Architectural Designs

Sketches of architectural elements including chimneys and ceiling decorations, emphasizing intricate details and styles from the 18th and 19th centuries.

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for Grate, with Plan. Artist: Anonymous, British, 19th century. Date: 1874. Museum: Metropolitan Museum of Art, New York, USA.

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Graphite sketch on medium-strength paper showing an indefinite perspective attributed to Francesco Borromini.

Chimney mantle and a table, 1819 - 1849 Page 54 Verso from a sketchbook with 60 sheets. paper. pencil chimney-piece, mantelpiece. table

Renaissance architectural detail, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Renaissance architectural detail. Archway with a frieze above and an Ionic column on the left., France, ca. 1759-70, architecture, Drawing, Drawing

Table, Carl von Hasenauer -, draft

Mantel clock. .

Moldings on the Pillars, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on thin, moderately textured, beige, wove paper, Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)

Study by Rudolf Weyr focusing on architectural elements, including building structures, forms, and details, executed on paper.

Hoffmann Emil (1845-1901), S. Maria Loretto in Rome (28.04.1894): Niche. Pencil on paper, 32.4 x 24.8 cm (including scan edges) Hoffmann Emil (1845-1901): S. Maria Loretto, Rom

Table piece. .

In the center is a round pedestal, with the statue of a woman standing, who carries in her left hand a cross and leans with left arm upon a medallion with the bust portrait of a ruler, standing beside her. At left, beside the pedestal sits a putto. Above, at left, horizontally, a monument, a variation of -1293. Above, left, with a group which is a variation is that usual in -1254. The right lowered arm of the woman is stretched out and a second putti seems to sit at her left. Central row at left: upon a pedestal sit two figures in front of a sarcophagus. Above, is the statue of a woman carrying the cross in her right hand. Beside her, a sitting putto supports a medallion, at right, and another kneels at left. At right, the monument is a variation of -1298 (below, right). The sitting figures are putti with trumpets. They support an escutcheon between them. Above, the statue of a standing woman supporting a medallion beside her with her left hand. Lower row: At left, a sketch for the sta

Side view of an Altar with Red Marble to be set against a Wall 17th century Anonymous, Flemish Flemish. Side view of an Altar with Red Marble to be set against a Wall 679418

River scene with company on a boat and an arbor, Gesina ter Borch, c. 1655, draughtsman: Gesina ter Borch, Zwolle, c. 1655, paper, h 155 mm × w 393 mm

Klingholz Fritz (1861-1921), interior (without date): View. Ink and pencil on cardboard, 50.2 x 31.2 cm (including scan edges) Klingholz Fritz (1861-1921): Innenraum

Design for Stage Set 18th century Workshop of Leonardo Marini Italian. Design for Stage Set 365478

Drawing (France & Italy)

Ziller Hermann (1843-1915), horticultural exhibition in Berlin. Tomb. Monthly competition December 1889 (12.1889): floor plan, perspective view; Scale bar. Tusche watercolor on the box, 50.7 x 33.9 cm (including scan edges) Ziller Hermann (1843-1915): Gartenbauausstellung, Berlin. Grabmal. Monatskonkurrenz Dezember 1889

Drawing, Stage Design, Portico with Monument; Italy; pen and brown ink, brown wash, traces of graphite on off-white laid paper

Study for St Martin's in the Fields, from Microcosm of London 1807-1809 England. Graphite on cream wove paper . Augustus Charles Pugin

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies of Medieval thrones. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Side wall of an altaris ..

Klingholz Fritz (1861-1921), memorial sheet for the water supply of the suburbs (1896-1896): Views and text (variant of Inv. No. 19720). Pressure on paper, 23.4 x 20.4 cm (including scan edges) Klingholz Fritz (1861-1921): Gedenkblatt für die Wasserversorgung der Vororte

Sketch sheet with designs for the monument for Bernhard, Duke of Saxe-Weimar, on the Huygensplein in The Hague, draughtsman: Johan Philip Koelman, 1828 - 1893, paper, h 417 mm × w 276 mm

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): wall and ceiling painting. Pencil watercolored on paper, 34 x 23.7 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Design for Ceiling at Fontainebleau second half 19th century Jules-Edmond-Charles Lachaise French. Design for Ceiling at Fontainebleau 345464

Chalk and feather study by Baldassare Franceschini showing two designs for architectural frames with coats of arms, intended for rectangular and oval paintings, dated 1664-1666.

Andrew Lawrence, 1708-1747, French, Le Jue de Quilles. Engraving.

Pencil sketch by Emerich Alexius Swoboda showing a candlestick, detailing its shape, structure, and decorative elements.

A drawing sheet by Rudolf Weyr containing pencil sketches of figures and objects, focusing on anatomy and spatial composition.

Drawing, Design for a Fountain in a Park; Architect: Gilles-Marie Oppenord (French, 1672-1742); France; pen and black ink, graphite on paper, framing lines in black ink, lined; 23.2 x 18.2 cm (9 1/8 x 7 3/16 in.)

