Architectural Drawings of Italy

Detailed architectural designs showcasing intricate altar and monument concepts from Italy. Captures elements like columns, figures, and decorative motifs.

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Composito, Two Composite Columns with Bases, Capitals, an Entablature and Details, On the left are details of the entablature, capital, basement and a cross-section of the shaft., print, ornament print, prints, ornament prints, height 275 mm, width 178 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, second quarter of the 17th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Drawing (Italy); pen and black ink with gray wash and traces of graphite support: off-white laid paper

Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, Domenico Antonio Vaccaro, Italian, 1678-1745, Pen and brown ink, brush and brown wash, black chalk on cream laid paper, Lower section consists of a bilateral design for a hexagonal platform with posts with alternate suggestions on each side. The platform is shown from above. The obelisk is divided in many sections. The plans of the lower half are hexagonal. Various ornaments decorate the sections, including a mermaid, brackets with urns, and an escutcheon with cherub above., Angels stand on brackets and there is a bust of a Pope on the frontispiece. At top of pedestal, seated and kneeling angels carrying a sphere upon which a saint stands. There is a dog with a torch beside him., (Study for plague monument in Piazza before S. Domenico Maggiore, Naples.), Europe, Italy, ca. 1737, architecture, Drawing, Drawing

Design for an Altar. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 9-3/4 x 7-1/4 in. (24.8 x 18.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for an Altar, Brush and gray wash, pen and gray ink, black chalk on paper, The left half of an architectural design for an altar is shown. The mensa had a convex plan, with four steps in front of the straight central part. The head piece has four steps. The retable consists of a high and complicated pedestal, with the figure of the Virgin praying in front of the Cross. The wall behind the retable had the form of a niche. At its front corner an angel is kneeling upon a pedestal, carrying a candlestick with five arms upon his head. At the corner of the mensa stands a candelabrum with two flying angels beside its shaft, and with a standing angel carrying three candle branches upon the head. The stucco decoration of the wall is suggested but not entirely executed., Italy, 1700-57, architecture, Drawing, Drawing

Drawing of wall equipment with integrated pulpit by Pierre Paul Sevin, executed in brown pen and gray-brown lavated technique, dated between 1689 and 1698, showing architectural and decorative details.

Fireplace design with two sitting figures of women holding smoking urn; unknown, Marot, Daniel (1661-1752; st.); after 1703 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, garlands, women, fireplaces, ornaments, projects, urns, interiors

Ionische Horde, Anonymous, After Giovanni Battista Montano, 1636 print With variant for the frieze, the cornice and the Zwik. At the bottom is an explanation. after design by: Italy (possibly)publisher: Rome paper engraving

Drawing, Design for a Sepulchral Monument; Antonio Gherardi (1644-1702); Italy; pen and brown ink, brush and brown wash, black chalk on cream laid paper; (test): 10 11/16 x 7 3/4 in. (27.2 x 19.7 cm)

Drawing, Project for an Alter; Italy; pen and ink, brush and wash on paper

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Composito, Two Composite Columns with Bases, Capitals, an Entablature and Details, On the left are details of the entablature, capital, basement and a cross-section of the shaft., print, ornament print, prints, ornament prints, height 275 mm, width 178 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, second quarter of the 17th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Beside probably a door, a panel with a vase, and one with the illusion of a door. below scale. Evindently mounted on paper by the artist. On the back, in the handwriting of the period: "sc-4" (price). Pen, brush and sepia wash on paper. Date: 1590-1600. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Panel or a Tablet with an Alternate Design 16th century Anonymous, French, 16th century French. Design for a Panel or a Tablet with an Alternate Design 362858

Garden portal with fencing, Anonymous, After Johann Jakob Schübler, 1699 - 1726 print Design and map of a garden portal with wrought iron fencing with floral motifs, a pilaster on the left and a column on the right. Neurenberg (possibly) paper etching / engraving fence, wall, paling. flowers ~ ornament

