Architectural Details and Woodwork

Artistic images showcasing architectural elements and decorative woodwork, highlighting detailed carvings and designs from various historical periods.

Abruzzo, L'Aquila, Trasacco, SS. Rufino e Cesidio, Italy, 20th century, photo, photography, Europe

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani". Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia5. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hearthstone, 'Antwerp', with narrow frame, with King David, fireplace stone part ceramics brick, baked Hearthstone of the Antwerp type with narrow frame depicting King David spying from the roof of his palace Batseba (2 Samuel 11: 2v) building history heating old testament bible religion king David Batseba

SARCOFAGO DE CARTEIA. Location: MUSEO DE CADIZ-ARQUEOLOGIA. Cadiz. SPAIN.

Block ca. 1130-40 Catalan. Block 470786

Lazio Viterbo Castel Sant'Elia S. Elia4. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Museo Campano25. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Hearthstone, from Antwerp Belgium, without frame, with male and female head, fireplace stone part ceramic brick, baked Hearth stone of the Antwerp type without representation of men's and women's head from the side in two medallions placed in two profiled panes and accompanied by year 158 the half and quarter panes at the top and bottom are filled with parts of medallions with star motif. year 158 heat building history

Image of an ivory book binding from the year 1000 at the exhibition of Early Medieval Art, part of the Willibrord commemoration, in the Pandhof of the Domkerk (Domplein) and the Groot Auditorium of the Academiegebouw (Domplein 29) in Utrecht.

Adoration of the Magi 17th century Continental European. Adoration of the Magi. Continental European. 17th century. Gold, enamel en ronde bosse, velvet. Enamels

Corbel late 15th century Follower of Giuliano da Sangallo Italian Three major figures worked on the Palazzo Strozzi, the largest and most magnificent fifteenth-century palace in Florence. It was begun in 1489 by Benedetto da Maiano for Filippo Strozzi, who did not live to see it completed. A wood model (extant) was provided by Giuliano da Sangallo the Younger; Simone del Pollaiolo, called Il Cronaca (1457-1508), was in charge of construction until 1504. This capital comes from the courtyard of the palace.. Corbel. Follower of Giuliano da Sangallo (Italian, 1445-1516). Italian, Florence. late 15th century. Grey stone (pietra serena). Sculpture-Architectural

Campania Salerno Padula Monastery of S. Lorenzo4. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

FRAGMENTOS DECORATIVOS DE LA ALFAJERIA ZARAGOZA SIGLO XI. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Urna Vergilii Venerii i Kwintusa Wergiliusza Diadumenusa. warsztat rzymski (okres cesarstwa), workshop

Piobbico (Italia, Marche - provincia di Pesaro-Urbino), Castello Brancaleoni, appartamento nobile, Sala del Leon d'Oro. Camino con decorazioni di Federico Brandani (XVI secolo)

Relief fragment depicting a dove andgrapevine

Close-up wood carving of Papal coat of arms in the Vatican Museum, Rome, Italy.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Spanish-Arab chest of the Leire monastery, 1004 after Christ. manufactured in the Madinat Al-Zahira workshop, Museum of Navarra, Pamplona, Navarra,Spain.

Cornerstone with fruit and leaves, keystone ornament building component sandstone stone, d 13.0

Panel of a Diptych Announcing the Consulship of Justinian 521 Byzantine Justinian, who would be the greatest emperor of the early Byzantine period, presented this handsome ivory panel (one of two forming a diptych, see acc. no. 17.190.53) to a member of the Roman Senate announcing his election as consul. The title, now largely honorific, was once that of supreme magistrate of the Roman Republic. Once hinged together with the names of the other consuls inscribed in wax on the interior, the panels were probably presented as an invitation to the great public games that new consuls hosted in Constantinoples hippodrome (stadium). The elegantly carved classical motifs focused attention on the inscriptions written in Latin, still the official language of the Empire.. Panel of a Diptych Announcing the Consulship of Justinian 464489 Byzantine, Panel of a Diptych Announcing the Consulship of Justinian, 521, Ivory, Overall: 13 15/16 x 5 7/8 x 3/8 in. (35.4 x 14.9 x 1 cm). The Metropolitan Museu

Relief of trophies or arms (shieds, axes and spears). Architectural element from the Temple of Hadrian. Capitoline Museums. Rome. Italy.