Study for Westminster Hall, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

Grave monument with cherubin and cross, anonymous, 1650 - 1800 drawing A burial monument with cherubies and at the top a cross with Christ medallion, spear and vinegar sponge. paper. ink. pencil pen / brush grave, tomb. cherubs, i.e. children's heads with wings. the cross ~ symbols of Christ

Presentation of jewelry in the showcase at the 1900 exhibition (dummy title)

Chandeliers and sacrificial box from a church, draughtsman: Johannes Bosboom, 1827 - 1891, paper, brush, h 368 mm × w 278 mm

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Schaeffer Heinrich (1836-1874), bench. Monthly competition March 1866 (03.1866): front view, side view. Pencil on cardboard, 31.6 x 51.7 cm (including scan edges)

Underbreak, wall and small ornament. On the chimney plate there is a clock between two candlesticks in the form of feminine figures, the one with wings, the other without. To the right of the undercutting is a wall with wooden paneling, at the top right a small ornament with a shield.

Design for the decoration of three walls of a room, Jurriaan Andriessen, c. 1752 - c. 1819, Design for the decoration of three walls of a room, with pasted-on variants., draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 323 mm × w 400 mm

Drawing, Two Window Cases; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; graphite, pen and ink, brush and gray watercolor on laid paper; 25.7 x 12.2 cm (10 1/8 x 4 13/16 in.)

Credent table for Mr, Rosenberg , Credit table, Carl von Hasenauer -, draft

Koch Friedrich (1828-1922), travel studies from Germany 1851-53 (08.01.1853): Dijon: Notre Dame (perspective interior view, details). Pencil on paper, 19.3 x 22.4 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Deutschland 1851-53

Diebitsch Carl von (1819-1869), Brunnen, Cairo. () (Without Dat.): View of a 2-shell fountain with a crowning figure in a winning pose. Pencil on paper, 28.9 x 23.4 cm (including scan edges) Diebitsch Carl von (1819-1869): Brunnen, Kairo ()

Spencer Frederick Gore, 1878-1914, British, Study for "On the Sands", 1910. Black chalk and graphite on thin, smooth, cream wove paper.

A pencil sketch sheet by Rudolf Weyr depicting figures and study compositions with attention to form and line work.

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Drawings by Moritz von Schwind created in pencil and ink between 1859 and 1860.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359281

Sketches for Frames, for the Sacristy of St. Peter's, Carlo Marchionni, Italian, 1702-1786, Pen and sepia ink on laid paper, Papal escutcheons, one of which is indicated as that of Pope Benedict XIV. The largest sketch has dimensions of the tablet of the inscription., Italy, 1740-58, ornament, Drawing, Drawing

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48 x 29.6 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Design for an altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The mensa stands upon a half-circular platform to which steps lead. Four angels stand upon parts of of columns upon high pedestals and support half of a crown with curtains as baldachin. Laterally in front are two statues of angels with candles. Above, at right, is a rough pen sketch with the idea of having the angels standing immediately upon the pedestals., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Metal Bracket, Rue de Grenelle, St. Honoré second half 19th century Anonymous, British, 19th century British. Metal Bracket, Rue de Grenelle, St. Honoré 386695

Ms. Claude d'Hapépine, Streets Saint Honoré Win (sir). Ms. Claude d'Hapépine, Saint Honoré Streets. Feather and color lavis on layer.

Lehmmübner Paul (1855-1916), Torornary (without dat.): View. Pencil on cardboard, 50.2 x 35.6 cm (including scan edges) Lehmgrübner Paul (1855-1916): Torornamente

Sputh Ernst, S. Maria Novella in Florence. Sacristei fountain (September 27, 1873): View. Pencil watercolored on paper on cardboard, 60.4 x 46 cm (including scan edges) Sputh Ernst : S. Maria Novella, Florenz. Sakristeibrunnen

Architectural details; human figures, Filippo Marchionni, Italian, 1732-1805, Brush and brown wash, pen and brown ink on cream laid paper, Designs for entablatures with studies of figures., Italy, 1750-75, architecture, Drawing, Drawing

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects ca. 1800-1850 Workshop of Charles Percier. Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects 706387

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1320. Below is a bse with steps in the center, and candelabra upon the corners: women support a bag-like calyx with the flame. The sides of the body of the sarcophagus have the shape of trapezia. On the top is the relevant motif in 1938-88-1308., Rome, Italy, 1793, architecture, Drawing, Drawing

Drawing After an Antique Tabouret 19th century Anonymous, French, 19th century French. Drawing After an Antique Tabouret 392367

Copper engraving by Niccolò Nelli from 1572 depicting the School of Athens, showing multiple classical figures, architectural elements, and interior composition.

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Three scales, a griffin and a cupboard, Pietro Ruga, After Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching ornaments ~ art. bowl. ornamental cupboard. griffin (lion/eagle); 'Griffo' (Ripa)

Fireplace for the Marine Ministry. Fireplace with two angels and two putti that support a sphere. In the middle is a putto with a trident on a sea horse.

