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Architectural Details and Art

Showcases photographs of detailed architectural elements, frescoes, and sculptures within historical sites in Italy, highlighting artistic craftsmanship.

Lazio Roma Ostia Antica Episcopal Palace9. Hutzel, Max 1960-1990 There are exterior views of the facade, with detailed views of the sarcophagi imbedded in it and the coat of arms over the main portal. There are interior views of the library and the main hall, with extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Lazio Roma Ostia Antica Episcopal Palace9. Hutzel, Max 1960-1990 There are exterior views of the facade, with detailed views of the sarcophagi imbedded in it and the coat of arms over the main portal. There are interior views of the library and the main hall, with extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
165 assets in this story
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Setup of a beautiful album in the Bayerisches National Museum in Munich, 1876 photograph Bavarian National Museum cardboard. paper. printing ink collotype temporary exhibition, 'Salon'. book in which illustrations are essential Bavarian National Museum
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Lazio Latina Cori S. Oliva34. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Coal drawing by Karl Rahl the Younger depicting a decorative border with tassels, emphasizing ornamental design and line work.
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Sardinia Sassari Sorso Parrocchiale0. Hutzel, Max 1960-1990 Post-medieval: Architecture with clock on facade and niches for standing sculpture; carved wooden doors. Simple Greek cross plan. Interior decorated with stucco work and Corinthian columns. Object Notes: Undocumented Hutzel name German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Rieti Rieti S. Giovenale2. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling frescoes, painting. S. Giovenale was originally constructed in the 15th century under a different dedication. In the 18th century it was restructured and renamed. The church possesses a marble tomb dedicated to Isabella Alfani, the wife of Angelo Maria Ricci, which is decorated with a bas-relief by the Danish artist Bertel Thorwaldsen (1829). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra8. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul
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Plaster model of a Corinthian capital.. Photographs. New York Public Library Archives. New York Public Library, New York Public Library. Humanities and Social Sciences Library, Library architecture, Acanthi, Architectural decorations & ornaments, Capitals (Architecture), Corinthian
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Tuscany Siena Casole d'Elsa La Canonica. Hutzel, Max 1960-1990 Interior views of the galleries as well as early Renaissance architectural sculpture. Object Notes: Hutzel shot this campaign in 1983 General Notes: La Canonica is now the museum which houses the art works which were produced for La Collegiata of the town. La Canonica was the room which the canonical hours were read and canon law discussed. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Illumination of H. van Oort's house in Rotterdam, 1788, Spruyt, After Adriaan Boon (1763-1802), 1788 - 1789 print Illumination for H. van Oort's house in Rotterdam, on the occasion of the birthday of Princess Wilhelmina van Pruisen on August 7, 1788. Two chassinets with allegorical performances. Marked at the top right: BL 106. Rotterdam paper etching / engraving public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities) Rotterdam
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Hottoir, door of the hotel 18 avenue Montaigne. Paris (VIIIth arr.). Photography by Eugène Atget (1857-1927). Albumin paper draw. Paris, Carnavalet museum. 123086-31
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Lazio Viterbo Caprarola Palazzo Farnese189. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Frosinone Ausonia Santuario di S. Maria del Piano3. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Roma Rome SS. Giovanni e Paolo7. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me
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Photo production of two painted panels, Laurens Lodewijk Kleijn (attributed to), after Anonymous, c. 1870 - c. 1900 glass wet collodion negative picture, painting
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Lazio Frosinone Arpino S. Andrea Apostolo3. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: 16th century architecture (1533 remodel), architectural sculpture, sculpture, fresco painting, painting on panel, stucco, church furnishings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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N.N., Remodeling of the Stettiner Bahnhof, Berlin (1902): Detail women's room, fireplace in the Wartesaal II. Class. Photo on cardboard, 59.4 x 45.8 cm (including scan edges) Cornelius & Klingholz : Umgestaltung des Stettiner Bahnhofs, Berlin
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Panel from the top of a mirror frame 18th century French. Panel from the top of a mirror frame. French. 18th century. Carved and painted wood. Woodwork
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Campania Salerno Padula Monastery of S. Lorenzo47. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are
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Lazio Viterbo Viterbo S. Giovanni in Zoccoli. Hutzel, Max 1960-1990 One exterior view of lunette fresco. Interior views of gothic tryptych, pentittico, baptismal. Negatives show exterior apse from Piazza Alighieri. General Notes: According to guide, there should be 45 prints with matching negs, most stored in Medieval collection, but those that should be in MED are missing, and the four negs do not match any prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Mirror Met Lijst Met Daarop allegorical figures; Mirror frame in different types of wood with allegorical representations. Hollandic work. 1550-1600 ...
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Salt paper print by Pompeo Pozzi (1854-1858) showing the altar of the first chapter at Certosa di Pavia, highlighting sculptural and architectural details.
