Architectural Designs and Frames

Elegant sketches of ornate architectural frames and altars, demonstrating elaborate design elements from the 18th century in Europe.

Netherlands, Custos, Dominicus, France, Androuet, Jacques, Germany, Sibmacher, Hans, Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit, Under a colonnade with a barrel vault stands a pedestal with a statue between two people, verso lower left - stamped, Copy after a print by Jacques Androuet Ducerceau. the upper part is borrowed from part of a plane decoration by Enea Vico. Sheet from series with architectural fantasies and grotesques with mythical creatures, garlands, candelabra and mascarons., print, ornament print, prints, ornament prints, height 105 mm, width 69 mm, German - 1611-03-23, print maker, 1525 - 1594, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, Work conception, French, 1515 - 1584, after a print by, Publication (Event), Publication, German, 1560 - 1615, publisher

Fountain of Ponte Sisto Te Rome, Domenico Parasacchi, 1637 print Print is part of an album. paper etching ornamental fountain Fountain of Ponte Sisto

Drawing, Design for a doorcase; Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); Italy; graphite, pen and bistre ink, brush and bistre wash on paper; 22.9 x 16.7 cm (9 in. x 6 9/16 in.)

Façade with Kariatides. Façade of a two-storey building. On the ground floor, four male carians carry a frieze with metropolis and trigliefs. One floor higher four female cari patients carry the roof table. Centrally a large goddess portrait on the top floor. There are two men in the doorway of the building. Possibly to an antique building in the via Mattei in Milan.

Lazio Roma Rome S. Susanna3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco, stucco, coffers Object Notes: Counter-reformation church. All photos were taken between 1960-70, and Hutzel notes that it is necessary to take new photography since much has been restored since then, especially the facade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Graftombe of Gerrit van Assendelft and Beatrix van Dalem; Graf-Tomb van Heere Gerrit van Assendelft, Ridder, Council Ordinaris in Den Hove van Holland, and Ionkvr. Beatrix van Dalem, Ambatchtsvsv. Van Besoyen, etc. Tomb of Gerrit van Assendelft and Beatrix van Dalem in the Van Assendelftkapel in the large or Sint-Jacobskerk in The Hague. Above the Tomb the weapon of Gerrit, under the tomb a shield with the weapons of Gerrit and Beatrix. Right eight coats of arms with regard to gerrit, left eight coats of arms related to Beatrix. For the Tomb three spectators of which one is drawing.

Two trums and five frames, Johann Thomas Hauer, 1781 print Designs for two trums with tables, panels, garlands, a vase, a musical instrument, shield and laurel wreath. Five designs for frames in the middle. Paris paper etching / engraving half-column, pilaster ~ architecture

Credens Voor Nis Met Sewies; Johann Jacob Schütler's eight-catching edition of his projecting Werck, which is what elselled is Sechserley New Inventory credaces, and modern Caffé tables (...). ON Ornamented Craden With Crowns Stands For A Rectangular Niche With CandlesTicks and Bottles. A Five-Line German text in the Undermarr.

Drawing, Design for the organ case of S. Gregorio in Bologna; Designed by Giovanni Battista Natali III (Italian, 1698 - 1765); Italy; incised lines, pen and brown ink, yellow and brown washes, red chalk on paper; 34 × 26.6 cm (13 3/8 × 10 1/2 in.)

Drawing (Italy); pen and brown ink with gray wash support: off-white laid paper

Design for a wall decoration with two allegorical figures, James Thornhill, c. 1685 - c. 1734 drawing paper. graphite (mineral). ink pen / brush / brush

Drawing, Painted Wall Decoration; France & Italy; pen and brown ink, brush and sepia wash on paper

Print, Décoration de la Façade du Feu dArtifice du Côté de LHotel de Ville; Designed by Giovanni Niccolo Servandoni (Italian, active in France, 1695 - 1766); Published by François Baillieul (French, 1697? - 1754), Jacques-Philippe Le Bas (French, 1707-83); France; etching and engraving on laid paper

Titelblad: Several altarz deeings in the Roman, Jean Lepautre, 1673 print Left variant with linked, detached Corinthian columns. From series of 6 magazines, second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Fourteenth Book of the Work of J. Meissonnier: Salon Czartoryski: Tweede Blad; Fourteenth Book of the Work of J. Meissonnier.Quatorieth Artwork Book by J. Meissonnier: Second Leaf: A Silk from The Salon of the Polish Princess Czartoryski (Other Side Than F. 87) (Fuhring 88)

Door crown with medallion. Draughtsman: anonymous. Dating: 1650 - 1800. Measurements: h 269 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

A right side. The window is at right, seen in foreshortening. A curtain hangs in its opening, the one wing of which is laid upon the gaine supporting the entablature. Upon its lower spiral stands a flower pot. Framing line except at left. Pen and bistre on paper. Date: ca. 1675 - 1690. Museum: Cooper Hewitt, Smithsonian Design Museum.

