Architectural Designs and Frames

Elegant sketches of ornate architectural frames and altars, demonstrating elaborate design elements from the 18th century in Europe.

Netherlands, Custos, Dominicus, France, Androuet, Jacques, Germany, Sibmacher, Hans, Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit, Under a colonnade with a barrel vault stands a pedestal with a statue between two people, verso lower left - stamped, Copy after a print by Jacques Androuet Ducerceau. the upper part is borrowed from part of a plane decoration by Enea Vico. Sheet from series with architectural fantasies and grotesques with mythical creatures, garlands, candelabra and mascarons., print, ornament print, prints, ornament prints, height 105 mm, width 69 mm, German - 1611-03-23, print maker, 1525 - 1594, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, Work conception, French, 1515 - 1584, after a print by, Publication (Event), Publication, German, 1560 - 1615, publisher

Design for the chassis of a Pennanttafel, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching table. work of applied art

Graf monument of Wolter Jan Gerrit Bentinck, Johan Christoffel Schultz, 1781 print The burial monument for Wolter Jan Gerrit Bentinck, who died in 1781 in the sea battle at the Doggersbank. On the monument a performance of this sea battle. Amsterdam paper etching

Graftombe of Willem I, Prince of Orange, 1623, Anonymous, 1700 - 1799 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. With the frame. Low Countries paper etching grave-building, monumental tomb. interior of church. historical persons New church. Delft

Print (France)

Erepoort on the Buitenhof for the entry of William V and Wilhelmina of Prussia, 1767. Draughtsman: Dirk van der Aa. Dating: 1768. Place: Northern Netherlands. Measurements: h 352 mm × w 439 mm. Museum: Rijksmuseum, Amsterdam.

Graftombe of Willem I, Prince of Orange, 1623; Tomb or Gefears of the Princes of Orange. Graftombe or Palatergraf of Willem I in the new church in Delft, completed in 1623. Seen from the front with the image of the sitting prince. With the frame.

Design for a Man's Tomb 16th century Anonymous, French, 16th century French. Design for a Man's Tomb. Anonymous, French, 16th century. 16th century. Black chalk, pen and brown ink, brush and brown wash. Drawings

Memorial in memory of Theodorus Johannes Dirk Graswinckel. Memorial with text and adorned with a portrait bust in oval of the lawyer Theodorus Johannes Dirk Graswinckel. The portrait is surrounded by a rooster, scroll and the Mercury staff, left and right. The memorial is made of decorated with the family crest.

Klemens August, Duke of Bavaria, Elector of Cologne.

Drawing, Elevation of a Wall; Italy; pen and ink, brush and watercolor, black crayon on paper; 11.7 × 13.2 cm (4 5/8 × 5 3/16 in.)

View of the fountain from the character Aphrodite and a garden vase in a niche; Marot, Daniel (1661-1752; st.), Unknown; after 1702 (1663-00-00-1752-00-00);Aphrodite (mitol.), Magdalenaea (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, Venera (Mitol.), Venus (Mitol.), Fountain, French (culture), gardens, statues, projects , vases

Etching by Wenzel Hollar depicting a cenotaph with a figure and a coat of arms, highlighting heraldic symbols, architecture, and figure posture from 1627-1677.

Pen and bistre drawing by Giovanni Guerra depicting the ground floor of Pratolino with lavierte shading, emphasizing architectural structure and spatial layout, circa 1598.

Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 3/4 x 7 7/8 in. (29.9 x 20 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (King of France), Louis XIII (King of France), Paris, Poilly, François de (I), François de (I) hôtels à Paris, Title page: Nouvelles cheminées à paneaux de glace exécuté dans quelques hôtels à Paris, The title is in an oval. From series of title page and 5 sheets, second edition., print, ornament print, title page, prints, ornament prints, height 265 mm, width 168 mm, French, 1623 - 1693-04-01, print maker, printmaker, 1632 - 1693, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after design by, Publication (Event), Publication, publisher, 1601-09-27 - 1643-05-14, granter of privilege, 1638-09-05 - 1715-09-01

Instruction for the fireworks at the celebration of the Treaty of Utrecht, 1713. Draughtsman: Bernard Picart (mentioned on object). Dating: 1713. Place: Northern Netherlands. Measurements: h 342 mm × w 454 mm. Museum: Rijksmuseum, Amsterdam.

Church of S. Maria dei Frari, tomb of the Doge Francesco Foscari, Venice. .

CARVED LINTEL, STABBUR AND TANKARDS

TRIUNFO DE SAN FERNANDO EN LA CATEDRAL DE SEVILLA EN 1671 CON MOTIVO DE LA CANONIZACION DE SAN FERNANDO - GRABADO SIGLO XVII. Author: TORRE FARFAN FERNANDO. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

Monument to Herman Boerhaave. Monument to Herman Boerhaave, on a column behind a fence is an urn decorated with small breast figurines in relief, in the Pieterskerk.