Ancient wooden chinese mural with flaking paint

Fragment of a Lid () with a Hunting Scene 5th-6th century Pakistan (ancient region of Gandhara) Box lids are rare examples of nonreligious art of the fifth century, little of which has survived. They are closely related in style and imagery. Their dating is based on the decorative scrolls of the Gupta period.. Fragment of a Lid () with a Hunting Scene. Pakistan (ancient region of Gandhara). 5th-6th century. Stone. Sculpture

Auguste Rodin (1840-1917). French sculptor. The Gates of Hell, ca.1880-1890. Bronze. Rodin Museum. Paris. France.

Bronzespiegel.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Relief with bird, torches and fruits, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print ornamental birds. fruits and vegetables ~ ornament. torch. decorating 'en relief', appliquéing. sculpture (+ relief ~ sculpture)

Diptych. Culture: French. Dimensions: Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm)Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Fragment of a Frieze 11th century. Fragment of a Frieze 449616

Madrid, M.A.N. Arte Egipcio. Panel de mármol de Denia, Alicante. s.XI. Museum: MUSEO ARQUEOLOGICO, MADRID, SPAIN.

Ministère d'État (Salon Thétre). Édouard Baldus (French, born Germany, 1813 - 1889)

Arqueta relicario de Sant Cugat, siglo XIV. Museo Diocesano de Barcelona.

Basement of chimney with three male heads, basement ornament mantelpiece chimney building component plaster, cast Basement with top and bottom rectangular frames in the middle inverted balustrade. On the sides and front identical male heads with beards surrounded by curls. Was possible under façade 10237 or 10238 fire place chimney Rotterdam City center Stadsdriehoek Leuvehaven Probably Leuvehaven 39 Rotterdam.

Model for a Holy Water Stoup. Antoine Rascalon (France, 1742-after 1808). France, 18th century. Sculpture; models. Terracotta

Design for a corner piece of a ceiling with figures, putti and bust of a man, Mattheus Terwest, after Augustine Terwest (I), 1680 - 1757 drawing Corner piece of a ceiling with sitting figures, putti and bust of a man with cloth and laurel wreath around his neck. paper. chalk cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. sitting figure. sitting figure - AA - female human figure. (decorated) ceiling

Frieze, Block-printed on continuous paper, Guilloche; green on pale green field., England, ca. 1860, Wallcoverings, Frieze

Set of Three Panels from a Casket with Scenes from Courtly Romances, c. 1330-50. France, Lorraine, Gothic period, 14th century. Ivory; overall: 13 x 26.2 x 1 cm (5 1/8 x 10 5/16 x 3/8 in.). Among the most lavish and deluxe products of French ivory workshops of the 1300s were large caskets carved with elaborate scenes drawn from courtly romances. The panels shown here come from such a casket. The largest panel (center) once formed the lid and depicts a tournament, the most splendid and romantic of knightly activities. Just to the right is a favorite allegory of chivalric love: knights assaulting the castle of love. The two side panels depict other scenes such as the fountain of youth, Sir Gawain and the Lion, and Lancelot crossing the sword bridge. These images suggesting chivalry, fertility, virginity, youth, and an idealized courtly love likely derive from manuscripts including the Roman de la Rose and the poems of Chrétien de Troyes. Such texts were often found within the libraries

Image of a painted armor in the stairwell of the Royal Pavilion of the N.S. station The Hague H.S. in The Hague.

