Architectural Furniture Designs

Detailed engravings of ornate furniture and mantelpieces, featuring decorative elements and mythological themes, reflecting the artistic styles of their eras.

Imperial Court, Augsburg, Merz, Johann Georg, Middelburg, Grendel, Gerrit de, Neu inventirte Hollaendische Camine, Anderer Theil, Nouveau Livre de Chéminees Hollandoises, Second Livre, series T, Mantelpiece with pastoral scene, verso - stamped, Design for a mantelpiece with a pastoral scene of a young man with a young woman wearing a hat. The mantelpiece is decorated with rocaille, shell ornaments and masks., print, ornamental print, prints, ornamental prints, height 259 mm, width 137 mm, print maker, printmaker, 1704 - 1762, second quarter 18th century, third quarter 18th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1694 - 1762, publisher, granter of privilege

Kirks SS. John E Paolo, Grabmal Moon Goer, Venice. . I am

Relaxing of Gibraltar, 1705, 1712 - 1715 Sea battle at Gibraltar on March 21, 1705 with a victory of the English fleet on the French fleet. This put an end to the siege of Gibraltar by the French and Spaniards. Presentation of a sea fight in a richly decorated ornamental frame with a cartouche with a map of Gibraltar at the top. Decorated with weapon trophies, cartouches with emblems. At the bottom a cartouche with the description of the fight in German, left -fleeing soldiers, on the right a French officer submits to the Dutch Lion. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Gibraltar Sea battle at Gibraltar on March 21, 1705 with a victory of the English fleet on the French fleet. This put an end to the siege of Gibraltar by the French and Spaniards. Presentation of a sea fight in a richly decorated ornamental frame with a cartouche with a map of Gibraltar a

Project for a Wall Decoration. Perino del Vaga (Piero Buonaccorsi) (Italian, 1501 - 1547)

Zegeteken van Johann von Labes, Daniel Nikolaus Chodowiecki, 1770 print Porticus with the weapon of the Labes family at the top and derived from Pliny under a motto: 'Ipsorum Tunc Imperatorum Manibus Colebantur Agri'. Within the frame a landscape with the left Johann, Freiherr von Labes, who gives orders to a group of agricultural workers trying to push a stone away. Behind them a trophy or blessing mark made up of tools used to edit the country. paper etching historical persons. armorial bearing, heraldry. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. cultivation ~ agriculture Zernickow

Speculum Romanae Magnificentiae: The Pineapple in the Courtyard of S. Pietro 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of pr

Design for a Choir Screen with Two Variants, from: Clôtures de chapelles. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 1/4 x 8 15/16 in. (15.8 x 22.7 cm)plate: 6 x 8 5/8 in. (15.2 x 21.9 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Marot, Daniël (I), Netherlands, Vases de la Maison Royalle de L'oo, Title page: Vasses de la Maison Royalle de L'oo, Vase on a pedestal, decorated with a bas-relief and crowned with a bust. Sheet from a series of 6 sheets with garden vases from Paleis Het Loo., print, ornamental print, title page, prints, ornamental prints, height 248 mm, width 185 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1703, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Design for a Ceiling. Artist: Anonymous, Italian, 16th century. Dimensions: sheet: 4 13/16 x 3 13/16 in. (12.2 x 9.7 cm). Date: ca. 1520-50. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for Meuble de Vestibule; Architect: Alexandre-Eugène Prignot; France; graphite, color pencil, brush and watercolor on cream paper; 41.2 x 24.7 cm (16 1/4 x 9 3/4 in.); 1987-86-2

Tombstone of Jerzy Rudominy at the parish church in Nowogródek. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Edwarmay, Louis (fl. 1846-1849), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Chimney piece in Queen Elizabeth's Palace, at Enfield, UK

Print (France)

Wall fountain with Venus and Cupid in Nis. Venus and Cupid sit on two dolphins on the edge of a shell-shaped basin.