Amsterdam, Marot, Daniël (I), Netherlands, Nouveau Liure de Serrurie, Title page: Nouveau Liure de Serrurie, Entrance gate with a pillar on either side in the form of an Ionic pilaster. On top of the gate is a coat of arms framed by foliate tendrils. At the top of the sheet are two designs for key handles with monogram. Sheet 1 from a series of 6 sheets with gates and railings in wrought iron., print, ornamental print, title page, prints, ornamental prints, height 271 mm, width 191 mm, 1663 - 1752-06-04, print maker, printmaker, 1712 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Fireplace decoration study; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);Baroque (crafts), baroque (style), wall decorations, feston (ornament), fries (archite.), cartouches, fireplaces, putta (iconogr.), artistic crafts, studies (sketches), architectural details studies, vegetable, interior, interior , interior design, purchase (provenance)

Pilaster decoration (lower party), from the Loggie Di Rafaele Nel Vaticano series (pl. 4); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Tomb monument in the form of sarcophagus. A praying woman kneels on the sarcophagus.

Design drawing for the Print of the Erepoort in the Wijngaardstraat in Veere, 1766, 1766 - 1767 drawing Design drawing for Print van de Erpoort founded in the Wijngaardstraat in Veere. At the top a performance of Telemachus and mentor. With mirror -image inscriptions. For the print in the group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Design for a print. draughtsman: Veeredraughtsman: Northern Netherlands paper triumphal arch. Telemachus starts out with Mentor, in search of his father Veere

Triumphpoort on the site for the entry of King William III in The Hague, 1691, 1691 print Triomfpoort founded on the place for the arrival of King William III in The Hague, 5 February 1691. Plate 19 in a series of 20 records about the Glorious Revolution in England in the years 1688-1691. Northern Netherlands paper etching triumphal arch Place

Fireworks representation (IT)

Tomm puts Kariatimen in Vaas, Claude Antoine Litret de Montigny, After Jean Charles Delafosse, 1771 print A tomb with two caratives, weapons and helmets and a vase. Paris paper etching / engraving grave, tomb. caryatids ~ architecture. vase ~ ornament

Triomf gate founded by the bishop of Antwerp for the Onze-Lieve-Vrouweka cathedral, 1685; On the dish by Syn Hoogwerdigheyt Mr. Bischop van Antwerpen, with the lords of the Cappittel of Onsible women for their Kerck. Triomf gate founded by the Bishop of Antwerp and the Chapter for the Onze-Lieve-Vrouweka cathedral in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Reliquary with the Arma Christi and a representation of the Pietà, verso - stamped, Numbered top left: no. 17., print, ornament print, prints, ornament prints, height 246 mm, width 158 mm, Czech, print maker, printmaker, 1714 - 1714, paper, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

The Arch of Titus, Cornelis van Poelenburch, 1621

Graf monument of Willem V, Prince of Oranje -Nassau, Christian Forsssell, 1806 - 1852 print Through a counter-shaped façade, a face on a burial monument for Willem V, Prince of Oranje-Nassau. A putto crowns the portrait of Willem V in a medallion, which is flanked by two allegorical female figures. To the right of the monument is historiography and on the left the mourning caritas. Amsterdam paper etching / engraving grave, tomb

Design of a bed with canopy, the headboard decorated with the presentation of two antique deities in armor. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Chimney mantle with birds and busten, Johann Adam Dellsenbach, after Paul Decker (I), 1708 - 1724 print Upstairs a putto holds a tondo with a representation of a sitting woman with two putti. The Tondo is surrounded by two birds and a smoking vessel. To the right grotesque print maker: Neurenbergprint maker: Neurenbergafter design by: Neurenberg (possibly)publisher: Augsburg paper etching chimney-piece, mantelpiece. interior of the house. ornament ~ grotesque

Chimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses) ca. 1769 Giovanni Battista Piranesi Italian. Chimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses) 365613

Design for a Confessional, Plate 1 from an Untitled Series of Designs for Confessionals Printed ca. 1750-56 Carl Pier Ornament print with a design for a confessional in frontal elevation. The confessional is symmetrical in shape and is decorated with rocaille ornaments and 2 vases on top. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Confessional, Plate 1 from an Untitled Series of Designs for Confessionals. Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Room with bust of Francesco Morosini in the Dog Palace in Venice, Jan Caspar Philips, 1728 print paper etching / engraving / letterpress printing historical persons. other sovereign: doge Dogepalis

Louis XIV (King of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Porte Cochere, Portico with two Ionic columns, Elevation with plan and scale in French base. At the top is a balustrade with Jupiter and Hercules., print, ornament print, prints, ornament prints, height 213 mm, width 146 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1656 - 1657, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Drawing for an Interior. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 14-7/16 x 10 in. Date: 1750-1800. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Marot, Daniël (I), Netherlands, Nouvelles Cheminée faittes en plusieur en droits de la Hollande et autres Prouinces, Title page: Nouvelles Cheminée faittes en plusieur en droits de la Hollande et autres Prouinces, Onderboezem with the series title in an oval mirror. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 244 mm, width 193 mm, 1663 - 1752-06-04, print maker, printmaker, 1673 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Two epitafes with kneeling man and gisant; Coenotaphiorum; Tombs and grave monuments. Two epitafes or grave monuments that need to be placed against a wall. The epitod links shows a kneeling man flanked by two putti with shield and lance with a vane. Behind its back a structure of rollerwork, in which a round cartouche is sitting with a coat of arms. The right epitaaf has the depicting of a horizontal man in a half pastation (Gisant). Behind it a structure of rollerwork with a representation of Christ with the cross surrounded by angels. In the bottom margin two lines text in Latin. The print is part of an album.

Castrum doloris in funere sereniss: ac potentiss: principis ac Dn: Dn: Caroli Gustavi, Suecorum, Gothorum, Vandalorumq: regis augustissimi in Templo Arcis Holmensis adoratum , Stockholm Palace Stockholm, Sweden, Charles X Gustav, King of Sweden, 1622-1660 Norman B. Leventhal Map Center Collection

Title page: Second Liure d'Orlogeries, Anonymous, After Daniël Marot (I), After 1706 - Before 1800 print Three comtoise clocks next to each other, with a watchmobal decoration and a thermometer in between. At the bottom you can see three motifs, including three urns and a gift jug. From series of 6 sheets with copies to prints from the Series Second Liure d'Orlogeries, published by Daniel Marot. paper etching

The welcome stage; Entry of Ferdinand in Antwerp in 1635 (no. 6), 1639 - 1641 print The welcome stage. Theater made up of three main performances. Total picture of the stage printed on two magazines (unassembled). Page No. 6 in a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

Design for a cupboard in memory of JH Neethling. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 251 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

Architectural elements of Porte-Cochère, Ground floor and first floor, c. 1866 - c. 1900 print At the top are parts of a Porte-Cochère, the panel in the middle is decorated with a garland of flowers and leaves. Under the elements it is stated in French what it is. Bottom right: n ° 19. Liège (possibly) paper

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Saint-Morien, de, XIIe Cahier de l'Oeuvre M Cheminées avec leurs Trumeaux &c, Mantelpiece with chandelier, verso - stamped, A ornamented mantelpiece with a four-armed chandelier, two four-armed candlesticks and two helmets. At the top a figure with a helmet, a laurel wreath, shields, flags and tendrils. On either side of the mantelpiece panels with lances surrounded by tendrils., print, ornamental print, prints, ornamental prints, height 345 mm, width 218 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Netherlands, Galle, Philips, Vredeman de Vries, Hans, Borcht, Pieter van der (I), Differents pourtraits de menuiserie. The series without title and without page 16, Differents pourtraicts de menuiseri, Two fountains, On the left a boy in a niche pouring water into the basin below, on the right a water-spouting mascaron. Page 14 of 15 numbered pages + title page from a series of 16., print, prints, ornamental prints, height 259 mm, width 192 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1583 - 1583, fourth quarter 16th century, paper, etching, etchings, Work conception, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Drawing, Copy of Competition Design by Vanvitelli for the Facade of S. Giovanni in Laterano; Architect: Unknown (Italian); After Luigi Vanvitelli (Italian, 1700 - 1773); Italy; pen and black ink, brush and grey wash over graphite on laid paper; Sheet: 45.7 x 62.4 cm (18 x 24 9/16 in.)

