Architectural Plans and Designs

Various architectural sketches and designs featuring ornamental details, ceiling paintings, and floral motifs from historical European contexts.

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, XIVe Cahier de l'Oeuvre de La Londe O Rosettes de Plafonds avec leurs Profils, Rosette with garlands, verso - stamped, Rosette with floral motif, garlands and a border with acanthus leaves. Below the profile of the rosette., print, ornament print, title print, prints, ornament prints, height 344 mm, width 217 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Trip Julius (1857-1907), Square EF in the Tiefenriede in Hanover (July 2nd, 1902): Square in the floor plan. Ink, ink colored on transparent, 56.9 x 105.5 cm (including scan edges) Trip Julius (1857-1907): Platz E-F in der Tiefenriede, Hannover

Plafon design in the wardrobe lady bots in the Luton Park residence; Pastorini, Benedetto (CA 1746-Post 1803), Adam, Robert (1728-1792); 1774 (1774-00-00-1778-00-00);

Graphite sketches with lettering of vaulting in Rome by Francesco Borromini on medium-strong paper.

Design for a ceiling painting: ornamental flat filling.

String instrument; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Lazio Viterbo Bagnaia Villa Lante133. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Night, from the series The Times of the Day. Artist: After Philipp Otto Runge (German, Wolgast 1777-1810 Hamburg); Johann Adolph Darnstedt (German, Auma 1769-1844 Dresden); Ephraim Gottlieb Krüger (German, Dresden 1756-1834 Dresden); Johann Gottlieb Seyfert (German, 1761-1824). Dimensions: sheet: 30 5/16 x 21 7/16 in. (77 x 54.4 cm)plate: 27 13/16 x 18 11/16 in. (70.6 x 47.5 cm). Date: 1807. Museum: Metropolitan Museum of Art, New York, USA.

Five Fallen Ones photomontage. Beyer, Karol (Warszawa ; zakład fotograficzny ; 1845-1872), photo studio

Ornamental Panel, Graphite, brush and ink on paper, A sphinx terminating in an arabesque, facing left., France, ca. 1800, ornament, Drawing, Drawing

Heart-shaped apprentive and eleven smaller motifs; Black ornaments.the Apprentice And Smaller Motifs Are Decorated With White Tendrils And Schweifwerk on a Black Surface.

Crowned Tudor Rose with weapons; VNIO ROSARVM LANCASTRENSIS ET Eboracensis Familae; The VNION of the Roses of the Families of Lancastre and Yorke. A crowned rose, as an heraldic emblem of England, representing Lancaster house and York house, merged by Henry VII. In the middle the coat of arms of England with the spell: Diev et Mon Droit. Numerous weapons, surrounded by an oval with a peripheral in Latin. Left and bottom right two cartouches with text; Links in Latin and right in English. At the top left the portrait of Henry VII and at the top right of the portrait of Elizabeth of York, both in a roses surrounded oval.

Design by Androuet du Cerceau; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 15.9 x 23 cm (6 1,4 x 9 1,16 in.)

Designs for Decoration of Vaults ca. 1870 Anonymous, French, 19th century French. Designs for Decoration of Vaults 357856

Print, Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set "Neues sehr dienliches Goldschmids Büchlein"; Designed by Paul Decker (1677-1713); Germany; engraving on paper; 26.4 × 19 cm (10 3/8 × 7 1/2 in.)

Master AD (German, active late 16th century), Ornament, engraving

Pear-shaped decoration (impeller or mirror); Many Schoene stuck to snyen (...) cups, jars and scales; Series of 16 sheets Ornament prints for gold and silversmiths. At the top, two cherubs flanked lying oval with a river landscape. At the bottom is a vase with flowers. Similar copies of the series listed under Orn Cat I-324. Title page and 13 sheets.

Deraisme, Pierre -Georges (n.1859 - D.1932), floral spindle (main title), 1902. Graphite on beige cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Vestigia delle Terme di Tito. Vault decoration in room 10; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, mythology, antiquity, purchase (provenance)

Shows the vaulted decoration at San Giovanni in Laterano, Rome, drawn on fine paper in graphite as a detailed sketch.

