Architectural Prints

Etchings featuring important historical architectural works and events, capturing the grandeur of civic celebrations and structures.

Venice, Marieschi, Michele, Magnificentiores selectioresque urbis Venetiarum prospectus, Views of Venice, Prospectus Urbis Venetiarum, prae caeteris magnifica, exhibens publica Aedificia, Palazzo Ducale in Venice, View of the Palazzo Ducale, San Marco and San Marco Square in Venice. In the foreground ships in the lagoon and a balustrade with dedication and coat of arms. Title and explanatory list with numbers in the bottom margin., print, prints, height 332 mm, width 473 mm, 1696 - 1743, print maker, 1741 - 1741, paper, etching, engraving, engraving (printing process), Work conception, according to

Sheet with ten performances of the arrival of the Cardinal Infant Ferdinand in Antwerp, 1635; Specimina Magnificentiorum in Civitate Antverpiensi LocoRum et Operum. Leaf with ten performances of the arrival of the Cardinal Infant Ferdinand of Austria as the new governor for the Spanish Netherlands, in Antwerp on April 17, 1635. Several famous buildings in Antwerp and the triumph ports specially established for this event.

Fontein van Venus in the gardens of Villa Doria Pamphilj in Rome, Giovanni Battista Falda, 1653 - 1691 Numbered below: 26. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Doria Pamphili. Rome Numbered below: 26. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Doria Pamphili. Rome

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Le Restoir du Saint Sacrament (A. de Vesme 73. Dutuit 83) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Sheet with ten performances of the entry of the Cardinal Infant Ferdinand in Antwerp, 1635, 1691 print Leaf with ten performances of the entry of the Cardinal Infant Ferdinand of Austria as the new governor for the Spanish Netherlands, in Antwerp on April 17, 1635. Various famous buildings in Antwerp and the triumph gates specially established for this event. Southern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp. Scholarship. Town hall. Oostershuis. Emperor's gate

This copper engraving by Johann Martin Lerch, created in 1680, depicts a festival decoration of the plague column on the ditch, showing civic celebration and ornamental architecture.

Venice, Marieschi, Michele, Magnificentiores selectioresque urbis Venetiarum prospectus, Views of Venice, Prospectus Urbis Venetiarum, prae caeteris magnifica, exhibens publica Aedificia, Palazzo Ducale in Venice, View of the Palazzo Ducale, San Marco and San Marco Square in Venice. In the foreground ships in the lagoon and a balustrade with dedication and coat of arms. Title and explanatory list with numbers in the bottom margin., print, prints, height 332 mm, width 473 mm, 1696 - 1743, print maker, 1741 - 1741, paper, etching, engraving, engraving (printing process), Work conception, according to

Perspective painted at the Hotel d'Aumont. Jean MAROT (1619-79), engraver, architect and French draftsman. Perspective painted at the Hotel d'Aumont. Etching. Paris, Carnavalet Museum, Paris Story.

Hoftuin with Susanna in Bath; Hortorum viridariorumque elegantes et multiplicis formae; Gardens of Minne. A Hoftuin. Susanna is in the foreground to identify a bath in a closed part of the garden. Her maids have just closed the gate of the garden and are on their way to pick up balm and oils. (Daniel 13: 17-18). Two judges, who peladed the naked Susanna, appear and try to grab her (Daniel 13: 20-24). From the house in the background the residents flow out to see what is going on (Daniel 13:26). Two peacocks (symbol for pride) and two rabbits (symbol for lust) are also depicted. The print is part of an album.

Print (France)

Lijkstatie van prins Maurits in 1625, deel linksboven.The funeral procession of Prince Maurits in Delft on September 16, 1625. Large representation of the ceremony, consisting of 4 to assemble blades, a title and associated text leaves (numbered 1-12). This is the blade at the top left, with buildings at the Grote Markt in Delft, in the air the weapon of Holland and the praise of Willem van Oranje.

