Architectural Design Illustrations

A series of architectural designs showcasing elaborate furniture and door designs along with decorative elements, all reflecting classical styles.

Maquette for sitting room with large bay, McMillen, Inc., Brush and gouache on cream wove paper, Maquette for sitting room with large bay; walls in white with gold details., New York, USA, 20th century, architecture, interiors, Maquette, Maquette

Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Administrative building (1928-1931): Mittelhalle: Painting the ceiling. Pencil and colored pencil watercolored on transparent, 48.9 x 113.8 cm (including scan edges)

Neues Reich. Dynastie XIX. a - e. Felsentempel von Gerf Hussên Gerf Hussein; f - i. Statue aus demselben jetzt im K. Museun zu Berlin.. Weidenbach, Ernst (1818-1882). 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Sculpture , Egypt, Gerf Hussein (Temple), Hieroglyphics, Jurf Husayn (Egypt), Speoses, Nasser, Lake (Egypt and Sudan), Gods , Egyptian

A Wall Decorated in Spanish Tiles 1832 Eugène Delacroix French Watercolors were still cumbersome to use outside the studio at this date, so Delacroix often added notes on color to his graphite sketches for later reference. He used that process to execute this drawing of a distinctive tile wall rapidly on-site and then carefully fill in the design with watercolor at another time. Delacroix adapted this tile pattern in one of the most significant paintings inspired by his visit to North Africa, "Women of Algiers in their Apartment" (1834; Musée du Louvre), underlining the crucial role of drawings in providing source material he could consult throughout his career.. A Wall Decorated in Spanish Tiles 342877

Map of the first project of a truss firm to place the love of Mr. Bouchardon in the grove of the new menagerie de Choisy Angel-Jacques Gabriel (1698-1782). Map of the first project of a truss firm to place the love of Mr. Bouchardon in the grove of the new menagerie de Choisy. Feather and color lavis. 1752.

American 20th Century, Textile, 1935 1942 Textile

Wall Decoration, Domus Aurea, Rome, Vincenzo Brenna, Italian, 1745 - 1820, Franciszek Smugliewicz, 1745 - 1807, Brush and gouache, watercolor, over etching trimmed to the plate mark, Design for a wall decoration. View of red colored wall with grotesques above a rendering of a marble wall with inlaid squares and circles. Grotesque motif consists of open framework compartments surmounted with figures at left and right and draped material at center., Rome, Italy, 1776-77, wallpaper designs, Print, Print

Print (France)

'Ancient Mill'. Voyage pittoresque des isles de Sicilie, de Malte et de Lipari... Par Jean Houel, Peintre du Roi. Paris. 1782. V.1; 1784.V.II.1785.V.III.1787.V.IV. France, 1776-1779. Dimensions: 26x42 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Pierre-Laurent Houel.

Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta. Artist: Luigi Vanvitelli (Italian, Naples 1700-1773 Caserta) , workshop of. Dimensions: 13-3/16 x 17-15/16 in. (33.5 x 45.6 cm). Date: 1700-1773. Museum: Metropolitan Museum of Art, New York, USA.

Colorful embroidery project Laboratory of the Industrial Museum

Warsaw. Mirror frame from the equipment of the Picture Gallery in the Royal Łazienki Park - fragment and cross section with joint in the scale of 1:1. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 15 5/8 x 21 1/4 in. (39.7 x 54 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

List of oak leaves and roses; 4th Cahier de l'oeuvre d Cahier de Bordures à l'Usage de la Sculpture & C, Avec Leurs Profils. An ornamented table with oak leaves, tendrils with roses and acanthus leaves.