Design for an Altar With Six Large Candelabra. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 9 x 9 7/16 in. (22.8 x 23.9 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

A standing man in a niche looking toward the left 1756 Bartolomeo Crivellari. A standing man in a niche looking toward the left. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. Prints

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Elevation of an Altar, Leonardo Scaglia, French, active Italy, 1640 - 1650, Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and bistre, brush and wash on paper, An alter is set within the framing parts of a bay. The predella shows a scene of mourning over the dead Christ. The retable shows the ascension of the Virgin. In the lateral compartments are niches with the statues of female saints. Above is a representation of the Annunciation. In the center of the broken pediment is the Virgin with Child., France, ca. 1640-50, architecture, interiors, Drawing, Drawing

Design for ceiling painting in Schijnarchitectuur, Angelo Michele Colonna, 1665 - 1668 drawing Design for a part of a ceiling painting in sham architecture. paper. ink pen / brush (decorated) ceiling

Bound Print, Title Page; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Plate 7, from Recueil d'ouvrages curieux de mathématique et de mécanique, ou description du cabinet de Monsieur Grollier de Servière, Etienne Joseph Daudet, French, 1672 - 1730, Gaspard Grollier de Seviere II, French, 1677 - 1745, Engraving on paper, A) A tri-footed container in two sections. The base is a large regular solid, above which the smaller section rests on three balls or solid sphere. The decorative design is like Plates 6 and 8. B) Another spherical object, crowned with a fleur-de-lys, which may fit inside A. Both to be carried out in metal or ivory., Lyon, France, 1732, Print, Print

Bound Print (France)

Representation of fireworks and illumination. (IT)

Album n 4; Stained glass project for Isle Adam; Window has two travelers: two queen's charity scenes () Gsell-Laurent workshop. Album n 4; Stained glass project for Isle Adam; Two span window: Two Queen's charity scenes (). Pencil.

Wendel Dietterlin (author) and anonymous etcher (German, 1550 or 1551-1599), Pedimented Doorway, c. 1594, etching with engraving on laid paper

Portrait of John Gottlieb Hardt

Two pillars with numerous ornaments, sheet 2 from the episode "Gantz New very beneficial columns and other ornaments". Two pillars with numerous ornaments, leaf 2 from the episode "Gantz new very beneficial pillars and other ornaments of Joh. Andr. Bergmüller Invent. And drawn. Excud. Haered. Ierem. Wolffen in Augspurg ... Iacob Andreas Friedrich Sculp.

Drawing, Design for Mantelpiece; pen and ink, brush and wash on paper

Detail of Ceiling, Palazzo Massimi ca. 1750-55 Sir William Chambers British, born Sweden. Detail of Ceiling, Palazzo Massimi 362939

Print made by unknown artist, sixteenth century, D. M. S. P. Vibi P. F. Mariani, 1551. Line engraving on medium, slightly textured, cream laid paper.

. The three walls are decorated with corintean pilasters.

Paviljoen Van Venus, Louis de Châtillon, After Charles Le Brun, 1672 - 1686 print Façade of a pavilion with vases, putti with flower baskets, venus and amor standing under a bingwood on a pedestal worn by two women and a balustrade at the top. Paris paper etching façade (of house or building). (story of) Venus (Aphrodite) Marly Castle

Antwerp, Plantin, Christoffel, Maes, Joseph, Retable, 15th century, Decorated altarpiece, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, RETABLE en bois, recto - printed, LITT. R. - PL. 6., JJvY, height 344 mm, width 238 mm, photographer, 1876 - 1881, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, 1514 - 1589-07-01

Four shafts of composite columns decorated with roll work, grotesken, laurel wreaths and garlands, Wendel Dietterlin (I), 1593 - 1595 Numbered: 28. Print is part of a book. Strasbourg (France) paper etching other architectural details. composite order ~ architecture. column, pillar ~ architecture. mask, mascaron ~ ornament. ornament ~ festoon, garland. scrollwork, strapwork ~ ornament

