Architectural Designs

Detailed architectural drawings showcasing intricate chimney and room designs, emphasizing classical influences and ornamental details.

64. S D Salomon; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Clock. Dated: 1935/1942. Dimensions: overall: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.). Medium: pen and ink and watercolor on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Nederland, Rotterdam, Masier, PJ, De trap des ouderschaps, Netherlands, verso - gestempeld, Een trap des ouderschaps: een parentap. On the steps of the staircase, in the form of a bridge, are men and women aged 0 to 100. Under the bridge is a representation of the Last Judgement. On either side of the representation is a curtain. Above the image is a verse in three columns, below the image is a verse in four columns. Numbered top right: No. 4., print, prent, volksprent, prints, prenten, volksprenten, height 332 mm, width 417 mm, Publication (Event), Publication, Dutch, publisher, 1827 - 1860, paper, woodcut, colors, letterpress printing, letterpress, print maker, printmaker

Study for Watercolor, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838-1909, Graphite and watercolor on paper, A view from the third bay of the left aisle of the Cathedral. The altar of Cardinal Francesco Piccolomini is shown at left. A man is singing in the choir. Worshippers are shown., Siena, Italy, ca. 1872, architecture, interiors, Drawing, Drawing

Design for an interior, Design for the dining room of the Mailboat, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, pen, brush, h 250 mm × w 322 mm

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Lichtensteger, Georg, Johann Jacob Schüblers Vierzehende Ausgab seines vorhabenden Wercks, In which are proposed new inherited mantelpiece and extraordinarily ordinary mantelpieces, Fireplace with weapons and armor, verso - stamped, An ornamented mantelpiece with a suit of armor, a shield and weapons such as lances and swords seen from the right. In the bottom margin a five-line German text., print, ornamental print, prints, ornamental prints, height 290 mm, width 178 mm, 1700 - 1781-03-18, print maker, printmaker, 1724 - 1724, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, publisher, granter of privilege

Drawing, Design for Inkstand; Italy; pen and ink, brush and watercolor on paper

Sketches of andirons. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Christ The Board 4 from the Portfoiio: Leon Wyczółkowksi, Wawel Castle , Kraków 1911/1912 Wyczółkowski, Leon (1852 1936)

Design for an Altar with a Statue of the Virgin and Child. ca. 1831 Anonymous, Italian, 19th century Italian. Design for an Altar with a Statue of the Virgin and Child. 346387

Chinoiserie, Jean-Baptiste Pillement, French, 1728-1808, Engraving on paper, France, Europe, 18th century, Print, Print

Design for Altar. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 15 1/16 x 11 3/8 in. (38.3 x 28.9 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 8 13/16 x 7 5/16 in. (22.4 x 18.5 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Designs for a Mantelpiece. Date: 1746-1809. Pen and brown ink, brush and brown wash on off-whtie laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Amsterdam, Schenk, Pieter (I), Lower bosoms for a 'lambris d'appui', Lower bosom with porcelain on obelisk, Lower bosom with a tablet in the form of an architrave on which two consoles support an obelisk, which has consoles on which Chinese porcelain stands., print, ornament print, prints, ornament prints, height 311 mm, width 190 mm, Work conception, Northern Netherlands, 1660-12-26 - 1711, after a design by, 1680 - 1700, fourth quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Detail of the Decoration of the Attic, Pavillon de Turgot, Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Design for a table piece or jardinière, c. 1864 - c. 1894 Paris paper. pencil. ink. watercolor (paint) pen / brush center-foot, sperne, 'especially', 'medium-of-table'

French Commode Table, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XLVII in the 1754 and 1755 editions, not reprinted in the 1762 edition.. French Commode Table, from Chippendale Drawings, Vol. II 390626

This pencil draft by Emerich Alexius Swoboda shows a preliminary monument design emphasizing form, proportion, and the relationship between sculptural and architectural elements.