Beck Carl, ornamental filling made of cast iron (1881): View and cut. Ink on cardboard, 47.5 x 59.7 cm (including scan edges)

Quilt. Dated: c. 1936. Dimensions: overall: 34.9 x 27.5 cm (13 3/4 x 10 13/16 in.) Original IAD Object: 18" high; 16" wide. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ruth M. Barnes.

Design for a hanging lamp, draughtsman: Mathieu Lauweriks, 1874 - 1932, paper, pen, h 325 mm × w 264 mm

Design for ceiling decoration. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Pear -shaped decoration (fan or mirror), Anonymous, After Paul Flind (the young), c. 1500 - 1598 print At the top, two cherubs flank a lying oval with a river landscape. At the bottom is a vase with flowers. Equal-sided copies of the series listed under Orn Cat I-324. Title page and 13 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Netherlands (possibly) paper engraving

Drawing, Console Table; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper, lined; Image: 20.1 x 19.4 cm (7 15/16 x 7 5/8 in.)

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Vestigia delle Terme di Tito. Decoration of vault called in fondo giallo, in room 24. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Resist Printed Linen. Dated: c. 1936. Dimensions: overall: 23.1 x 28.6 cm (9 1/8 x 11 1/4 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Michael Trekur.

Drawing, Design for a Plate; Made for Noritake; Japan; brush and gold gouache, green watercolor, graphite on cream paper; 28.7 x 15.5 cm (11 5/16 x 6 1/8 in.) Mat: 35.7 x 45.7 cm (14 1/16 x 18 in.); 1985-14-7

Klingholz Fritz (1861-1921), floral ornaments (without date): View. Pencil watercolored, gold heighted on paper, 29.8 x 23.6 cm (including scan edges) Klingholz Fritz (1861-1921): Florale Ornamente

Deraisme, Pierre -Georges (n.1859 - D.1932), Bouquet broche (main title), 1892. Graphite. Ink and gouache on white paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Lüdecke Carl Johann Bogislaw (1826-1894), chandelier (without a year): View. Ink, pencil on cardboard, 69.3 x 51.5 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Kronleuchter

Design for an ex libris by Johannes Henoch Neethling, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush ex-libris. flowers ~ ornament

Night (Die Nacht) Philipp Otto Runge (German, 1777-1810). Night (Die Nacht), 1803-1805. Etching on wove paper, Sheet: 28 1/8 x 18 7/8 in. (71.4 x 47.9 cm). These etchings are part of a rare first edition of Philipp Otto Runges Times of Day, a set of four large prints (Morning, Day, Evening, and Night) filled with elaborate floral decorations and angelic children meant to symbolize the eternal cycle of nature. For Runge, human life was part of this cycle, and the natural world was an expression of the divine. Runge intended to use these designs for a monumental series of painted murals, but only one painting was ever completed. Landmarks of German Romanticism, a movement that emphasized emotion and the mysticism of nature, the etchings were appreciated by the movements leading figures, including the philosopher Johann Wolfgang von Goethe, who displayed a set of Times of Day in his music room and described the works as “enough to drive one mad, beautiful and crazy at the same time.” E

Micrographic Design in the Shape of a Labyrinth. Artist: Anonymous French or Flemish. Dimensions: Overall: 6 3/4 × 11 1/16 in. (17.1 × 28.1 cm). Date: early 17th century.Micrographic design in the shape of a labyrinth. The text of the micrographic design is written in cursive French and starts with the words 'L'homme prudent (...)'. The initial L is written in gold, while the rest of the text is executed in brown ink. Part of an album of 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century. Museum: Metropolitan Museum of Art, New York, USA.

Ernest A Towers, Jr, Valentine, c 1937 Valentine

Deraisme, Pierre -Georges (n.1859 - D.1932), Dragons (main title), 1904. Graphite, ink on the front, ink on the back on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawer Pull. Dated: c. 1936. Dimensions: overall: 29.4 x 22.9 cm (11 9/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Matthew Mangiacotti.

