Architectural Design and Ornamentation

Detailed engravings showcasing architectural elements, including salt-cellars and ceiling designs, combining classical motifs with intricate patterns.

Amsterdam, Covens & Mortier, unknown, Antwerp, Maes, Joseph, Panneaux, XVIe Siècle, Reproduction of a print of two decorated panels by Herman Muller, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, PANNEAUX dessinés par, recto - printed, LITT. P. - PL. 29., JJvY, height 342 mm, width 230 mm, photographer, 1876 - 1881, paper, papier, photolithography, fotolithografie, Belgisch, 1838 - 1908, clichémaker, Work conception, after print by, Nederlands

Salt-cellar with Neptune René Boyvin French. Salt-cellar with Neptune. Dessins d'aiguières etc. no. 3. René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). Engraving. Prints

Lazio Viterbo Bagnaia Villa Lante38. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for Wallpaper "LInnocent Badinage, or Boys at Play" ca. 1745-50 Paul Sandby. Design for Wallpaper "LInnocent Badinage, or Boys at Play". After Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). ca. 1745-50. Etching. D. Voisin (British, active London, 1747-49)

Amsterdam, Covens & Mortier, unknown, Antwerp, Maes, Joseph, Panneaux, XVIe Siècle, Reproduction of a print of two decorated panels by Herman Muller, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, PANNEAUX dessinés par, recto - printed, LITT. P. - PL. 29., JJvY, height 342 mm, width 230 mm, photographer, 1876 - 1881, paper, papier, photolithography, fotolithografie, Belgisch, 1838 - 1908, clichémaker, Work conception, after print by, Nederlands

Ceiling puts from Kunsten; Painting / Design / Theorie.Fragment of a Ceiling in Stockholm

Kronos in a niche with a child under his arm; Molding change of cavity of cavity (...) Libro Primo. Kronos keeps one of his children under his arm. At the bottom sitting a sater and a woman with a child with a pot hanging above the fire. Leaf M from series of 12 sheets, numbered A-M with flat decorations of grotesken with rollerwork, Saters, garlands, trophies, animals and fantasy stations.

Japan, Etienne Claude Voysard, Charles Le Père & Pierre -Michel Avaulez, After Jean Charles Delafosse, 1772 - 1779 print Two trophies with shields. On the left with a mask, sheet music, grape vines, an incense barrel, frogs and a shield with a Japanese god. On the right with a cross with thorns, animal skins and shields with flying dragons and a Japanese god. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. Japan

Print, Pendant Design with the Temptation, Plate 1, from a series of eight pendant designs with the cardinal virtues; Designed by Daniel Mignot; Engraved by Johann Theodor de Bry (German, 1561 - 1623); Belgium; engraving on paper

Technical collotype by Victor Angerer reproducing an ornament with a genius figure from Giulio Romano, showing design, sculptural details, and artistic style, created in 1883.

Print, Trophy; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 24.1 × 16 cm (9 1/2 × 6 5/16 in.)

Zuna, fragment of the triumphantal of Emperor Maximilian I (version without visiting Cupid); Dürer, Albrecht (1471-1528); 1515-1518 (block); 1799-1886 (print later) (1512-00-00-1522-00-00);

Feather illustration by Hanuš Johann Peter Paul Schwaiger, one of 40 drawings on 32 boxes, showing Bremen City Musicians, created in 1891.

Trophées Nouvellement Inventez par J.B. Toro. Designer: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: Plate: 12 3/4 × 6 3/8 in. (32.4 × 16.2 cm)Sheet: 15 7/8 × 11 7/16 in. (40.4 × 29 cm). Etcher: Charles Nicolas Cochin I (French, Paris 1688-1754 Paris). Publisher: Jacques-Nicolas Le Pas Dubuisson (French, 1663-1733). Date: 1716. Museum: Metropolitan Museum of Art, New York, USA.