Sketch for a Ceiling 16th century Anonymous, Italian, 16th century Italian. Sketch for a Ceiling 342243

Tomber Bertha Coshes Born Garlic, Berlin: 3 Details 1: 1

Design for the illumination of the house of Mr. Tak in the Hoogstraat in Amsterdam. With notes on placement and quantities of lamps. Part of a group of design drawings by the architect Hendrik G. van Raan for illuminations and decorations in Amsterdam on the 40th birthday of Prince Willem V on March 8, 1788., Design for the illumination of the house of Mr. Tak in Amsterdam, 1788., draughtsman: Hendrik G. van Raan, (mentioned on object), Amsterdam, 1788, paper, writing (processes), h 273 mm × w 267 mm

Persius Reinhold (1835-1912), wrought-iron grid: View. Pencil on paper, 29.8 x 21.1 cm (including scan edges)

Paris, Basset, Caillouet, Foin, Augustin, 5e Cahier, Stair gates, Stair gate with leaf motifs, verso - stamped, A wrought iron stair gate with leaf motifs in the lower part., print, ornamental print, prints, ornamental prints, height 342 mm, width 217 mm, 1726 - 1759, print maker, printmaker, 1736 - 1759, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, publisher

Cabinet. Dated: c. 1937. Dimensions: overall: 28.2 x 35.5 cm (11 1/8 x 14 in.) Original IAD Object: 27 3/4"high, 35 1/2"wide, 9"thick.. Medium: watercolor, colored pencil, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Gordena Jackson.

Knoblauch, unknown project (approx. 1840): View of a wall smell side and a ceiling. Tusche watercolor on paper, 58.4 x 46.4 cm (including scan edges)

Interior festival decoration of the Winter Reitschule in Vienna I, Hofburg, designed by Ludwig Montoyer d. J., drawn in graphite and black pen with multicolored accents, 1853.

Klingholz Fritz (1861-1921), floral ornaments (without date): View. Pencil watercolored, gold heighted on the cardboard, 31.1 x 23.7 cm (including scan edges) Klingholz Fritz (1861-1921): Florale Ornamente

Banknote motif: a small six lobed ornament with a rope border, the interior adorned with lathe work florets. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 2 3/8 x 2 1/2 in. (6 x 6.4 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Foreign places - Czech Republic - Prag , Praha - Altstädter Brückenturm, - Relief with Charles IV, - St, Wenzel IV , Andreas Groll -, Photographer, Peter Parler , Architect, Victor Luntz , designerly owned by

Neckelmann Skjold (1854-1903), new state trade museum, Stuttgart. Suggestion C: Interior view wall painting. Tusche watercolor on paper, 44 x 59.4 cm (including scan edge). Architecture Museum of the Technical University of Berlin Inv. No. 54551. Neckelmann Skjold (1854-1903): Neues Landesgewerbemuseum, Stuttgart. Vorschlag C

Design for Textile, Louis-Albert DuBois, Swiss, 1752-1818, Brush and gouache, graphite on white laid paper, Shows a corner of a repeating design border. From left to right, a couple plays music, man in pink and woman in purple, sitting before a bush with colorful flowers; in the background, a body of water with some boats and an island with a castle in the distance; next, the couple plays with a dog; in the corner, the man offers the woman a flower, while she holds a box; lastly, the man holds a scroll and points it at the woman as she raises her hands. The border consists of areas of color, pink and purple and black with white zigzagging patterns., Geneva, Switzerland, ca. 1801, textile designs, Drawing, Drawing

Design for a picture standard; front and side view.

Drawing, Design for a Sedan Chair; England; brush and various water colors, pen and chinese ink, black chalk on paper; 25 x 40.4 cm (9 13/16 x 15 7/8 in.)

