Architectural Ornaments and Fireplace Designs

Prints featuring elegant architectural elements, including fireplaces and decorative panels, adorned with intricate floral motifs and classical designs.

Architecture fantasy with a canopy with images of animals, c. 1530 - c. 1540 print Flat decoration with grotesken. From series of 20 magazines. paper etching / engraving

Fireplace with vases and columns, 1784 - 1785 print An ornamented fireplace with vases with flowers, garlands and columns with leaf motifs and garlands. Paris paper etching / engraving open hearth, fire-place. vase ~ ornament. column, pillar ~ architecture

Door and panels with vase; PANNEAU AVEC PORTE; Panels and doors; 22nd cahier. Wall decoration with a door with tendrils and panels on either side. On the top a panel with flowers in a vase and garlands. Print number 127.

Painted decoration of a vaulted room, France and Italy, 1815-25, interiors, Drawing, Drawing

Architecture fantasy with a canopy with images of animals, c. 1530 - c. 1540 print Flat decoration with grotesken. From series of 20 magazines. paper etching / engraving

Ornamented fireplace with vase; Second Livre de Nouveaux Cheminées (...). Schouw with rocaille ornaments, cartouche and vase with flowers.

Schools Met Vacizes, Emanuel Eyel, After Frank XAver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two vases. Publishing number 164. paper etching / engraving open hearth, fire-place. vase ~ ornament

Design for a jewelry cabinet for a queen. .

Drawing (Italy)

Ecclesiatstical design for a window topped with angels mid-18th century N. J. B. de Poilly French. Ecclesiatstical design for a window topped with angels 384803

Pulpit with angel on Loftrumpet, Unknown, After Franz Xaver Habermann, 1740 - 1745 print Pulled chair with rocaille ornaments between two bows. Angel with praise on the top. Publishing number 166. Augsburg paper etching / engraving pulpit, ambo, chancel. angels singing, making music. rocaille ornament

Facial frames, Lukas Voch, 1788 print Designs for frames with ornaments, rocaille cartouches and a face in the middle. Augsburg paper etching / engraving ornaments ~ art (+ framing decorations). door. face

Drawing, Designs for a Mantelpieces; Designed by Gilles-Marie Oppenord (French, 1672-1742); France; pen and black ink, pale green wash, over black chalk; 1911-28-239

Fireplace with chandelier; XIIe Cahier de l'oeuvre M Cheminées Avec Leurs Trupeaux & C.A ornamented fireplace with a four-armed candlestick. At the top a bird with garlands. On either side of the fireplace two smoke barrels and corinthian columns with vases with flowers.

Schouw met kroonluchter; XIIe Cahier de l'Oeuvre M Cheminées avec leurs Trumeaux &c.An ornamented fireplace with a four-armed chandelier. At the top a bird with garlands. On either side of the fireplace two smoke barrels and corinthian columns with vases with flowers.

Drawing, Furniture with Arms and Candelabra; Italy; pen and ink, brush and wash on paper

Design for a choir stool with five alternative solutions for decorating the benches, and two mounted alternatives for awards. With scale., Design for a choir stool, draughtsman: anonymous, Southern Netherlands, 1769, paper, pen, brush, h 351 mm × w 496 mm

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Drawing, Painted decoration: an antechamber; Italy

Subsema, Daniël Marot (I), After 1703 - Before 1800 The chimney ate consists of two long consoles with a mirror and a etagère with Chinese vases and jugs above it. From series of 6 magazines. paper etching

Lit en niche, from Nouveau desseins de Lambris inventees par le Sr Pineau architecte, Jean Mariette, 1660-1742, Engraving on white laid paper, France, ca. 1727, architecture, interiors, Print, Print

Preekstoel puts Vaas, Anonymous, Jacques-François Chéreau, After Jean Charles Delafosse, 1771 print An ornamented pulpit with a book, a cross, putti heads, clouds and rays. A vase on the crown. Paris paper etching / engraving pulpit, ambo, chancel. vase ~ ornament

Fireplace design with decorations from churkish vessels decorative and mirror in the level of horizontal oval.; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Chinese, French (culture), Dutch (culture), fireplaces, mirrors, vessels, ornaments, ovals (geom.), Projects, interiors

Print, Chimneypiece Design; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Design for a Monumental Altar, Plate i from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by a small figure of the Risen Christ, flanked by two spiral columns. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Mirror with yacht trophy; Wall mirrors with tables. Design for a wall mirror with a table, decorated with garlands and a yacht trophy .. left and right a wall with panels. Publisher number XXIV.