Embroidery preview with seven flower-shaped motifs. Black disc with four bulges, filled with white moresken, o.a. in the form of seven flowers. This print is part of a series of 6 ornament prints with Moresken.

Stained glass project for Vorges: St Pierre, Christ and Angels bearing the instruments of passion Gsell-Laurent workshop. Vorge stained glass project: St Pierre, Christ and Angels bearing the instruments of passion. Pencil and Gouache, layer.

Drawing, Project for a wall decoration (Female figures and putti support medallion with coat of arms); Designed by Luca Giordano (Italian, 1634 - 1705); Italy; red crayon, blotted and wash, pen and ink on paper; 21 × 22.7 cm (8 1/4 × 8 15/16 in.)

Seven Designs for Decorated Plates 1845-55 Alfred Henry Forrester Alfred Crowquill British. Seven Designs for Decorated Plates 394827

Six Designs for Decorated Plates 1845-55 Alfred Henry Forrester Alfred Crowquill British. Six Designs for Decorated Plates 394830

Drawing, Design for nine brooches; Made by Salvatori (Italian, active 19th century); Italy

Project for the elevation of the frame of a receptacle for a monstrance, Vincenzo Belli, Italian, 1710 - 1787, Pencil, pen, ink, black watercolor wash, paper, Two angels, standing on clouds, raise with their hands a palm and a vine bow, respectively. They lean with their inside arms on a circular frame. On top and at the bottom of the frame are clouds with cherubim., Italy, 1825-50, Drawing, Drawing

Abruzzo L'Aquila Celano Museum55. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Ginesio Collegiata7. Hutzel, Max 1960-1990 Object Notes: There may be a problem with this monument and the Oratorio di S. Biagio, which is the name of its crypt. The Oratorio has its own folder, but negatives do not appear to be in place. Second, a photo marked "S. Ginesio, S. Tommaso" is with the Collegiata prints, but its identification is unknown. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Architecture study: Facada ornaments of the Meisener and Mainz Cathedral

Design for a monogram with the letters J and B, draughtsman: Antoon Derkinderen, 1869 - 1925, paper, pen, h 94 mm × w 63 mm

Nuremberg, Weigel, Johann Christoph, Guérard, Nicolas, Unterschiedliche Stücke vom Büchsenmachen, Parts of firearms, Butt caps and screw plates, verso - stamped, Ornamented parts of firearms such as three butt caps and two screw plates. With German description., print, ornamental print, prints, ornamental prints, height 188 mm, width 265 mm, print maker, printmaker, 1690 - 1725, paper, papier, etching, etchings, Work conception, French, 1648 - 1719, after a design by, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

Ceiling of the Oval Salon by the Princess of Rohan in Hôtel de Soubise, Alphonse Guilletat, after Germain Boffrand, 1859 print printer: Parispublisher: Parispublisher: New York (city) paper interior ~ architectural design or model. decorations (interior of the house). (decorated) ceiling Hotel de Soubise

Monumens sic de la cathédrale de Paris. Rose du portail méridional, ...; Plan de la même église.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Project for a ticket from the discount fund Augustin Dupr� (1748-1833). Project for a ticket from the discount fund. Graphic art cabinet document. Mine of lead, between 1791 and 1803.

Design for Church Lights. Architect: Designed by Richardson Ellson & Co. (British). Dimensions: sheet: 15 9/16 x 8 11/16 in. (39.5 x 22 cm). Date: 1877. Museum: Metropolitan Museum of Art, New York, USA.

Eleven Different Studs and Twenty-Three Ornaments. Dated: 1593. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Robert Mabon, died 1798, British, Diamond Feather Worn by the Peshwa in his Turban, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper.