Ruins with mother Natur, Sketches for graphics from the TRAKI series; Romanowicz, Walenty; 1941-1944 (1941-00-00-1944-00-00);

Klingholz Fritz (1861-1921), Casa Olconio in Pompeii. Floor mosaic (02.06.1892): View of the floor ornament. Ink, pencil watercolored, white heighted on paper, 17.8 x 22.3 cm (including scan edges) Klingholz Fritz (1861-1921): Casa Olconio, Pompeji. Fußbodenmosaik

Stage Design: Twenty Different Scenes, Pen and bistre, ink on paper, Horizontal rectangle showing twenty drawings of palace scenes., Italy, 1700-1750, theater, Drawing, Drawing

Architecture : décoration de la niche de l'eimisi, a Denderah : (règne de Trajan). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Illustrations. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Egypt , Antiquities, Architectural decorations & ornaments , Egypt , Dandara, Niches , Egypt , Dandara

Diagram for Lance Practice, 1700s. France, 18th century. Etching;

Ornament designs on blocks. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 215 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Design for Supremolet (Suprematist Plane) by Chashnik, Ilya Grigoryevich (1902-1929) / Private Collection / 1927 / Russia / Lithograph / Abstract Art /Suprematism

Frieze, S.A. Maxwell & Co., Machine-printed paper, A repeating design reminiscent of a hand mirror containing a three-flower group framed by four circles of dots contained within a dotted curved border. Connected by garlands and dotted curves to complementary design on an irregular striated background within bottom borders of garlands and horizontal stripes and top borders of dotted ornament. Printed in white, pale yellow, blue-green, gold, taupe and beige., USA, 1905-1915, Wallcoverings, Frieze

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, In Pompeian manner, covered with painting from left to right into a narrow band panel, a pilaster, a wall panel with a window, a vertically oblong wall panel., Italy, 1790, drawing, drawing

Lupus healing, Exhibition of the groove plaster ground floor pillar, Otto Wagner -, artist

Ada Barnes, Calico Prints, 1941 Calico Prints

Hoffmann Ludwig (1852-1932), Small Museum of Plastic works of art (03.1878): View, floor plan, cut. Ink, pencil watercolor on the box, 60 x 76.6 cm (including scan edges) Hoffmann Ludwig (1852-1932): Kleines Museum für plastische Kunstwerke

Raschdorff Julius (1823-1914), Gürzenich in Cologne. Conversion (1855-1855): Cover details in the restoration room. Material/technology N.N. Captured, 48 x 31.3 cm (including scan edges) Raschdorff Julius (1823-1914): Gürzenich, Köln. Umbau

Design for a silver buckle. Draughtsman: Mathieu Lauweriks. Dating: 1910. Measurements: h 119 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Mobili e ornamenti, 1832 - 1844. Lithographs depicting furniture and decorations related to Egyptian antiquities, specifically from Nubia and the Valley of the Kings, including references to Ramses III. Contains nine images on one page, with partial color. Published in Pisa

Peinture : tombeau découvert dans la vallée d'El-Assacif (Thèbes). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Illustrations. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Egypt , Antiquities, Tombs & sepulchral monuments , Egypt, Decoration and ornament, Deir el-Bahri Site (Egypt)

Leaf with MeetKundig figure, Hendrick Baron van Ruse van Rysensteen, 1654 print Amsterdam paper engraving ornament ~ geometric motifs (+ ornament enlivened by human forms)

Speculum Romanae Magnificentiae: Plan of St. Peter's 1569 Etienne DuPérac French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clie

Servant from the 1st of the nineteenth century from the collection of Gustaw Subise-Bisier from Warsaw in 1916-views from the side and at the front on a scale of 1:10; Sztolcman, W Adys Aw Roman (1873-1950); 1916 (not after 1/05/1916) (1916-00-00-1916-00-00);

Schmalz Otto (1861-1906), travel sketches from Austria, Germany, Italy and Spain (July 13, 1893): Hall: grille in the parish church (detail). Tusche watercolor on paper, 30.6 x 42.4 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Österreich, Deutschland, Italien und Spanien

Murals from the House of the Emperor Francis II, Casa dell'Imperatore Francesco secondo, and murals from the vicinity of the Forum in Pompeii (circa 300BC to AD79), excavated in 1819. Handcoloured lithograph by Dettmers from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Curious wall painting in muted colours from the oecus (salon) of the Casa del Meleagro or the House of Meleager, Reg. VI, Ins. IX, No. 2. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Albert Levone, Cotton Prints, c 1939 Cotton Prints