Fireplace with medallion; XIIe Cahier de l'oeuvre m cheminées avec Leurs Trupeaux & c. An ornamented fireplace with an oval medallion. At the top of panel with garlands, an arrow sleeve, a torch and a bow. On either side of the fireplace panels with tendrils.

Pulpit with vase; 32nd Cahier HH Chaires the Prédicator; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). An ornamented pulpit with a book, a cross, putty heads, clouds and beams. A vase on the crowning.

Unidentified, funerary altar, plan and elevations (recto) S. Giovanni Laterano, Oratorio della Santa Croce, paneling, elevation (verso). Dimensions: sheet: 15 3/8 x 11 1/8 in. (39 x 28.3 cm). Draftsman: Drawn by Anonymous, French, 16th century. Series/Portfolio: Goldschmidt Scrapbook. Date: early to mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Wall with statue of French king, Jean Lepautre, c. 1655 - c. 1657 print The image stands between two doors, above it two women wear the French coat of arms. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 42e Cahier, Consoles, Console avec son profil, Console with leaf motifs, verso - stamped, Side and front view of a console with leaf motifs and a pine cone. Below an architectural fragment with a round medallion and garlands. Print number 247., print, ornamental print, prints, ornamental prints, height 330 mm, width 203 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Klingholz Fritz (1861-1921), S. Lorenzo in Florence. Reading desk in the Biblioteca Laurenziana (June 8, 1892): Detail of the interior decoration, view. Pencil heighted on the box, 40.6 x 28.4 cm (including scan edges) Klingholz Fritz (1861-1921): S. Lorenzo, Florenz. Lesepult in der Biblioteca Laurenziana

Subscribe in Noordeinde Palace, Jan Matthysz., After Pieter Jansz. Post, 1664 print The Hague paper engraving

Drawing, Altar; Architect: Giuseppe Valadier (Italian, 1762-1839); Italy; graphite, gray wash support: laid paper; 36 x 23.4 cm (14 3/16 x 9 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Design for Wainscoting with a Trumeau and a Bureau with a Clock, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Collection of furniture planks: other cabinet. Fourth cabinet of a sequence of 21. Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: other cabinet. Fourth cabinet of a sequence of 21. Etching. 1575.

The Portuguese triumph arch (front); Entry of Ferdinand in Antwerp in 1635 (no. 10), 1639 - 1641 print The Portuguese triumph arch in the Lange Gasthuisstraat (front). In the central performance, King Philip IV sends his brother Ferdinand to Germany to free that country. Wapentrophies with chained prisoners on the corners. Marked top left: p. 19. Page no. 10 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch Antwerp

Design for a Commode ca. 1870-80 A. Damon et Cie.. Design for a Commode 358789

Forgedwork, Johann Thomas Hauer, 1781 print Two designs for forging with garlands and round elements. The top design on a round arch. Paris paper etching forging (industrial process)

Monuments of Micha A Korybut, Jan Sobieski and their He - board 18 from the album "The graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (edition); 1822-1827 (matrix) (1822-00-00-1851-00-00);

Hartung Adolf (1850-1910), house letter box for the architect association in Berlin. Monthly competition in July 1877 (07.1877): Riss front view (partially) 1: 1; Explanation text. Pencil watercolor on the box, 71.5 x 56.4 cm (including scan edges) Hartung Adolf (1850-1910): Hausbriefkasten für den Architekten-Verein zu Berlin. Monatskonkurrenz Juli 1877

Cabinet-making: a large allegorical overmantel, elevations and sections. Etching by J. Verchère after himself, 1880.

Design for a writing furniture, Johann Jakob Schübler, c. 1715 - c. 1724 drawing Design for a writing furniture, placed in a corner room with two windows with awnings. Numbered 2. Nuremberg paper pen / brush

Table with chandelier, Anonymous, After Richard de Lalonde, in or after 1784 - 1806 print An ornamented table with a rectangular frame and an eight -armed chandelier above it. Garlandes and a clock at the top. On either side of the fireplace panels with flower garlands and flowers in a vase. Augsburg paper etching / engraving table. chandelier, candelabrum

Seven Half Portals, 1610 print Portals, partly with epitafes or burial monuments. Page 14 from series of title page and 28 magazines. paper etching

