and flanked by Tritons or Meermannen. Amsterdam paper. chalk. ink engraving / pen grave-building, monumental tomb. Battle of Scheveningen

Design for a Reredos or Frame and Setting for an Altar Painting 1552-1626 Pomarancio (Cristoforo Roncalli). Design for a Reredos or Frame and Setting for an Altar Painting 346118

Design for an arb bow for Archduke Leopold Willem. Design for a triumphal arch.

Design of a fireplace with two sitting figures of women holding a smoking urn. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Portal or door of the Ionic order. Ionica. Portal jonischer Ordnung. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Fireworks celebrating the erection of the Temple of Glory and equestrian statue of Louis le Grand, Paris 1699 1699 Anonymous, French, 17th century. Fireworks celebrating the erection of the Temple of Glory and equestrian statue of Louis le Grand, Paris 1699 700295

Stained glass window 3 in the Sint-Janskerk in Gouda: the Dordrecht city parent, Pieter Tanjé, after Julius Caesar Boëthius, after Adriaan Gerritsz. the free, after Gerrit Gerritsz. Cuyp, 1738 - 1754 print The third stained glass window in the Sint-Janskerk in Gouda with the presentation of the Dordrecht Stedenmaag. She is in her own garden as the center of Hollands Territorium. Around fifteen city weapons of cities that are situated on the borders of the Dutch area and the surrounding provinces. Above caution, with mirror and snake, and the moderation, which mixes wine with water. At the bottom of justice with sword and scales and the steadfastness with a column. These four cardinal virtues refer to the pride of Dordrecht on its virtuous board. The city of Dordrecht was the donor of the stained glass window on the city of Gouda. Amsterdam paper etching / engraving the Four Cardinal Virtues. personification of a city, town-patron(ess). church-window, e.g. rose-window Dordrecht

Underbias; Nouveaux Liure de Cheminées a la Hollandaise. The chimney attempt consists of two long consoles with a mirror and a painting above it. Chinese vases are on the partially curved cornice. From series of 6 sheets.

Design of a fireplace with a big mirror and a round medallion topped with a crown and flanked by two putti above. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Print

Schouw Met putto, Emanuel Eichel, after Franz Xaver Habermann, 1731 - 1775 print Fireplace with rocaille ornaments, a putto and two winged angel heads. Publishing number 164. Augsburg paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Attributed to Thomas Carwitham, active 1723, British, Design for Ceiling Decoration, undated. Graphite, gray wash, and pen and brown ink on medium, moderately textured, cream wove paper.

Design for a chimney with a presentation of a sacrifice; Neu Inventirte Hollaendische Camine, Anderer Theil, series T; Neu Inventirte Hollaendische Camine, Ander Theil / Nouveau Livre de Chéminees Hollandoises, Second Livre.design for a Chimney with a Representation of a FEW figures with a sacrifice column. Perhaps the sacrifice or iphigenia. The Mantelpiece is decorated with Rocaille Ornaments and a Women's Mask.

Above the chimney stool hangs a rectangular painting with men warming themselves by a fire, Chimney Verschyde Chimney Mantels (series title), print maker: Cornelis Danckerts (I), Pierre Bullet, printer: Justus Danckerts, print maker: Netherlands, (possibly), France, (possibly), printer: Amsterdam, publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 248 mm × w 151 mm

Graftombe of Admiral Maarten Harpertszoon Tromp; Tombe van den Admiraal Marten Harpertsz Tromp. Admiral Graftombe Maarten Harpertsz. Tromp in the new church in Delft, completed in 1656.

Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand) Published 1642 Flanders. On the occasion of Cardinal-Infante Ferdinandís triumphal entry into Antwerp in 1635, Peter Paul Rubens designed temporary arches and stages to decorate his procession route through the city. Triumphal processions of this kind were common forms of political theater, enacted to consolidate the power of a regent or monarch. The stage in memory of Isabella Clara Eugenia (2015.11) served to reinforce the dynastic transfer of authority from Ferdinandís predecessor, who had governed the southern Netherlands from 1598 until the time of her death in 1633. The central image of the stage in her honor, enlarged in the accompanying print (2015.12), shows Ferdinandís appointment by Philip IV, while the flanking columns represent effects of good governmentópublic hea

Chimney mantle, decorated with a square list of a performance of history (), Anonymous, After Jacques Androuet, 1520 - 1561 History () In the form of a winged woman who puts her pen on an empty cartouche. From a series consisting of a title page and 66 sheets with chimney mantles, decorated with columns, Hermen, Cartouches, Garlandes and Mascarons. All chimney mantels are equipped with hair IJs. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Fireplace decoration design; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Altar in the form of a Tempietto founded magistrates on the Meir, 1685; On the dish by the Noble Heeren van't Magistraet on the More to Antwerp Anno 1685. Altar in the form of a Tempietto, founded by the magistrates of the city of Antwerp on the Meir. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Above the tablet of the chimney cowl is a frieze with a variant for the right half, above it is a pelican on an oval frame., Underbrush Verschyde Chimney Mantels (series title), print maker: Cornelis Danckerts (I), Pierre Bullet, printer: Justus Danckerts, print maker: Netherlands, (possibly), France, (possibly), printer: Amsterdam, publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 285 mm × w 163 mm

Underbools with fourteen vases and teapots; Underbools for a 'Lambris d'Appi'. Underbuffs with two plates on which nine and five Chinese vases and teapots are. A portrait of a woman is standing in front of the mirror.

Altar with all -seeing eye, 1758 - 1820 print Design for an altar crowned by two angels, two vases and above it in a triangle with a jet wreath the all -seeing eye. Above a four -line French text. paper etching / engraving altar

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

On a pedestal, decorated with mascarons, there is a bank between two screens, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Copy to print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching

Left Half of the Design for an Altar ca. 1600-1650 Anonymous, Spanish, 17th century Spanish. Left Half of the Design for an Altar 337149

Chimney mantle with grotesken, Johann Adam Dellsenbach, after Paul Decker (I), 1708 - 1724 print The mantelpiece is decorated with two winged sphinxes. Left grotesken. print maker: Neurenbergprint maker: Neurenbergafter design by: Neurenberg (possibly)publisher: Augsburg paper etching chimney-piece, mantelpiece. interior of the house. ornament ~ grotesque

Underboe seal with octagonal painting, c. 1866 - c. 1900 print On the chimney plate is a clock with a sitting putto on both sides, two women are next to a vase at the top. At the bottom right is stated: N ° 12. H. 61. Liège (possibly) paper

Speculum Romanae Magnificentiae: Sepulchre of Julius II 1582 Giovanni Ambrogio Brambilla Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of print

Abessinië (Ethiopië); Abissinie ou haute Ethiopie et la Religion; D Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A door with masks, spears and a Dessus de-porte with a round medallion with a column. On the right an oval medallion with a horse with lances, a helmet and a shield and a book with a blindfolded crowned figure. Print number 60.

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Triumphal arch with Charles IV, Triumphal arch with three passages crowned with an image of Charles IV on horseback and the sun flanked by flags, Minerva and an angel. Twisted columns stand between the passages. Above the passages are armorial trophies, medallions and figures with trumpets and drums., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 259 mm, width 178 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Design for a garden wall with a statue, draughtsman: Simon Schijnvoet, Amsterdam, 1700 - 1725, ink, pen, h 166 mm × w 291 mm

Jacob van Schley, 1715-1779, Dutch, The Monument of King Henry III, in Westminster Abbey, 1735. Engraving on medium, slightly textured, white wove paper. . architectural subject , historical subject , monument. England , Europe , London , United Kingdom , Westminster Abbey

The elevation of an altar with two alternative suggestions, Pencil, pen, black ink, brush, grey, rpse water colors on paper, Italy, 1775-1800, architecture, Drawing, Drawing

Alcove with wooden paneling; Algues a l'Italienne. On both sides of the alcove is a door with a top door panel, decorated with sphinxes, an eagle and a garland.