Copper engraving and etching by Richard Saint-Non in 1781 showing a picturesque journey across the kingdoms of Naples and Sicily with landscapes and architecture.

unknown architect, plate. Monthly competition September 1878 (09.1878): View. Tusche watercolor on the box, 33.5 x 32.3 cm (including scan edges) N.N. : Teller. Monatskonkurrenz September 1878

Plate XIII (Plate 13). The Seven Lamps of Architecture - Ornaments from Rouen, St. Lo, and Venice, 1880-1910. Engraver: R Cuff. After: John Ruskin. Series of engravings featuring various examples of stone decoration.

Rehlender Georg (born 1845), Provincial Museum, Wroclaw (without Dat.): Grundriss eG. Ink, ink colored, watercolor on cardboard, 72.3 x 104.8 cm (including scan edges) Rehlender Georg (geb. 1845): Provinzialmuseum, Breslau

Frieze, Machine-printed paper, Mixture of Mission and Art Nouveau style. Alternating rectangular shapes with a floral motif in the center and a curved line of flowers at the top, surmounted by a fleur-de-lis motif. The rectangles are connected by a series of thin swags. Printed in gold, cream, red, and shades of green., Chicago, Illinois, USA, 1905-1915, Wallcoverings, Frieze

Simberg, Hugo, work, Sketch book (226 pp.+covers), 1905-07, drawing, 17.2 cm x 18 cm, Simberg, Hugo, 1905-07

Rouvenat, Léon (1809-1874). Pin. Graphite pencil, ink, watercolor wash and white gouache enhancement on tray paper glued on paper. S.D. Petit Palais, Museum of Fine Arts in the city of Paris

Warszawa. Ekran z drzewa mahoniowego z detalami z brązu, z wyposażenia Pałacu Belwederskiego w 1915 roku - widoki z przodu i z boku w skali 1:5. Małachowski, Jan (1886-1917), draughtsman, cartoonist

Print (France)

Untitled Anamorphic print Tav VI. 1601 - 1700. Anonymous. Prints, Anamorphic images. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Garden with a ground floor and a house on the left, Anonymous, after Hans Vredeman de Vries, c. 1601 A garden with a ground floor with a spiral and a tree in the center. The print is part of an album. Antwerp paper etching A garden with a ground floor with a spiral and a tree in the center. The print is part of an album. Antwerp paper etching

Baths of Acqua Santa, Giovanni Acquaroni, Italian, 1780 - 1847, Leopoldo Buzi, Italian, Engraving on paper, Europe, Italy, 19th century, Print, Print

Wollenhaupt Kuno (born 1854), Kunsthalle (05.05.1880): Grundriss eG 1: 200. Tusche watercolor on the box, 67.6 x 95 cm (including scan edges) Wollenhaupt Kuno (geb. 1854): Kunsthalle

Wall painting of Iphigenia from the tablinum of the house of Lucius Caecilius Iucundus. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Gates of honor on the visit of William V to Leeuwarden, 1773, Cornelis Rijp, 1773, Two gates of honor erected on the occasion of the visit of Prince William V to Leeuwarden, July 24, 1773. Both gates decorated with candles and flags., draughtsman: Cornelis Rijp, (mentioned on object), Leeuwarden, 1773, paper, h 260 mm × w 493 mm

Ornament designs on blocks. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 215 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Drawing..