Artemisilos Basililos Sgodon, La Hypnerotomachia di Poliphilo: cioè pvgna d'amore in sogno, dov'egli mostra, che tvtte le cose hvmane non sono altro che sogno, and doue narra molt'altre cose degne di cognitione, Bordon, Benedetto, 1450-1530, Colonna, Francesco, d. 1527, Woodcut, 1545

Schouw with chandelier, the Saint -Morien, After Richard de Lalonde, 1784 - 1785 print An ornamented fireplace with garlands and a four -armed chandelier. Above that two thyrsi and flowers. On either side of the fireplace panels with flowers, hearts, winches, medallions and two four -armed candlesticks. Paris paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Siam (Thailand), Jean Charles Delafosse, 1768 - 1771 print An ornamented door with goat head, a sword, a snake and a book with drawings. On the right a rectangular list of Landscape aan Zee, a crown with two swords, a burning heart, a turtle and a caduceus. Print number 57. Paris paper etching / engraving door. Thailand

Design for Curtains 1841-84 Charles Hindley and Sons British. Design for Curtains 367252

Cupboard with flower motifs, Philibert Boutrois, After Juste Nathan François Boucher, 1772 - 1779 print Cabinet decorated with floral motifs on the panels. Print number 180. Paris paper etching / engraving furniture for storage. flowers ~ ornament

Furniture Design 1530-85 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1530-85. Etching. Prints

Door with two panels; Nouveau livre d 'porte d'la chambre. The panels are not decorated. At the top two cherubs float next to a medallion. With rebellion and plan at the bottom.

Schouw with Klok, De Saint -Morien, After Richard de Lalonde, 1784 - 1785 print An ornamented fireplace with a clock flanked at the top by sphinxes with floral vases on the head. On either side of the fireplace panels with flower garland and vases. Paris paper etching / engraving open hearth, fire-place. clock

Drawing (Italy); recto: graphite and gray wash with pen and black ink verso: graphite support: off-white wove paper

Elevation for a stairway and a second en suite drawing (unmatted): design for ironwork balustrade. Artist: Anonymous, French, 18th century. Dimensions: 10 1/2 x 9 1/16 in. (26.7 x 23 cm). Date: ca. 1700. Museum: Metropolitan Museum of Art, New York, USA.

Underbooling with Painting by Apollo and Marsyas; Nouvelles Cheminées à Paneaux de Glace Exécuté Dance Quelques Hôtels à Paris. Various details are shown on the right.

Print, Corner Chimneypiece, published in "Nouvelles Chiminees Faitte en Plusier en Droits de la Hollande et Autres Provinces du Dessin de D. Marot"; Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and black ink on white laid paper; Overall: 34 x 22.5cm (13 3/8 x 8 7/8in.) Platemark: 27.5 x 19 cm (10 13/16 x 7 1/2 in.)

Bound Print, Chimneypiece Designs; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); Dedicatee: Jules Hardouin Mansart (French, 1646-1708); France; engraving

Project for a Chapel in the Church of San Ciriaco, Ancona. Artist: Luigi Vanvitelli (Italian, Naples 1700-1773 Caserta). Dimensions: 17 x 11-5/16 in. (43.2 x 28.7 cm). Date: 1700-1773. Museum: Metropolitan Museum of Art, New York, USA.

Paviljoen van Hercules, Louis de Châtillon, After Charles Le Brun, 1672 - 1686 print Façade of a pavilion with trophies, vases on three -legs, medallions with portraits, a medallion with Hercules worn by angels and a balustrade at the top. Paris paper etching façade (of house or building). (story of) Hercules (Heracles) Marly Castle

Design for a Wooden Cabinet in French Renaissance Style. Artist: Anonymous, French, 19th century. Designer: Designed by J. S. (French, 1850-1900). Dimensions: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a room wall, Jurriaan Andriessen, c. 1752 - c. 1819, draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 102 mm × w 249 mm

Medallion with putti; Dessus de Porte; Dessus de-portes; 44th Cahier.dessus-de-Porte with a round medallion surrounded by leaf motifs, a helmet, flags and two putti on either side of a mask. Print number 261.

Drawing, Design for a Wrought-Iron Balcony; Attributed to Jean François Forty (active 1775 - 1790); France; pen and black ink, graphite-ruled borders in pen and black ink on white laid paper; Overall: 20.6 x 31.5 cm (8 1/8 x 12 3/8 in.)

