Architectural Details

Intricate designs and ornaments from historical structures, showcasing pilasters, balustrades, and classical motifs in a variety of etching and engraving techniques.

Lazio Viterbo Caprarola Palazzo Farnese323. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano (PL.12) series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Vier balustrades, anonymous, 1700 - 1799 print Four balustrades with leaf motifs. Print number 42. France paper etching balcony. balustrade

Lower part Pilaster VI, from the Loggie Di Raffaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1775 (1775-00-00-1775-00-00);

Print (France)

Lazio Viterbo Caprarola Palazzo Farnese323. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante95. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Pietro. Hutzel, Max 1960-1990 Medieval: Architectural sculpture. Portal dates from the 13th century. The church was first built in 1153. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco decoration, wooden coffered ceiling. The main altar, made of stone and inlaid with various kinds of marble, is the work of Filippo Brioni (1747). It was previously housed in the (ex) church of S. Domenico. Object Notes: Prints miscounted; one number skipped. Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in It

Input - lower party (b), from the Loggie di Rafaele Nel Vaticano series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Two prints with working putti; Staple Bohren / Walzen. At the top of the top are a frieze and a panel depicted, split into two parts. A stonkeeper can be seen on the left part of the panel. A frieze with three monkeys is shown on the print at the bottom and a frame with eight putti. Both prints are: E. Neureother's Sgraffito (-) paintings to the polytechnicum in Munich.

Lazio Roma Velletri S. Clemente, Cathedral3. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano (PL.11) series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Print, Design for an Iron Balcony; Designed by Gabriel Bonthomme (Active in France, eighteenth century); France; etching and engraving on paper

Umbria Perugia Norcia S. Agostino0. Hutzel, Max 1960-1990 Three prints of the exterior; the rest of the coverage is of the interior nave, altar, choir, crucifix, paintings, frescoes, and sacristy. Other prints form part of the numerical sequence for S. Agostino, even though the two monuments have never been part of the same complex. Coverage is primarily of the carved wood ceiling and the sculpture embedded in it. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pilaster decoration (lower party), from the Loggie Di Rafaele Nel Vaticano series (PL.1); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Cartouche with two boys on top; Cartouches in a picture frame of roller and fittings with grotesken, garlands and mascarons; Cartouche. On the rollerwork stand up at the top left and at the top right and a bird that keep up the ribbons of the garlands and fruit roses. Copy of leaf XXX from the exercitatio series Alphabetica Nova et utilissima .... shaded background. One of 6 sheets from a series of 8

Campania Napoli Naples S. Lorenzo Maggiore42. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lazio Viterbo Viterbo S. Francesco1. Hutzel, Max 1960-1990 Interior views only of gothic church largely reconstructed after WWII bombing. No general views of interior, but many views of stained glass windows, frescoes, tombs, mosaic work, capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Designs for grotesque wall decorations, 1500 - 1699 print Leaf with two performances of designs for grotesque wall decorations, including Diana, Putti, Griffions, Saters, Dogs and Deer. Italy paper engraving ornament ~ grotesque. fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). cupids: 'amores', 'amoretti', 'putti'. satyr(s) (in general). fabulous beings with wings - AA - female human figure

Umbria Perugia Bevagna SS. Domenico e Giacomo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Title Page, from "Livre de Dessins"; engraving on paper; Plate: 34 × 22.7 cm (13 3/8 × 8 15/16 in.) Paper: 41.5 × 29 cm (16 5/16 × 11 7/16 in.)

Umbria Terni Montefranco Chiesa del Cimitero1. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Interior decoration; frescos (17th century) Antiquities: Fragments of architectural decoration; inscription German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Cornelis Galle the Younger II showing portraits of Philip Rubens and Jean-Jacques Chifflet, produced between 1627 and 1678.

Plan of garden with parterres, anonymous, after André le Nôtre, 1650 - 1700 print Two parterres. Left with a shell motif at the top and a sculpture in the middle. On the right with a round fountain at the top. paper etching plan, map of garden

Lazio Viterbo Caprarola Palazzo Farnese145. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Montani5. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief with (presumably) a candlestick, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print fruits and vegetables ~ ornament. ornament ~ candelabrum. decorating 'en relief', appliquéing. sculpture (+ relief ~ sculpture)

Details of Decoration of the Salon Rouge, Anonymous, 1875 - 1930 photomechanical print paper collotype ornament derived from plant forms Beauharnais Hotel

Etching by Jean Le Pautre created between 1625 and 1682 depicting an ornamental frieze featuring warriors in decorative arrangement. The print demonstrates detailed linework and classical ornamentation.