The conduit at Snow Hill, London. Engraving.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rooms with furniture, Interior with table and chairs, Interior with panels, a table, two chairs, a three-armed candlestick and a side table. All decorated with rocaille ornaments. Publisher number 165., print, ornament print, prints, ornament prints, height 193 mm, width 302 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Funeral monument called catafalque on the print for Pope Innocent XII Cross section of monument and explanatory list of letters in lower margin, Catafalco Innocent XII Catafalco eretto nella basilica Vaticana Per le solenni esequie celebrate nella morte del sommo pontefice innocenzo XI , print maker: Michelangelo Specchi, (mentioned on object), Giovanni Battista Contini, (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), print maker: Italy, Italy, publisher: Rome, Vaticaanstad, 1694 - 1750, paper, etching, h 580 mm × w 360 mm

Drawing, Elevation of a Sepulcher Monument; Italy; graphite, pen and gray ink, brush and gray wash on off-white laid paper

Etching with watercolor by Hieronymus Cock showing plate 34 of Emperor Karl V's funeral in Brussels, depicting the procession train, figures, and ceremonial details.

Project of Altar Decoration (Stage Setting ). Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 10-3/8 x 12-7/8 in. (26.4 x 32.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by an anonymous artist showing a planned double grave for the Magnifici in the Medici chapel, executed in chalk and feather with wash, set at the right lower corner.

Tomb of Sir Edward Fennen of Hayes from Hayes Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, tomb, England, Greater London, London, United Kingdom

Dom - Georgscapel, PortalRelofDongs. Dom - Georgscapel, PortalRelof

Katafalk Innocentius XII, Michelangelo Specchi, After Giovanni Battista Contini, 1694 - 1750 print Graf monument (on the print mentioned catfalk) for Pope Innocent XII. Cross -section of the monument and explanatory list of letters in STUDMARGE. print maker: Italyafter design by: Italypublisher: RomeVaticaanstad paper etching catafalque, 'castrum doloris' (~ public funeral). pope. grave-building, monumental tomb

The apostle Philip with a book in his hands. Philip stands on a pedestal where his torture is depicted on the front, Apostle Philip, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 280 mm × w 176 mm

Ceiling painting with two Caratives, Jean Baptiste de Poilly, After Pierre Mignard (1612-1695), 1679 - 1728 print Ceiling painting in the Saint-Cloud gallery. Paris paper etching caryatids ~ architecture Saint-Cloud

Giovan Antonio Mari feather drawing on brown paper depicting a statue of St. Barbara within architectural surroundings, showing figure, gestures, and composition.

La Galerie de Girardon 18th century Nicolas Chevalier French. La Galerie de Girardon 365970

ARMOURY, OR PORTE-FUSILS, BY JULES FOSSEY, IN THE FRENCH COURT, THE INTERNATIONAL EXHIBITION, 1862

Two Designs for Doors, one at Versailles and one at the Hotel Cavois in Paris, plate II from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode'. Dimensions: image: 7 11/16 x 5 1/4 in. (19.5 x 13.3 cm). Etcher: Jean Le Pautre (French, Paris 1618-1682 Paris). Publisher: Nicolas Langlois (French, Paris 1640-1703). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer, Detail 25, 1515-1517, woodcut on paper.

Design for a Balustrade with Female Figures and Urns 16th-17th century Giulio Parigi Italian. Design for a Balustrade with Female Figures and Urns 389378

Speculum Romanae Magnificentiae: Portico of the Temple of Romulus 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inste

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Composito, Composite base and capital with details of entablature and frieze, At the bottom are three lines of text. From the first edition., print, ornament print, prints, ornament prints, height 277 mm, width 179 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter of the 17th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Inkstand, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Vertical rectangle. Shown slightly from above. Below is a broad ovoidal base with four protruding angular parts laterally. Upon these sit sphixes who support an ovoidal pedestal having two protruding basins at left and at right. The sphinxes are connected by festoons which hang upon them and which are fastened to a lower moulding of the pedestal. Pairs of doves are shown beside the placs of suspension. The frieze of the front face of the pedestal is decorated with half figures of putti who support wreaths with bust portraits. Upon the covers of teh bowl stand putti; the left one wears a helmet and holds a lance and a sword; the right one holds a compass and a sphere. In teh center stands a round pedetal upon a base of two oblong steps. Upon its face it shows a medallion with the portrait of a Royal person, possibly intended as Eugene de Beauharnais. Festoons hang from teh crown and are carried by storks

Project for a Wall Decoration; Perino del Vaga (Piero Buonaccorsi) (Italian, 1501 - 1547); about 1522; Pen and brown ink, brush with brown wash over underdrawing in black chalk; 40.9 x 26.8 cm (16 1,8 x 10 9,16 in.)

Print, Projet pour le Maitre Autel de l'Eglise de St. Sulpice de Paris (Design for the Master Altar of the Church of St. Sulpice of Paris), plate 109, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; 54.4 x 36.7 cm (21 7/16 x 14 7/16 in.)

