Architectural Print Designs

A collection of intricate print designs featuring candelabra, censer, and decorative architectural elements, showcasing detailed etching and ornamental motifs.

Print, P. Aubert, Imprinted lower center: J. Chereau Exc. Imprinted from lower left to lower center: AUbert Parent De. Imprinted from lower right center to right: A.P.D.R., Arabesque design with terme, buchrania, and medal incorporated into the design, France, ca. 1788, Print

Weather Vane. Dated: c. 1937. Dimensions: overall: 37 x 26.8 cm (14 9/16 x 10 9/16 in.) Original IAD Object: 72" high; 36" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper.

Cabinet-making: decorative architectural elements. Etching by J. Verchère after himself, 1880.

Lorenz Rothkranz, Spinning Wheel, 1935 1942 Spinning Wheel

Print, Tabouret à la Dauphine et Flamande et Tabouret; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Book, L'oeuvre (Works)

A woodcut by Hans Burgkmair the Elder depicting nine swords, emphasizing weaponry and symbolic arrangement in early 16th-century art.

A drawing of wall lamp furnishings at the Hofburg, Vienna I, executed in black ink, showing the layout and design, early 19th century.

Print (Italy)

Two multi -surfaces with an Octaer as a starting point, Jost Amman, After Wenzel Jamnitzer, 1568 The geometric figures (Polyhedra) become more complex from left to right. Labeled as 'e' and numbered: e.v. This print is part of a book. Nuremberg paper etching The geometric figures (Polyhedra) become more complex from left to right. Labeled as 'e' and numbered: e.v. This print is part of a book. Nuremberg paper etching

Print (Italy)

Print (Italy)

Portret van Hélion de Villeneuve, A.J. Defehrt, 1733 - 1756 print print maker: Francepublisher: Paris paper engraving historical persons. ornament ~ medallion. armorial bearing, heraldry

The Charter is a truth ......... So, the press is perfectly free! Charles Philipon (1806-1862). Press cartoon. "The Charter is a truth ......... So, the press is perfectly free!". Board published in "caricature" of November 24, 1831. Lithography. Paris, House of Balzac.

Sword grip from the 13th century from the collection of the Museum in Nuremberg. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Chest. Dated: 1935/1942. Dimensions: overall: 35.7 x 25.2 cm (14 1/16 x 9 15/16 in.). Medium: pen and ink and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Walter W. Jennings.

Print (France)

Print (France)

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan for part of a fortress, fort or reinforcement. There and a face on a tower for a coast (Tower of Belém at Lisbon). In the corner Legal and top left the number 45 (= the number of the page in the book to which the illustration is placed).

Above the top of the table is supported by the head and the hands of a gaine, above is is a candlestick consisting of a monumental column, with a sphere on top, from which three branches rise. Below: a column supports the top central row; above: A sphynx supports the top; the pedestal of the candlestick is shown. Shown from the left corner. Below: the same design shows from the front. The candlestick has the same design, as above at left. Right row: a chimera is the support; above is the candlestick. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1787-1793. Museum: Cooper Hewitt, Smithsonian Design Museum.

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, I Cahier de Billets, Rectangular name plates, verso - stamped, Four rectangular name plates. Top left with animal skull, top right with shield, spear and axe, bottom left with globe and compass, bottom right with laurel wreath and garland., print, embossing, ornamental print, prints, ornamental prints, height 151 mm, width 201 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1781 - 1781, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Visit from h h: m m: the king and the queen. / At the unveiling of the statue Jan van Nassau 1883 / decoration for the town hall.

Stefano Della Bella, Thirty Six Jugglers Standing in Pyramids, 1652 Thirty-Six Jugglers Standing in Pyramids

Design for Decoration of a Ceremony, Carlo Marchionni, Italian, 1702-1786, Black crayon, brush and gray watercolor on laid paper, A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two cherubim are in a glory beside central part., Italy, ca. 1760, ornament, Drawing, Drawing

Twee Coobeten, C. Le Meunnié ,, After Richard de Lalonde, 1784 - 1785 print Two ornamented furniture legs with floral motifs. Paris paper etching / engraving furniture and household effects

Intercolumniation with Tuscan capitals, engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

Cast Iron Hitching Post. Dated: 1935/1942. Dimensions: overall: 30.6 x 23 cm (12 1/16 x 9 1/16 in.). Medium: pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lucien Verbeke.