Design for a Pulpit 18th century Louis Gustave Taraval French Together with a second drawing in the collection, this drawing by Taraval shows ideas for the design of a pulpit. While they could represent an exercise, created without a specific location in mind, there is some evidence to suggest that they were, in fact, meant for the church of Saint-Sulpice in Paris. The churchs existing pulpit was built during Taravals lifetime after the design of his contemporary, the architect Charles de Wailly. The close correspondence between the sculpture crowning this structure and the two variants presented in Taravals drawings may indicate that Taraval had hoped to gain the commission himself. This suspicion seems to be confirmed by a related design by Taraval for the organ tribune in the same church.. Design for a Pulpit 383989

Design for the Decoration of the Window Door Wall of a Rococo Room with a Coved Ceiling and Coved Central Fanlight (Section) mid-18th century Attributed to Thomas Lightoler British. Design for the Decoration of the Window Door Wall of a Rococo Room with a Coved Ceiling and Coved Central Fanlight (Section) 363849

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Door frames, Door frame with putto, verso - stamped, Door frame with rocaille ornaments, leaf motifs, on the left a vase with flowers, on the right a bust and a winged putto and a cartouche above. Publisher number 298., print, ornamental print, prints, ornamental prints, height 247 mm, width 191 mm, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a Monumental Altar, Plate L from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in a late Baroque style, with a reliquary crowned by a vase on top of the altar table. The pediment above is characterized by a large oval compartment, left blank. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Elevation of a Catafalque: the Central Part Comprised of a Series of Steps to Top; with Statues and Central Cartouche with a Figural Scene: a Figure Kneeling before Virgin and Child () 1696-1756 Workshop of Giuseppe Galli Bibiena Italian. Elevation of a Catafalque: the Central Part Comprised of a Series of Steps to Top; with Statues and Central Cartouche with a Figural Scene: a Figure Kneeling before Virgin and Child () 344451

Design for a Gothic Mirror. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 x 10 5/16 in. (35.6 x 26.2 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Gothic Mirror 1841-84 Charles Hindley and Sons British. Design for a Gothic Mirror 367301

Print, Diferent Ballicons (Different Balconies), in Nouveau Livre de Serrurie (New Book of Ironsmithing); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 27.8 x 20.2 cm (10 15/16 x 7 15/16 in.)

Sputh Ernst, S. Lorenzo fountain in Florence (September 15, 1873): View. Pencil on paper, 60.4 x 45.9 cm (including scan edges) Sputh Ernst : S. Lorenzo-Brunnen, Florenz

Folded sheet. Numbered at the top right: 3. The ereportion placed at the large bridge. On the arc portraits of Stadholder William IV and its predecessors, with statues of religion and freedom. Part of the illustrations of the festive inauguration of Stadholder William IV as a Markgraaf van Veere on 1 June 1751.

Print, Dessein de Cheminée et de Lambris de l'invention du Sr. Pineau; Designed by Nicolas Pineau (French, 1684-1754); Published by Jean Mariette (1660-1742); France; etching and engraving on paper

Design for the Transeptal Altars in the Klosterkirche Zwiefalten 1709-72 Johann Michael Feichtmayr German. Design for the Transeptal Altars in the Klosterkirche Zwiefalten 383413

Print (France)

Church interior with staircases and sculptures, Anonymous, After Mauro Antonio Tesi, 1787 print Print is part of an album. paper etching interior of church. piece of sculpture, reproduction of a piece of sculpture

VOETTUKB WART HOMMT A DLDNOKN, Uknown, Jean-François Dument, Exell Red Savialways, 1755 print A pedestal with garlands, above it a feathery helmet and a shield. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). helmet. protective weapons: shield

'One Bay of the Water-Colour Galleries', 1860s, (1881). A proposal for ornamenting one of the bays of the National Competition Gallery in the South Kensington Museum in London. The lunette (semi-circular area) is divided into five segments containing garland-bearing cherubs or putti, titled 'Composition of Children'. In the centre is a display of watercolour drawings, framed by a pair of pilasters painted to resemble marble, each supporting an acanthus-leaf corbel with a roof bracket above. Woodcut after a design by Richard Redgrave, first Keeper of Paintings at the Museum. From "The Sout