Plate, from Emblemata nobilitati et vulgo scitu digna (Emblems worth knowing noble and common men), Theodor de Bry, Flemish, 1528 - 1598, Engraving on laid paper, Vertical rectangle showing a densely ornamented frame of scrolling plants, monkeys and fantastic animals. Blank cartouches at top and bottom. At center, a blank armorial shield cartouche with swags and a helmet., Frankfurt, Germany, 1592-1593, ornament, Print, Print

Decoration for the edge of a dish, Anonymous, After Hans Hirtz, 1500 - 1635 print Two oval cartouches with sea creatures and in between garlands and a mascaron. Passionate copy to sheet with object number RP-P-190-2510. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Netherlands (possibly) paper engraving

Grotesken with female figures and Putti, Lorenz Beger (Possible), After Paul Decker (I), 1687 - 1725 print The upper print contains a throne woman with a weapon under a canopy. Faam blows on her trumpet on the lower print. In her other hand she has a laurel wreath and she stands on a globe. She is flanked by putti. print maker: Germanyafter drawing by: Neurenberg (possibly)publisher: Neurenberg paper etching ornament ~ grotesque. Fama as Roman personification. Victory

Design by Aldengräver; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 18 x 8.2 cm (7 1,16 x 3 1,4 in.)

Woodcut by Albrecht Dürer depicting the book sign of Hieronymus Ebner, created in 1516. The print demonstrates detailed line work and composition typical of early 16th-century German printmaking.

Cornelis Floris II (Flemish, 1514-1575), Grotesque, published 1557, engraving on laid paper

Lazio Viterbo Bagnaia Villa Lante73. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi Collegio Etiopico Pontificio1. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Etching by Jean Moyreau showing 'The Children of Momus,' featuring figures in a scene of playful or theatrical activity, created in 1729.

Lazio Viterbo Bagnaia Villa Lante57. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Collescipoli S. Maria Maggiore6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (15th century); Baroque interior (c. 1688); frescoes (c. 1690). In sacristy treasury: metalwork (13-16th century) Object Notes: Hutzel photo campaign date: February 6, 1986. General Notes: Re material in treasury, Hutzel refers reader to Terni-Narni Catalogue Should treasury be noted in location field German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sconce Representing Summer, from 'Wand-Leuchter die 4 Jahrseiten vorstellend' Publisher Martin Engelbrecht German ca. 1730-56 Design for a sconce in the shape of a large rocaille cartouche with three candelabra with candles springing from the bottom of the cartouche. On top of the cartouche the figure of a woman has been added. She is holding a parasol to shield her from the sun in her right hand and a bundle of wheat in the other.

Bound Print, Designs for Two Vertical Panels; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 35.2 × 22.6 cm (13 7/8 × 8 7/8 in.)

PhineusH.. Artist: Abraham de Bruyn, Flemish, 1540-1587

Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610-1664, Etching on laid paper, Vertical rectangle showing an emaciated winged figure playing a drum. Below, an owl with a bell in its beak perches on an arabesque., Italy, ca. 1653, ornament, Print, Print

A fragment of the Fresku Decorating of the Palazzo Barberini Salon in Rome, Allegory of Divine Wisdom and the Barberini Papan Urban VIII, Work Pietro Da Cortony from 1633 39. Unknown, Cortona, Pietro da (1597 1669)

Frontispiece, from Bussy-Rabutin's "'Histoire amoureuse des Gaules" 1754 Pierre Philippe Choffard. Frontispiece, from Bussy-Rabutin's "'Histoire amoureuse des Gaules". Pierre Philippe Choffard (French, Paris 1730-1809 Paris). 1754. Etching and engraving. Prints

Hanger (pendeloque) met Mars, 1555 - 1576 print One of 9 sheets, from a series of 12. On six sheets is a figure in the niche. Three pearls hang on each pendant. paper engraving

Etching by Pierre Aveline depicting Le May, showing a scene of celebration with figures in period attire, characteristic of early 18th-century French illustration.

Music and agriculture; La Musique, L'Agriculture; AA trophies. On the left a trophy with sheet music and musical instruments such as a guitar, a lute, a winch, flutes and a triangle. On the right a trophy with attributes belonging to agriculture such as a rake, watering cans, a shovel and a basket of fruit.

Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Caterina dei Funari6. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610-1664, Etching on laid paper, Vertical rectangle showing a symmetrical design on the theme of the hunt. At top the head of Diana crowned with a moon. Below, two hunting dogs and a stags head. At bottom, crossed spears, a bow and quiver., Italy, ca. 1653, ornament, Print, Print

Winter, Hendrik Leffert Meyling, after Adrianus Doesjan, 1777 - 1801 print Ventilated letters are the title 'De Winter' within an ornamental list. The underside of the frame is decorated with bare branches. In the round frames, which hang in the right and left corner of the list, winter landscapes. Left skaters, hikers with their hands in a sleeve and cobbling people on the ice of the IJ. Right skaters on the Buiten Amstel near Amsterdam. Amsterdam paper etching / engraving fancy letters. winter landscape; landscape symbolizing winter (the four seasons of the year). 'kolf' on the ice. skates (winter sports)

Stefano Della Bella (Italian, 1610 - 1664), Ornamental Frieze with Cupid and Psyche, probably 1648, etching

Kandelaber with an animal skull, fruits and a mascaron between two dolphins with volutes of leaf drinks as tails. Shaded background. ON THIS COPY.

Umbria Terni Collescipoli S. Maria Maggiore7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (15th century); Baroque interior (c. 1688); frescoes (c. 1690). In sacristy treasury: metalwork (13-16th century) Object Notes: Hutzel photo campaign date: February 6, 1986. General Notes: Re material in treasury, Hutzel refers reader to Terni-Narni Catalogue Should treasury be noted in location field German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Four Ornament Panels: Ornament Panel: Mars, God of Battles, c. 1507. Nicoletto da Modena (Italian). Engraving; sheet: 26.5 x 12.9 cm (10 7/16 x 5 1/16 in.); platemark: 26.2 x 12.9 cm (10 5/16 x 5 1/16 in.).

Stefano Della Bella (Italian, 1610-1664), Festoon with Medici Coat of Arms, probably 1648, etching

Trophy with arrow cooker and arrows, 1675 - 1700 print Under the arrow cooker hang shells, coral, a crab, a lobster, two torches and leaves. The trophy is the same as with object number RP-P-1986-117, but then without parallel arcing in the background. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam (possibly) paper etching

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.4 x 21.5 cm (including scan edges)

Print, Frieze: Trophies of Arms and Putti; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 9.2 × 30 cm (3 5/8 × 11 13/16 in.)

Girandole met Diana, William Austin, after Thomas Johnson, 1755 print An ornamented Girandole awarded Diana. Decorated with branches, hunting dogs and a hunt. London paper etching / engraving chandelier, candelabrum. (story of) Diana (Artemis)

Basilicata Matera Montescaglioso Abbazia di S. Angelo49. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Tomb of the Valerii7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chair panel early 18th century Style of Daniel Marot the Elder French. Chair panel 227004

Vertical Double Leaves, 1651 print The rank comes from a blower wreath at the bottom, on which a bird is sitting. From series of 7 magazines. print maker: France (possibly)publisher: Paris paper engraving

Drawing, Design for a painted frieze; France; red chalk on paper; 15.4 × 43.8 cm (6 1/16 × 17 1/4 in.)

Dresden, Bodenehr, Moritz, France, Berain, Jean (le Vieux), Germany, Panels with grotesques, Modern grotesques with cherubs in wreaths of leaves, print, ornamental print, prints, ornamental prints, height 112 mm, width 233 mm, German, 1665 - 1749, print maker, printmaker, 1675 - 1748, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, publisher

Drawing (Italy)

Standing women and medallion; D 4th Suite d'Arabesques.Two standing women support a medallion with two figures, above arabesken and a vase.

Lazio Roma Rome Palazzo Lante3. Hutzel, Max 1960-1990 Post-medieval: Architecture, courtyard views, architectural sculpture; painting (ceiling and wall frescoes), sculptural reliefs. Object Notes: Palace was commissioned by Pope Leone X of the Medici at beginning of 16th century. After World War II, palace was taken over by city of Rome and in 1955, restoration began, finishing in c. 1958. Located on Piazza S. Eustachio. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Plate from Frises pour les architraves, cornices, et autres ornements d'architecture (Friezes Intended for Ornamenting Architecture, Cornices, and Other Architectural Elements); Designed by Jean Le Pautre (French, 1618-1682); Published by Pierre Mariette II (French, 1634 - 1716); etching on paper