Hexagonal basin with short column, anonymous, after Georg Andreas Böckler, 1664 print The column is decorated with lion heads, on top is a round basin with an oval shape in which a heart shape can be seen. The water flows from holes in the basin. print maker: Germanyafter design by: Germany (possibly)printer: Neurenbergpublisher: Neurenberg paper etching

Engraving depicting a diagram of a bronze statue including figures of cattle, by Edward Bernardi. The illustration is set within an ornate frame.

Two penduish with eagle and sphinxes; Cahier the Six penduishes and cartels. Designs for two penduish. The pendula on the left is worn by an eagle. On the right two sphinxes carry the pendula.

German windmill; Moulin à Vent Allemand et à Meule de 18 st. 10; Brabant Review, 1787-1790. Cartoon with a German windmill in which all kinds of paper are made. On the millstone the head of Jozef II. With French caption of three rules. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

. Engraving on cream laid paper

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

Iron Grille at Window. Dated: 1941. Dimensions: overall: 35.3 x 26.7 cm (13 7/8 x 10 1/2 in.) Original IAD Object: 4'x5'. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Kieckhofel.

Fünf Kristallfläschen; Löwenfigur aus Kristall; Kristallknauf; Kristallknauf; Reliquiar aus Kristall; "Lampe der hl. Kunigunde.". Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Drawing..

Doric column, 1620 Construction and details of the Doric column. At the bottom right: F. Prent is part of an album. Print Maker: The bepublisher: Amsterdam paper etching / engraving Construction and details of the Doric column. At the bottom right: F. Prent is part of an album. Print Maker: The bepublisher: Amsterdam paper etching / engraving

The Gentleman's and Cabinet-Maker's Director, Thomas Chippendale, 1718 - 1779, Etching on off-white laid paper, England, 1755, furniture, Print, Print

Print (France)

Batteur d'or, Plate I, Benoît-Louis Prévost, French, 1735-1804, Engraving on paper, Batteur d'or, Plate I., France, 18th century, Print, Print

Ground Plan for a Catafalque for Eleonora Magdalena Theresa (6 Jan. 1655 - 19 Jan. 1720). Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 19-1/2 x 12-3/4 in. (49.5 x 32.4 cm). Date: ca. 1720. Museum: Metropolitan Museum of Art, New York, USA.

Les Découvertes du Docteur Schliemann a Mycénes,

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Dorico, Two Doric columns with capitals and an entablature, On the left side is an explanation, on the right side is an explanation of the parts but the numbers are not included in the image. From first edition., print, ornamental print, prints, ornamental prints, height 276 mm, width 178 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Four composite columns with capitals and main acts, Anonymous, After Rutger Kasemann, 1622 print Columns with fantasy decorations. Leaf O from the second edition of Series, consisting of 24 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Frank Fumagalli, Andiron, 1935 1942 Andiron

Norman instruments: violins 243, 245, a pipe organ 244, harps 246,249, lyre 247, lute 248, zither 250, hunting horn 251, and siege of a castle by archers and soldiers on a boat 252. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages, Chez Collignon, Metz, 1810.

Greek altars (1-5), tripod (6), urn (7) and tomb (8). Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Metz, 1810.

Roman antiquities found at the house in British; The Brittenburg at Katwijk. Roman antiquities found at the house in British.

Portable metal tripod from Naples 1, metal lamp in the Casa Oddi, Perugia 2, perfume box for sacrifices decorated with chimera carved in the Arch 3, and casta mistica or mystical basket with snake used by Priestesses of Bacchus, from a bas-relief in the Orti Pallavicini, Pallavicini Gardens 4. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Dug up part of a Roman relief, an ornament and a vase, Tiemen Hooberg (Possible), After M. Hermans, 1843 print A figure is depicted on the relief, possibly part of a Frisian. The running man wears a beam over his shoulder. Two inscriptions in the middle. Numbered at the top right: pl. Vi. print maker: Leidenafter design by: Maastrichtprinter: Leiden paper excavation ~ archaeology (+ collection, exhibition ~ results of research). container of stone: stone vase. inscription. Rome (one of the four world empires) Maastricht

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Diverses Serrurèries, Ontwerpen voor swredwerk, Vijf sloten, verso - gestempeld, Ontwerpen voor vijf sloten met garlands, bloemen en vliegen. In de midden een dubbelsloten. Publisher number 34., print, ornamental print, prints, ornamental prints, height 221 mm, width 172 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, papier, etching, etchings, verkoop

Confessional. Dated: 1937. Dimensions: overall: 35.7 x 26.7 cm (14 1/16 x 10 1/2 in.) Original IAD Object: 6'8 1/2"high; 3'2"wide. Medium: watercolor, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Kieckhofel.