Print, Design for a Table with a Vase at its Base; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Lachausée (Active in France, 17-18); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Reproduction of the ascore: pistoia. Church In. Andrzej (Sant'andrea) - Giovanni wrote (Ca 1245/1248 -Ca 1319), the birth of Jesus at the pulpit; loam. Z: das Museum. Eine anleitung zum genuss der werke bilder kunst, verlag von Wilhelm Spemann, Berlin und Stuttgart , Taf. 117; Spemann, Wilhelm (1844-1910), Bogi (Florence; Naples; photography and publishing company); 1880-1921 (1880-00-00-1921-00-00);

Design for a jewelry box of porcelain, Alexander Kips, 1891 Berlin paper. chalk

Drawing, Design for an Oval Frame on Theme of Venus Victorious; Attributed to Gilles-Marie Oppenord (French, 1672-1742); France; pen and black ink, graphite on paper; 21.6 x 15.6 cm (8 1/2 x 6 1/8 in.)

Design for a ceiling painting: oval with allegorical representation, surrounded by scenes with putti, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, brush, pen, h 395 mm × w 560 mm

Five cartouches. Draughtsman: anonymous. Draughtsman: Jacques François Blondel (rejected attribution). Dating: c. 1760 - c. 1770. Place: Paris. Measurements: h 302 mm × w 462 mm. Museum: Rijksmuseum, Amsterdam.

The front panel is decorated with a wreath and two branches. A triangular pediment is above it showing a hear () in the field. The corners are beveled. A cherub over a volute carries an angular capital. The corner at right is not shown. A base for a column is on top. Colored background. Date: ca. 1790. Pen and brown ink, brush and brown wash, red ink on off-white paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Design for a wall fountain; Izabel M. Coles (American, 1890 - 1964); USA; black ink and watercolors on paper

Frankfurt am Main. Sketches of columns, (Römersal); Lesser, Aleksander (1814-1884); 1839 (1839-00-00-1839-00-00);Frankfurt am Main (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Emiljan Stanisław (Baron-1847-1912), Lesser, Emiljan Stanisław (Baron-1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, foreign architecture, gift (provenance), columns (archite.), Vaults (architect .), Łuki (archite.)

GSELL-Laurent workshop. Album n ° 3; stained glass project; 3 spans window. A pope and Louis XIII adoring the Virgin and the Child, Louis XIV () And a hermit (). Pencil on layer. Paris, Carnavalet museum. Adoir, album n ° 3, worship, bourbon, catholic, chretian, pencil on layer, child, hermit, son god, window, pope, project, french king, travee, three, virgin, stained glass

Stained glass drawing: hunting Prosper Lafaye (1806-1883). Stained glass drawing: hunting, straight stained glass side representing two male characters with a dog in front of a vasque edicule (lower part), between 1845 and 1875.

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, Ekvera, undated. Pen and black ink, black chalk and gray wash over graphite on medium, slightly textured, cream laid paper.

Drawing for a Chimney-piece ca. 1850 Delorme French. Drawing for a Chimney-piece 341358

Design for a ceiling with trompe l'oeil balustrade and sky second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling with trompe l'oeil balustrade and sky 388280

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Invenzioni diverse di mobili ed utensili sacri e profani per usi communini della vita, Inventioni miscellanea di furniture ed utensili sacri e profani, Designs for religious and profane objects, Ornamental border, a vase, a bowl and a bookcase, Print is part of an album., print, picture, album sheet, ornamental print, prints, height 160 mm, width 215 mm, Italian, print maker, printmaker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Tomb with portrait figures in a church in Geervliet, effigy, 'gisant' (portrait-figure on closed coffin or in ') castrum doloris'), transi, names of cities and villages (with NAME), Geervliet, Joan Carel van Alderwerelt, 1773, paper, ink, pencil, brush, h 307 mm × w 308 mm

Picture Frame. Dated: 1935/1942. Dimensions: overall: 59.8 x 44.2 cm (23 9/16 x 17 3/8 in.) Original IAD Object: 36"high; 26"wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Koehl.