Campania Caserta Caserta Palazzo Reale22. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jupiter, Jacob Binck, After Giovanni Jacopo Caraglio, Florentine Red After, 1510 - 1569 print The God Jupiter is on an eagle and with lightning bolts in his hand in a niche. paper engraving (story of) Jupiter (Zeus). attributes of Jupiter

Emilia-Romagna Ravenna Bagnacavallo Museo Civico4. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rome Palazzo Mattei di Giove9. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Fall of Satan 1825-26 William Blake British. The Fall of Satan 383508 Artist: William Blake, British, London 17571827 London, Publisher: Published by William Blake, British, London 17571827 London No. 3 Fountain Court, Strand, The Fall of Satan, from Illustrations of the Book of Job, 182526, Engraving, plate: 7 13/16 x 6 3/8 in. (19.8 x 16.2 cm) sheet: 16 3/8 x 10 3/4 in. (41.6 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of Edward Bement 1917 (17.17.116)

Design for candelabra ..

Ornamental Panel from Recueil dornements a lusage des jeunes artistes…. Artist: Gilles Paul Cauvet, French, 1731-1788

Night, from the series The Times of the Day 1807 After Philipp Otto Runge German. Night, from the series The Times of the Day. After Philipp Otto Runge (German, Wolgast 1777-1810 Hamburg). 1807. Engraving, second state of two. Prints

Frisian with a seal that has a bird in its mouth on the left; Frisians with Zeemonsters.The Putto With the Trident Right is a copy to RP-P-1955-406. Leaf from Series or 6.

Lazio Viterbo Caprarola Palazzo Farnese151. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two pillar stripes, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white ladi paper, lined, Two strips, both decorated with ornamental candelabra. At left: below is a base with two half-figures of sirens. Above it are a blossom and a spear head. Then comes a trophy of weapons and above crossed flower branches, probably hanging on a ribbon. At right: below is a trophy with fasces, and a wreath, above which is a calyx, a cuirass and a shield. Standing above is a winged female genius, supporting with her head a plant with another trophy with a helmet on top. Usual background., Rome, Italy, 1790-1800, architecture, Drawing, Drawing

Design for a cooling barrel, Unknown, c. 1550 drawing Design for a cooling vessel with legs in the form of lions, with alternative solutions for the left and right half. Italy ink. paper brush

Solomon's case law. .

Lazio Viterbo Caprarola Palazzo Farnese394. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Console with crowning; Neu inventive modillons und consoles (...). A console with ornaments, leaf motifs and a crowning.

Dianne Chasseresse, Jean-Baptiste Huët, (French, 1745-1811), Oberkampf & Cie., (Jouy-en-Josas, France, 1759-1815), Medium: plain weave cotton Technique: printed by engraved plate (the short height of the repeat indicates that the shorter printing plate which came into use at the turn on the century was used; original glaze is visible), Design in brown on white background. Figure of Diana as a huntress with various classical medallions., Jouy-en-Josas, France, ca. 1798, printed, dyed & painted textiles, Textile with chef de piece, Textile with chef de piece

Mask with a mustache whose items run into a cord with a brush; Pourertricure ingenious the plusieurs facons de masques .... The cord hangs through the leaf-shaped ears. Leaf belongs to 11 in part numbered magazines from a series of 18 with the title 'PourTricture ingenious the plusieurs Façons de Masques ...'. It concerns the second edition of a series described under Orn Cat I-78.1 to 11.

One sheet from PlusieursTrophees. Artist: Gilles Demarteau, Flemish, active in France, 1722-1776

Ornamental Panel ca. 1514-36 () Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. () Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Lazio Viterbo Bagnaia Villa Lante6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Textile, Medium: cotton Technique: printed by engraved copper plate, Three pieces have been stiched together to complete design which shows; left, classic figure of man bearing a lute, under draped canopy; right, symmetrical foliage decoration with putti bearing garlands; below, right, large vase of flowers; and left, small medallion with putti drawing cart. Printed in blue., Three maujor fragments have been put together. A narrow strip from a separate lengths has been sewn on each side, at top right and middle left, indicating that when fabric lengths were sewn together the repeat was a half-drop., Nantes, France, 1785-90, printed, dyed & painted textiles, Textile

Performances of the four elements: Vuur, Pieter van der Heyden, After Jacob Floris, 1566 print Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving

Lazio Viterbo Caprarola Palazzo Farnese164. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese66. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Frisian with a shield between two putti. Frisian with a shield between leaf refrices held on either side with one hand by Putti. In their other hand, they each wear a horn. The putto on the left is seen on the back.