Design for an Architectural Interior. Artist: Pierre Nicolas Ransonnette (French, Paris 1745-1810 Paris). Dimensions: 6 7/16 x 11 11/16 in. (16.3 x 29.7 cm.). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Fireplace with mirror attachment, design, elevation

Two Designs for Altar Cross Bases; verso, Designs for Five Projects, Pen and brown ink, brush and brown wash, black chalk on heavy cream laid paper, Depicted on recto: two bases for altar crosses (only right half of each is shown). On the LEFT, a base formed by a pedestal resting on lion feet; the lower part of pedestal is bossed (gadrooned); the front decorated with a tablet and festoon which is held by an angel standing at the corner: above another 'pedestal' supporting a vase decorated with bosses (below) and a row of cherubim (above); at the top of the ink-drawn base, two seated angels support a socket. Above this, lightly sketched in black chalk, a jeweled cross with two angles holding the shaft. The base on the RIGHT: on a molded base stands a pedestal, the sides of which consist of a volute resting on lion feet and a cherub above; in the lower section of the pedestal, at the center, a festoon hangs (with a shell on top); above this, is a tablet frame. Above this, a squat 'bottle

One Half of a Design for a Wall With a Panel or a Mirror. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 13 1/8 x 9 5/8 in. (33.4 x 24.5 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Reliekhouder.Design for a relic holder, with a statue of the Saint Sebastiaan on the lid.

Print (France)

Upper Corner of a Window Frame, Filippo Marchionni, Italian, 1732-1805, Black crayon, brush and sepia wash on laid paper, Molded inner frame; pilaster is outside showing a bucranion at the capital; stamps are suspended from the horns; entablature. Hipped and stepped roof., Italy, 1750-75, architecture, Drawing, Drawing

Design for a ceiling ..

Sketch of the elevation of altars, Black chalk, pen, ink, brush and grey water colors on paper, Italy, 1730-1760, architecture, Drawing, Drawing

Half of elongated ceiling, Nicolas Pierre Loir, 1634 - 1716 print The edge of the ceiling is decorated with oval medallions with, among others, Venus and Cupido. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Tabernakel met putto.Design for a tabernacle with a putto and the all-seeing eye.

Half of rectangular ceiling, Nicolas Pierre Loir, 1634 - 1716 print In the middle a surface with clouds, the edge is divided into panels decorated with, among other things, leaf vines and masks. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Two mouth cans and two small flat decorations, Michiel le Blon, after 1638 print Decorated with leaf vines. Amsterdam paper etching hacking and thrusting weapons: sword (+ variant)

Project for the decoration of an Altar. 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Project for the decoration of an Altar. 365528

Half a Design for Ornament. Artist: Anonymous, Italian, 18th century. Dimensions: 10-9/16 x 6-1/4 in. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Grotesque Decoration and Ceiling Designs (Recto); Geometric Design (Verso). Artist: Anonymous, Italian, 16th century. Dimensions: sheet: 16 1/16 x 10 7/8 in. (40.8 x 27.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Two designs for an ornamental vase, Anonymous, 1600 - 1699 drawing paper. ink pen container of stone: stone vase

Two Alternate Designs for a Balustrade with Architectural Perspective 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Alternate Designs for a Balustrade with Architectural Perspective 365562

Design for room decorations with five panels whose middle with ornamental vase.design for a Wall Decoration.

Design for the Elevation of a Wall Interior. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 11 15/16 x 17 3/4 in. (30.4 x 45.1 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Compositie puts Venus Anadyomene, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print A decorative composition with fountains and in the middle Venus Anadyomene on a shell under a canopy. Around the shell mermon. Left and right below are a mermaid and a Meerman with a woman on dolphins. Augsburg paper etching frequently used ornamental compositions. birth of Venus; Venus Anadyomene: after Uranus' castration Venus rises from the sea wringing the water from her hair; usually she is awaited by the Hours

Design for the decoration of a pilasters articulated wall with double door. Design for the decoration of a pilasters articulated wall with double door above which putti and two images on both sides.

