Architectural Designs

Drawings of ornate doorways and decorative features, emphasizing classical elements, craftsmanship, and intricate motifs in architectural layouts.

Cheminée Decorée de GlacesDifféremment, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Below are steps, which in the upper half are flanked by the bases of two groups, either consisteing of a standing woman leaning her right hand upon fasces, and a putto beside her. The pedestal is high and elaborate. Its lower part has a panel with the inscription in the main part of central most projecting part. Above the entablature are rectangular blocks, upon which sit at the front two putti, carrying respectively mitre and crozier, at he sides one putto. Behind them rises a round pedestal with festoons, on top a variation of 1938-88-1396. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Triomf-poort van prins Maurits. Regtspleging van Oldenbarnevelt (series title). Draughtsman: anonymous. Dating: 1708 - 1795. Place: Netherlands. Measurements: h 23.5 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.

Technical collotype by Julius Leth showing the top cabinet from Hernstein Castle, depicting design, decorative details, and architectural style, created between 1863-1879.

Daniel Lysons, 1762-1834, British, Tomb of Jane Jaforest, from Fulham Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Study for an Arched Alcove with a Canapé ca. 1804-10 Anonymous, French, 19th century French. Study for an Arched Alcove with a Canapé 343822

Monument to Herman Boerhaave. Monument to Herman Boerhaave, on a column behind a fence is an urn decorated with small breast figurines in relief, in the Pieterskerk.

Upcoming unity and indifferability, from the Batavian Commonwealth and the Alliance, decoration on the town hall on Dam Square, 1795; Image of the decoration for the house of the municipality in Amsterdam. Established on the occasion of the Alliance with Vrankryk MDCCXCV; Ten decorations at the Alliance party in Amsterdam in 1795. The Alliance concluded between the French and the Batavian Republic on 16 May 1795 and the upcoming unity and indivisibility of the Batavian Commonwealth. Two allegorical decorations on the facade of the town hall on Dam Square in Amsterdam at the Alliance party on 19 June 1795. Part of a series of ten plates.

James Basire, 1769-1822, British, Monument of Richard II and his Queen Anne 1395-1399. Engraving.

Design for Stage Set 1698-1765 Attributed to Giovanni Battista Natali III Italian. Design for Stage Set 362002

Archivoltes de divers edifices du Poitou (monumens sic des XIe. et XIIe. siècles.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Rosselino (1409-1464), S. Croce in Florence. Tomb of the Leonardo Bruni (without date): View detail. Photo on cardboard, 23.5 x 32 cm (including scan edges)

GrafMonument, Cornelis Brantsma, After Sjoerd Bonga, 1822 - 1847 print There is a broken column with a snake around it, there is a sword under the column. There is a portrait bust on the tomb. At the top two family weapons. Left and right of the monument hangs a ribbon with empty family weapons. print maker: Leeuwardenafter design by: Netherlands paper niche-tomb, wall-tomb. armorial bearing, heraldry. piece of sculpture, reproduction of a piece of sculpture

Dedicated to the Department of Meurthe this monument raised in Nancy instead of its burial (IT)

Design for a Clock ca. 1770-85 Anonymous, French, 18th century French. Design for a Clock 345611

Etching by Wenzel Hollar from 1647 depicting the cenotaph of Baltasar Carlos of Austria, focusing on funerary architecture, sculptural decoration, and commemorative design.

Titre : 15 eaux-fortes par Ch. Jacque.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Urns

Print, Monthly Cabinet Makers Album: Wardrobe; Designed by M. Kimbel; USA; 1984-124-24-5

Rohscan

Hoffmann Emil (1845-1901), hereditary burial of the Gustav Selve family in Altena. Monthly competition November 1889 (probably original drawing) (11,1889): Riss front view 1:25. Ink, pencil watercolor on the box, 60 x 39.5 cm (including scan edges) Hoffmann Emil (1845-1901): Erbbegräbnis der Familie Gustav Selve, Altena. Monatskonkurrenz November 1889 (wahrscheinlich Originalzeichnung)