Lintel. Culture: Catalan. Dimensions: Overall: 7 7/8 x 14 1/4 x 11 1/4 in. (20 x 36.2 x 28.6 cm). Date: ca. 1130-40. Museum: Metropolitan Museum of Art, New York, USA.

Campania Napoli Nola S. Felice. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Belt clasp. Dimensions: H. 11.4 cm, W. 11.4 cm. Date: ca. A.D. 1st-2nd century.In the late second millennium B.C., the tradition of lively animal-ornamented bronzes begins in the Caucasus region. Stylized animals with small waists, arched necks and backs are seen on numerous bronze tools including axes and pins, and are found in Georgia, Armenia, Azerbaijan, and the Northern Caucasus by the beginning of the Late Bronze and Early Iron ages.Cast-bronze belt clasps similar to this one have been excavated in the Republic of Georgia and are a distinctive product of that region in the first few centuries A.D. This square example features a highly stylized stag, with exaggerated haunches marked by incised concentric circles. The animal is attacked both from below and in the face by birds. The S-shaped spirals complete the central openwork design, with a stylized horned animal head above the back of the stag. A herringbone-patterned border frames the scene with raised rounded knobs at the co

Design for ceiling decoration. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

panel, framed, wood (fruitwood), France, ca. 1790, Decorative Arts, panel, framed

Saint Jerome early 17th century Spanish. Saint Jerome. Spanish. early 17th century. Gilt bronze. Medals and Plaquettes

Drawing, Francis Augustus Lathrop, American, 1849 - 1909, USA, before 1914, Drawing

Roma, del Vaso del Museo Capitolino. Fragmento del Vaso Capitolino crátera en marmol blanco, Roma clásica. Decoración floral (1021). Author: Giovan Battista Piranesi (recreated by).

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral4. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Panel ca. 1520-40 French The crown, initial F, and salamander engulfed in flames are emblematic of François I, who reigned from 1515 to 1547. Considered impervious to fire, the salamander symbolized the kings constancy and integrity as a ruler. Carved in wood or stone, variations on this device figured prominently in the decoration of Françoiss chteaux, including Fontainebleau and Chambord.. Panel 201364

PANELES PARA LA MEZQUITA DE LOS ANDALUSIES DE FEZ - CALIFAL - 980. Location: MUSEO DE BATHA. FEZ.

The Entombment 16th century Valerio Belli (Il Vicentino). The Entombment. Valerio Belli (Il Vicentino) (1468-1546). Italian, Vicenza. 16th century. Silver, with traces of gilding; niello, gilt bronze. Medals and Plaquettes

Aimé-Jules Dalou (1838-1902). "Ombels rosette". Terracotta, between 1894 and 1902. Museum of Fine Arts of the city of Paris, Petit Palais. Bas-relief, flower, umbelle, petal, rosette, terracotta

Tile of purple pilaster with twisted column around which branch of leaves, bunches of grapes and angels, tile pilaster footage fragment ceramic earthenware glaze, baked 2x glazed painted Five tiles of tile pellet of one width.

New Years plaque dated 1823 in the non-original case. König, Anton Friedrich (1794-1844), modeller, Königlich-Preussische Eisengiesserei in Berlin (fl. 1804-1874), factory

Pompeian ornament

Krakow, Wawel Cathedral, Zygmuntów chapel interior, fragment of the decoration of the eastern wall unknown

Border fragment 16th century possibly Italian. Border fragment 196574

Traditional balinese craftsmanship, wooden handmade decorated door. Detail. Yogyakarta. Indonesia.

plaque - naked ; Dupuis, Daniel (1849-1899); 19th century (1801-00-00-1900-00-00);Dupuis, Daniel (1849-1899), Partage Plus, women's acts, children, plaques, secession (style)

Border and sidewall, Block-printed on handmade paper, a) Rinceau of leaves, flowering vine and grain on pale blue ground. Above this a pink bead molding. Below, a band of fruit with leaves; c/i) Horizontal sequence of adjoining grape vine wreaths, at the center of each is a trophy. Trophies are of four types, forming a repeating sequence. 'a' is printed on pale blue ground, 'b' is in grisaille., France, 1780, Wallcoverings, Border and sidewall

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani". Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Albumin photograph by Otto Schmidt of the State Princely Castle in Merano around 1895, showing architectural features and the coat of arms of Tyrol and Alt-Austria.