Print (France)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)77. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Relief of Mary, Christ and Saints, of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. Mary sitting or enthroned, the Christ-child sitting on her knee (Christ-child to Mary's left) Basilica of San Marco

Roma - Parte Superiore del Monumeto d'Innozo VIII - Pollajuolo Chiesa di S. Pietro. "Roman Basilica S. Peter - Antonio Pollaiuolo (1426 -1498), tombstone of Pope Innocent VIII - fragment; Anderson (Rome; -publisher); around 1880 (1865-00-00-1900-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photo printing / printing from glass negative; fiber / paper / paper paper, products, products with fibers / paper / cardboard; photo printing: height 25.6 cm, width 20.0 cm, photo printing: height 25.6 cm, width 20 cm, pad: height 34.7 cm, width 24.5 cm, cardboard: height 34.7 cm, width 24.5 cm; di 79068 MNW; all rights reserved.

Ceiling with three vertical panels; Ceilings. Ceiling with three vertical panels. Left and right with rosettes and medallions, in the middle with Mars and Venus. From series of 6 (possibly 12) sheets.

Umbria Perugia Foligno Monastery of S. Anna32. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Venezia0. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two ditches from the fifteenth century, Séraphin -Médéric Mieusement (Possible), 1850 - 1900 photograph Paris cardboard. photographic support albumen print lock ~ door Cluny museum

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slick with griffins and an eagle. On the right a candle slick with helmets, birds and winged creatures. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Two Ginged Beds for Beds, Daniël Marot (I), 1712 print From series of 6 magazines. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Pius V., Papa Stecher: Greuter, Matthew dating: 1579/1638

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 3) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 3). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Gypsum Model for an embellishment of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Upper part Pilaster XI, from the Loggie Di Raffaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 18th century (1700-00-00-1800-00-00);

Input - upper party (a), from the Loggie di Rafaele Nel Vaticano series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Lazio Viterbo Caprarola Palazzo Farnese193. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pergola (eight-column) with urns of flowers in intercolumnations. unknown c. 1650 Tapestry Dimensions: H 11'6" x W 14'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from L. Bernheimer 10/10/1913; sold to Mrs. Arthur Curtis James 5/19/1914 SS 5464. French & Co. purchased from Mrs. Arthur Curtis James 7/28/1916; sold in 1941 SS 6033. Bequest of Preston Pope Satterwhite, 1944. United States, Kentucky, Louisville, J.B. Speed Art Museum, accno. 44.3.

Design for a mantelpiece, Giovanni Battista Piranesi, 1836 print An ornamental mantelpiece with, among other things, Egyptian guards, saters, winged figures, snakes and sphinxes. Numbered below: 49. print maker: Romeafter own design by: Romepublisher: Paris paper. paper etching open hearth, fire-place. ornaments ~ art. ornament ~ cartouche. sphinx (lion/woman); 'Sfinge' (Ripa) - AA - female human figure. snakes. satyr(s) (in general)

Drawing, Design for three brooches; Designed by Gustave Baugrand; France

Print, Jardin partage en quatres parterres et Thérasses (Garden Beds and Four Terraces), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 29.4 x 20.1 cm (11 9/16 x 7 15/16 in.)

Pedestment with shield and weapons, Unknown, After Jean Charles Delafosse, in or after 1771 print An ornamented pedestal with garlands, weapons, a helmet and a shield. France paper etching pedestal of a piece of sculpture (perhaps in the form of a herm). protective weapons: shield. weapons

Lazio Viterbo Caprarola Palazzo Farnese93. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two photo productions of drawings of decorations, c. 1875 - c. 1900 photograph Above (247) two halves of an object on legs decorated with a unicorn and presumably Pallas Athena, under (248) a base of a column decorated with putti and fruit according to object by F. Rizi. Europe cardboard. photographic support albumen print drawing, sketch. cupids: 'amores', 'amoretti', 'putti'. unicorn. (story of) Minerva (Pallas, Athena). fruits and vegetables ~ ornament Europe

Design for Balcony Railings, Jean François Forty, active 1775 - 1790, Etching and engraving on paper, Window balconies iron work, Europe, France, 18th century, Print, Print

Two mosaics with masks and flowers from Pompeii, c. 1875 - c. 1900 photograph National Museum cardboard. photographic support albumen print art (+ mosaic making). mask. fruits. flowers National Museum

N.N., cover decoration in the salon of the Louvre Sept Chemine, Paris. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 4, 1854.) (1854-1854): View detail. Stitch on paper, 43 x 28 cm (including scan edges) Borstell & Koch : Deckendekoration im Salon des Sept Cheminees des Louvres, Paris. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 4, 1854)

Nine pedestals; Composita; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). Pedestrians with fantasy decorations. Leaf Q from second edition of series, consisting of 24 sheets.