Drawing, Sketch for Three Side Wings with Part of Proscenium Frame; Italy; pen and black ink, graphite on cream laid paper

Pencil design for royal arms of Scotland , Coats of arms. Sir David Young Cameron (1865-1945). Prints

Design for decoration on the Felix Meritis building with the ceremony of Amsterdam. Detail of a design for decorations on the building Felix Meritis in Amsterdam in 1806: Homage of Amsterdam.

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Interior. Artist: John Singer Sargent, American, born Italy, 1856-1925, LL.D. 1916

Three sepulchral monuments, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two steps lead up. Urns with flames stand at the corners of the upper one. Two women lean upon a sacrophagus which stands upon a dado. A cinerary urn rises on top. A part of the drawing is drawn over lines of a part of a sketched plan., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Sketch - Triumphal arch John Henry Walker (1831-1899)

An 1866 ink drawing by Carl von Hasenauer showing a design for an exhibition baldachin, emphasizing decorative and structural features.

A pavilion with a dome is shown from a corner. Figures stand upon the upper corners. Colored background. Date: ca. 1790. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Inscription tablets are over the arched door openings. Colored background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Sketch for a Wall Painting, Porch with a View in a Garden, Pen and ink, brush and sepia on paper, Horizontal rectangle. The roof of the porch rests upon two pillars at right and upon two pairs of curved columns at left and center. In the compartment at left a fountain, at right two figures sitting on a bench at a table. In the garden, putti and plants., Central Italy, Italy, ca. 1640, architecture, interiors, Drawing, Drawing

Stage Design, Group of Antique Monuments, Angelo Toselli, ca. 1765 - 1826, Pen and ink on paper, Horizontal rectangle. Group of antique monuments on stairs., Italy, early 19th century, theater, Drawing, Drawing

Chair. .

Tower with tilting and a gate.The gate is decorated with a sculpture of a Deer. Leaf 30 recto from a sketchbook with 88 sheets.

Design for illumination of a house in Amsterdam, 1788, Hendrik G. van Raan, 1788 drawing Design for the illumination of a house in Amsterdam. Part of a group of design drawings by the architect Hendrik G. van Raan for illuminations and decorations in Amsterdam on the 40th anniversary of Prince Willem V on March 8, 1788. Amsterdam paper. pencil bonfire, fire-works (+ illumination, fire-works ~ festive activities) Amsterdam

Ink and feather drawing by Carl von Hasenauer showing the fireplace design of Villa Sullivan in Vienna XIII, Trauttmansdorffgasse 31-33, illustrating decorative and structural elements on paper around 1865.

Pencil sketches by Alexander Rothaug from around 1930 depicting varied studies, including figures, objects, and compositional arrangements.

The forge, passage du Dragon , Passageways. James McNeill Whistler (1834-1903). Lithographs

Two tombs; 35th Cahier LL Cahier de Vases, Fontaines et Tombeaux; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). On the left a tomb with an entrance, two women with torches on either side of a round medallion with portrait and profil, weapons with helmet and crown and an urn. On the right a tomb with a round medallion with portrait and profil, a raised skull with torches, smoke barrels and an urn.

Sir David Young Cameron, 1865-1945, British, The Palace Doorway North Italian Set: No. 22, 1895. Etching.

Monument in memory of the painter Johannes Christiaan Schotel, Hendrikus Pennock, 1839 - 1842 print Architectural image of the monument founded in the Grote Kerk in Dordrecht in memory of the sea painter Johannes Christiaan Schotel, died on December 21, 1838. paper epitaph. grave-building, monumental tomb Large or Our Lady Church

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Staircase Made 1891 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Design for the corner of a chimney, Giuseppe Barberi, c. 1780 Design for the corner of a chimney with a vase, a mirror and a wall arm, and of two wall tables with a detail of one of them. Rome paper. ink pen / brush

Columns, unknown artist, nineteenth century, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm), architectural subject, columns

Design for a Stage Set. Artist: Anonymous, French, 19th century. Dimensions: sheet: 9 5/16 x 14 3/16 in. (23.7 x 36.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Large Bookcabinet, with a Door at Left and a Chair at Right. Artist: Anonymous, British, 19th century. Dimensions: sheet: 10 13/16 x 14 15/16 in. (27.5 x 38 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Study for Old Bailey, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

Thomas Daniell, 1749-1840, British, active in India, Architectural Study, undated. Brown wash over graphite on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, cream, wove paper.

Monument, c. 1841 Page 27 Recto from a sketchbook with 33 sheets. paper. pencil monumental adornments (in city)

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1305. The candelabra have an indistinct shape. No inscription. The female allegory sits upon the attic supporting the medallion with her left hand, beside her, raising her right hand. No festoons at the pedestal. On top a fleur-de-lis., Rome, Italy, 1793, architecture, Drawing, Drawing

Aunt Eunice comes home” - unidentified illustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Sir Robert Smirke the younger, 1781-1867, British, Study of Fontana Maggiore in Perugia, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Drawing, Design for North wall, Yellow Drawing Room, Royal Pavilion, Brighton; Possibly by Robert Jones (British, active, early 19th century); England; graphite on paper; Mat: 35.6 x 45.7 cm (14 x 18 in.) 24.8 x 29.3 cm (9 3/4 x 11 9/16 in.)

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