Drawing, Design for a Niche and Frame; Italy; pen and brown ink, brush and gray wash on off-white laid paper

Bound Print, Elevation of a Tomb; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

A left side. A fountain stands in front of a kind of colonnade with projecting side, where a gaine supports the entablature. Rocky stones are used in the structure. Trees are in the background. Framing line except at right. Pen and bistre on paper. Date: ca. 1675-1690. Museum: Cooper Hewitt, Smithsonian Design Museum.

Designs for Wall Ensemble with Scroll and Grotesque Motifs. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 8 9/16 x 10 1/4 in. (21.7 x 26 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Keulen, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Ionica.III, Three half epitaphs and three half altar constructions, At the top six balusters or terms are depicted from the front with five pinnacles next to them, at the bottom four terms in the form of scrollwork consoles can be seen from the side. Sheet 13 from a series of title page and 28 sheets., print, ornament print, prints, ornament prints, height 297 mm, width 190 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, papier, etching, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher

Design for a Chimneypiece with Overmantel, Pen and brown ink, blue, gray, ochre wash, over black chalk Support: white laid paper laid down, Scale: at bottom left, in palmi, Italy, Italy, ca. 1700, architecture, Drawing, Drawing

Court Cupboard (recto); Half-page of rectangles, numbered and lettered (verso). Artist: Anonymous, French, 16th century. Dimensions: sheet: 17 1/4 x 11 in. (43.8 x 27.9 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Altar with shell ornament and cartouches, agostino mitelli, 1636 print An altar with shell ornament and cartouches. Above three ornament heads with garlands in between. The print is part of an album. print maker: Bolognapublisher: RomeBolognaItaly paper etching ornament ~ cartouche. ornament ~ festoon, garland

Print (France)

Design for a Candelabrum. Date/Period: 1530. Drawing. Height: 434 mm (17.08 in); Width: 254 mm (10 in). Author: Michelangelo.

Arch of Septimius Severus, Frontal Elevation (above) and Side View (below) before 1704 Jan Goeree Dutch. Arch of Septimius Severus, Frontal Elevation (above) and Side View (below). Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). before 1704. Red chalk, pen and brown and black ink, brush and gray wash, over black chalk. Drawings

Design for One Quarter of a Ceiling 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for One Quarter of a Ceiling 365556

Augsburg (Germany). The cathedral of the most of the Virgin Mary - fragments of Gothic stone decoration; Lesser, Aleksander (1814-1884); 1839-1884 (1839-00-00-1884-00-00);Augsburg (Germany), cathedral of the Blessed Virgin Mary (Augsburg - Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, foreign architecture, religious architecture, sacred architecture, gift (provenance (provenance ), details, architectural details, gothic (style), sculptures

Studies for the trompe-loeil decorations of Palazzo Ducale (Palazzo Pitti), Florence 1636-41 Agostino (Stanzani) Mitelli. Studies for the trompe-loeil decorations of Palazzo Ducale (Palazzo Pitti), Florence. Agostino (Stanzani) Mitelli (Italian, Battidizzo (Bologna) 1609-1660 Madrid). 1636-41. Pen and brown ink over black chalk, some with watercolor

Design for a Stage Set with Two Thrones (Recto); Landscape (Verso) 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Stage Set with Two Thrones (Recto); Landscape (Verso). Anonymous, Italian, 19th century. 1800-1900. Sepia pen and wash

Drawing, Designs for Baluster Vases; Italy; black chalk on off-white laid paper

Grille, probably from the series 'Héré Plans et Elevations de la Place Royale De Nancy... 1753 A Paris Chéz J.C. François, Jean Lamour, French, 1698-1771, Etching on paper, Left portion of a round-headed gateway, flanked by two corinthian pilasters., France, 1753, Print, Print

Design for a Ceiling Decoration. Artist: Donato Giuseppe Frisoni (Italian, Laino near Como 1683-1735 Ludwigsburg). Dimensions: Sheet: 7 11/16 x 8 11/16 in. (19.6 x 22.1 cm). Date: 1709-20. Museum: Metropolitan Museum of Art, New York, USA.