Tuileries (Façade sur la Cour); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 31.5 x 45 cm (12 3,8 x 17 11,16 in.)

Lazio Viterbo Bagnaia Villa Lante67. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Domnica1. Hutzel, Max 1960-1990 Exterior views of facade and arcade of Renaissance church founded on remains of Roman construction in 7th c. Views of neighborhood portals. Interior views of nave, altar, carved wooden ceiling, 9th c. mosaics, apse fresco by Lazzaro Baldi. Views of crypt statue and fragments of Medieval pluteus. Antiquities: 2 Roman sarcophagi General Notes: Views of Fontana della Navicella, which stands in front of the church, have been extracted from this numerical sequence and stored in separate file. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Frame (presumably) in the Palais des Tuileries in Paris, Édouard Denis Baldus, c. 1865 - in or before 1870 photomechanical print France paper ornaments ~ art

Etching by Stefano della Bella depicting the interior of San Lorenzo in Florence with mourning decorations, produced in 1637.

Lazio Viterbo Bagnaia Villa Lante72. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris, Gache, Henry, London, Bouvier, J., Lemercier, Joseph-Rosé, France, Roux, Hubert (l'aîné), Ove ornée. Perles et plattes-bandes, Frisians, recto - embossed, Frisians and ornaments with acanthus leaves and acorns., print, prints, ornament prints, H. Gache Editeur, height 320 mm, width 486 mm, French, print maker, printmaker, 1831 - 1847, fourth quarter 19th century, fourth quarter of the 19th century, first quarter of the 20th century, paper, tone lithography, 1803-06-29 - 1887-01-01, printer, printer's, Publication (Event), Publication, publisher

Lazio Viterbo Gradoli Palazzo Farnese8. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Three blocks with moresken, surrounded by an edge of Moresken and Arabesken, 1506 - 1551 print There are two posts between the blocks. From series of 9 sheets France (possibly) paper mirror

Silver cabinet. Parisian design.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Cabinets (Case furniture), Chests

Marches Macerata Camerino Museo Diocesano2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chimney, Pierre Lepautre, 1670 - 1699 print At the bottom of a coat of arms with the monogram of Louis XIV. Title page from series of 6 () Blades. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Photo production of (presumably) a painting of a panel with justice and two griffins, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print painting (including book-illumination, miniature-painting). Justitia (justice) as Roman personification. griffin (lion/eagle); 'Griffo' (Ripa)

Tuileries - Aile Sud (Façade sur le Quai). Édouard Baldus (French, born Germany, 1813 - 1889)

Horse caparison with coat of arms and cypher of marquess. unknown c. 1700-1800 Tapestry Dimensions: H 5' x W 4'8" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from G. Blumenthal, invoiced 1/4/1934.

Relief with allegory on winter, with time and putti, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print Father Time, man with wings and scythe. winter ~ other concepts (e.g. biblical scenes) (the four seasons of the year). cupids: 'amores', 'amoretti', 'putti'. decorating 'en relief', appliquéing. sculpture (+ relief ~ sculpture)

Ceiling with octagonal design; Nouveau Liure De Placfond. A medallion is shown under a canopy in the middle. From series of 6 sheets with designs for ceilings.

Campania Caserta Caserta Palazzo Reale7. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri S. Clemente, Cathedral7. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Sketchbook Folio, Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, Rimini; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and light brown wash over traces of black chalk on white laid paper; 21.9 x 15.4 cm (8 5/8 x 6 1/16 in.)

Amsterdam, Groot, Gijsbert de, Het nieuw en vermaeckelyck gansespel, verso - stamped, Goose board game with squares numbered 1 to 63. In some squares representations of geese. In the large central square the rules of the game and stadtholder Willem III on horseback with the winged victory above him. Title in the upper margin., print, prent, volksprent, gameboard, spelenbord, ganzenbord, prints, prenten, volksprenten, height 573 mm, width 455 mm, Publication (Event), Publicatie, publisher, uitgever, 1738 - 1767, paper, papier, houtsnede, letterpress printing, boekdruk

Lazio Viterbo Caprarola Palazzo Farnese241. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sievers Carl (1834-1891), decoration studies (1856-1856): Detail of a frieze. Pencil watercolored, white heighted on paper, 49.8 x 67.9 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