The lid is decorated with leafy vines between which two children are seated. The sarcophagus rests on lions with the coats of arms of the families of (from left to right): Spiegelberg, Dietz, Vianden, Katzendorf and Nassau. Sheet from series of 3., Sarcophagus of Henry Casimir II: side decorated with arms trophies Sarcophagus of Henry Casimir II (series title), print maker: Petrus Aeneae, (mentioned on object), Petrus Aeneae, (possibly), publisher: anonymous, Franeker, 1680 - 1700, paper, engraving, h 205 mm × w 340 mm

Ernest A Towers, Jr, Clock, c 1936 Clock

Interior of the Chapel of Mary Magdelene (Interno della cappella della Maddalena). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: 1 engraved illusration. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.

Frame between Zuilen, Anonymous, 1700 - 1800 print A frame between two columns on pedestals. At the top an oval cartouche, two vases and garlands. At the bottom a drapery between the two pedestals. paper etching ornaments ~ art (+ framing decorations). column, pillar ~ architecture

Three composite main acts with two crowns and decorated with leaf vines, volutes and a mascaron, Wendel Dietterlin (I), 1593 - 1595 Numbered: 31. Print is part of a book. Strasbourg (France) paper etching other architectural details. composite order ~ architecture. column, pillar ~ architecture. other architectural details (ENTABLATURE). mask, mascaron ~ ornament. ornament ~ festoon, garland

A brown ink drawing by Bartolomeo Altomonte around 1720 depicting the tomb monument of Pietro di Cortona, showing architectural and sculptural details.

Projet pour le Maitre Autel de l'Eglise de St. Sulpice de Paris (Design for the Master Altar of the Church of St. Sulpice of Paris), plate 109, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Stairs leading to altar decorated with image of Christ-like figure; with female figure on right and male figure on left. Above, canopied by two figures supporting a book; above this, large cross with putti and sunrays emanating. Arches and windows in background., Paris, France, 1748, sculpture, Print, Print

. Title on cartouche that consists of a wolves skin, stuck on a stone wall, flanked by two hermen. On the left is FAMA with bazuin and globe; On the right the winged father time with Zeis and hourglass.

Coenotaphiorum (22). Artist: Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()); Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Engraved by Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: sheet: 6 11/16 x 8 1/4 in. (17 x 21 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1563.Two designs for funeral monuments to be placed onto a wall. The monument on the left is characterized by the effigies of a praying man and woman, placed in a niche. The monument on the right shows a kneeling man, dressed in a harnas. Behind him is Saint Paul. Below the image a Latin inscription is placed, made up out of six lines divided over two columns. Museum: Metropolitan Museum of Art, New York, USA.

Bosch, Johannes de, Folkema, Jacob, Virtues and Vices, Vignette with the personification of Reason, verso - stamped, Vignette with the image of personified Reason in an architectural frame in which a cartouche with a scale is placed at the bottom. Reason kicks two devilish figures to the ground with her foot, in her hands she holds reins and a whip. The print is part of a series of book illustrations about virtues and vices., print, book illustration, prints, height 92 mm, width 122 mm, Dutch, 1692 - 1767, print maker, printmaker, 1723 - 1767, paper, etching, etchings, 1713 - 1785-01-31, intermediary draughtsman

Proportions and decorations of columns and capitals, engraving from a drawing by Cesare Cesariano, from De Architectura libri dece traducti de latino in vulgare (The Ten Books on Architecture translated from Latin to vulgar), Volume IV, by Lucius Vitruvius Pollio, 1521, Como.

Proportions of the Ionian column order with a caratide as a pilaster between two columns, Wendel Dietterlin (I), 1593 - 1595 Numbered: 13. Print is part of a book. Strasbourg (France) paper etching other architectural details. column, pillar ~ architecture. caryatids ~ architecture. Ionic order ~ architecture

Burial monument for vice admiral Jacob van Heemskerck in the Oude Kerk in Amsterdam, Anonymous, c. 1680 - c. 1720 print Bottom right: Fig. B. paper etching grave-building, monumental tomb. parts of church interior Old church

Italian 17th Century, An Elaborate Altar of Colored Marble Ornamented with Sculptures, 1600s An Elaborate Altar of Colored Marble Ornamented with Sculptures

Landscape with temple ruins in oval list, Jacques Patel (attributed to), 1640 - 1662 drawing paper. chalk landscape with ruins