Nicholas Acampora, Wall Paper and Border, 1937 Wall Paper and Border

Eight elongated tables, Pieter van der Borcht (i), after Hans Vredeman de Vries, c. 1583 print Elongated tables, a triangular table, two footstools, two stools and a chair with a triangular seat. Leaf 6 of 15 numbered sheets + title page from a series of 16. Netherlands (possibly) paper engraving

Drawing, Sculpture Gallery: Project for the Decoration of a Hall in a Palace during the Reign of the Emperor Napoleon as King of Italy; Probably Felice Giani (Italian, 1758-1823); Italy; black chalk on white laid paper; Sheet: 36.5 x 48.7 cm (14 3/8 x 19 3/16 in.)

Image of a fireplace in a departure in the Oudegracht E 23 house in Utrecht, shortly before the demolition in 1845.N.B. The address Oudegracht E 23 was changed in 1917 to Oudegracht 193.

Antwerp, Simonau & Toovey, Mechelen, Maes, Joseph, Oak altarpiece from the Saint Waltrude Church in Herentals, displayed at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, recto - printed, photomechanical print, page, photographs, photographically illustrated books, -12, recto - handwritten, 19, height 242 mm, width 198 mm, Belgian, 1838 - 1908, photographer, 1864 - 1866, paper, photolithography, fotolithografie, clichémaker

Nymphaeum in the courtyard of the Palazzo Borghese in Rome, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 12. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Palazzo Borghese. Rome Numbered below: 12. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Palazzo Borghese. Rome

Lugo, Juan de.

Bound Print (France)

Design for a richly decorated ceiling, Giuseppe Fancelli (mentioned on object), 1750 - 1840, paper, ink, brush, h 389 mm × w 341 mm

Lazio Viterbo Soriano nel Cimino S. Eutizio8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tomb of Queen Elisabeth in Westminster, London, England, reproduction of a woodcut from the year 1880, digitally improved, Tomb of Queen Elisabeth in Westminster, reproduction of a woodcut from the year 1880, digitally improved

Office of the sixteenth century, Italian employment, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875.

Sarcophagus Margareta Brahe, father Hesse-Homburg; Thelott, Johann Philipp (1638-1671); after 1669 (1669-00-00-1694-00-00);

Tomb of Charles XII of Sweden (1682-1718) and Duke of Bremen and Verden, Stockholm, Sweden, architecture, niche, coffin, flags, window, royal crown, steps, commemoration, steel engraving, historical illustration 1835

Secretaire with mask; Sécrétaire à la modern; Secretaries; 10th Cahier. An ornamented secretary with a feminine face and wreaths. Print number 56.

Cœnotaphiorum (25) 1563 Hans Vredeman de Vries Netherlandish Two designs for funeral monuments to be placed onto a wall. The monument on the left is characterized by a large painting of the Annunciation in the central compartment and a smaller depiction of God holding up the body of Christ (Gnadenstuhl). The monument on the right shows effigies of four kneeling men in front of a painting of the Last Judgement. a Latin inscription is added on a small panel below. Below the image as a whole a Latin inscription is added, consisting of eight lines divided over two columns.. Cœnotaphiorum (25) 402153

Memorial to Elizabeth and Sir Timothy Lannoy from Fulham Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Four elongated tables, Pieter van der Borcht (i), after Hans Vredeman de Vries, c. 1583 print Above the elongated tables are five small tables or stools and two square tables. Netherlands (possibly) paper etching

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Destruction of aristocracy, decoration on the Westermarkt, 1795, 1795 print The destruction of aristocracy, allegorical decoration founded on the Westermarkt in Amsterdam at the Alliantie festival on June 19, 1795. Hercules (the Dutch people) beats the seven -member Hydra (aristocracy and family government). paper etching festivities on events of national importance (+ festive decoration ~ festive activities). (2) the Hydra of Lerna is killed by Hercules Amsterdam. Westermarkt

Design for a Bedroom, Pen and ink, brush and watercolor, black crayon on paper, A canopy bed is flanked by doors and set against a wall decorated with rectangular panels bearing ornamental motifs. The overdoors are in the form of painted oval panels simulating sculpture., Italy, 1790, Drawing, Drawing

Memorial plaque at the 25-year anniversary of King William III 1849-1874, 1874 print Memorial plaque at the celebration of the 25-year anniversary of King William III, 12 May 1874. Monument with a portrait of the king crowned through history and peace. On the pedestal a representation of the king's visit to the area affected by the flood in 1861, on the left a Dutch farmer, on the right an Indian. This includes the Rijkswapen with Inks The inauguration of the king in the Nieuwe Kerk in Amsterdam on 12 May 1849 and the right in Amsterdam are prior to the inauguration. At the bottom of a Frisian with the provincial weapons. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdampublisher: Rotterdam paper new ruler taking the oath New church. Amsterdam. Dutch East Indies, the

Drawing, Design for a Bedroom; Italy; pen and ink, brush and watercolor, black crayon on paper; 11.7 × 15 cm (4 5/8 × 5 7/8 in.)