Tombs of J.B. Belin, Fine Family, Claude Tollard.

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, R Cahier de Bordures et de Corniches d'Appartement, Cornice with acanthus leaves, verso - stamped, A cornice with acanthus leaves and stylized floral motifs., print, ornament print, prints, ornament prints, height 216 mm, width 329 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, granter of privilege

The left side: cornices of an entablature are supported by the head and raised hands of a female gaine standing upon a curved leaf leg, the foot being omitted. From the leg springs a rinceau toward the center where the spirals support a bowl with flowers. From the hands a festoon hangs toward the center, and below it. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Provisions to guarantee the National Fire Library Fran�ois-Joseph Bellanger (1745-1818). Provisions to guarantee the National Fire Library. S�pia feather and lavis, late eighteenth.

Study of a Vase, Benjamin West, 1738-1820, American, active in Britain (from 1763), Undated, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 × 3 3/8 inches (12.7 × 8.6 cm) and Spine: 5 inches (12.7 cm)

Unknown artist, S. Clemente in Rome. Mosaic of the apse (without dat.): Less view. Photo, 28.6 x 35 cm (including scan edges)

Cénotaphe d'Esther et Monument élevé a la mémoire d'Ester et de Mardochée à Hamadân.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Drawing, Wall Elevation with Panels of Chinese Figures, for King's Library, Royal Pavilion, Brighton; Frederick Crace (English, 1779-1859); Client: George IV, King of England; England; brush and watercolor, pen and black ink, over graphite on white laid paper; Sheet: 24.8 x 31.9 cm (9 3/4 x 12 9/16 in.)

Drawing (Italy)

Architectural Fantasy with Fountain, Jean-Charles Delafosse, French, 1734-1791, Pen and black ink ,brush and wash on white laid paper, A central fountain with nude female figural sculpture decorating base spouting water into a pool below., France, 1770, architecture, Drawing, Drawing

Design for a Chimneypiece 1740-1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). 1740-1800. Pen and ink, brush and wash

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1302. Festoons as in 1938-88-1305. Inside is lying somewhat obliquely the crown, having the width of the opening. The lower part of the shaft of the pedestal is fluted., Rome, Italy, 1793, architecture, Drawing, Drawing

Victor Hugo (1802-1885). "Drawing of the ornament of the tomb of Martin Bonneaulx". Graphite pencil on woven paper. 1834. Paris, house of Victor Hugo. Hauteville House. 74641-10 Graphite pencil, drawing., Romantic movement, ornament, vellum paper, tombstone, romanticism, tomb

Pond with a temple and a ranging man, Johan Christiaan Willem Safft, 1788 - 1849 print Amsterdam paper etching English or landscape garden. garden pond. raking

Emperor Caligula seducing Livia Orestilla while her husband C. Calpurnius Piso is still dining in another room. Caligula est a table, voit la femme de Pison, en devient amoureux, se leve, et lentraine dans une autre chambre. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Peep-show Section: A Coff, Martin Engelbrecht, German, 1684-1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and women engaged in drinking coffee, smoking, and gaming., Augsburg, Germany, Germany, ca. 1750, architecture, Peep-show, Peep-show

DIBUJO-FRONTON DE LA FACHADA PRINCIPAL DE PALACIO DEL CONGRESO ESCULPIDO POR PONCIANO PONZANO EN 186. Author: PONCIANO PONZANO Y GASCON. Location: CONGRESO DE LOS DIPUTADOS-ARCHIVO. MADRID. SPAIN.