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Lazio Roma Rome S. Paolo65. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Umbria Perugia Perugia Galleria Nazionale dell'Umbria2. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Umbria Perugia Montefalco Santuario della Madonna della Stella2. Hutzel, Max 1960-1990 Exterior views of the 19th century architecture of the church; interior views show the Baroque decortion including painted altarpieces as well as stucco and marble work. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Interior of the Stedelijk Museum for Antiquities (City Hall, Town Hall Bridge) in Utrecht: Chimney Frisian, ca. 1530, representing Sint Maarten and two male figures, an eagle and a griffin as arms.
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Lazio Viterbo Bagnaia Villa Lante90. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Rieti Borgo Velino S. Antonio2. Hutzel, Max 1960-1990 Medieval: 12th c. architecture, architectural sculpture, painting, remains from the 7th and 8th centuries. The frescoes from the apse area were removed and are now housed in the Museum of the Treasury of the Duomo di Rieti. Antiquities: Sculpture. Fragment of Roman sculpture, including a dedicatory inscription for the Nymphaeum of Diana Reduce. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe
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Marches Pesaro e Urbino Urbania Palazzo Ducale. Hutzel, Max 1960-1990 Post-medieval: Interior views, including decorated ceilings; paintings; stone portal with medallion of Duke Federico da Montefeltro. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Consoles de chaque coté des oeils-de-boeuf au-dessus des baies de la loggia.. Louis-Émile Durandelle (French, 1839 - 1917)
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Monumento funerario del cardenal Tommaso Piccolomini del Testa en la Capilla San Vittore de la Catedral de Siena. Author: Neroccio di Bartolomeo di' Landi.
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Lazio Latina Cori S. Oliva87. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo Pescara Penne Palazzo Vescovile, Museo4. Hutzel, Max 1960-1990 Medieval: Architecture; architectural sculpture (detatched); sculpture. Post-medieval: Sculpture, painting, architectural sculpture (detached), altar cloth: objects from Penne and Loreto Apruntino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Viterbo Caprarola Palazzo Farnese004. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Roma Velletri Museo Civico di Velletri27. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects
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The hammer (knocker), hotel owned by Mr Adolphe Jullien (1890), 10 rue Aubriot, 4th arrondissement, Paris. Marsh. Hotel owned by Mr Adolphe Jullien, the hammer (knocker), 10 rue Aubriot, Paris (OVEN ARR.). Anonymous photography. Draw on aluminum, 1890.
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Freschi di Pompei, 19th-20th century, Giorgio Sommer, Italian, (born Germany), 1834 - 1914, 6 11/16 x 9 5/8 in. (16.99 x 24.45 cm) (image), Albumen print, Italy, 19th-20th century
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House of Victor Hugo, first floor, painting hall: Banc by Juliette Drouet ". Anonymous photography. Drawing with gelatino-silver bromure. 1903. Paris, house of Victor Hugo. 123630-17
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Bruges - Mausolée de Charles-le-Téméraire (Notre-Dame). Gustave Hermans (Belgian, 1856 - 1934)
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Lazio Roma Rome S. Maria in Aquiro77. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Astronomical clock of Strasbourg Cathedral, 1573, (1870). Artist: Unknown
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The International Exhibition - carved ivory sic cabinet, by H. Fourdinois, 1862. Piece of furniture made of ebony, '...richly carved in the Renaissance style, the lower portion being divided into three sections by four columns of a somewhat Corinthian character. The central portion is panelled, and has carved upon it in low relief...the Abduction of Proserpine; and this is surrounded by four comer panels, in which are represented Painting, Sculpture, Science, and Literature. The upper portion...has a pair of doors, one of which has Apollo as Morning, and the other Diana as Evening...Immediat
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Bliżej Kultury unknown
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Lazio Frosinone Boville Ernica S. Pietro Ispano9. Hutzel, Max 1960-1990 Medieval: Palaeochristian sarcophagus from 4th century, with relief of Nativity and Adoration of the Magi. Mosaic by Giotto. Post-medieval: Architecture, sculpture, frescoes. Structure of romanesque origin, but renovated in the 16th-17th centuries. Statues in niches of S. Peter and S. Paul, by Andrea Bregno. Marble relief of the Holy Family in the manner of Bregno (end 15th century). Frescoes from the end of the 16th century. General Notes: There were two sets of prints now integrated into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. I
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Interior Details and Candelabra, Thétre du Vaudeville, Paris. Louis-Emile Durandelle; French, 1839-1917. Date: 1869. Dimensions: 38.7 × 28 cm (image/paper); 54.4 × 43.5 cm (mount). Albumen print. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
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Meissen. Relief Bishop of Weißenbach
1788-27590
Silversmith's art, Italy, 15th century. Antonio Benci called il Pollaiolo (1431-1498) and Betto di Francesco Betti (1421/1422 - after 1480), partly enamelled silver cross for the altar of Florence Baptistery. Detail.