An ornamented garden house with putti and coat of arms The door of the garden house is open, offering a view through to a garden with fountain in the background In the foreground two fountains In the lower margin a three-line German text, Garden house with putti Johann Jacob Sch, print maker: Johann Matthias Steudlin, (mentioned on object), Johann Jakob Schübler, (mentioned on object), publisher: erven Jeremias Wolf, (mentioned on object), print maker: Augsburg, Neurenberg, publisher: Augsburg, in or after 1724, paper, etching, engraving, h 295 mm × w 182 mm

Design for a Doorway to the Sacristy of St. Peter's, Rome, Carlo Marchionni, Italian, 1702-1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, Doorframe is surmounted by a pointed attic pediment, enclosing a medallion, in the center of which is the symbol of Christ (the Chi Rho) amidst a glory of rays. It is framed by palm branches and moldings. On top is a winged cherub's head. A priest standing in the doorway holds a reliquary before a kneeling cleric. Another cleric approaches from the left. Below are two plans., Rome, Italy, ca. 1778, architecture, Drawing, Drawing

Monument to lawyer Richard Martin, recorder of London (1570-1618), in the Temple Church. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1794.

Ornamental wall decorations with two columns and motto plus ultra, unknown, After Jean Lepautre, 1650 - 1750 print paper etching / engraving ornaments ~ art

Niche. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 13 x 5-3/4 in. (33.0 x 14.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Collegiate Church of St. Hildebert at Gournay. John Sell Cotman (England, Norwich, 1782-1842). England, 1820. Prints; etchings. Etching

Bliżej Kultury Unknown, Unger, Józef (1817 1874)

Fireplace with putti, 1778 - 1782 print An ornamented fireplace with statues of two putti. At the top a panel with a wreath, a arrow sleeve, a bow and tendrils. Paris paper etching Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

An Architectural Monstrance. Artist: Anonymous, French, 16th century. Dimensions: Sheet (trimmed): 6 11/16 × 2 11/16 in. (17 × 6.8 cm). Date: ca. 1530-40. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wall Decoration with the Coat of Arms of the Borghese Family. Artist: Attributed to Giovanni Guerra (Italian, Modena 1544-1618 Rome). Dimensions: Sheet: 10 15/16 x 8 3/8 in. (27.8 x 21.2 cm). Date: 1590-1618. Museum: Metropolitan Museum of Art, New York, USA.

An ornate sepulchre adorned with statues and bearing an epitaph to Balthasar Bekker. Etching with engraving by J. Goeree after S. Schynvoet, c. 1698.

Print (France)

Paris, Daumont, Jean-François, France, Lepautre, Pierre, Liure de tables, Title page: Liure de tables, Two tables with utensils. From a series of tables and utensils in the collection of Louis XIV. Second edition., print, engraving, ornament print, title page, prints, engravings, ornament prints, height 159 mm, width 290 mm, Work conception, 1660 - 1744-01-22, after a design by, 1740 - 1775, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, French - 1775, publisher

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Lord John Middleton from Brentford Chruch, between 1796 and 1811. Pen and black ink, watercolor and and gouache over graphite on medium, slightly textured, cream wove paper.

Depicts a Corinthian column capital, engraved by Agostino Veneziano in 1528, showing acanthus leaves and classical ornamentation.

Funerary buildings and vases, Johann Thomas Hauer, 1781 print Vases and three ornamented funerary structures with garlands and vases. Paris paper etching vase ~ ornament. grave-building, monumental tomb

Orsini, Duke of Bracciano, Paolo Giordano.

Photo production of (presumably) a drawing of a fresco from Pompeii, decorated with architectural ornaments and gods, c. 1875 - c. 1900 photograph Europeafter painting by: Pompeii cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). drawing, sketch. ornament derived from architectural details Pompeii

Pre-bow in front of the house of B. Mauritz, 1751; Pre-bow for the house of Mr Bernard Mauritz, advice and former ships, Rentmeester AVN the domains of his highness. Pre-bow applied for the house of Bernard Mauritz, a board and old vessels of Vlissingen and stadman's steward. Praalboog designed and painted by Jan Huis, painter in Middelburg. Illustration in the book about the inauguration of Willem IV as the Heritage of Vlissingen on June 5, 1751, p. 56/57.