One of Five Ceiling Designs, John Sanderson, active 1730-died 1774, British, undated, Watercolor with pen and black ink on medium, slightly textured, beige wove paper, Sheet: 4 x 6 13/16 inches (10.2 x 17.3 cm), architectural subject, ceilings, designs, scrolling foliage

Hesse Otto, fragments and details of modern ornamentation (without date): views, details. Lithograph on paper, 30.6 x 44.5 cm (including scan edges)

Cornelius Christoffels, Coverlet (Section), c 1940 Coverlet (Section)

Plan van Den Briel, ca. 1600. De Stadt Briele (title on object). Draughtsman: anonymous. Dating: 1675 - 1724. Place: Netherlands. Measurements: h 167 mm × w 246 mm. Museum: Rijksmuseum, Amsterdam.

Natalie Simon, Ornamental Stair Rail, c 1937 Ornamental Stair Rail

Drawing, Garden with Small Flowering Shrubs and Evergreen Trees; Designed by André Vera (French, active Paris, 1881-1971), Paul Vera (French, active Paris, 1882-1957); France; pen and black ink, brush and white gouache, graphite on off-white wove paper; 16 × 31.5 cm (6 5/16 × 12 3/8 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)

Drawing, Design for Dining Table with Tea Service; Designed by A.N. Davenport Co.; graphite on thin cream paper

Ornament Design, Patera and Urns. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a silver table piece, Mathieu Lauweriks, 1913 drawing. photograph paper. pencil. chalk work of applied art (+ precious metals ~ arts). centre-piece, epergne, 'surtout', 'milieu-de-table'

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, III Cahier des Serruriers, Fence and stair gate, verso - stamped, Designs for wrought iron fence and stair gate with garlands, vases and leaf and flower motifs., print, ornamental print, prints, ornamental prints, height 200 mm, width 147 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1781 - 1781, paper, papier, etching, etchings, Work conception, after own design by

Pencil and black pen drawing on transparent paper by Johann Eustacchio showing the large goal project, variant 1, of the trot racing system in Krieau, Vienna, 1908.

Alexandrie Alexandria. Plans, coupes et vues intérieures d'un bain public.. Prints, Illustrations. 1817. Rare Book Division. Egypt, Bathhouses , Egypt, Interiors , Egypt , Alexandria

Three drawings from an Album Inscribed on the Cover "Naples, Herculaneum, Pompeii" after 1825 Anonymous, French, 19th century French. Three drawings from an Album Inscribed on the Cover "Naples, Herculaneum, Pompeii" 355341

Side Chair. Dated: c. 1936. Dimensions: overall: 20.8 x 26.9 cm (8 3/16 x 10 9/16 in.) Original IAD Object: 45"high, 18"long, 14"wide.. Medium: pen and ink and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lawrence Phillips.

Thèbes. Hypogées. Peintures dessinées d'après des enveloppes de momies; Détails d'une frange d'une toile rayée trouvées sur des momies., 1809 - 1828., Paris. Publisher, Impr. impériale. Egypt, Tombs & sepulchral monuments, Egypt, Thebes (Extinct city), Decoration and ornament., 51 x 70 cm

Persépolis. Détails du palais no. 8. Takht-i-Djemchid Takht-i Jamshîd. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Pałac Komisji Wojewódzctwa Mazowieckiego. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Transport des antiquités. 1. Plan de chariot; 2. Chariot chargé; 3. Abattage des monolithes et chargement du chariot; 4. Déchargement du chariot près du tigre et précautions prises contre l'inondation. Transport par terre.. Thomas, Félix, 1815-1875. Prints, Illustrations. 1867. General Research Division. Assyria , Antiquities & archaeological sites

Lowboy. Dated: 1935/1942. Dimensions: overall: 26 x 21 cm (10 1/4 x 8 1/4 in.). Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Isidore Sovensky.

Orth August (1828-1901), art collection on the Museum Island, Berlin. Project II (November 30, 1875): cross -sections. Ink, pencil watercolored on paper, 78.1 x 113.6 cm (including scan edges)

LAM-NECROPOLIS CARMONA-TUMBA TITO-DECORACION. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

USA, Arizona, Native American Navajo drawing sand painting, high angle view

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