Fireplace for a wall; Novae Cheminae. A frieze has been displayed between the chimney ball and the cornice with a sacrificial scene in bas-relief. There are two nymphs in addition to a smoldering urn. Copy to print from the Serie Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces.

Design for a Niche With a Painting, Jean Le Pautre, French, 1618-1682, Etching on paper, A painting representing a landscape with a castle hangs in the rear of a rectangular niche. Two putti hold a cloth with an inscription., Europe, France, ca. 1660, Print, Print

Drawing, Design for a Window Frame; Possibly by Carlo Marchionni (Italian, 1702-1786); Italy; pen and brown ink, brush and gray wash, graphite on off-white laid paper; 27.9 x 21.2 cm (11 in. x 8 3/8 in.)

Design for a Lady's Tomb 16th century Anonymous, French, 16th century French. Design for a Lady's Tomb 362888

Three half epitafes and three half altar constructions; Ionica.iii; Architectura von den Funf Seuvlen (...). At the top, six balusters or terms of advance are depicted with five pinnacles in addition, four terms can be seen in the form of rollerwork consoles from the side. Leaf 13 from series from title page and 28 sheets.

Design for a wall decoration, Design for a room decoration with niche and ornaments, draughtsman: Abraham Meertens, 1767 - 1823, paper, pen, brush, h 323 mm × w 508 mm

Grave monument in Nis in Kapel, Jean Lepautre, 1661 print Grave monument with a box on a high pedestal. Page 4 from series of title page and 5 magazines, third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Altar with putti and female, 1705 - 1754 print Design for an altar with rocaille ornaments and a chalice in the middle. On the right is a woman, a winged putto on the left. At the top a putto with wings. paper etching / engraving altar. cupids: 'amores', 'amoretti', 'putti'. adult woman. rocaille ornament

Wall with Chimneypiece and Mirror, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall decoration with applied ornamental stuccowork. A chimneypiece at center with a large mirror above. On either side, double doors with overdoor paintings depicting architectural ruins. Scale at bottom center., Munich, Germany, 18th century, albums (bound) & books, Bound print, Bound print

A circa 1635 copper engraving by Theodor van Thulden depicting an arch associated with Michaels Priory and featuring Hercules as a symbolic figure of productivity.

Elevation of a Fountain, Pen and brown ink, brush and wash on off-white laid paper, Within an arched niche, water flows into a lobed basin. At center, a scene of a stag and crucifix. At the base of the fountain, radiant letters below a cross: AHS, Italy, 1650-1700, architecture, Drawing, Drawing

Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs. Artist: Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by a baldachin of rocaille ornaments leading up to the all-seeing eye of God, surrounded by rays of sunshine. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Two sirens next to basket with flowers, after c. 1679 - Before 1716 print The sirens have tails in the form of leaf vines. Page 6 from series of 12, second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Mantelpiece, decorated with a representation of Marcus Curtius; Second Livre d'Architectvr (...); Sheet from the series of chimneys. Two vase-shaped Hermen are on either side of the performance. From a series, consisting of a title page and 66 sheets with chimney jackets, decorated with columns, hermen, cartouches, garlands and mascarons. All chimney jackets are equipped with firesters.

Frontispiece with Triumphal Arch with Moses, Joshua, Sampson, etc.. Johann Ulrich-Kraus (Germany, 1655-1719). Germany, 1705. Prints; engravings. Etching and engraving

Print, Design for an Altar, from "Nouveaux Dessins d'Autels"; Print Maker: Nicolas Pineau (French, 1684-1754); France; etching on paper; 32.7 × 23.5 cm (12 7/8 × 9 1/4 in.)