Bry, Theodor de, Antwerp, Maes, Joseph, Arcs de triomphe, XVIe Siècle, Reproduction of a design for the front and back of a triumphal arch by Theodor de Bry, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, recto - printed, LITT: A. - PL. 22, JJvY, height 343 mm, width 232 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgisch, 1838 - 1908, clichémaker, Work conception, Zuid-Nederlands, 1528 - 1598-03-27, after a design by

Bolse Mass, from the Stanze Vatican cycle; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Morghen, Raphael (1758-1833), Tofanelli, Stefano (1752-1812); around 1781 (1776-00-00-1786-00-00);

Wenceslaus Hollar, 1607-1677, Bohemian, Tumulus Johannis de Chishull. Engraving.

Lazio Roma Rome S. Onofrio6. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, architectural sculpture, painting, frescoes. Object Notes: Erected in 1419 by Forca Palena, in style of Quattrocento. In the convent, Torquato Tasso died in 1595 on the vigil of his coronation on the Campidoglio. Located in Gianicolo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for Wall with Wooden Trim. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 10 9/16 x 10 5/8 in. (26.9 x 27 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Hindley and Sons.

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, Sixt Staufen von, Hans (Przełom XV I XVI w.)

Medaillons met Portretten van Phocion, Tiberius en Gaius Gracchus, Reinier Vinkeles (1), 1789 - 1809 print Medaillons Met Portretten van de Atheense Staatsman Phocion, de Romeinse leader of Tiberius Nero en de Romeinse Politicus Gaius Gracchus, Tegen Stenen Sokkels. Amsterdam paper etching Base (~ Column, Pillar). (Story of) Phocion. (Story of) Gracchus Gaius

XIe Station. Jésus est cloué sur la croix. Cette station se trouve placée au pied même de l'autel. Artist: Louis de Clercq (French, 1837-1901). Dimensions: Image: 10 1/8 × 7 7/8 in. (25.7 × 20 cm)Mount: 17 15/16 × 23 1/4 in. (45.5 × 59 cm). Lithographer: H. Jannin (French). Printer: J. Blondeau et Antonin. Date: 1860 or later. Museum: Metropolitan Museum of Art, New York, USA.

Illumination of the house of Mr. Straalman in Amsterdam, 1788; Image of illumination for the house of (...) M. Straalman Oud Burgemeester der Stad Amsterdam (...) on August 7, 1788 (...). Illuminatum built up for the house of Matthys Straalman, former mayor in Amsterdam, on the occasion of the birthday of Princess Wilhelmina van Prussen on August 7, 1788.

Netherlands, Meer, Noach van der (II), Vernietiging der Aristocratie, op de Westermarkt, decoration on the Westermarkt, 1795, verso - stamped, allegorical decoration erected on the Westermarkt in Amsterdam. From the booklet with images of the decorations erected in the city at the celebration of the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19, 1795. The print comes with a loose sheet with an explanation., print, prints, Frederik Muller Historieplaten, height 220 mm, width 145 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1795 - 1795, paper, papier, etching, hand coloring

Nehalennia altar, Hendrick Danckerts, After Hendrik van Schuylenburgh, 1647 print Altar of the Roman goddess Nehalennia. paper etching / engraving other foreign deities included in the classical Pantheon (with NAME) Walcheren

AUSTRIAN BEDSTEAD, BY LEISTLER

Marot, Daniël (I), Nouveaux Liure de Lembris et Revestement à Panneaux, Wall with wall dam between window frames, The wall dam is decorated with an oval mirror and a console on which three Chinese vases stand. The console is supported by a herm. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 170 mm, width 242 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Drawing, Design for a Pendant; Italy; pen, brush and sepia on paper

Design for an Altarpiece late 17th-early 18th century Anonymous, French, 18th century French. Design for an Altarpiece 363023

Frontispiece of the Rudolphine Tables

Six balusters or terms at the top and four terms at the bottom; Ionica.iii; Architectura von den Funf Seuvlen (...). At the top, six balusters or terms of advance are depicted with five pinnacles in addition, four terms can be seen in the form of rollerwork consoles from the side. Leaf 12 from series from title page and 28 sheets.

