Architectural Design Illustrations

Stylized architectural prints featuring framed mirrors, vases, and embellished panel designs, capturing the elegance of French interior decor from the 18th and 19th centuries.

Four ornaments, c. 1866 - c. 1900 drawing Half of cartouche with mask, quarter of panel, ornamental edge and frame that says: Vlaamsch Ren. tracing paper. pencil drawing

Drawing, Project for a Fountain; Italy; pen and brown ink with gray wash on cream laid paper, lined

Shown are the elevation, an unfinished plan, a finished plan in a smaller scale. The mensa stands in front of a dado which ends laterally with two round pedestals with statues. In front of the dado of the retable stands the tabernacle in the centere. The retable has a half-circular shape formed by a double colonnade. It has on top a conch and a triangular pediment. On top a cross between two angels. The Ascension of the Virgin is represented by sculputred figures. Measurements are indicated beside the elevation and in the plans. Colored background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Untitled. Alphonse Mucha (Moravia, Ivančice, active France, 1860-1939). Czech Republic, 1902. Prints; lithographs. Lithograph

Print made by unknown artist, sixteenth century, M. Antonii Antii Lupi, 1551. Line engraving on medium, slightly textured, cream laid paper.

White embroidery project for a daily shirt Bojarska, Irena, studio of the Industrial Museum

Wall Painting. Dated: 1936. Dimensions: overall: 33 x 24.3 cm (13 x 9 9/16 in.) Original IAD Object: 36" wide; 85" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert W. R. Taylor.

World exhibition , Renaissance altar by Carl Ildéndyi, Pest No, Michael Frankenstein , Comp, Photo Studio, Viennese Photographer Association, Publishing House

Print, Banquette de Croisée à la Royale; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Bliej Kultury Stanis Awski, Jan (1860 1907)

Bull gustav (1807-1880), tomb (without dat.): View. Ink, pencil on cardboard, 41.1 x 45.2 cm (including scan edges) Stier Gustav (1807-1880): Grabmal

Sketch for Decoration, Interior of Theater, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. Interior of theater showing decorated niches and ceiling., Italy, early 19th century, theater, Drawing, Drawing

Technique Demonstration. Dated: 1935/1942. Dimensions: overall: 28.8 x 24.1 cm (11 5/16 x 9 1/2 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Barrell.

La Vera Perfettione del Disegno di varie sorti di recami, page 11 (verso) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers that are printed upon a grid. Top register is decorated with a pattern of black 'X's that are placed in between various images, such as a double-headed bird, a fountain, and a siren. Bottom register is decorated with 2 overlapping diamonds; inside the left diamond is a man and inside the right diamond is a woman.. La Vera Perfettione del Disegno di varie sorti di recami, page 11 (verso) 662367

Supported by two legs consisting of a small calyx below and a tall calyx above, supporting a cylindrical piece with festoons and the capital. The frame is a frieze with panels with representations. Four fesetoons are hanging below. Upon it stands the top like cornices of an entablature supported by panels with lions. On top, at the corners, an acanthus calyx, the upper part of which is missing. Usual background. Pen and brown ink, brush and brown wash, red ink on off-white laid paper. Date: ca. 1785-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

1 - Fontaine dans la cour d'honneur; 2 - mascaron des fontaines extérieures; 3 - vase et lucarne des combles de la cour d'honneur; ... 1 - Fountain in the courtyard of honor; 2 - of the exterior fountains; 3 - vase and dormer on the gable of the courtyard of honor; .... Favier, Paul. Photographs. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, French , 17th century, Sculpture, Water features

Mantle clock. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 165 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Vuurbok with vase and lion heads, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print An ornamented firebok with garlands, a vase and lion heads. Print number 302. Paris paper etching / engraving andiron, fire-dog. ornament ~ festoon, garland. vase ~ ornament. lion's head ~ ornament

Copper engraving and etching by Georg Andreas Wolfgang from 1673 depicting the Thesenblatt from Ettal monastery, showing textual and ornamental details.

Capital of a double column with plant motifs, c. 1875 - c. 1900 photograph Paris cardboard. photographic support albumen print capital (~ column, pillar). sculpture (+ relief ~ sculpture). foliage, tendrils, branches ~ ornament. flowers ~ ornament

Silver Knitting Shield. Dated: 1935/1942. Dimensions: overall: 28 x 22.7 cm (11 x 8 15/16 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Columbus Simpson.