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture ca. 1550-75 Attributed to Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to

Egyptian gods: Anubis 1,2, Aries 3,4 and Serapis 5. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1843.

Plate 1, Descripción histórica y cronológica de las dos piedras que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, se hallaron en ella el año de 1790, León y Gama, Antonio de, 1735-1802, Unknown, Print, 1832

Guide for Constructing the Letter H; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Grafmonument in memory of Sebaldus van Nuremberg. Part of photo album from a journey through Switzerland, Austria and Germany by the Dutch Derkinderen family.

Freedom, brotherhood and equality, decoration on the Hogesluis, 1795; Vryheid Brotherhood Gelkheid, on the Hooge Sluis; Fifteen decorations at the Alliantiestief in Amsterdam in 1795. Three columns for freedom, brotherhood and equality, allegorical decoration established on the Hogesluis on the Amstel in Amsterdam at the Alliance party on 19 June 1795. Three columns awarded the symbols of freedom, brotherhood and equality .

Célèbes.: 1. 2. Pirogues de Manade; 3. Plan de la pirogue No,, 2.; 4. La pirogue No,, 2., vue par l' avant.. Dumont d'Urville, Jules-Sébastien-César, 1790-1842. Prints. 1830 - 1835. General Research Division

Cartoon about the miserable designs for a mounument for the Dutch killed at the Citadel van Antwerpen, 1873, 1873 print Cartoon about the miserable designs for a mounument for the Dutch killed in the defense of the Citadel of Antwerp (1832). The citadel monument later founded in the cemetery in Ginneken. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 10, 1873. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper monument, statue. competition, art contest Gin

Silberne Opferschale; Deckelkasten mit Silberbeschlägen.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Corinthian Base. Artist: Master G.A. (Italian, active ca. 1535). Dimensions: sheet: 5 1/4 x 6 7/8 in. (13.4 x 17.5 cm)mount: 6 1/16 x 8 in. (15.4 x 20.3 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Master G. A.

Modellen van piramidische lat-wercken, 1683. Issued in Amsterdam by publisher M. de Groot. The work features engravings related to landscape design in the Gardens of the Netherlands

Depicts a Corinthian column base, engraved by Agostino Veneziano in 1528, showing structural details and classical design elements.

Bed posts.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Decorative arts , England, Furniture , England

To live up to johann thomas hairsty, 1758 - 1820 print Designs for six rectangular trophies. Above a eagle with lightning bolts, above a head with grape vines, on the left in the middle of agricultural objects, right in the middle the sun and garlands, left under a torch and an arc, right under an oval medallion and garlands. Augsburg paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.2 x 29.4 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Moulds for making fire tubes. These were fired from cannon, either at enemy forces or for setting fire to wooden gates. From "De la pirotechnia" by Vannoccio Biringuccio (Venice, 1540). Woodcut.

Collage of cut out prints, anonymous, c. 1870 collage. print Collage of cut out prints. Part of an album with 32 sheets, covered on both sides with cut out prints, probably from 19th-century times. paper

Early Italian stringed instruments by Michael Praetorius from Syntagma Musicum, woodcut, 161420

Jewels. Giafferri, Paul Louis de, b. 1886. Illustrations. 1926 - 1927. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress, Costume , History, Women, Daggers & swords, Jewelry

BijouxAntiques. Artist: Jules Ferdinand Jacquemart, French, 1837-1880

Copper baptismal font in the Sint Walburgiskerk in Zutphen, Anonymous, Joseph Maes (Possible), After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print WALBURGISKERTERTERTER DESIGN DESIGN BY: Antwerp paper collotype / photolithography baptismal font Walburgism

London, Taylor, Isaac (I), England, Columbani, Placido, A variety of Capitals, Friezes and Cornickes, and how to increase and decrease them, still retaining te same proportion as the original, Capitals, ornamental borders, cornices and mantelpieces, Four cornices, verso - stamped, Top left: K., print, ornamental print, prints, ornamental prints, height 200 mm, width 300 mm, Italian, print maker, printmaker, 1776 - 1776, paper, papier, etching, etchings, Publication (Event), Publication, English, 1730-12-13 - 1807-10-17, publisher

Ancient masonry: Italy, Greece.. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Masonry , Italy, Masonry , Greece

Medaillons, anonymous, after 1817 print Designs for ornamented medallions with floral motifs, lion's legs, a landscape and a horse. All objects are numbered. Nummered above III. Print is part of an album with a series of six ornaments. Germany paper etching ornament ~ medallion. flowers ~ ornament. beasts of prey, predatory animals: lion. horse

Textiles: the use of the bobbin in tapestry weaving. Engraving by R. Benard after Radel.