Upcoming unity and undivided, of the Batavian Commonwealth and the Alliance, Decoration on the Town Hall on Dam Square, 1795, Anonymous, After Jurriaan Andriessen, 1795 print The Alliance closed between the French and the Batavian Republic on 16 May 1795 and the upcoming unity and undividedness of the Batavian Commonwealth. Two allegorical decorations on the facade of the Town Hall on Dam Square in Amsterdam at the Alliantiegeest on June 19, 1795. Part of a series of ten records. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. City Hall of Amsterdam (1655-1808)

Interior panel of Rohan hotel specimen decoration of the time of Louis XV, by Boffrand, vintage engraved illustration. Magasin Pittoresque 1852.

The revolution, decoration on Koningsplein, 1795; The revolution, on the citizen square; Fifteen decorations at the Alliantiestief in Amsterdam in 1795. The revolution, allegorical decoration established on Koningsplein in Amsterdam at the Alliance party on 19 June 1795. Truncated column with oval chassinet with Hercules (Batavian bravery and courage) that breaks the yoke of the aristocracy. He plays a crown and chain under his foot. At the top of Dutch and French flags.

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top is a frieze between bands with rosettes. The frieze consists of a high band between two low ones of different height. The high band shows rosettes in circular medallions, from which palmettes grow laterally, alternating with a stylized plant. Above the frieze is an entablature of several moldings, the lowest of which is colored. An ornamentation is alternatively suggested for it in the left half. The wall panel is divided into oblong panels framed by fillets and separated from each other by stripes, the lower parts of which show in the middle a white line, from which leaves and seeds grow in the upper parts. A hanging palmette frieze is alternatively suggested as a decoration of the tops of the oblong panels., Austria, 1820-30, wallpaper designs, Drawing, Drawing

Kast met spiegel, anonymous, after Victor Léon Michel Quétin, 1878 - in or after 1904 print A fantasy furniture / cupboard with mirror. Print from 83rd Livraison. paper furniture for storage

Drawing, Design for a Throne of the Priest of Bacchus, after Ancient Marble; Italy; black chalk, pen and ink, brush and watercolor on paper

Statue of William II, King of the Netherlands, at the Buitenhof in The Hague, 1855 print Statue of Willem II by Eduard François Georges on the Buitenhof in The Hague. In the lower margin two lines of Dutch and two lines of French text. Part of a songbook for the Singing Association Cecilia van Mechelen. print maker: Netherlandspublisher: The Hague paper engraving / etching monument, statue Buitenhof

Armchair, wood, ornamentation, 16th century, Francis Drake, England, explorer, museum, sailor, ship, Oxford, exhibition, historical illustration 1885

Two Corinthian main acts with console and decorated with garlands and mascarons, Wendel Dietterlin (I), 1593 - 1595 Numbered: 24. Print is part of a book. Strasbourg (France) paper etching other architectural details. Corinthian order ~ architecture. column, pillar ~ architecture. capital (~ column, pillar)

Memorial to a Poet, Richard Tickell from Hampton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm), architectural subject

Interior view of the organ in St. Laurenskerk, Alkmaar by Pieter Jansz. Saenredam, drawn in brown ink with watercolor.

A copper engraving by Meister WA from 1465-1490 depicting a smoke barrel, emphasizing the object, structure, and composition.

La Galerie electorale de Dusseldorff ou catalogue raisonné et figuré de ses tableaux: dans lequel on donne une connoissance exacte de cette fameuse collection, and de son local, par des descriptions détaillés and par une suite de 30. planches, contenant 365. petites estampes redigées and gravées d'après ces mêmes tableaux, par Chretien de Mechel, Pigage, Nicolas de, 1723-1796, 1778

Study drawing for mural of woman, no. 2 | Library of Congress

TITELBLAD: LIure de chimnees, Pierre Lepautre, 1670 - 1699 print Chimney with a coat of arms at the bottom with three Fleurs-de-Lys. Title page from series of 6 () Blades. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Cabinet-making: design for a canopied bed. Etching by J. Verchère after himself, 1880.