Representation in all the accuracy of its proportions and measurements of fireworks drawn on 29 August 1739. (IT)

Aeneas arrives at Carthage at Dido, Jean Lepautre, 1648 - 1707 print Aeneas arrives in Carthage and kneels for Dido. A large palace in the background. Caption in French. The print is part of an album. print maker: Franceprint maker: Francepublisher: Parispublisher: Paris paper etching plan ~ architecture. the meeting of Aeneas and Dido; when he approaches her throne, the cloud enveloping him and Achates vanishes Carthage

Theater with stage decor: hell; Hell; Theater decors of the Amsterdamse Schouwburg, ca. 1760. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the coulis decor hell with scene from: the age tower of the Amsteldamschen Schouwburg. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage decorors.

Fireworks at the celebration of the Peace of Utrecht, 1713; 't States Generals Peace Fireworks, lit in The Hague 14 Junii 1713 (...) / Feu d'Artifice des Etats Genereaux Pour La Paix (...). Stellage with fireworks set up commissioned by the States General at the Hofvijver in 's-Gravenhage at the celebration of the Peace of Utrecht, 14 June 1713. In the overscription descriptions of the fireworks in Dutch and French.

The Massacre under the Roman Triumvirate. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Hans Vredeman de Vries.

Print (France)

Speculum Romanae Magnificentiae: St. Peter's. Artist: Anonymous. Dimensions: sheet: 17 7/8 x 22 1/16 in. (45.4 x 56 cm)plate: 15 1/2 x 20 7/8 in. (39.4 x 53 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romana

Artist: Charles Schuz, German, 1745-1800, The Sons of Joseph Recognized by their brother; Joseph inEgypt, Etching and engraving, image: 29.4 × 41.9 cm (11 9/16 × 16 1/2 in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

Fifth deed of 'mirame' with 17 people; Performance of 'mirame' in the large room of the Palace of the Cardinal; Overture du Theater de la Grande Salle du Palais Cardinal Mirame Tragicomedie. View of a stage where the fifth deed from 'Mirame' is increased by seventeen actors. The decor is a garden with images by the sea. The frame around the stage has the shape of a Roman triumphal arch.

Decoration of the living room composed of transparencies. (IT)

Pyreneus and the muses; Scenarum Theatralium. Pyreneus invites the nine muses in his temple with the intention to harm them. He points the muses at his temple. Under the show a four-line verse in Dutch and a reference to the text in Ovid metamorphoses.

Wilton Garden ca. 1640 Isaac de Caus British The garden of Wilton House (Wiltshire), famous today for its eighteenth-century landscape design containing England's first Palladian bridge, was originally laid out in the mid-1630s by the French-born Isaac de Caus (active 1623-55). It was commissioned by Philip Herbert, fourth earl of Pembroke, pivotal figure of the intellectual circles at court, to which the architect Inigo Jones (1573-1652) belonged. Recognized for having brought the classical style to England, Jones may well have been involved in Wilton's building campaign, given its Italianate components.. Wilton Garden 697178

Visit to A. Roelants 1650 Wenceslaus Hollar Bohemian. Visit to A. Roelants 361023

The Cradle of the Pouterre

Decor with garden in the Nieuwe Schouwburg in Amsterdam, Cornelis Brouwer, After C. Henning, after Jan Bulthuis, 1789 print Decor with garden in the Nieuwe Schouwburg in Amsterdam with scene from play Blaise and Babet. The orchestra plays in the room and the audience watches, also from the lodges. In the margin, there is a verse in six lines. print maker: Netherlandspublisher: Amsterdam paper etching / engraving theatre (building). theatre, theatrical performance Nieuwe Schouwburg (Amsterdam)

View of the Fountainhead of the Acqua Paola on Monte Aureo, from Views of Rome Made 1750-1759 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Freedom for the Sea, 1795, Johan Christoffel Schultsz, 1796 print Facade of the Seatreat (Kampersteiger, nowadays Prins Hendrikkade), with the Vrijheidsboom in the foreground. paper etching / engraving dancing around the tree of liberty Maritime law

Louis XIV (king of France), Parijs, Merlen, Jacques van, Frankrijk, Lepautre, Jean, Tuinpaviljoenen, grottoes en fonteinen, Monumentale fontein in basin of kanaal, Paris, France, On the fountain Hercules fights Hydra. From a series of 12 sheets, second edition., print, ornamental print, prints, ornamental prints, height 146 mm, width 213 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1667 - 1667, third quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, South Netherlands, 1616-12-15 - 1682-06, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, grandeur van privilege

Parterre du Palais de Nanci. Callot, Jacques (1592-1635), graphic artist

Etching by Giovanni Battista Sintes showing the second fireworks scaffolding for the Chinea festival in Rome on June 29, 1732, depicting the event "The robbery of Ganimed" with festival decorations and figures.