Cast Iron Ornament. Dated: c. 1936. Dimensions: overall: 22.9 x 30.7 cm (9 x 12 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Drawing, Sarcophagus for the Relic; Luigi Righetti (Italian, 1780 - 1819); Italy; pen and brown ink, watercolor, over graphite support: white laid paper; 27.2 x 36.3 cm (10 11/16 x 14 5/16 in.) Mat: 91.4 x 71.1 cm (36 x 28 in.)

Design for a table piece or jardiniere, designer: Henri Cameré, (signed by artist), Paris, c. 1864 - c. 1894, paper, pen, brush, h 145 mm × w 127 mm

Sadeler, Johann (I), Resurrection of the Dead, verso lower left - stamped, In the middle the Ark of the Covenant behind a curtain. Around the Ark open graves from which corpses crawl out., print, prent, prints, height 38 mm, width 54 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1600, paper, papier, engraving, engraving (printing process)

Finished Design for a Stage Set with Ruling and Notes 1854 Anonymous, Portuguese, 19th century Portuguese. Finished Design for a Stage Set with Ruling and Notes 387772

Copper engraving and etching by Bernard Picart depicting vignettes, created between 1693 and 1733.

Metal bedstead, by Winfield of Birmingham.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Drawing (Italy)

Coupes et développements de l'armoire representée dans la planche precedente.. Roubo, M. (André Jacob), 1739-1791. Roubo, M. (André Jacob), 1739-1791. Prints, Drawings, Design drawings. 1769 - 1774. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Carpentry , France, Joinery , France

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 31e Cahier, Fireplaces, Cheminée à la Moderne, Fireplace with lion heads, verso - stamped, A fireplace decorated with lion heads and garlands. Print number 182., print, ornamental print, prints, ornamental prints, height 204 mm, width 331 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Coat of arms with helmet, anonymous, after Theodor de Bry, 1625 print Passionate copy to Theodor de Bry coat of arms in the book Emblemata Nobilitati .... leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Staircase of the Court, Haram James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink and graphite on paperboard, Image: 6 1/16 x 10 1/8 in. (15.4 x 25.7 cm). European Art 1886-1887 or 1889

Draft for an altar, tort, Unknown

Ten Designs for Decorated Cups. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

At left: A couped obelisk rises from a sarcophagus which stands upon a circular pedestal, surrounded by a band with relief figures. Center: A couped obelisk rises from a sarcophagus which is supported by two crouching lions. At right animals crouch radially upon a circular pedestal with a relief band. An urn rises in the center. Intended, as evidently others tho, to stand at the corners of a platform, the wall being shown. Colored background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.). Artist: Compagnia di Venezia & Murano. Dimensions: 14 x 19 in. (35.6 x 48.3 cm). Date: 1850-80. Museum: Metropolitan Museum of Art, New York, USA.

Architectural Ornament. Dated: c. 1936. Dimensions: overall: 35.7 x 45.2 cm (14 1/16 x 17 13/16 in.) Original IAD Object: 54" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: William Kerby.

Jewel cabinet of Queen Marie Antoinette, of mahogany, gilt, inlaid, carved, and with painted plaques. French Louis XVI. Period, Pompeian-classic influence, ca. 1787. Palace of Versailles, France.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Château de Versailles (Versailles, France), Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793 , Homes and haunts

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Baron Silvestre: Gothic ornaments. Pencil, watercolor. Paris, Carnavalet museum. Album n ° 3, baron, pencil, Gothic ornament, project, stained glass, watercolor

Frames for Marble Slabs, in Chippendale Drawings, Vol. I 1754 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as the top half of plate CXLVIII in the 1754 and 1755 editions, but not reprinted in the 1762 edition.. Frames for Marble Slabs, in Chippendale Drawings, Vol. I. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). 1754. Black ink, gray ink, gray wash

GSELL-Laurent workshop. Album n ° 3; stained glass project for Huy; 2 spans window: ornaments. Pencil, watercolor and gouache. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, pencil, two, window, gouache, ornament, project, travee, stained glass, watercolor

Print (France)

Île d'Éléphantine. Coupes et bas-reliefs du temple du sud.. Prints, Illustrations. 1809. Rare Book Division. Egypt, Hieroglyphics, Architectural elements , Egypt, Bas-reliefs , Egypt , Elephantine, Gods , Egyptian

Cradle carved in boxwood by W. G. Rogers, of London.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Overview leaf with the decorations at the Alliantiestiefesteest in Amsterdam, 1795. Outline sheet with all decorations established by the Alliance party in Amsterdam on 19 June 1795. Also with the three freedom trees previously established in the city and a representation of the withdrawal of the French troops by the Leidsepoort On January 19, 1795. Needled leaves with the performances spread over sixteen courses.