At left, the cabinet supported by four claw feet. A dancer seems to be in the bottom section. Folding doors, each wing showing a flying woman. Another dancer in the top section. At right: a stand with an urn between the legs and what may be a receptacle make the entablature. Date: 1780-1790. Pen and brown ink, graphite on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Blatt aus einem Koran.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Umbria Perugia Bevagna Convento dell'Annunziata2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief with San Marco's griffins in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 58 prints on 50 sheets. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. griffin (lion/eagle); 'Griffo' (Ripa) Basilica of San Marco

Composite capital, architrave, frieze and cornice, engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

Scrollwork Escutcheon with Representation of Spring, Pieter van der Heyden, Flemish, 1530 - 1572, Jacob Floris the Elder, Flemish, 1524 - 1581, Engraving on paper, Spring. Apollo playing the lyre. A woman busy with a flower basket., Netherlands, ca. 1565, Print, Print

Barry, Jean. Hotel of Holland - Panel of the large living room. "View of a painted panel with elephant decoration, large Hotel de Holland, Paris hotel. Silver gelatin-bromide draw. in 1905-10-1905-10. Paris, Carnavalet museum. 144163-18

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slicer with helmets, dragons and birds. On the right a candle slick with helmets, birds and arabesks. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Pisa. Group of statuettes in alabaster - Laocoon, Venus of Canova, Venus de Medicis, Slave whetting his knife, Cupid.... Unknown

Portière with the arms of Michel Le Tellier. unknown c. 1730 Tapestry Dimensions: H 9'2" x W 6'7" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: Altkunst-Margraf & Cie., Berlin. French & Co. purchased from Mr. H. L. Eggleston, received 3/29/1951; sold to American Foreign Trade Development, 8/13/1963 SS 50575. French & Co. received from American Foreign Trade Development Co. 8/20/1963; returned 1/3/1964 SS G-101-x. Marquis de Louvois & des Souvre, framed by 2 lions & vases filled with flowers & fruit on pedestals, amidst scrolls & flowers, & with shaped reserve with 2 dogs Stock sheets state: "lower part of tapestry restored". French & Co. stock sheet in archive, 50575-x French & Co. stock sheet in archive, G-101-x Göbel, Wandteppiche II:2 (1928), pl. 228 Göbel, Wandteppiche II:1 (1928), 223-24

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche82. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Cagli S. Francesco2. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture, 14th century fresco, paintings on canvas, carved wooden altars, tapestry Object Notes: See medieval for exterior views German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two variations on an absis; Raccolta di Dissegni Originali di Mauro Tesi. Print is part of an album.

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V73. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Rome, Piranesi, Giovanni Battista, Antichità d'Albano e di Castel Gandolfo, Archaeological finds from Albano and Castel Gandolfo, Ara antica, Quadrangular font in the Santa Maria della Stella in Albano, verso - stamped, An ornamented quadrangular font for holy water in the church of Santa Maria della Stella in Albano. On the right a schematic plan view of the font. Title in the bottom margin. Numbered at top right: Tav. VIII. Inscription on the left and explanatory list of letters on the right., print, prints, height 437 mm, width 249 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1762 - 1762, paper, papier, etching, etchings, Work conception, after own design by

Vestigia delle Terme di Tito. The decoration of the vault called in Fondo Bianco, in room 26; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, antiquity, purchase (provenance)

Wooden sculpture of Saint Anna, Anonymous, c. 1881 - in or before 1889 photomechanical print Antwerp paper collotype / photolithography sculpture. story of Joachim and Anna

Service parts, sheet 6 from the episode "Gantz Neue inventions of different types of services of the Goldsmith art to particularly benefit". Service parts (trays, cans, candlesticks and light shears) with foliage and tape work, leaf 6 from the episode "Gantz Neue inventions of different types of services of the Goldsmith art ZuGanthanen for special benefit with Kayserl. Allerbest Freyhood to the day, and for sale Brought by Johann Erhard Heiglen citizens, and gold forging in salvation. Reichs instead of Augspurge. Züfunden Bey Johan Jacob Baumgartner.

Umbria Perugia Bevagna Santuario della Madonna delle Grazie. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sievers Carl (1834-1891), decoration studies (1856-1856): Fries. Pencil watercolored, white heighted on paper, 42.9 x 52.3 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

Quast Ferdinand von (1807-1877), S. Demetrios in Saloniki/Thessaloniki (without Dat.): By names: View of a column with Christ monogram (presumably according to Charles Texier and Richard P. Pullan, XXV.1.). Pencil on transparent, 35.4 x 29.1 cm (including scan edges) Quast Ferdinand von (1807-1877): S. Demetrios, Thessaloniki

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