Fountain with a statue of Moses, 1568 print Wall fountain on the corner of a building with a statue of Moses in a niche. On the right a man leans against the balustrade. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. civic architecture; edifices; dwellings

Triumphoort with allegorical figures and putti with the order of the golden fleece, 1594. Triumphoort with two allegorical figures and two putti with the order of the golden fleece. Festive arrival of Aartshertog Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this entry Descriptio et Explicatio Pegmatum, Arcuum Spectaculum Quae Bruxellae Brabant. Pridie Cal. Feb. Ao. 1594 EXHIBITA FUere, sub Ingressum ... Ernesti ... Archiducis Austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594.

. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decor The mountain of Parnas with scene from: the age tower of the Amsteldamschen Schouwburg. The decor printed from a separate (worn) plate within a passe-partout with the hall, side logs, orchestra and the façade of the scenic with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of 12 stage decorations.

Schouwburg with theater decor: the Gothic palace, Izaak Jansz. de Wit, after Jan Bulthuis, after Jan Gerard Waldorp, 1787 print Theater performance in the new Amsterdamse Schouwburg with the scenic Decor the Gothic Palace, with scene from Jacob Simonszoon de Ryk. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. Amsterdam paper etching theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Vidy Moskovskikh monastyrei, grav. Pikarom do 1715 goda Views of Moscow monasteries, engraved by Petr Pikart (Picart ), ca. 1715. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Face locking SKENäs and Kung Kungs Norrby, Johannes Jacobsz van den Aveele, 1706 The print is part of an album. Stockholm paper etching Slot Skenäs. Slot king Norrby The print is part of an album. Stockholm paper etching Slot Skenäs. Slot king Norrby

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

The arrival of Maria de 'Medici in Amsterdam in 1638 (plate 1); Design drawings for the print arrival of Maria de 'Medici in Amsterdam in 1638. The procession in which Maria de Medici did its entry into Amsterdam, on August 31, 1638: the start of the procession, three trumpetters and a driver at the Haarlemmerpoort, where An honorary guard is on the bridge.

Antiquarum Statuorum urbis Romae.Icones (Rome: Lorenzo Vaccari, 1584). Author: Text to second part written by Bartolomeo Rossi (16th century). Dimensions: Overall: 10 5/8 x 8 3/8 x 1 1/4 in. (27 x 21.2 x 3.2 cm). Etcher: Plates in part one etched by Etienne DuPérac (French, ca. 1535-1604); Plates to part two etched by Giovanni Maggi (Italian, 1566-1618). Published in: Rome. Publisher: Published by Andrea Vaccari (Italian, active Rome, 1595-died 1627); Parts one and three originally published by Lorenzo Vaccari (Italian, active Rome, ca. 1575-1608). Date: 1575, 1584, 1600. Museum: Metropolitan Museum of Art, New York, USA.

View of the Pitti Palace in Florence, Plate 2 from 'Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze', Johann Sebastian Müller, German, ca. 1715 - 1792, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Etching on paper, Berline 2700. Bottom margin: 'Ios. Zocchi del.' 'Veduta del R eale Palazzo de' Pitti Abitazione de' Regnanti Sovrani.' 'Io. Sebast. Muller scul. Norimb / ergae.' 'P.II.', Italy, ca. 1743, Print, Print

The School of Athens Arcades, for the "Chinea" Festival. Dated: 1757. Dimensions: plate: 36.2 x 51.6 cm (14 1/4 x 20 5/16 in.) sheet: 45.4 x 64.2 cm (17 7/8 x 25 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Pozzi after Giuseppe Palazzi (designer) and Paolo Posi (architect).

Alfred Bonnardot (1808-1884). Demolition of the pyramid of Jean Châtel. Plume, pencil and wash on light cream paper, 1801-1900. Paris, Carnavalet museum. 79252-19

Imaginary View of S. Giacomo di Rialto, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 136 x 210 mm (image); 144 x 213 mm (plate); 166 x 233 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Prospect of H, Dreyfaltigkeillen on the ditch plague pillar, ditch, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Circi Maximi Accuratissima Descriptio, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Title page: Cheminées et Lambris; Cheminées et Lambris. Large room with monumental undercutting in the middle against the wall, left at a window is Louis XIV to see those receiving his hovelings.