Print

Weather Vane. Dated: c. 1936. Dimensions: overall: 22.7 x 28.9 cm (8 15/16 x 11 3/8 in.) Original IAD Object: 33" high; 35" wide. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rollington Campbell.

Leiden, Sijthoff, Albertus Willem, Europa, Hare, Vervolg-alphabet, Europe, verso - stamped, Sheet with 8 representations of the letters of the alphabet (K, Z, Y, W, Q, F, X, T and U) illustrated with objects, animals and figures whose words begin with the letter in question. A caption in letterpress under some representations., print, prent, volksprent, volksprenten, prints, prenten, height 419 mm, width 332 mm, print maker, prentmaker, 1861 - 1929, paper, papier, houtgravure, letterpress printing, boekdruk, Publication (Event), Publicatie, Nederlands, 1829-06-30 - 1913-07-22, publisher

Schembart Buch, Schembard Büch, Anonymous, 16th century, Leaves 2r-4r: historical account of the civic festival of the Nuremberg Schembartlauf. Watercolors of 64 Schembartlaüfe or runners for the years 1449-1539, each with a heraldic device and described on the facing leaf; watercolors of 20 floats named Hölle, or Hell.

Society of Friends of Old Reims (TF)

Sacrificial Instruments Based on Ancient Relief Sculpture, from "Speculum Romanae Magnificentiae" Attributed to Nicolas Beatrizet French After Enea Vico Italian ca. 1550-75 This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture ca. 1550-75 Attributed to Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to

Trochlea.

Death Angel and Cart. Dated: 1937. Dimensions: overall: 67.6 x 52.7 cm (26 5/8 x 20 3/4 in.) Original IAD Object: 49 1/2" high; 22 1/2" deep. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Eldora P. Lorenzini.

Freedom, brotherhood and equality, decoration on the Hogesluis, 1795; Veryliness Brotherhood Gelkheid, on the Hooge Sluis. Three columns for freedom, brotherhood and equality, allegorical decoration established on the Hogesluis on the Amstel in Amsterdam. From the booklet with images of decorations established in the city in the celebration of the installation of the representatives and the alliance closed between the French and the Batavian Republic, 19 June 1795.

Plate XXXIV from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Cut-away view of two floors of a building. Upper left, a horse hitched to a machine for pulling large heavy blocks (of marble) into the building on the floor below., Lyon, France, 1582, Print, Print

19th century advertisement, for 'Liberty & Co', Indian Furniture; England; 1887

Illustration from a work by Mariano di Jacopo Vanni, known as Taccola (15th Century), manuscript, 17th Century.

POPA DE UNA GALERA CON LA GIRALDA FLANQUEADA POR SANTA JUSTA Y SANTA RUFINA. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Cross project and candelabra Paul-Thomas Bartholom� (18th-nineteenth century). Cross project and candelabra proposed to adorn the two altars of the Sanctuary of the Church of the Royal Hotel of the Invalides, 1823. Feather on layer, early nineteenth century.

Zbrojai from 1539 from the collection of the Künau Castle (Konin Aga Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Kazimierz (Kraków - district), Konin Żagański (Lubuskie Voivodeship), Lesser, Aleksander (1814-1884), Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Dar (provenance), Church of St. Jana (Vilnius), Militaria, breasts, armor, knight's armor, Silesia (region)

N.N., wheel steamer »Secret Council Schmid«: View, cuts 1: 100. Lithograph on cardboard, 29.1 x 42.7 cm (including scan edges) N.N. : Raddampfer »Geheimrath Schmid«

Doric capital with measurements. Artist: Master G.A. (Italian, active ca. 1535). Dimensions: Sheet: 4 13/16 x 6 1/4 in. (12.3 x 15.8 cm)Mount: 5 11/16 x 6 7/8 in. (14.4 x 17.4 cm). Date: ca. 1537. Museum: Metropolitan Museum of Art, New York, USA. Author: Master G. A.

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