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Design of luxury furniture, here a couch, by Otto Rothe, 1888, Historic, digital reproduction of an original 19th century design
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Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), detail of the decor of a panel of the sacristy, interior of the Saint-Sulpice church, 6th District, Paris. (Dummy title), 1903. Draw on albumin paper. Carnavalet museum, history of Paris. Religious architecture. Detail of the decor of a panel of the sacristy, interior of the Saint-Sulpice church, 6th arrondissement, Paris.
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Campania Caserta Teano Cathedral6. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr
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Abruzzo Isola del Gran Sasso d'Italia S. Massimo5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, monstrance, reliquary German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Anefo photo collection. Graftombe Michiel A. De Ruyter Nieuwe Kerk in Amsterdam. November 4, 1965. Amsterdam, Noord-Holland
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Three Medallions with a Virgin and Child and Two Escutcheons, Frieze from a Chimney-Piece, c. 1510 - c. 1525 Between the medallions twice four blind fish bladder tracing each with a leaf motif together a rosette. The middle medallion shows Maria with the naked child on the right arm above the crescent moon and for a jet wreath. She is dressed in a wide cloak, has a headscarf on which is too big a crown. A coat of arms hangs on a belt in each of the outer medallions; The (heraldic) judge shows a climbing lion and three violins, possibly of Jenne van der Boukhorst and Dirk van Swieten (d. 1529); The left four wavy beams and a star, beating on the family De Voocht van Rijnevelt. Frisian has a profiled bottom list. Utrecht sandstone Between the medallions twice four blind fish bladder tracing each with a leaf motif together a rosette. The middle medallion shows Maria with the naked child on the right arm above the crescent moon and for a jet wreath. She is dressed in a wide cloak, has a he
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Putto with garlands ca. 1509 Pinturicchio One of twenty-two panels (14.114.1-.22) forming the ceiling from the Palace of Pandolfo Petrucci, called Il Magnifico, Siena. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art- especially sarcophagi.. Putto with garlands. Pinturicchio (Italian, Perugia 1454-1513 Siena). Italian, Umbria. ca. 1509. Fresco, transferred to canvas and attached to wood panels. Paintings-Decorative
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Foochow Guild Hall. Foochow Guild Hall
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Campania Caserta Caserta Palazzo Reale32. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Marches Pesaro San Lorenzo in Campo S. Lorenzo0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13-14th centuries), restored. Post-medieval: Painting, stained glass, architectural sculpture, frescoes, ceramics General Notes: (count for post-med incorrect) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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ORGANO PORTATIL DEL SIGLO XVII.
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Girl feeding chickens. Boucher, François (French, 1703-1770) (author of design or designed after) painter Neilson, Jacques (French, b.1714-d.1788) (workshop) weaver c 1750-1788 Tapestry Dimensions: H 3'9" x W 2'5" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Henry Symons 1/28/1921; sold to J. L. John Long Severance 12/3/1921. United States, Ohio, Cleveland, Cleveland Museum of Art. Inscriptions: Woven signature in lower field, right: Neilson.ex. Girl feeds rooster, chicken & chicks, in rustic setting; scene enclosed by floral wreath Firescreen French & Co. stock sheet in archive, 10980 Fénaille, Gobelins 4 (1903-1923), 407 Standen, Tapestries in the Metropolitan 1 (1985), 405-07 Cleveland, J. L. Severance coll. (1942), cat. 123, pl. 27 Göbel, Wandteppiche II:1 (1928), 197
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Tile Isaac Broome. , ca. 1880. Ceramic These tiles set in a plain, painted wooden frame were probably arranged in this manner for display in a showroom, as opposed to the more elaborately framed tiles nearby that were intended as decoration for a domestic interior. The tiles illustrate the range of colors and sizes offered by the firm. Decorative Arts ca. 1880
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Umbria Perugia Bevagna SS. Domenico e Giacomo7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Madrid, Armería. Magnífico escritorio de hierro grabado al agua fuerte, que perteneció a Carlos V.
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Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia8. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Italy, Veneto, Venice (Venice), Palazzo Corner Spinelli. Whole artwork view. Front view of the marble fireplace decorated with triglyphes, metopes, hermas depicting male figures, a fruit festoon with a big face and a bust.
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Chimneyspiece, Giovanni Battista Piranesi, 1761 - 1769 Carved chimney mantle. The whole consists of four elements, the two styles in the form of Hermen with their satek heads and Thyrsus Staff, the horizontal connecting piece of Frisian and Architraaf, and a cover plate. Rome marble (rock) Pavilion Welgelegen Carved chimney mantle. The whole consists of four elements, the two styles in the form of Hermen with their satek heads and Thyrsus Staff, the horizontal connecting piece of Frisian and Architraaf, and a cover plate. Rome marble (rock) Pavilion Welgelegen