A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud, Sir James Thornhill, 1675-1734, British, ca. 1715, Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper, Sheet: 5 1/2 x 6 inches (14 x 15.2 cm), architectural subject, clouds, columns (architectural elements), Corinthian (architectural style), design, doors, murals, mythology, preparatory drawings, religious and mythological subject, salons, England, Roehampton, Surrey, United Kingdom

Nuremberg. Church of St. Sebaldus - fragment of the interior. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design for Stage Set 1698-1765 Attributed to Giovanni Battista Natali III Italian. Design for Stage Set 362001

Plafonds met stervorm, guirlandes en medaillons; 51e Cayer Modéles pour diver Compartimens à l'Usage des Plafonds, Voutes et Parquets; Cinquième Volume, Recueil élémentaire d'architecture (...).A ceiling with a star shape in the middle, around four medallions with portraits and in the corners of floral motifs. Byond this a ceiling with garlands surrounding a round element and in the corners of medallions with two portraits. Print number 301.

Salon window with curtains, Midart, After Désiré Guilmard, c. 1853 - c. 1869 print Salon window with draped curtains in the Louis XIV style. Print from 175th Livraison. paper. pencil living-room, parlour, sitting-room. hangings and drapery. window

Drawing, Charcoal, pen and ink on paper; verso: charcoal, pen and ink, brush and watercolor on paper, Blank center rectangle is framed by term figures terminating in acanthus leaves. Above, a grotesque frieze with putti and satyrs. Below, a frieze with four dancing satyrs., Italy, 1600-1625, grotesques, Drawing

Design for a Frame Decorated with a Shell Motif. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 x 2 11/16 in. (10.2 x 6.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Two Alternate Designs for a Chapel 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Alternate Designs for a Chapel 365851

Giovanni Battista Foggini, A Reliquary of Saint Sigismondo, 1719 A Reliquary of Saint Sigismondo

Drawing, Design for a mentelpiece; Attributed to Jean Bérain the Elder (French, 1640-1711); France; pen and brown ink, gray wash, graphite on paper; 31.9 × 20.6 cm (12 9/16 × 8 1/8 in.)

Trophy of rolling work with cartouches, mascarons and flat decorations with grotesken, Wendel Dietterlin (I), 1593 - 1595 Numbered: 38. Print is part of a book. Strasbourg (France) paper etching other architectural details. composite order ~ architecture. column, pillar ~ architecture. ornament ~ grotesque

A Tabernacle Containing a Papal Escutcheon Supported by Angels ca. 1538-40 Giulio Romano Italian. A Tabernacle Containing a Papal Escutcheon Supported by Angels 334694

Cabinet Design. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 13/16 x 7 1/16 in. (14.7 x 17.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Right Half of an Overdoor Decoration with a Bust. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 5 13/16 x 5 in. (14.7 x 12.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for overall symmetrical ceiling decoration featuring geometric sections in which mythological figures, rinceaux, and putti are arranged., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Arch of Constantine, Rome. Artist: attributed to Bartolomeo Neroni (Il Riccio) (Italian, Siena 1505/15-1571 Siena). Dimensions: 11 15/16 x 10 1/16in. (30.3 x 25.5cm). Date: 1500-1571. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling with empty center piece; Ceilings. Ceiling with empty middle piece with curved corners. The center piece is surrounded by an ornamental edge and medallions with allegorical figures in the corners.