Design for a ceiling painting with Pandora's box, Elias van Nijmegen, 1677 - 1755 drawing paper. ink. watercolor (paint). pencil brush / pen (decorated) ceiling. Pandora opens her box (or jar); Good or Evil escapes, Hope remains

Wilkinson Tracing, Design for ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Nuremberg. Architectural details and portion of the city hall vaulting. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Thomas Byrne, Iron Doorway to Tomb, c 1936 Iron Doorway to Tomb

Tomb of Thomas Windsor, 1486, with Brass Plates removed from Stanwell Church, Daniel Lysons, 1762-1834, British, between 1798 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm), architectural subject, church, memorial, tomb, England, St Mary's Church, Stanwell, Surrey, United Kingdom

Bamberg (Germany). Drawings of architectural details and various buildings; Verso: architectural details; Lesser, Aleksander (1814-1884); 1841 (1841-00-00-1841-00-00);Bamberg (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection , Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, foreign architecture, gift (provenance), details, architectural details, gothic (style)

Sir Thomas Lawrence's Painting Room in 1824, Emily Calmady, 19th century, British, 1824, Graphite and white gouache on medium, moderately textured, beige, wove paper, mounted on, moderately thick, moderately thiextured, beige, wove paper, Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm), Contemporary drawn border: 10 1/4 × 18 9/16 inches (26 × 47.1 cm), and Sheet: 9 × 17 1/8 inches (22.9 × 43.5 cm), architectural subject, child, fireplace, frames (furnishings), furniture, mirror, paintings, studio (work space)

Design for a ceiling with trompe l'oeil balustrade second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling with trompe l'oeil balustrade 388296

Kultura w sieci Kultura+ Wyspiański, Stanisław (1869 1907)

Tomb van Frans II Van Bretagne Te Nantes, Séraphin -Médéric Miefully, 1850 - 1900 photograph Nantespublisher: The Hague photographic support. cardboard albumen print grave, tomb. sculpture. beasts of prey, predatory animals: lion Nantes

'Paisaje con ruina del palacio de la Alborada', 2009, Watercolor on paper, 56 x 76,5 cm. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Drawing, Project for a Sepulchral Monument (Mausoleum); Architect: Mario Asprucci The Younger (Italian, 1764 - 1804); Italy; pen and black ink, brush and gray, green, blue, and brown wash, black chalk on paper, lined; 26.9 x 46.3 cm (10 9/16 x 18 1/4 in.)

Munich. House at the street with a bay window and the presentation of the Mother of God from children verso: sketches of my backpacks and women in the thin; Lesser, Aleksander (1814-1884); 7.07.1841 (1841-00-00-1841-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Our Lady with the Child, Munich (Germany), architecture, German architecture, foreign architecture, buildings, brick buildings, gift (provenance (provenance ), houses, city houses, women, bourgeoisie, characters, sketches, bayouts, wanderers

Chinese gentlemen dining at tables. Ink drawing, China, 18--

Summer, Jacob de Wit, 1740

Vase in terra cotta modelled by John Thomas of London. For Edward Ladd Betts of London.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Design for a ceiling painted with clouds and trellis work Jules-Edmond-Charles Lachaise French Eugène-Pierre Gourdet French second half 19th century

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

The five wise virgins. The drawing is a design for a wall painting.

The Throne Room at Fontainebleau. Dated: c. 1845. Dimensions: overall: 26.5 x 42.9 cm (10 7/16 x 16 7/8 in.). Medium: watercolor and graphite on gray wove paper. Museum: National Gallery of Art, Washington DC. Author: THOMAS ALLOM.

Ray Price, Cast and Wrought Iron Ornament, c 1936 Cast and Wrought Iron Ornament

Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2, George Cressal Ellis, ca. 1810-1875, undated, Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper, Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm) and Mount: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm), architectural subject, literary theme

The month, Historical, Literary and Critical Journal with Figures, Tome 2, an. 7 (1798-1799): Decoration in La Piece Instalité Chapter Second, 1798 - 1799 Theaterdecor. Present uit het tijdschrift the month: historical, literary and critical newspaper with figures, year 7 in 8 (1798-1800). paper etching Theaterdecor. Present uit het tijdschrift the month: historical, literary and critical newspaper with figures, year 7 in 8 (1798-1800). paper etching

