Architectural Drawings and Designs

Sketches and plans of historical buildings, including detailed illustrations of architecture and decorative motifs in various styles.

Maharadscha von Sport (Max Slevogt Zeichner); Orlik, Emil (1870-1932); 1921 (1921-00-00-1921-00-00);Künstervereinigung Sport (Berlin - 1901-1932), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Slevogt, Max (1868-1932), graphic designers, modernism (style), portraits, portraits of artists, Men's portraits

Once More Paul Revere I. Larry Rivers (American, 1923-2002); printed by Fred Genis (Australian, born Netherlands, 1934); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 374 x 735 mm (image); 645 x 970 mm (sheet). Lithograph in black on commercially coated white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), Bracelet link (main title), 1910. Graphite, ink on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 890 x 622 mm (plate); 1,050 x 749 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Third Knot (Interlace Pattern with White Medallion), Albrecht Dürer, German, 1471-1528, Woodcut on off-white laid paper, An intricate knotted design in a circular pattern with a circular central motif., Germany, ca. 1506-7, ornament, Print, Print

Spider Made 1887 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

LIMON - 2004 - OLEO SOBRE PAPEL JAPONES - 69x47 cm. Author: FRANCISCO RAMIREZ PRADILLA (1975-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Lazio Viterbo Viterbo Museo Civico05. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Abruzzo Chieti Chieti Museo Nazionale di Antichita90. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments

Lazio Latina Sezze Antiquarium Comunale9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sketch of Figures and Boats (from Sketchbook X). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1885.This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard's tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist's un

J Howard Iams, Glass, c 1936 Glass

He Mailed His Letter Through a Makeshift Slot, plate 29, from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 241 x 288 mm (image); 250 x 298 mm (plate); 751 x 551 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Padichah, Sultan Mahmoud II, Kehaya-Bey, Ministre de I' Intérieur, Sadr' Azam, Grand-Vizir. Brindesi, Jean. Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , Turkey, Mahmud II, Sultan of the Turks, 1784-1839, Clothing & dress , Turkey , Istanbul, Turbans , Turkey , Istanbul, Turkey , Court and courtiers

Ann Gene Buckley, Hose, c 1937 Hose

Fish and Net. Johnny Friedlaender; French, 1912-1992. Date: 1948. Dimensions: 225 × 295 mm (image); 366 × 511 mm (sheet). Etching, aquatint, and mezzotint on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Yvette Guilbert-French Series: No. 4, 1894. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Plot models for sculptures on the Palais du Louvre: "La Guerre" by Emile Ricard et Rousseau, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

fr.jap.cur. Rita McBride (American, born 1960); printed and published by Jacob Samuel, Santa Monica, Cal. Date: 2008. Dimensions: 212 × 149 mm (plate); 417 × 327 mm (sheet). Etching and aquatint in brown on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Butcher 1871-1913 México. Wood engraving on paper . José Guadalupe Posada

Horn of Haifa (from Sketchbook). Artist: Mary Newbold Sargent (1826-1906). Dimensions: 5 1/4 x 8 1/4 in. (13.3 x 21 cm). Date: 1904. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous, during the ear (main title), 1924. Graphite. Ink and gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Diebitsch Carl von (1819-1869), lamp, Cairo. () (Without Dat.): View of a hanging lamp with candle brackets. Pencil on cardboard, 29.8 x 21.3 cm (including scan edges) Diebitsch Carl von (1819-1869): Lampe

Reproduction of the molding of the hand of Balzac ". Balzac, Honoré de (1799-1850). Héliogravure. Paris, Maison de Balzac. 145719-11

Porte f. Taureau 2.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Drawing, Polychrome floral group c; Manufactured by Herman A. Elsberg (American, 1869-1938); France; gouache, orange tassel (silk) support: ivory paper; 31.6 x 23.7 cm (12 7/16 x 9 5/16 in.); Anonymous bequest in memory of Albert and Rebecca Elsberg; 1938-82-229-b

Untitled work 1960, by Bernard Réquichot (1929 - 1961), French painter, graphic artist and draftsman.

Stüler August (1800-1865), SPECHT chair (without dat.): View. Watercolor on paper, 20.6 x 19.4 cm (including scan edges) Stüler Friedrich August (1800-1865): Prunkstuhl

Children's head with flowers, Odilon Redon, 1897 print Head of a girl with curly hair between the flowers. print maker: Franceprinter: Parisprinter: Parispublisher: Paris . child

La Sainte Vierge, 1920. Found in the Collection of Musée national d'art moderne, Centre Georges Pompidou, Paris.

Once More Paul Revere I. Larry Rivers (American, 1923-2002); printed by Fred Genis (Australian, born Netherlands, 1934); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 374 x 735 mm (image); 648 x 970 mm (sheet). Lithograph in black on commercially coated white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plat à poisson nénuphar.. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences, Flowers, Water lilies

Lazio Viterbo Viterbo Museo Civico59. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Deraisme, Pierre-Georges (n.1859-D.1932), pendant (Lalique) (main title), 1898. Petit Palais, Museum of Fine Arts of the city of Paris.

Equi- Y nox, from First Three Minutes. Robert Cumming, (American, born 1943); printed by Susan Steinbrock, Steven Anderson, Mary Pat Opatz; published by Vermillion Editions Limited. Date: 1987. Dimensions: 225 x 203 mm (plate); 365 x 325 mm (sheet). Drypoint, with hand-coloring, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Parisian Service (Haviland service): Calm (no. 3), 1875. Félix Bracquemond (French, 1833-1914). Etching; sheet: 31 x 44.5 cm (12 3/16 x 17 1/2 in.); platemark: 24.6 x 24.5 cm (9 11/16 x 9 5/8 in.).