Festa della Sensa (first part), Jost Amman, 1679 print Procession of the Doge on Ascension Day over San Marcoplein in Venice. The procession leads to the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. print maker: Neurenbergpublisher: Frankfurt am Main paper procession ~ Christian religion. gondola. city-view in general; 'veduta'. merchant, salesman Clock tower. Dogepaleis. Basiliek Van San Marco. San Marcoplein. Venice

View of a Fountain and Two Figures, Fabri, Marc Antonio, 1680, Etchings, 6 1/8 x 8 1/2 in. (15.5 x 21.6 cm), Paper / Sheet 8 1/16 x 10 13/16 in. (20.5 x 27.5 cm), Cream laid

Koch Friedrich (1828-1922), St. Gertraudt Foundation, Berlin. (From: Architectural sketchbook, H. 200/5, 1886.) (1886-1886): Details Exedra. Stitch on paper, 25.2 x 34.1 cm (including scan edges)

FRESCO FROM THE HOUSE OF SIRICUS, AT POMPEII

The tombstone of Stanisław Łubieński; Oleszczyński, Seweryn (1801-1876), Bank Polski (Warsaw; Litographic Plant; 1829-1862); 1840-1841 (1840-00-00-1841-00-00);

The Arms of France Accompanied by Personifications of Law and Good Faith 1664 Claude Mellan French. The Arms of France Accompanied by Personifications of Law and Good Faith 393587

Double wall panel with series title; Several screens as portals, clay cabinets, Oder Tröwen, Tresuren, Bethladeladen, Tical (s), Boxes, Chair, Banck, Shelves, Handtuchs, Rolls, Gläserschrencken, und Viell Other such lichen, und throw, 1658 / Plusieurs Menuiseries Comme Portaulx, Wardrobes , Tables, Arches, Selles, Bancs, Escabelles, Rolleaux Apendre Touailles, Caβes Avertes, et Beaucoup d'Autres Fortes d'Ouvrages .. Double wall panel with the series title in two languages: several area sweater / plusieurs Menuiseries. A term left and right. The pedestal with two cartouches with a frame in lobe style and a stylized cornucopia. The frontone in the main frame with a shell pattern. The print is part of an album.

Copper engraving by Johann Ulrich Kraus depicting the Fundle for Leopold I in 1705, showing figures, ceremonial arrangements, and architectural elements.

Thiry, Léonard, Fiorentino, Rosso, Milan, Pierre, Boyvin, René, Tableware, Two cases for cutlery, verso lower left - stamped, Two cases for cutlery. On the left case is a male herm with a satyr head between two female herms. The case is open, the lid is next to it. On the right-hand case a female herm stands between two male herms, half hidden by the curtains they hold up., print, ornament print, prints, ornament prints, height 139 mm, width 179 mm, French, 1525 - 1598, print maker, printmaker, 1542 - 1580, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), 1500 - 1557, Italian, 1494-03-08 - 1541-11-14, intermediary draughtsman, after a drawing by, South Netherlandish (before 1775), 1500 - 1550, intermediate draftsman

Copper engraving by Cornelis Cort, created in 1570, depicting the tomb of Lorenzo de' Medici with sculptural and architectural details.

Architecturally-Shaped Tabernacle with a Saint and Four Putti ca. 1530-49 Anonymous Architecturally-shaped tabernacle with a protruding ressault in the shape of a portico crowned by a slender tower in the middle. The tabernacle is characterized by five niches, seperated by pillars. The central niche is higher than the other four and contains the statue of a male saint, dressed as a soldier and holding a banner (possibly Longinus). Putti have been placed in the other four niches, they are depicted in different poses and are holding various attributes. Shades have been added to the design by the use of grey wash.. Architecturally-Shaped Tabernacle with a Saint and Four Putti 410408

Arch of Honor in front of the Town Hall, 1816, anonymous, 1816, Arch of honor in the form of a temple with dome and twelve columns. In the center a coat of arms, in the tympanum the crowned W. Erected in front of the City Hall on Dam Square. Part of a series of 14 (of 16) drawings for the decorations prepared for the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816., draughtsman: anonymous, Netherlands, 1816, paper, pen, brush, h 260 mm × w 245 mm

Balth burial monument. Fredericus von Stosch in the Janskerk in Utrecht, Gerrit Lamberts, 1786 - 1850 drawing paper. ink. chalk pen / brush grave-building, monumental tomb. historical persons. interior of church Janskerk. Utrecht

Wrought Iron Balcony Rail. Dated: c. 1936. Dimensions: overall: 30.5 x 23 cm (12 x 9 1/16 in.). Medium: pen and ink and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Arelia Arbo.

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