Gilbert Sackerman, Ornamental Iron, c 1936 Ornamental Iron

A Stage Drawing for a Vast Interior with a Temple, c. 1803-1805, Karl Friedrich Schinkel, German, 1781 - 1841, 15 1/16 x 20 1/4 in. (38.26 x 51.44 cm) (image), Watercolor and ink wash over graphite on laid, laid down paper (backed), Germany, 18th-19th century

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 25, "A Long Story.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Third design for marble decoration in the Dutch Supreme Court in The Hague, draughtsman: Richard Nicolaüs Roland Holst, c. 1868 - c. 1938, pencil, brush, brush, brush, h 1000 mm × w 390 mm

Piramide van Cestius, c. 1580 - c. 1599 print Two men in conversation for the weeds of Cestius, overgrown with weeds. print maker: Italypublisher: Rome paper etching / engraving pyramid (marking grave). pyramid (historical grave form) Piramide van Cestius

Monument in Wortley Church, by Flaxman. Theophilus Smith (British, active 1860s)

Book with prints in color printing, Johan Teyler, c. 1690 - c. 1710 Book, bound in white parchment (splits binding), cut blue/brown spa; treasury blades of marbled paper; Three sections of four sheets, pages recto covered with 12 prints framed by black lines, multicolored details cut out of multi -color prints by Johannes Teyler: pl. 1, 3, 4, 10 and 11 from "hilly landscape with rider, carriage and deer yacht". Pl. 5, 6, 9 and 12 from "hilly landscape with man two mules of riders and a cart". Pl. 2, 7 and 8 not yet identified. paper. parchment (animal material) Book, bound in white parchment (splits binding), cut blue/brown spa; treasury blades of marbled paper; Three sections of four sheets, pages recto covered with 12 prints framed by black lines, multicolored details cut out of multi -color prints by Johannes Teyler: pl. 1, 3, 4, 10 and 11 from "hilly landscape with rider, carriage and deer yacht". Pl. 5, 6, 9 and 12 from "hilly landscape with man two mules of riders and a cart". P

A variation of 1938-88-1325, with proportions laying stress upon the height. On top is a variation of 1938-88-1323. Inside similar to 1938-88-1327. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Ottoman Empire. Turkish books. Engraving by Lemaitre. Historia de Turquia by Joseph Marie Jouannin (1783-1844) and Jules Van Gaver, 1840.

Panel, c. 1819, 25 x 9 3/4 in. (63.5 x 24.77 cm), Cotton; copperplate print, France, 19th century

Le Parthénon; Félix Bonfils (French, 1831 - 1885); Alais, France; about 1878; Albumen silver print

Netherlands, Aa, Hillebrand van der, Magesyn der Italiaense buildings, Ichnographia ejusdem Turris, Forma exterior celebris altaeque Turris Cremonensis, De Torrazzo in Cremona and drawn sections held up by two putti, Top right: Pag. The print is part of an album., print, prent, albumblad, prints, prenten, height 375 mm, width 212 mm, print maker, prentmaker, 1669 - 1721, paper, papier, etching, etsen, 1659 - 1721

Panorama van Het Oude Rome, Franz Hanfstaengl, After Joseph Bühlmann, after Alexander Sándor von Wagner, 1890 Leporelloalbum in blue linen cover with the title in gold pressure and an image of the ancient Rome on the frontplat. Rectangular frameworks and the name of the bookbinder in blind pressure on the rectangular frameworks. The album contains eight on thin cardboard stuck light prints that can be folded out. This is followed by the title page. It concerns recordings made from a panorama painting to a design by the professors Joseph Bühlmann (1844-1921) and Alexander von Wagner (1838-19191). This was exhibited in Munich in the 90s of the 19th century. Munich -Münchenfter Painting BY: Munich -based Painting BY: Munich Publisher: Munich Leipzig linen (material). cardboard. paper. printing ink collotype prospect of city, town panorama, silhouette of city. exterior ~ representation of a building Rome

City Of London, PostmanS Park And The Memorial To Heroic Self Sacrifice, George Frederic Watts, 2010, London, United Kingdom, Architect Unknown

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