From series of 6 sheets with Dutch reverse copies after sheets from the series Liure de Serurerie, designed by Jean Lepautre, and sheets from another series. Second printing, Fence with variant Wrought iron , Jean Lepautre, print maker: anonymous, publisher: Reinier Ottens (I), France, (possibly), print maker: Netherlands, (possibly), publisher: Amsterdam, publisher: Amsterdam, publisher: Amsterdam, 1726 - 1750 and/or 1750 - 1765, paper, etching, h 219 mm × w 154 mm

Memorial for Jan Nieuwenhuyzen, Noah van der Meer (II), After Jacques Kuyper, After Charles Joseph François Sigault, After Hendrik Lageman, 1806 - 1808 print Memorial for Jan Nieuwenhuyzen by the Society Tot Nut van T 'generally founded. In the middle a reverse torch, a snake that bites in its own tail as a eternity symbol and a burning torch. At the bottom of the margin the front and back of a memorial topen, which was manufactured on the occasion of the death of Nieuwenhuyzen. Amsterdam paper etching memorial medal. grave, tomb and other grave-forms and grave-markers

Spanish-style clock, Mr. Zuloaga, vintage engraved illustration. Magasin Pittoresque 1877.

Honorary species on the Breestraat Reguliers; Reminder gift to 1840, for the Dutch youth, in memory of the duty inauguration of Z.M. King Willem II. With XII pictures on which it has been properly presented. Erepoort founded in the Reguliersbreestraat. Part of the folder with a series of twelve prints of the arrival of Willem II, the honorary ports established in the city and the inauguration on November 28, 1840 in the Nieuwe Kerk in Amsterdam.

París. Museo de Cluny, Credencia de finales del siglo XV.

Front view of Koets, Andrea Cornelny (Possible), After Ciro Ferri, 1700 print print maker: Italy (possibly)after design by: Italypublisher: Augsburg paper etching

Monument for the Volksgeest from 1830-1831, Willem Charles Magnenat, Before 1856 print The design by Louis Royer and W. C. Brade. The fountain is crowned by the Amsterdam Steemagg with the Amstel at her feet, in the form of a sea god and the Rhine, in the form of a water nymph. In 1856 another monument was revealed: Naatje van de Dam. paper ornamental fountain. personification of a city, town-patron(ess). river personified: Rhine Dam

Buffetkast, anonymous, after Victor Joseph Quétin, 1832 - 1877 print A buffet cupboard. Print from 16th Livraison. paper furniture for storage

Freedom tree of Oostzaandam, 1795; Freedom tree of Oostzaandam / Inset the 19th Sept: 1795.The Liberty Tree of Oostzaandam, Initiated on September 19, 1795. Ornamental Vase on Pedestal, Allegorical Medallions with Freedom and Equality and Flags. On Top Of The Tree.

Rohscan

Colon of Marcus Aurelius in Rome, Giovanni Maggi, 1600 print A church in the background. Italian text in the lower margin. Print is part of an album. paper etching triumphal column with helical friezes Colon of Marcus Aurelius

Print (Germany)

unknown artist, In the Ambulatory belonging to Mercers Chapel in Cheapside, 1793. Engraving.

Seventh book of works by J. Meissonnier: Zevende Blad: Tafel.; Seventh book of Works by J. Meissonnier. Tafel.

Two columns with memorials, Anonymous, 1822 - 1845 print The columns are weathered. The left column is decorated with a medaljon portrait with a family crest above it. To the right of the portrait a column of the Corinthian Order. Next to the weapon a putto with a skull. On the right column an epitaph flanked by two Doric columns and above it a pediment. Dordrecht paper column, pillar ~ architecture. monument, statue. ornament ~ medallion (+ framing decorations). armorial bearing, heraldry

Design for the Central Altar for Scottish Rite, N.Y. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: 20 1/2 x 14 15/16 in. (52 x 37.9 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

This etching by Hieronymus Vicomercatus depicts fireworks scaffolding for the festival celebrating Elisabeth Christine, Princess of Braunschweig-Wolfenbüttel, bride of King Charles III of Spain, in Milan 1708, showing festival structures and decorative elements.