Sheet of Jewelry or Decorative Designs 17th century Anonymous, Italian, 17th century Italian. Sheet of Jewelry or Decorative Designs 389353

The Madame B Album Made 1870-1879 France. Albumen prints and watercolor (in album) . Marie-Blanche Hennelle Fournier

Banknote motifs: two bands of lace-like lathe work ornament ca. 1824-42 Associated with Cyrus Durand American. Banknote motifs: two bands of lace-like lathe work ornament 393959

Banknote motif: number 5 against a circular panel of lace-like lathe work with a scalloped edge. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 1 9/16 x 1 9/16 in. (4 x 3.9 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Jacobsthal Johann Eduard (1839-1902), grammar of the ornaments (without dat.): Filling of a circular opening, issue 3. sheet 9 .. lithography on paper, 72.1 x 56 cm (incl. Scan edges) Jacobsthal Johann Eduard (1839-1902): Grammatik der Ornamente

Deraisme, Pierre -Georges (n.1859 - D.1932), floral spindle (main title), 1905. Graphite on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Lazio Viterbo Caprarola Palazzo Farnese88. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Project for an Escutcheon; Italy; pen and brown ink, brush and brown wash, red chalk on light brown laid paper

Ivoren Pronkschassel, Anonymous, 1869 - 1887 photomechanical print München paper. cardboard collotype work of applied art Bavarian National Museum

Has Dutch Entertainment Leik Memorial to Game, 1786 print. gameboard Patriot's party game to play with dice, by Pietro Aratino Secundo. Round board game with a main character, caricature or emblem from the present Patriotse Twisten in each box. Persons depicted, among others: Kaat Mossel, Van Goens, Mourand, the Duke of Brunswijk and the perennial hand of Willem V. Northern Netherlands paper etching goose-game

Architecture study: views of ornaments, Egyptian vultures, pillars, capitals and baptismal basin

Compositie met arcade, anonymous, after Jacques Androuet, in or after 1562 print A decorative composition with an arcade decorated with windows worn by four thermal baths. Under the arch is a man who extends both arms to the Garirle hanging above him. Paris paper etching frequently used ornamental compositions. arcade ~ architecture

Oval, rounded pot (for jelly) With spoon in a boat-shaped holder (for ice cream), With above the contour of the container in top view and above it a front view of the pot. Draughtsman: anonymous. Dating: c. 1750. Place: France. Measurements: h 520 mm × w 402 mm. Museum: Rijksmuseum, Amsterdam.

Design for a hanging lamp, Mathieu Lauweriks, 1874 - 1932 drawing tracing paper. pencil gas-lamp. electric lamp

Drawing, Project for a Holy Water Font; Italy; pen and gray ink, brush and gray wash, on off-white laid paper

Lazio Roma Subiaco Rocca Abbaziale8. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament with precious stones and heavenly, 1597 - 1667 print The print is part of an album. paper letterpress printing ornamental decoration ~ printed matter, book

The Upper Portion of the Genealogy of Maximilian; with the Right Edge of the Scroll for the Explanatory Text, from the Arch of Honor, proof, dated 1515, printed 1517-18 1515 Hans Springinklee German. The Upper Portion of the Genealogy of Maximilian; with the Right Edge of the Scroll for the Explanatory Text, from the Arch of Honor, proof, dated 1515, printed 1517-18. Hans Springinklee (German, ca. 1495-after 1522). 1515. Woodcut and letterpress. Prints

Augsburg, Leopold, Joseph Friedrich, Germany, Baumann, David, A new book of all kinds of gold work, Fifteen designs for jewels, Sheet 17 from a series of 17 sheets., print, ornament print, prints, ornament prints, height 175 mm, width 266 mm, 1668 - 1726, print maker, printmaker, 1695 - 1695, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, - 1703, after a design by, Publication (Event), Publication, publisher

Lazio Roma Rome Tomb of the Valerii8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center, Andrea Andreani, Italian, 1558/1559 - 1629, Chiaroscuro woodcut from three blocks in brown ink, Design for a wall tomb featuring the triumph of death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center. Top corners of paper cut round., Italy, 1588, architecture, Print, Print

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1900. Graphite. Ink on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Juan Laurent y Minier (Photographer) / 'Platter with the story of Hermaphroditus and cameos of the Twelve Caesars'. Ca. 1879. Albumen on photographic paper. Museum: Museo del Prado, Madrid, España.