Design for a chimney with Victoria, Anonymous, Gerrit de Grendel, 1708 - 1756 Design for a chimney with a representation of Victoria, the winged victory, which is on a drum, weaponry and prisoners of war. The chimney mantle is decorated with leaf ornaments. In the middle of a scale. Print number 203. after design by: Middelburgpublisher: Augsburg paper engraving Chimney. 'Victoria'; 'Vittoria', 'Naval victory', 'Victory of antiqui' (Ripa). Ornaments ~ Art

Design for a Chapel or Niche (Recto); Design for Decoration with Putto Head and Rinceau (Verso) 17th century Anonymous, Italian, 17th century Italian. Design for a Chapel or Niche (Recto); Design for Decoration with Putto Head and Rinceau (Verso) 389480

Drawing (France & Italy)

Augsburg, Will, Johann Martin, Lalonde, Richard de, 70. Theil Cheminées avec leurs Trumeaux &c, Table with chandelier, verso - stamped, An ornamented table with a rectangular frame and an eight-armed chandelier above it. On the top garlands and a clock. On either side of the mantelpiece panels with flower garlands and flowers in a vase., print, engraving, ornamental print, title print, prints, engravings, ornamental prints, height 295 mm, width 205 mm, print maker, printmaker, 1784 - 1806, paper, papier, etching, etchings, engraving (printing process), Work conception, after a design by, 1727 - 1806-05-04, seller, Expression creation

Design for an ire bow. Design for an arbow, founded in Madrid on the occasion of the wedding of Philip II with Anna van Austria.

A copper engraving by Philippe Thomassin from 1580-1622 depicting Araboses, illustrating figures, attire, and elements of cultural and historical context.

Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit). Artist: Anonymous, German, 18th century. Dimensions: sheet: 14 1/8 x 9 5/8 in. (35.8 x 24.5 cm). Date: ca. 1730-40.Although at first sight this design for a cabinet may appear somewhat strange, a second view tells us that we're looking at the somewhat flattened perspectival view of a concave corner cabinet. A very similar shaped example can be found in the secret library of the Benedictine monastery at Ottobeuren (Schwaben, Germany), where it is part of a larger wall unit dated 1730. The decorations of both cabinets are also very similar with a relatively modest pattern made up out of strapwork which is so typical for the Baroque period. Strongly adding to the decorative effect however, was the interplay of the different wood species used for the marquetry. The cabinet at Ottobeuren is characterized by a base of nut wood, which was contrasted by the dark outline of mahogany and plum and enlivened by th

Bound Print (France)

Print (France)

Elevation for a Catafalque Surmounted by Squat Obelisk, Decorated with Statues of Putti and Female Figures. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20 x 14 3/16 in. (50.8 x 36 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.

Fences with flower motifs and a vase, Jean Pelletier (Possible), after Juste Nathan François Boucher, 1772 - 1779 print Two wrought iron balcony gates with floral motifs and a vase. Print number 344. Paris paper etching / engraving balcony. flowers ~ ornament. vase ~ ornament

Design for an Entrance Portal with a Single Door ca. 1720 Michael Furtner the Elder German. Design for an Entrance Portal with a Single Door. Michael Furtner the Elder (German, active Bavaria). ca. 1720. Pen and black ink, and brush and wash. Drawings

Drawing, Design for Wall Decoration; France & Italy; pen, brush and sepia wash on paper; 20.2 × 24 cm (7 15/16 × 9 7/16 in.)

Tomb of Anthony Pieterson, Gerrit Lamberts, 1786 - 1850, draughtsman: Gerrit Lamberts, 1786 - 1850, paper, brush, h 423 mm × w 260 mm

Etching by Jean Le Pautre from 1625-1682 depicting an Italian-style fireplace with intricate ornamentation, carved details, and symmetrical decorative design.

Bound Print, Framed Panel Design of Grotesque Ornamentation; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); France; engraving

Drawing, The elevation of a mantelpiece; Manufactured by Jean-Charles Delafosse (French, 1734-1791); France; pen and black ink, brush and light brown washes, black chalk; Sheet: 23.8 x 12.6 cm (9 3/8 x 4 15/16 in.)

Giovanni Battista Borra, 1713-1770, Italian, Details of a Corinthian Order at Geramo, ca. 1750. Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper.

Print, Diverses Pieces d'Ouvrages de Serrurerie; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 36.6 x 23.8 cm (14 7/16 x 9 3/8 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Print, autre Exemple propre à lusage des Tableaux et Medaillons; Designed by Jean-François de Neufforge (Flemish, 1714 - 1791); France; etching and engraving on laid paper

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