Luik, Claesen, Charles, Motifs de sculpture décorative, Relief with leaf tendrils and a face, sculpted by Jean Herman, recto - printed, This print is part of a cover with 28 prints and a title page., photomechanical print, photographs, photographically illustrated books, Jean Herman, Sculptor., 15, height 197 mm, width 261 mm, maker, manufacturer, 1875 - 1880, paper, papier, collotype, printer, Publication (Event), Publication, publisher

Projet de Deux Toiletes. Artist and engraver: Jean François Forty (French, active Paris, 1775-90). Dedicatee: Dedicated to Anne Louise Caroline de Malignon (French). Dimensions: Overall: 15 7/8 x 11 5/8 x 1/2 in. (40.4 x 29.5 x 1.3 cm). Published in: Paris. Publisher: Published by Chereau (French). Date: 1775-90. Museum: Metropolitan Museum of Art, New York, USA.

Relief with angels next to a medallion, together they hold a fruit garland.; 17. Le Nouvel Opéra de Paris. Sculpture Ornamental.; Le Nouvel Opéra de Paris with 50 photos.

Antique relief with utensils, Cornelis Galle (I), after Peter Paul Rubens, 1608 print Part of an antique relief with utensils. From left to right: a helmet, a spoon, an ax, a bowl, a knife, a carafe and a decorated skull of a cow with horns. Illustration for a book about Roman culture and history. print maker: Southern Netherlandspublisher: Antwerpprinter: Antwerp paper engraving piece of sculpture, reproduction of a piece of sculpture

Design of luxury furniture, here a couch, by Otto Rothe, 1888, Historic, digital reproduction of an original 19th century design

Architectural Detail (Wall Brackets). Dated: 1935/1942. Dimensions: overall: 35.5 x 27.9 cm (14 x 11 in.). Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Kieckhofel.

Graftombe with portrait figures in a church in Geervliet, Joan Carel van Alderwerelt, 1773 drawing paper. ink. pencil pen / brush effigy, 'Gisant' (portrait-figure on closed coffin or in 'castle of pain'), transi Geervliet

Attributed to Daniel Lysons, 1762-1834, British, Tomb of William Hogarth and Mrs. Jane Hogarth from Chiswick, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Excerpt of the design for the National Monument, Maurits Verveer, 1864 photograph Fragment of the award-winning design for the National Monument 1813-1863 motto Eben-Haezer in The Hague, of J.Ph. Koelman and W.C. Van der Waeyen Pietersen The Hague paper. photographic support. cardboard albumen print sculpture

Schmalz Otto (1861-1915), travel sketches from Italy (25.04.1887): Florence: SS. Annunziata (views details). Tusche watercolor on paper, 42.9 x 31 cm (including scan edges)

Zofia née Czartoryski Zamoyska in an architectural, neo -Gothic frame; Łuskina-Zaranowska, Anna (Ca 1800-1840), unknown, Hauser, Eduard (1807-1864), Nicolle Freres, Lemercier, Benard et Cie (Paris; Litographic Plant; Fl. 1837-Ca 1880); 19th century (1801-00-00-1900-00-00);

Design for Stained Glass in Music Room in Miss Caldwell's House, Newport, R. I., John La Farge, American, 1835-1910, Graphite and watercolor on paper, Unfinished project of rectangular panels in geometric patterns. Four panels completed., USA, 1870-80, architecture, interiors, Drawing, Drawing

Guillaume, Baron Dupuytren: his tomb at Père Lachaise Cemetery. Wood engraving.

Textiles: a loom for stair? carpet weaving, elevations (top), details (below). Engraving by R. Benard after Radel.

Bliżej Kultury Kellerhoven, Franz (1814 1872), Lemercier, Wilczyński, Jan Kazimierz (1806 1885)

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