Woodcut, Anatomical Fugitive Sheet, c.1540

Lazio Latina Sezze Antiquarium Comunale36. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Sassoferrato Pinacoteca2. Hutzel, Max 1960-1990 Two coats-of-arms (of Sassoferrato and the Bishop Aldobrandini; a polyptych of saints Anthony, Sebastian, Roch and Martin; the Madonna of Sassoferrato; a portrait of Sentinensi; ceramic fragments (15th-16th centuries); a renaissance ciborium, a mosaic of St. Demetrius in a wood and silver frame (10th-11th centuries); an Umbrian processional cross (15th century); a wooden statue of the Madonna di Loreto; reliquaries; a saint's wooden shoe; an ivory diptych; silver medallions (13th century) and various paintings. Antiquities: A Roman altar, gravestone, urn and torso. (1st-3rd centuries). Object Notes: Hutzel photo campaign date: March 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, includi

Lazio Latina Sezze Antiquarium Comunale15. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Meerz Fyze, an Oosbeg elchee, or ambassador. Rattray, James, 1818-1854. 1848. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Afghanistan , Description and travel

Brush After Eating. Jim Dine (American, born 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 760 x 1077 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Viterbo Viterbo Museo Civico76. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

German pole axe and halberd from the late 15th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by I.M. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Flowers (Hand-colored). Andy Warhol (American, 1928-1987); printed by Alexander Heinrici (American, 20th-21st centries); published by Peter M. Brant, Castelli Graphics and Multiples, Inc. Date: 1973-1974. Dimensions: 1038 x 692 mm (sheet). Screenprint hand-colored with watercolor on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Easter cards with angels, butterflies, and plants.. Humphrey, Lizbeth Bullock (b. 1841). Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Butterflies, Angels

Untitled (Study for Cubi VII). David Smith; American, 1906-1965. Date: 1963. Dimensions: 408 x 297 mm (max.). Black, blue and ochre spray enamel with black pastel and white oil paint on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), Dragon button (main title), 1898. Graphite and watercolor on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Josef Chochol: Nábytek společenského salonu. (Anglický Kroužek v Praze.). Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia, Furniture

Bust of Psyche probably second quarter 19th century Luigi Rosi Italian The diaphanous nature of Psyches butterfly wings is indicated by small circular cuts into the translucent claret-toned layer. Anticipating customers, Luigi Rosi (apparently unrecorded apart from this piece) supplied his address in the Via Rasella near the Trevi Fountain in Rome. Most Roman carvers favored locations northwest of there, in streets between the Spanish Steps and the Piazza del Popolo.. Bust of Psyche 198632

Study for Holograms. Bruce Nauman; American, born 1941. Date: 1970. Dimensions: 660 x 660 mm. Screenprint on Kromekote paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plate with emblem of Louis XIV, the Sun King, Paris, France, 18th century. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Print made by John Pye, 1782-1874, British, Tivoli (vignette), 1830. Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper.

'Series: Stylites. Untitled'. Russia, Moscow, 2005. Dimensions: 29,5x21 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry. Prigov.

Trivet. Dated: 1935/1942. Dimensions: overall: 26.7 x 35.4 cm (10 1/2 x 13 15/16 in.). Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Lon Cronk.

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo9. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Temporary Variations in Experienced Type, from General Dynamic F.U.N. Eduardo Paolozzi (British, 1924-2005); printed by Richard Davis, London; published by Editions Alecto, London. Date: 1970. Dimensions: 380 × 254 mm. Photolithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo3. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Liemann Ludwig Theodor, sketchbook of the Italian journey (without date): Bl. 60: Rome. 4 sketches: Studies on wall and ceiling design in S. Andrea Della Valle, S. Maria del Popolo, S. Maria in Trastevere, S. Maria della Pa. Pencil watercolored on paper, 61.1 x 45.7 cm (including scan edges)

Waesemann Hermann Friedrich (1813-1879), Terracotten from the Berlin town hall (Rotes Rathaus), Berlin. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 25, 1875.) (1875-1875): Details. Stitch on paper, 27.8 x 45.2 cm (including scan edges) Waesemann Hermann Friedrich (1813-1879): Terrakotten vom Berliner Rathaus (Rotes Rathaus), Berlin. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 25, 1875)

Title Page, from Moonstrip Empire News. Sir Eduardo Paolozzi; British (1924-2005). Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Geometric design for printed textile, Louis-Albert DuBois, Swiss, 1752-1818, Brush and gouache, graphite on white wove paper, Tiny red & green pointed trees in pairs, set on the diagonal on a graphite grid, on white ground., France, 1800-1818, textile designs, Drawing, Drawing

Antoni Tapies / 'Dib 4', 1974, Lithography, 76 x 56 cm. Museum: COLECCION PRIVADA.

Shadow Puppet (Wayang Kulit) of Musang, from the set KyaiDrajat

A 1903-04 color poster by Gustav Klimt for the 18th exhibition of the Vienna Secession, illustrating Austrian modernist art display and exhibition design.

DE SOMNIS XLIV - 2000 - 139x112. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Museum of Contemporary Art, Hamburger Bahnhof, infinite exhibits, Berlin, Germany, Europe

Woodcut title sheet by Wassily Kandinsky from 1907-1909 featuring a flame vignette, executed using xylography (wood engraving) on paper.

Sleeping Apple, from Pomme Endormie. Alberto Giacometti; Swiss, 1901-1966. Date: 1961. Dimensions: 155 x 215 mm (image); 310 x 500 mm (sheet, unfolded); 310 x 250 mm (sheet, folded to form four sides). Lithograph on cream wove paper and offset printed poem on one side. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

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