Nehalennia-Altaren, 1648 - 1650 print Leaf with overview of altars with Nehalennia, numbered 10-18. Coming from: Olivier de Wree, Historiae Commitum Flandriae Libri Prodromiduo, Lucas Van den Kerchove, Bruges 1650. Second is in which the page and number are removed at the top right. Netherlands paper engraving other foreign deities included in the classical Pantheon (with NAME)

Design for an Altar. Baldassare Peruzzi (Italian, 1481 - 1536)

Memorial to John Taylor from Chiswick Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, Chiswick, England, Greater London, London, St. Nicholas Church, United Kingdom

Exhibition of the Fire Corps King Louis 18, in the throne room. (IT)

World Expo 1867. Library pear, Messrs. Mazaroz and Ribaillier, vintage engraving. World Expo 1867. Library pear, Messrs. Mazaroz and Ribaillier, vintage engraved illustration. Magasin Pittoresque 1867. Copyright: xZoonar.com/PatrickxGuenettex 10678315

Wall Paintings and Decoration of the Renaissance, Renaissance

John Matulis, J Alderman's Tavern Sign, c 1940 J. Alderman's Tavern Sign

Etching by Giovanni Francesco Grimaldi from 1644 depicting a side view of the prefall catafalk for Ludovico Marchese Facchinetti in the church SS. Giovanni Evangelista e Petronio dei Bolognesi on April 9, showing architecture and ceremonial setup.

Architectural setting with portrait medallion minerva; Title page for: James Beeverell, Les Delices de la Grand'Bretagne et de l'Irlande, Tome Troisime, 1707. An architectural setting with portrait medallion of Minerva in square picture frame. Three shields hang on either side. There are books and an Irish cross in the foreground.

Ancient Egyptian chair or throne decorated with bull, sphinx, scarab, and hieroglyphs, from the Borgia Museum in Velletri. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 38e Cahier, Pedestals, Piedestal pour group, Two pedestals with medallion and tablet, verso - stamped, Two pedestals. Above with a lion's head above a round medallion with figures, below with a mask and garlands below a rectangular tablet. Print number 227., print, ornamental print, prints, ornamental prints, height 331 mm, width 205 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Engraved portrait of George Gordon Byron (1788-1824) an English poet and a leading figure in the Romantic movement. Dated 19th Century

Vase on roadmuring; Vases Nouveaux. A vase with flowers stands on a roadminder with pilasters between which a tablet with the serene title.

A well head carved with fish motifs, a metal ladle with a snake-handle, a funerary urn, and a terracotta relief of the caduceus and other objects. Etching by L. Roccheggiani, ca. 1811.

Sarcofaag Van Constantina, Giovanni Battista Piranesi, c. 1756 - c. 1757 print A decorated sarcophagus (called an urn on print) from Porfier with the body of Constantina. Title and text in STUDMARGE. Numbered above: Tom. Ii. / XXIV. Rome paper etching sarcophagus

. Monument on top of a standing putto, holding a shield. In addition to the putto a fascence.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 39e Cahier, Pedestals and windows, Piedestal pour figure Equestre, Pedestal with helmets and shield, verso - stamped, A pedestal with a rectangular tablet under which two helmets and a shield with a lion's head. Print number 230., print, ornamental print, prints, ornamental prints, height 204 mm, width 330 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Architecture with satyr holding a basket and a cymbal; in the upper part, painting depicting buildings, trees and sea, Herculaneum, Campania, Italy, engraving by Giuseppe Aloja from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 72, 1757-1787, Naples.

'Draving of a Corinthian Column with a Capital and a Base'. Series of Preparatory Drawings for the Engraved Edition "Picturesque Journey around the Islands of Sicily, Malta and Lipari" (Voyage pittoresque des isles de Sicilie, de Malte et de Lipari... Par Jean Houel, Peintre du Roi. Paris. 1782. V.1; 1784.V.II.1785.V.III.1787.V.IV. ). France, Late 1770s. Dimensions: 29,5x42 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Pierre-Laurent Houel.

Design for Chimney Piece, Chteau du Duc de Meternick, Johannisburg. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 8 1/2 x 8 1/8 in. (21.6 x 20.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Title print with stone block with title, assignment and coat of arms, Giovanni Battista Mercati, 1629 print print maker: ItalyItalyToscane paper etching inscription. coat of arms (symbol of sovereignty)

Parte superior de una puerta con diteles y jambas adornados con bajorelieves clásicos y la inscripción R CARD S GEOR S R E CAMERA.

Graftombe van Aelit van Culemborg in IJsselstein.

The electoral picture gallery at Düsseldorf: paintings on two walls in the third gallery. Engraving, 1776.

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