The Place des Victories / with the inscriptions of all coverage (IT)

Louis XIV (king of France), Paris, Langlois, Nicolas (I), France, Lepautre, Pierre, Lattice Pavilions, Half lattice pavilion with variant for middle section, With elevation, plan and detail of pediment with the French royal coat of arms. In the middle is an obelisk of latticework crowned with a vase and a fleur-de-lis. From a series of 6 sheets, second edition., print, engraving, ornamental print, prints, engravings, ornamental prints, In the middle measuring stick with text: Echelle de 6 pieds. Ro plan above which the text: A. Plan de la Pallisade; B. Plan de Treillage qui porte à Terre; C. Plan du Socle. Left pediment with text: A. Fronton. Next to the vases: C. Vases pour l, Angle marqué C; at the pyramid: Piramide sur l'Angle du Pilastre marqué B., height 282 mm, width 200 mm, 1660 - 1744-01-22, print maker, prentmaker, 1670 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, after a design by, Publ

Jacques Callot, Piazza SS Annunziata, Florence, c 1617 Piazza SS. Annunziata, Florence

Landgoed Clingendael in a nutshell seen from the south to the north, Daniël Stedendaal, 1682 - 1726 print View of the Clingendael estate in a nutshell. In the middle of a pennant flanked by Putti and the coat of arms of the owner Philips Doublet. At the bottom of the margin the legend 1-29. Amsterdam paper etching / engraving French or architectonic garden; formal garden. bird's eye view ~ representation of building. cupids: 'amores', 'amoretti', 'putti'. armorial bearing, heraldry Landgoed Clingendael

Fish, Michel, silent plan of the Oratory section. (Dummy title). Carnavalet museum, history of Paris.

Procession held in Saint Peter's Basilica in honor of the Canonization of several Saints. Artist: Anonymous, French, 18th century. Dimensions: Sheet: 17 5/16 × 22 7/16 in. (44 × 57 cm)Plate: 14 × 21 3/4 in. (35.5 × 55.2 cm). Date: 1712. Museum: Metropolitan Museum of Art, New York, USA.

Face locking Gäddeholm, from the south and north, Johannes Jacobsz van den Aveele, 1699 The print is part of an album. Stockholm paper etching Slot Gäddeholm The print is part of an album. Stockholm paper etching Slot Gäddeholm

Gallery, Villa Arconati, Castellazzo di Bollate, 1743, engraving by Marc'Antonio Dal Re (1697-1766) from Ville di delizia o siano palaggi camparecci nello Stato di Milano (Delightful villas in the State of Milan), Italy, 18th century.

Louis XIV (king of France), Paris, Démortain, Gilles de, Delamonce, Ferdinand, Girard, Daigremont, Marguerin, Le theatre d'eau dans les jardins de Versailles. This ingenious forest, Waterfalls in the garden at Versailles, verso - stamped, Waterfalls in the garden at Versailles. Numbered lower right: 23., print, prints, topography, height 444 mm, width 568 mm, French, print maker, printmaker, 1715 - 1715, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, 1678 - 1753-09-30, Publication (Event), Publication, French - 1723, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The fifteenth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortinaalso designed by Burnacini.. Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621-1682). 1668. Etching

Cabinet in the garden of House Te Maarssen; Enjoy the large cabinet / vue du Grand Cabinet; The old Adelyk Huys and Ridderhofstad ter Meer. View of the cabinet in the French garden of House Ter Meer. Groups of figures hiking in the garden. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Il Castello che al Presente si Dice Sant'Angelo Anticamente Fu il Sepolcro de Adriano, Print made by unknown artist, sixteenth century, Published by Claude Duchet, died ca. 1585, French, Published by Antonio Lafreri, 1512-1577, French, 1583, Line engraving on medium, slightly textured, cream laid paper, Sheet: 18 3/8 × 13 1/4 inches (46.7 × 33.7 cm)

Fountain with a statue of Moses; Artis Perspectivae (...). Wall fountain on the corner of a building with a statue of Moses in a niche. Right leans a man against the balustrade. This print is part of an album.