Drawing, Project for a tabernacle for the exposition of the monstrance with alternative suggestions, 1700-1725; Italy; pencil, pen, ink, brush and gray water color on paper

Designs for Decorative Ironwork, Plate 88 from Divers dessins de balcons a plusieurs usages (Variety of Balcony Designs), Claude René Gabriel Poulleau, French, b.1749, Jacques Chéreau, French, 1688-1776, Engraving on paper, A variety of designs for ironwork including gates, capitals, and friezes., France, 1757-1776, metalwork, Print, Print

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1294. The flames burn in candelabra in the shape of vases, for which alternative suggestions are made. They stand upon the base at the ends of the steps. The panels and piers beside the door are decorated with a festoon. Above the entablature is above the door a triangular pediment with a head inside. The attic is only a little higher than the pediment. Above it stands a roudn pediment with a base. The upper part of the pedestal is decorated with two festoons supported by a bowknot. On top is a variation of the figure in 1938-88-1294, with an angel kneeling beow the raised arm. Below, inside the monument lies the crowning motif of 1938-88-1308., Rome, Italy, 1793, architecture, Drawing, Drawing

Ornate architectural design. Artist: Attributed to Anonymous, German, 18th century. Dimensions: sheet: 14 x 11 5/16 in. (35.5 x 28.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Cutlery Containers, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Two designs for containers for cutlery. The container on the left is open, revealing the handles of cutlery, and is decorated with a satyr term between two females; the lid lies to the right. The container at right is closed and is decorated with one female term between two male terms holding drapery. Both are adorned with pearls and have masks at the base. between two male terms holding a drapery. Both are adorned with gems and pearls., France, 1540-1560, albums (bound) & books, Print, Print

Hidden Door covered with a Mirror in the Trianon Palace,plate V from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode'. Dimensions: image: 7 11/16 x 5 5/16 in. (19.5 x 13.5 cm). Etcher: Jean Le Pautre (French, Paris 1618-1682 Paris). Publisher: Nicolas Langlois (French, Paris 1640-1703). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Catalark of the infant Balthasar in Antwerp (side view), 1647; Facies lateralis Cenotaphi Serenissimo Hispaniar. Principi D. Balthasari Carolo Austriaco Philippi IV. Hispaniar (...) Antverp. Erecti (...) MDCXLVII (...). Katafalk on January 1, 1647 founded in Antwerp in honor of Balthazar Karel Dominicus Lucas Philips, the son of King Philip IV died in October 1646. This print shows the monument of the side. At the top of the show two columns text in Latin and a prince portrait.

A Palatial Wall Ornamented with Sculptures and Paintings. Dated: c. 1570. Dimensions: overall: 26.6 x 41.1 cm (10 1/2 x 16 3/16 in.). Medium: pen and brown ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Andrea Semino.

French Crown, Paris, Neufforge, Jean François de, Fifth Volume, Architectural Collection, 50th Cayer Models for Trumeaux for the Use of Apartments, For a Library, Bookcase, stamped on the back, An ornamented bookcase with medallions with portraits and garlands on the lower doors. Above the bookcase is a panel with figures around a globe, flanked by statues of standing figures. Print number 300., print, ornamental print, prints, ornamental prints, height 361 mm, width 225 mm, 1714 - 1791-12-19, print maker, printmaker, 1763 - 1763, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

View of the Farnese Gallery, Rome; Francesco Panini (Italian, 1745 - 1812); Italy; about 1775; Pen and black ink and gray wash over black chalk, with occasional touches of white gouache; some pinholes; 42.5 x 27.6 cm (16 3,4 x 10 7,8 in.)

Den Haag, Marot, Daniël (I), Nederland, Nouvelles Cheminée faittes en plusieur en droits de la Hollande et autres Prouinces, Engelse onderboezem, The Hague, Netherlands, The lower bosom is placed in a corner. An oval mirror hangs between the chimney breast and the curved cornice, above the cornice is a dome with a crowned clock. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 247 mm, width 194 mm, 1663 - 1752-06-04, print maker, printmaker, 1673 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Campania Caserta Caserta Palazzo Reale35. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris, Daigremont, Marguerin, France, Lepautre, Pierre, Liure de Cheminées, Chimney, At the bottom a coat of arms with three fleurs-de-lys. Title page from a series of 6 () sheets., print, ornamental print, prints, ornamental prints, height 285 mm, width 121 mm, 1660 - 1744-01-22, print maker, printmaker, 1670 - 1699, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, French, publisher

Erepoort in Vlissingen, 1766, 1766 drawing Erepoort with an Oranjeboom founded in Vlissingen on the occasion of the inauguration of Stadholder Willem V on May 30, 1766. On the arch the text: Deez 'Neighborhood Stiches U, ô Vorst ... etc. marked at the bottom right: No. 1. Northern Netherlands paper triumphal arch Flushing