Lazio Rieti Rieti Museo del Tesoro del Duomo5. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Door panel 18th century French. Door panel. French. 18th century. Carved oak. Woodwork

A tomb slab from 1733 at the Church of St. Basius in Hannoversch Muenden, Hesse, Germany, Europe

Saint Romedius. Dated: early 16th century. Dimensions: overall: 6.81 × 5.09 cm (2 11/16 × 2 in.) gross weight: 65.06 gr (0.143 lb.). Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Ulocrino.

Speculum Romanae Magnificentiae: Corinthian capital, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Campania Benevento Sant'Agata de' Goti S. Francesco3. Hutzel, Max 1960-1990 Post-medieval: Architecture, originally 13th century, completely rebuilt in the 18th century; paintings on panel and canvas; decorative arts; organ; inscription; bas-reliefs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

From house on the Vogelenzang, Rotterdam, standing lion above banderole with inscription 1765, wood-carving sculpture wood painting, in the wood carved on banderole: 1765 cooperage cooper craft company Vogelenzang Rotterdam Kuiperij Vogelenzang Rotterdam.

Panel 14th-15th century. Panel 445080

Frieze fragment late 17th-early 18th century French. Frieze fragment. French. late 17th-early 18th century. Wood, painted gray. Woodwork

GIPS models for sculptures on the Palais du Louvre: left "La sculpture" and right "La Peinture" by François Félix Roubaud, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Decorative paneling from the Palace of Westminster ca. 1845-59 Designed by Augustus Welby Northmore Pugin These decorative oak panels exemplify the designs of A.W.N Pugin, who was the leading exponent of the Gothic Revival style in England. Pugins work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase “Brumagen Gothic,” referring to “those inexhaustible mines of bad taste, Birmingham.” The carved oak panels for the Palace of Westminster were made for both the House of Lords and House of Commons and are just one component of a larger, Pugin-designed interior program, including brasswork (grill panels, large doors, candelabra and other light fixtures, hardware, and gallery railings), stained glass, tiles, and furniture. These panels are executed in Pugins interpretation of the Gothic Revival an

Panels late 15th century French. Panels. French. late 15th century. Wood, gilding. Woodwork

Strasbourg, France. Old door detail. Metal work with flute player and angels.

Detalle de la chimenea del comedor del Palau Güell de Barcelona, 1886-1890. Author: ANTONI GAUDI.

Reduction of the Vendôme column. Model. Nineteenth century. Paris, Carnavalet museum. 59482-14 Aigle, bas-relief, Battle of Austerlitz, Vendome column, Commemoration, Detail, Friestious, Model, Parisian monument, Parisian monument, reduction, scene combat, 19th XIX 19th 19th 19th 19th century, miniature

Campania Caserta Casertavecchia S. Michele, Cathedral28. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy f

Panel from the Palace of Westminster. Culture: British. Designer: Designed by Augustus Welby Northmore Pugin (British, London 1812-1852 Ramsgate). Dimensions: Overall (confirmed): 28 3/8 × 14 1/4 × 13/16 in. (72.1 × 36.2 × 2.1 cm). Date: ca. 1847. Museum: Metropolitan Museum of Art, New York, USA.