N.N.: Shop window. Monthly competition March 1833

Print, Demies Commodes à l'Angloise; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Portrait Case. Dated: 1935/1942. Dimensions: overall: 28.2 x 22.9 cm (11 1/8 x 9 in.) Original IAD Object: 3 7/8" high; 3 1/2" wide. Medium: watercolor, graphite, gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Vincent Murphy.

Print (France)

In addition to the large design for the terrine several sketches in pencil for friezes and for the shape of the terrine, bottom right a calculation in pen and brown ink., Design for terrine, draughtsman: Charles Nicolas Odiot, (workshop of), Paris, c. 1825 - c. 1830, paper, drawing, h 440 mm × w 608 mm

Designs 68-69. Morris & Company Windows Book - Photographic Album of Stained Glass Designs, 1900-1910. Design Record Book. Photographer: Frederick Hollyer. Editor: HC Marillier. Photographic album of completed stained glass designs by Morris & Co, beginning with Ladock, Cornwall and finishing with Bramley North Transept on p.80 and a tapestry adapted from a window in Salisbury Cathedral; on 82 pages; with an alphabetical index in the front.

Clock. Dated: c. 1938. Dimensions: overall: 31.4 x 24.3 cm (12 3/8 x 9 9/16 in.) Original IAD Object: 7'9"high; 2'1 1/2"wide. Medium: pen and ink, watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nicholas Gorid.

Ornament Design, Urns and Cameo with Sacrifice to Jupiter Ammon. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Two left halves of the elevation are shown. At left: a bathtub form supported by gaines with heads as capitals. At right: shown from the inside of the supports at left: THey have the shape of balusters, upon which sphinxes crouch. They support festoons which hang at the sides and drag from a mask in the center of the entablature. The front of the body has the shape of a trapezoid with figures. Colored background. The coloring at the lower edge has its continuation in 1938-88-1396. Date: ca. 1780. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens 1754 Charles Nicolas Cochin II French. Observations sur les Antiquites de la ville d'Herculanum, Avec quelques reflexions sur la Peinture et la Sculpture des Anciens 210818

Different plaster casts of panels, Frisians and lion heads. .

Journal of Luxury and Fashion 1786, Volume I, T. 34, Friedrich Justin Bertuch, 1786 Wooden box for the room, in the form of an antique sarcophagus. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Wooden box for the room, in the form of an antique sarcophagus. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

Piano. Dated: 1936. Dimensions: overall: 22.9 x 30.4 cm (9 x 11 15/16 in.) Original IAD Object: 25 1/2" high; 68 1/2" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: J. Peltzman.

Henri Gaston Darien (1864-1926). "Sketch for the village hall of the town hall of Vanves: studia". Oil and ink on canvas. 1902-1903. Museum of Fine Arts of the City of Paris, Petit Palais. 123464-9

Drawing, Design for Rectangular Writing Table with Six Drawers; Designed by A.N. Davenport Co.; pen and black ink on thin cream paper; 17.8 x 23.8 cm (7 x 9 3/8 in. )

Drawing, Design for a six Plain-legged Dining Table of Mahogany; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.3 x 27.6 cm (8 3/8 x 10 7/8 in. )

Guide for Constructing the Letter Q; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Design for Hall Lamp No.9. Artist: Lamqua (Chinese, 19th century). Dimensions: sheet: 12 5/8 x 15 1/4 in. (32.1 x 38.7 cm)mount: 16 x 19 5/8 in. (40.6 x 49.8 cm). Date: ca. 1845. Museum: Metropolitan Museum of Art, New York, USA.

Khram Khrista Spasitelia v Moskve. Scotti, Domenico (b. 1780). 1883. General Research Division. Alexander I, Emperor of Russia, 1777-1825, Napoleonic Wars, 1800-1815 , Campaigns , Russia

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