Stefano Della Bella, Aerial View of Theatre, 1652 Aerial View of Theatre

Gardens of Cardinal Aldobrandini, Frascati. Dated: 1681. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Melchior Küsel after Johann Wilhelm Baur.

Circus van Aurelian Te Rome, Giacomo Lauro, 1612 - 1628 print Text in Latin in STUDMARGE. Numbered at the top right: 83. The print is part of an album. Rome paper etching representation of real building (either existing or having existed). race-track Rome

Veue de Berny a deux lieues de Paris sur le chemin d'Orléans. Dated: 1651. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Israël Silvestre.

Fountain in the Gardens of the Villa Torlonia in Frascati; Fontana Superiore in Cima La Scala e Cascata di Sopra Al Teatro (...); Fontane delle ville di Frascati; Fountains of Frascati. The print is part of an album.

Une scène du 4e acte: 4 personnages, savoir, deux femmes sur le premier plan et deux hommes vers le fond. Della Bella, Stefano (1610-1664). Prints. 1750 - 1759. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lithograph by Herman Engel depicting the ceremonial unveiling of the Archduke Carl Monument on May 22, 1860, with two sound panels and gold print on paper.

Amsterdam, Scherm, Laurens, Demonstration of the fire hoses on the Westertoren in Amsterdam, ca. 1700, Demonstration of the use of the fire hoses on the Westertoren in Amsterdam, ca. 1700. In the background a fire in a palace. In a cartouche on the left the explanation of the letters AF in Dutch. Marked top right: 2. Plate 24 in the reprint of the Brandspuitenboek by Jan van der Heyden from 1735., print, prent, prints, prenten, Frederik Muller Historieplaten, height 255 mm, width 130 mm, Noord-Nederlands, 1671 - 1702-11-13, print maker, printmaker, 1690 - 1701, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching

States-General, Hooghe, Romeyn de, Netherlands, Amsterdam, Visscher, Nicolaes (I), Le Parc l'Anguien, View of the Park of Enghien, print, optic print, prints, optic prints, height 475 mm, width 572 mm, Publication (Event), Publication, Northern Netherlands, 1618-01-25 - 1679, publisher, 1633 - 1709, paper, paperboard, cardboard, watercolor (paint), watercolor, etching, etchings, brush, schilder, prentmaker" Highmore, Anthony, Londen, Tinney, John

Fireworks representation (IT)

The Temple of Diana at Ephesus (from the series 'The Eighth Wonders of the World') After Maarten van Heemskerck by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / 1572 / The Netherlands / Etching / Mythology, Allegory and Literatu

Picture shop of Pieter Schenk op de Leipziger Messe, Anonymous, 1675 - 1711 print View of Pieter Schenk's picture shop on the Leipziger Messe. There are many people in front of the store and there are different prints on the facade. Amsterdam paper etching print, e.g.: engraving, etching, lithograph. shop, store Leipzig

Speculum Romanae Magnificentiae: Amphiteathrum Castrense. Artist: Anonymous. Dimensions: sheet: 12 13/16 x 18 1/8 in. (32.6 x 46 cm)mount: 20 x 26 in. (50.8 x 66 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1560.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Sp

The illuminations and decorations applied behind the windows of the house of Mr Jan Agges Scholten van Aschat on the Buitenkant in Amsterdam On the occasion of Prince Willem V's coming of age on March 8, 1766 Numbered at top: VIII, Illumination of the house of Mr JA Scholten van Aschat in Amsterdam, 1766, Noach van der Meer (II), (mentioned on object), print maker: Noach van der Meer (II), (workshop of), Northern Netherlands, 1774 - 1776, paper, etching, engraving, h 185 mm - w 180 mm

Southern Netherlands, Brabant Revolution, 1787-1790, Les Biens d'autruy tu ne desireras pour le avoir injustement, Allegory against the edict against the seminaries of 16 October 1787, verso - stamped, Allegory of the edict of 16 October 1787, legislation directed against the Catholic seminaries in the country. The Austrian eagle tries to escape laden with symbols of the Catholic churches and seminaries but is stopped by the Brabant lion. On the ground lies an image of Faith and fragments of a church. Copy of the original plate. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., print, prent, prints, prenten, Frederik Muller Historieplaten, height 177 mm, width 205 mm, print maker, prentmaker, 1787 - 1790, paper, papier, etching, engraving, engraving (printing process), Work conception