Design for a chimney with Victoria; Nüü inventive Camine. Design for a chimney with a performance of Victoria, the winged victory, which goes on a drum, weapon and prisoners of war. The mantelpiece is decorated with leaf ornaments. In the middle of a scale. Print number 203.

Design for an ornamental fountain with several figures, c. 1725 - c. 1750 print This print is part of an album. Paris paper etching garden fountain. ornamental fountain

Augsburg, Wolf, Jeremias, Nuremberg, Decker, Paul (I), Reiff, Johann Conrad, Delsenbach, Johann Adam, Mantelpieces, Mantelpiece with a phoenix and female figures, verso - stamped, Grotesques above and to the right. In the middle a seated woman and a winged sphinx on either side of a cartouche. Below a mermaid and a phoenix., print, ornament print, prints, ornament prints, height 280 mm, width 188 mm, 1687 - 1765-05-16, print maker, printmaker, 1708 - 1724, paper, papier, etching, etchings, German - 1726-06-11, Work conception, 1677-12-27 - 1713-11-18, after a design by, Publication (Event), Publication, German, 1673 - 1724, publisher

Artist: Anton Joseph von Prenner, Austrian, 1683-1761, Interior Arched Niche Decorated with Portraits and GenreScenes, Etching, platemark: 34.8 × 25.4 cm (13 11/16 × 10 in.), Made in Austria, Austrian, 18thcentury, Works on Paper -Prints

Reliekhouder, Ippolito Andreasi (attributed to), 1560 - 1608 drawing Design for a relic holder, with a statue of Saint Sebastiaan on the lid. paper. ink pen / brush

Construction drawing of a grave monument.

Epitaaf with bust of young woman, Jean Lenfant, After Nicolas Blasset, 1625 - Before 1641 print The bust is at the top in a semicircular niche. From series of 7 magazines. France (possibly) paper engraving

Submash with square painting, Jean Lepautre, c. 1665 - c. 1670 print The painting is the death of ProCris (). Leaf 4 from series of 6. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

The Pigna to vatican position; La Pina Nel Cortile Di S. Pietro; Modern and antique monuments and buildings in Rome; Ornamenti di Fabriche Antichi and Moderni Dell 'Alma Citta di Roma. The Pigna brother, who ever been part of the Fontana della Pigna, but today the Cortile della Pigna in Vatican City adorns. Text in Italian in the undermaster. The print is part of an album.

Ionian head frame, capital, basement and fries; Architettura Con Diversi Ornamenti Cavati Dall 'Antico. At the bottom are two lines of text. From first edition.

Half ceiling, 1634 - 1703 print With empty rectangular surface in the middle and round medallions with flower vases in the corners. Page 4 from series of 12, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

The Monument of Sir Henry Rowe, Kt. at Hackney Church, J. Mynde, active 1740-1770, after J. Mynde, active 1740-1770, 1752, Engraving

Two altar designs in the Roman way, 1665 print Tirelprent for a series of designs for altars in the Roman way. On the left an altar with detached Corinthian columns. On the right an altar with a painting crowned by an angel. At the bottom of the floor plans. Print is part of an album. Paris paper etching altar with altar-piece

Main altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The retable is a kind of pavilion, with two columns supporting on either side the circular part of the entablature, and two of its short, straight, lateral parts. All the columns stand closely near each other. Inside is a group of the Ascension of the Virgin. Above the central part is a dome with a medallion, supported by two sitting angels at the front, and a female statue with a cross on top. Above the lateral parts are two statues. The socle has two rows of panels. The upper ones are decorated with festoons, the lower ones are undecorated. In front of the central one are respectively the mensa and the tabernacle. Laterally are two angular projecting pedestals with statues. Eschutcheons are in their front panels. Usual background., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Left Half of the Design for an Altar. Artist: Anonymous, Spanish, 17th century. Dimensions: 9-11/16 x 3-7/8 in. (24.6 x 9.8 cm). Date: ca. 1600-1650. Museum: Metropolitan Museum of Art, New York, USA.