Steeple in baroque style in the style of Borromini, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a part of an entablature. The scheme of the steeple follows in a general way that of the Sapienza Statues of angels stand upon pedestals obliquely in front of the dado of the first story. In front of its central part two figures support a circular medallion. At right is a part of the plan of the upper story. Colored background., Italy, Rome, Italy, 1796, architecture, Drawing, Drawing

Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (Recto). Studies for Chapels and Portals (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/8 x 8 3/16 in. (29.6 x 20.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Tabernacle with angel, anonymous, 1750 - 1800, Design for a tabernacle with a chalice with host and an angel on the right., draughtsman: anonymous, 1750 - 1800, paper, h 131 mm × w 95 mm

Paris, Poilly, François de (I), New glass panels executed in several hotels in Paris, Lower bosom with two Corinthian pilasters, Various details are depicted on the left and at the bottom. From a series of title page and 5 sheets, second edition., print, ornament print, prints, ornament prints, height 260 mm, width 172 mm, French, 1623 - 1693-04-01, print maker, printmaker, 1632 - 1693, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Design for an Altar with a Variant. Artist: Attributed to Anonymous, German, 18th century. Dimensions: sheet: 11 3/4 x 6 7/16 in. (29.9 x 16.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print made by John Le Keux, 1783-1846, British, Compartment on One Side, St Stephen's Chapel, 1825. Line engraving on smooth, moderately thick, cream wove paper.

An Altar Over a Crypt, Graphite, gray wash Support: laid paper, Italy, Rome, Italy, 1775, architecture, Drawing, Drawing

Fountain with the arms of Pope Clement XI Albani, Ludovicus Radix, Italian, Pen and ink, brush and watercolor on paper, Wall fountain topped with a pair of trophies and a pediment with the arms of Pope Clement XIV., Italy, 1762, architecture, Drawing, Drawing

Theater with Emperor Maximilian II, 1594, 1594 TONEEL met keizer Maximiliaan 2 in 1564. Feestelijke species van aartshertog Ernst als Gouverneur der Nederlanden Gehouden te Brussel op 30 January 1594. Onderdeel van de Beschrijving van deze species description and explanation of pegmatum spectacles which Brussels Brabant. The day before Cal. February. Ao. 1594 exhibited under the entry ... Ernest ... Archdiducis Austria ... for Philip 2. Belgian died Pilot, J. Mommaert, Brussels 1594. print maker: Southern Netherlandspublisher: Brussels paper engraving Brussels TONEEL met keizer Maximiliaan 2 in 1564. Feestelijke species van aartshertog Ernst als Gouverneur der Nederlanden Gehouden te Brussel op 30 January 1594. Onderdeel van de Beschrijving van deze species description and explanation of pegmatum spectacles which Brussels Brabant. The day before Cal. February. Ao. 1594 exhibited under the entry ... Ernest ... Archdiducis Austria ... for Philip 2. Belgian died Pilot, J. Mommaert, Bruss

Netherlands, Galle, Philips, Vredeman de Vries, Hans, Borcht, Pieter van der (I), Differents pourtraits de menuiserie. The series without title and without page 16, Differents pourtraicts de menuiseri, Two buffets, The left buffet has two loading. The left and right halves of this buffet are decorated in different ways. Sheet 9 of 15 numbered sheets + title page from a series of 16., print, ornamental print, prints, ornamental prints, height 185 mm, width 259 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1583 - 1583, fourth quarter 16th century, paper, engraving, engraving (printing process), etching, Work conception, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Gradmann, Johann, Hauer, Johann Thomas, Wall mirrors with tables, Mirror with vase, verso - stamped, Design for two wall mirrors with tables. Left with garlands and bow, right with garlands, laurel wreath and vase with flowers. Publisher number XXIV., print, ornamental print, prints, ornamental prints, height 228 mm, width 159 mm, print maker, printmaker, 1758 - 1820, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Architectural Sketches 1710-1768 Italy. Black chalk and pen and brown ink, on ivory laid paper, perimeter mounted on cream card . Canaletto