Drawing for an Opera Set Attributed to Giuseppe Galli Bibiena Italian. Drawing for an Opera Set 344316

Standing frame, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, A molded oblong upon a molded base. In the center, on top, are a pair of scales, a military flail, fasces surrounded by a wreath, and below a prelate's hat. Hanging garlands springing from cornucopias, laterally. Indication of an inscription inside. Colored background., Rome, Italy, ca. 1790, architecture, Drawing, Drawing

Oraison funebre de sa majeste tres chretienne Louis XVI, roi de France et de Navarre, Oraison funèbre de sa majesté très chrétienne Louis XVI, roi de France et de Navarre, Leardi, Paolo, 1793

Mauro Tesis work shows a vestibule above a courtyard with a descending staircase, bounded by a crossbridge with Corinthian columns and a balustrade holding two statues, executed in chalk, feather, and watercolor.

Design for an Alter, Leonardo Scaglia, French, active Italy, 1640 - 1650, Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and bistre, brush and wash on paper, Elevation of an alter. The left half is shown. The Crucifixion is in the center of the retable. In the outside compartment is a niche with the statue of a woman. Reliefs are in the dado. Broken pediment with angels upon the cornice., France, ca. 1640-50, architecture, interiors, Drawing, Drawing

Sarcophagus of constantina; Grand'urna di Porfido Co. 'Suo Copechio, Dentro La Quale Credesi, Che Sia Stato Collocato Il Corpo di Costanza (...); Archaeological finds in and around Rome; Le Antichità Romane. A decorated sarcophagus (called a Urn) from Porfier with the Body of Constantina. Title and text in undermarge. Numbered above: Tom. II. / XXIV.

Ornamentation of the windows of the castle, vintage engraving. Ornamentation of the windows of the castle, vintage engraved illustration. Magasin Pittoresque 1852. Copyright: xZoonar.com/PatrickxGuenettex 10673916

Sepulchrum Mariae Honorij Imp. Uxoris (Page 1 of the Latin text of Il Campo Marzio dell’Antica Roma). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Speculum Romanae Magnificentiae: The Temple of Fortune in Rome 16th century Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of p

Two Doric columns with capitals and a main frame, Anonymous, After Giovanni Battista Montano, 1636 print In the middle is an explanation. From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Christopher Columbus n.d. Jean-Baptiste Dedéban French. Christopher Columbus 336772

Two ornamented candlesticks Left with buck heads and garlands, right with female heads and draperies Beneath it the , Two candlesticks Flambeaux de Table Oeuvres D'Orfevrerie Livre III on object, print maker: Jean François Forty, (mentioned on object), intermediary draughtsman: Jean François Forty, (mentioned on object), publisher: Jean-Baptiste Crépy, (mentioned on object), Paris, 1775 - 1790, paper, etching, engraving, h 370 mm × w 245 mm

Curtain in front of the entrance of a salon, quéton, after Eugène MAINCEN, c. 1885 - c. 1895 print Entrance of a salon with draped curtains. Print from 283rd Livraison. paper hangings and drapery. window

Design for the decoration of a room with a large wood-paneled cupboard surmounted by the monogram: H 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a room with a large wood-paneled cupboard surmounted by the monogram: H 384876

Sarkofag Margarety Brahe, ks. Hesse-Homburg. Thelott, Johann Philipp (fl. ca 1670), engraver

Copper engraving by Meister WA from 1465-1490 showing a smoke coat clasp (monile) and two Gothic ornamental leaves, depicting decorative details.

Burial monument for a couple, 1563 Graf monument with the images of a lying woman and a lying man (gisants), placed against the wall. On the right the same man and woman kneel with their patron saints. Two putti with toortsen hold a plaque at the head of the monument. The pedestal of the sarcophagus has columns of the Tuscan order. In between in niches female figures with blank coats of arms. A stained glass window in the background. Without text in the lower margin. The print is part of an album. Antwerp paper etching Graf monument with the images of a lying woman and a lying man (gisants), placed against the wall. On the right the same man and woman kneel with their patron saints. Two putti with toortsen hold a plaque at the head of the monument. The pedestal of the sarcophagus has columns of the Tuscan order. In between in niches female figures with blank coats of arms. A stained glass window in the background. Without text in the lower margin. The print is part of an album. Antwerp

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