Cartouche van Rolwerk with a basket full of fruits, Cornelis Bos (attributed to), 1516 - 1556 print Shaded background. One of 5 magazines from a series of 20. Netherlands (possibly) paper engraving ornament ~ cartouche. scrollwork, strapwork ~ ornament. ornament ~ grotesque. vase ~ ornament. fruits and vegetables ~ ornament

The Apothesis of Washington, in the eye of the Rotunda, U.S. Capitol. Washington City and vicinity. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

France, Antwerp, Cock, Hieronymus, Floris, Cornelis (II), Netherlands, Bos, Balthazar van den, Album leaf with seven prints with personifications of the Liberal Arts, a jug and Roman soldiers, Album leaf with seven cut-out prints: five representations of personifications of the Liberal Arts, an ornamental jug and a group of Roman soldiers., print, ornamental print, album leaf, prints, ornamental prints, height 430 mm, width 292 mm, 1518 - 1580, print maker, printmaker, 1500 - 1599, fourth quarter 16th century, 17th century, paper, engraving, engraving (printing process), pasting, Work conception, Southern Netherlands (before 1775), 1514 - 1575-10-20, after a design by, Publication (Event), Publication, South Netherlands, 1518 - 1570-03-10, publisher

Embroidery: Technique Demonstration. Dated: c. 1938. Dimensions: overall: 35.1 x 24.4 cm (13 13/16 x 9 5/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Kieckhofel.

Vovert, Joannes, Quewellerie, Guillaume de la, Various ornaments, Point of a sword sheath surrounded by eight ornaments for rings, print, ornament print, prints, ornament prints, height 84 mm, width 82 mm, Work conception, Northern Netherlands, after a design by, 1600 - 1699, 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Tuscany Grosseto Massa Marittima S. Agostino5. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Coins plate 7. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Limoges -Servies by Pierre Raymond, Front view, Anonymous, After Pierre Raymond, 1869 - 1887 photomechanical print München paper. cardboard collotype container of ceramics: jar, jug, pot, vase. dish, plate, saucer Bavarian National Museum

Guide for Constructing the Letters f and g; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Concave Lozenge-shaped Panel and Grotesque Figures. Dimensions: Plate: 2 9/16 x 2 11/16 in. (6.5 x 6.9 cm)Sheet: 2 11/16 x 2 11/16 in. (6.8 x 6.9 cm). Printmaker: Noël Rouillard (French, Paris ca. 1589-1646 Paris). Date: ca. 1620-30.Small print from a series of twelve with goldsmiths designs and grotesques. This print is characterized by a large concave lozenge-shaped panel in the center. Around it two ring bezels in the top corners and two more lozenges in the lower corners are combined with six grotesques figures. Two figures on the top of the page and two figures on the bottom look like sirens. On each side of the central lozenge a bowing figure is depicted which remind most of satyrs. Museum: Metropolitan Museum of Art, New York, USA.

Silver Tray. Dated: 1935/1942. Dimensions: overall: 30.1 x 22.9 cm (11 7/8 x 9 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Michael Fenga.

Design for a table piece or Jardinière. .

Two plates. William Chaffers (English, 1811 - 1892)

Eight money, in: waist of cards for WIST. National Card Factory J.C. du Porta

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Mr. Evrard: oval canopy "Renaissance" ornaments. Pencil, watercolor. Paris, Carnavalet museum. Album n ° 3, pencil, Renaissance ornament, project, oval glass, stained glass, watercolor

The big star from the north, Memorial leaf on the visit of Grand Duke Paul and Grand Duchess Marie von Russia in Vienna from November , to January , Joseph Ried, Copper Engraver, Stöckel, Printer

Obelisk honoring Ignatius of Loyola and St. Francis Xavier, print maker: anonymous, 1600 - 1700, paper, engraving, h 156 mm × w 90 mm

Vincenzo Brenna depicted a ceiling with a black background for the folio band 'Vestigia delle Terme di Tito e loro internal pictures' using watercolor and cover colors around 1780.

Drawing (Italy); pen and brown ink support: off-white wove paper

Clocks: a universal sundial, with a compass. Engraving.

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