Aldegrever, Heinrich, Germany, Design for a scabbard with a soldier and a naked woman, verso lower left - handwritten, Design for a dagger scabbard. the lower part is decorated with leaf tendrils. Above that a soldier who squeezes a naked woman in the breast., print, engraving, ornament print, prints, engravings, 31, height 162 mm, width 35 mm, width 24 mm, German, 1502 - 1561, print maker, printmaker, 1532 - 1532, second quarter 16th century, paper, engraving (printing process), Work conception, after own design by

Netherlands, Jode, Gerard de, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Five sheets from the series: Grottesco in diverse manners, Grottesco: in diverse manners, Architectural fantasy with a man with a bow, Man, flanked by fasces, standing on a winged sphere. At the bottom left and bottom right a crouched figure sits under a canopy on which lies a dog with a fish tail. From a series of title page + 16 sheets with cartouches or architectural fantasies with a representation in a frame of grotesques with mythical creatures, animals, garlands, trophies and mascarons., print, ornament print, prints, ornament prints, height 209 mm, width 158 mm, print maker, printmaker, 1565 - 1571, third quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Design for a Decorative Wall Panel with Hunting Motif, Pless Chateau, Silesia second half 19th century Jules-Edmond-Charles Lachaise French. Design for a Decorative Wall Panel with Hunting Motif, Pless Chateau, Silesia. Jules-Edmond-Charles Lachaise (French, died 1897). second half 19th century. Pen and brown ink and wash. Drawings

Lazio Viterbo Bagnaia Villa Lante27. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Relief of Trophies of War'. France. Dimensions: 30,5x15,7 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Wall hanging fragment first quarter 18th century After a composition by Daniel Marot the Elder French See 34.94.2 for another piece of same wall hanging, derived from a popular textile design by Daniel Marot from ca. 1712. Marot, court architect to William III, greatly influenced the decorative arts in the Netherlands at this time; his publication from 1702-1715 of several series of ornamental designs contributed to the popularization of the Louis XIV style in the Netherlands.. Wall hanging fragment 197476

Frieze, from 'Ornament I Di Fregi', Stefano della Bella, Italian, 1610-1664, Etching on paper, Plate 7, Italy, ca. 1648, Print, Print

Pendula with day and night; Nouveaux Liure de Boites de Pendulles de Coqs et Etuys de Montres et Autres necessaire au organeurs. Pendula with Personifications of the day and the night under the dial. Various decorations and six other ornaments around the pendula. Copy of leaf 3 from the Nouveaux Liure series de Boites the pendulles, published by Daniel Marot around 1706. Leaf from second edition.

Evening (Der Abend) Philipp Otto Runge (German, 1777-1810). Evening (Der Abend), 1803-1805. Black ink etching on moderately thick, slightly textured wove paper, Sheet: 28 3/8 x 19 3/4 in. (72.1 x 50.2 cm). European Art 1803-1805

Lazio Viterbo Bagnaia Villa Lante. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

2e vignette, Buhot, Félix Hilaire (1847-1898), 1874 - 1879, State noted with standard reference number

Print, Ornamental Foliage with a Mask and a Bowl of Fruit (Autre, offrant au milieu d'en bas un mascaron...) Ornamental Foliage with an Old Man and Two Children; Engraved by Enea Vico (Italian, 1523-1567); Italy; engraving on white laid paper; 10.2 x 24.8cm (4 x 9 3/4in.) Mat: 35.6 × 45.7 cm (14 × 18 in.); 1989-112-3

Trofee met helmets a shield, Johann Thomas hairsty, 1781 print Trophy with helmet, shield, lances, swords, bow, arrow sleeve, arrows and drum. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Lazio Viterbo Caprarola Palazzo Farnese242. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Carrara0. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hendrick Hondius (1573-1650); Elias Verhulst (1599-), Vase with Flowers, 1599

Piece. Culture: French. Dimensions: L. 15 x W. 10 5/8 inches (38.1 x 27.0 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Meyer, Konrad.

Lazio Rieti Magliano Sabina Cathedral06. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

of 3