Ovale cartouche, anonymous, after Jacques Androuet, after Antonio Fantuzzi, 1520 - 1584 print There is a putto in the middle. Left and right of him hangs a garland, stopped by a child. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. print maker: France (possibly)after design by: France (possibly)after print by: Italy (possibly)publisher: France (possibly) paper etching

View of the island of Chios in a nutshell, 1636 - 1647 print View of the island of Chios in a nutshell. In the middle of a cartouche with a text in Latin. The island of Chios was ruled for two centuries by the Giustiniani family until the year 1566. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving island Chios

Alkoof seen from room, Jean Lepautre, After 1628 - Before 1709 print In the alcove there is a bed with a canopy under an arc, flanked by two images in Nissen. From series of 12 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Parispublisher: Paris paper etching

Wall panel with a representation of Moses found by the Daughter of the Pharaoh; Dessseins de Lambris à l'Italienne. Wall panel with an oval representation of Moses that are found by the Faraoh's daughter. Print is part of an album.

Drawing, Project for an altar; Italy; pencil, pen, ink, brush, sepia and grey water color on light brown paper.; Mat: 43.1 × 26.4 cm (16 15/16 × 10 3/8 in.)

Project for a Mantelpiece, Charcoal, pen and ink, brush and watercolor on paper, Design for mantelpiece with mirror. At top, a broken pediment with crown, shell and swags. Sitting on mantel, two figures and three cases. Plan below., Europe, ca. 1730, interiors, Drawing, Drawing

Door with panel with mascaron; Nouveau livre d 'porte d'la chambre. Above the door hangs an empty medallion. With rebellion and plan at the bottom. Second edition.

Imperial Court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with St. Sebastian, St. Sebastian and two angels on an altar with rocaille ornaments. At the top a suit of armor., print, ornamental print, prints, ornamental prints, height 383 mm, width 230 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, etching, engraving, engraving (printing process), Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Cœnotaphiorum (21) 1563 Hans Vredeman de Vries Netherlandish Architectural wall tomb consisting of two vertical tiers. The lower tier is characterized by a protruding avant-corps supported by cariatids. In between, a large coat of arms with several blank panels is placed. The upper tier shows the effigy of a deceased man, placed before a statue of the Risen Christ holding the cross in a round niche. Below the image a Latin inscription is added consisting of four lines, divided over two columns.. Cœnotaphiorum (21) 402149

Print (France)

Fireplace with caesarean bust; Schouwen and wooden paneling in interiors. Cross section of a room with inspection with emperor-bust in around medallion worn by two sphinxes. On either side a door with Dessus de-porte with eagle.

Kabinet in a living room; Suitable decoration for a cabinet, clean decoration for a small Sallon; 36th Cayer Treated on the decoration of the paneling clean for the use of bourgeois apartments and individuals; Third volume, elementary collection of architecture (...). A cabinet with doors with medallions with portraits on either side of a panel with a painting gold tapestry of figures around Fire. Byond this has a living room with a door with columns and hemisphere frontone, flanked by busts in niches with triangular pedments. Print Number 215.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Altars, Altar, Altar with rocaille ornaments. Publisher number 160., print, ornamental print, prints, ornamental prints, height 298 mm, width 192 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a pulpit, anonymous, c. 1720 - c. 1735 drawing On the left a side view, underneath a map. Germany graphite (mineral). ink brush

Amsterdam, Schenk, Pieter (I), Netherlands, France, Lepautre, Jean, Les Cabinets, Cabinet with two doors, recto lower left and right - handwritten, The doors are decorated with vases in octagonal panels. At the top is an imperial bust flanked by two women., print, ornament print, prints, ornament prints, gbdrukkers, 5 cent (), height 210 mm, width 144 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1680 - 1700, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, Noord-Nederlands, 1660-12-26 - 1711, publisher

Jacques Callot, Side Aisle of San Lorenzo, Florence, 1612 Side Aisle of San Lorenzo, Florence

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