BROCAL DE POZO EN BRONCE - 1559. Author: ALFONSO ALBERGHETTI (S XVI)-ESCULTOR DE BRONCE. Location: DUCAL PALACE. Venedig. ITALIA.

fine arts, handicrafts, plate with marine creatures, frogs and reptiles, by Bernard Palissy (1510 - 1589), 16th century, ceramics, enamelled, Louvre, Paris, wood engraving,

Cordoba, Spain , 1914 - Spain - Auguste Léon - (June 15 -July 4) (French - Cordoue , Espagne). Museum, Christianity, sculpture, bas-relief, Middle Ages, Religion , Art, Spain, Cordoba, Museum of Fine Arts - To Dr Panel Albatre Moy -Age, English Christian art

Sarcophagus; Part of the grave monument of Pope Adrianus VI, 1523 Sarcophagus; Part of the grave monument of Pope Adrianus VI. Italy gypsum casting Sarcophagus; Part of the grave monument of Pope Adrianus VI. Italy gypsum casting

Renderings of an Ivory Carving of Ariadne from the 6th Century and an Ivory Plaque from the 9th Century. Dimensions: overall: 30.5 x 22.1 cm (12 x 8 11/16 in.). Medium: watercolor and graphite, heightened with white on heavy card. Museum: National Gallery of Art, Washington DC. Author: Herman Wilhelm Soltau.

Sarcophagus Alexandrine of Prussia, Grand Duchess of Mecklenburg, 1803-1892, Schwerin Cathedral St. Mary's and St. John's, Schwerin, Mecklenburg-Vorpommern, Germany, Europe

Campania Salerno Cava dei Tirreni Museo6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Goldsmith's art, Italy, 16th century. Rock crystal and enamelled gold cup. Height cm. 19. Milanese manufacture. Detail of the engraving depicting sea divinities fighting among ships.

Pfalzfeld relief pillar from St Goar. Celtic.

Allegorical emblem at the Peace of Rijswijk, 1697. Draughtsman: anonymous. Dating: 1697. Place: Northern Netherlands. Measurements: h 306 mm × w 218 mm. Museum: Rijksmuseum, Amsterdam.

Visigothic. Church of Santa Maria de Lara, Quintanilla de las Vinas. Frieze with relief of vine tendrils and grapes. 6th-7th century. Province of Burgos. Castile-Leon. Spain.

Where all the Four Beauties are Present late 19th-early 20th century Workshop of Jian Guzhai Chinese This ink tablet is from a sixty-four-tablet set (30.76.216-.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each sites name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.. Where all the Four Beauties are Present 41812

Les Vendanges Chapiteau. Unknown

plaque - " Family"; Dupuis, Daniel (1849-1899); 19th century (1801-00-00-1900-00-00);Dupuis, Daniel (1849-1899), Partage Plus, plaques, figure of a woman (iconogr.), Secession (style)

Monument plaque depicting the burning of ivory to ban the trade in Ivory, Nairobi, Kenya.

Full scale reconstruction of the gates from the palace of Shalmaneser III (585-824 BC) at Balawat. It is made of cedarwood and fitted with electrotype copies of the original bronze bands.

Wood Lion Face

Ecce Homo late 16th-early 17th century Anonymous, German, 17th century German A painting of nearly identical composition was offered for sale in Paris, called "Ecole Flamande vers 1580", described as oak panel, marked on the reverse with the mark of the Antwerp panel-makers' guild and the mark of the panel-maker (unidentified).. Ecce Homo 205519

Vera Cruz, 1350. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

DETALLE DE LOS SILLARES DE LA ESCALERA PRINCIPAL DEL PALACIO ARZOBISPAL DE ALCALA DE HENARES - SIGLO XVI - FOTO AÑOS 80. Author: ALONSO DE COVARRUBIAS (1488-1570). Location: ERZBISCHOEFLISCHES PALAIS. Alcalá de Henares. MADRID. SPAIN.

As or Ace Playing Card for the Game of Nas As or Ace Playing Card for the Game of Nas, mid-19th century. Ink, opaque watercolor, and gold on wood or papiermché under lacquered varnish, 2 3/8 x 1 9/16 in. (6.0 x 4.0 cm). Arts of the Islamic World mid-19th century

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