Design for Wall Decoration with Two Female Figures. Artist: Il Pomarancio (Niccolò Circignani) (Italian, Pomarance ca. 1517-after 1597 Città della Pieve). Dimensions: 8 11/16 x 16 5/16 in. (22.1 x 41.4 cm)irregular borders. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Two Frisians, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) pen Paris tracing paper. graphite (mineral) pen

Left Side of a Panel Decorated with Acanthus Scrolls and an Oval Medallion 1652-1725 Giovanni Battista Foggini Italian. Left Side of a Panel Decorated with Acanthus Scrolls and an Oval Medallion 346362

Two altar designs in the Roman way; Altar designs in the Roman way; Plusieurs deposits d'Autelz a la romaine. TirelPrent for a series of designs for altars in the Roman way. On the left an altar with freestanding Corinthian columns. On the right an altar with a painting awarded by an angel. At the bottom of the floor plans. Print is part of an album.

Design for an Altar or Monument with Angels and Other Figures late 16th century Attributed to Peter Candid (Pieter de Witte, Pietro Candido). Design for an Altar or Monument with Angels and Other Figures 362773

Box with lid and rings on the side, Hendrik van der Borcht (II), after Giulio Romano, c. 1614 - 1654 print The front of the box is decorated with an empty cartouche and leaf vines. From series of 14 sheets with bowls, bowls and boxes. paper etching

Design for Door Frame, Pen and black ink, brush and gray wash, graphite on cream laid paper, A tablet with a dove holding a twig in its beak is above in the center of the frame of the opening. A circular pediment is on top; a bracket with a fleur-de-lys is in the middle of the field. Scale below., Italy, 1730-60, architecture, Drawing, Drawing

Sticker test of French envoy on the Peace negotiations in Utrecht, 1713. The decorations on the back of the French envoy of the French envoy Mesnager on the peace negotiations in Utrecht, 1713.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 24e Cahier, Gates, Elevation d'une porte avec son profil, Gate, verso - stamped, Front and side view of a gate. Print number 143., print, ornamental print, prints, ornamental prints, height 293 mm, width 214 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Hendrik Casimir II Sarcophagus: Side decorated with weapon promises; Sarcophagus from Hendrik Casimir II. The lid is decorated with leaf drinks between which two children sit. The sarcophagus is based on lions with the coats of arms of the families from (from left to right): Spiegelberg, Dietz, Vianden, Katzendorf and Nassau. Sheet from series of 3.

Design for a Wall Fountain 1550-1620 Anonymous, Italian, Lombard, 16th century Italian. Design for a Wall Fountain 340698

Portal Decorated with mascarons, leaf vines and rolling work, Wendel Dietterlin (I), 1593 - 1595 Numbered: 54. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. 'Laub- und Bandelwerk' ~ ornament. ornament ~ festoon, garland. mask, mascaron ~ ornament. composite order ~ architecture

Copper engraving by Meister von 1515 showing a detailed Corinthian column, including its capital and base, from the first third of the 16th century.

Sketch for Wall Decoration ca. 1540-80 Anonymous, Italian, 16th century Italian. Sketch for Wall Decoration 342228

Design of Ceiling and Balustrade 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design of Ceiling and Balustrade 389609

Germany, Caymox, Balthasar, Dietterlin, Wendel (I), Title page and 11 sheets of 'Architectura und Aufstheilung der V Senln' 1593, Fountains, wells, mantelpieces, capitals, windows and retables, Lower part of a retable, One of 20 sheets from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der fünff Seulen...) consisting of 193 pages and 5 title pages, divided over five books. This is a second, expanded edition of the series described under Orn Cat I-319., print, prints, ornamental prints, height 247 mm, width 182 mm, German, 1551 - 1599, print maker, printmaker, 1560 - 1598, third quarter 16th century, fourth quarter 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1561 - 1635-03-07, publisher

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