View of Notre-Dame in Paris, 1726, 1726 print View of Notre-Dame in Paris. Plate no. 34 in part II of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title and inscriptions in French. print maker: Northern Netherlandspublisher: Leiden paper etching Our Lady

Amsteldam on the land of the Buyten Amstel to be seen ", Adolf van der Laan print paper etching

Print (France)

Wenceslaus Hollar, 1607-1677, Bohemian, Conventualis Ecclefia Hospitalis S. Catherinae, 1660. Engraving.

The Ceres Fountain in The Gardens of Versailles. Legal under number 29.

Scaffolding for the fireworks set off at the elevation of Willem V to Knight of St. Joris, 1754, monogram miss MS (Northern Netherlands), after monogram Mist JFM, 1754 print Stellage for the fireworks set off at the tournament field at the Sint-Jorisdoel in The Hague on the occasion of the elevation of Prince Willem V to Knight in the Knighthood of Saint Joris, March 21, 1754. Central to the scaffolding a performance of Saint Joris who beats the dragon, pots with orange branches left and right. On the leaf under the plate a description of the scaffolding in Dutch and French. print maker: Northern Netherlandspublisher: The Hague paper etching / engraving / letterpress printing bonfire, fire-works (+ illumination, fire-works ~ festive activities). knighthood order The Hague

Second Part of the Via Dolorosa. Dated: 1619. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Print (France)

Palace garden with a round fountain, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Garden surrounded by a Berceau or Boggang, with a fountain. The fountain consists of a pelvis with a decorative crown, supporting two vases and an Atlant. In between are four frogs spitting water in the circular basin. The print is part of an album. Antwerp paper etching Garden surrounded by a Berceau or Boggang, with a fountain. The fountain consists of a pelvis with a decorative crown, supporting two vases and an Atlant. In between are four frogs spitting water in the circular basin. The print is part of an album. Antwerp paper etching

Interior with two magnetic stones, Gommarus Wouters, After Cornelis Meijer, 1696 print Rome paper etching magnetic phenomena

Two vases for the cave with Cascades from Zorgvliet; Garden vases. Both vases are decorated with a fries with sacrificial scene. From series of 7 sheets with two vases on a balustrade on every leaf with a view of the gardens of Zorgvliet in the background.

Zuilengang van de keizers; intocht van Ferdinand te Antwerpen in 1635 (nr. 16); Porticus Caesareo Austriaca.The columns of the emperors. Column gallery with statues of the twelve Austrian emperors. On top of an obelisk with the two columns of Hercules on either side. Overall picture of the porch printed on two sheets (unassembled). Signed upper left on the left sheet: p. 43. Leaf No. 16 in a set of 43 plates that illustrate the issue of the description of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Het Hoff van Hollant. Engraving. FRANCE. ëLE-DE-FRANCE. Paris. National Library.

The new Salle Terraine = Faciada, The counts living = u, = Garden = building, From, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Architectural Design for a Ceiling with a Dome. Artist: Flaminio Innocenzo Minozzi (Italian, Bologna 1735-1817 Bologna). Dimensions: 11-1/4 x 10-3/16 in. (28.6 x 25.8 cm) irregular borders. Date: 1735-1817. Museum: Metropolitan Museum of Art, New York, USA.

print, Wolfgang Kilian, Engraving, Germany, 1657, print

View of the Garden of Slot Zeist, seen from kicking in front of the house, Daniël Stopendaal, 1682 - 1726 print Amsterdam paper etching landscape with tower or castle. castle Slot Zeist

Geoffrey Heath Wedgwood, Santa Caterina, Naples, 1928, etching on wove paper.

Obelisk Te Rome, Giovanni Maggi, After Bartolomeo Rossi, 1651 print Egyptian obelisk on a square in front of a church in Rome. Text in Italian in the lower margin. The print is part of an album. print maker: Romeafter design by: Italypublisher: RomeRome paper etching obelisk, needle Rome

Allegory: the pleasures of the enchanted island, or the feasts of the king at Versailles, France 17th Century. Engraving.

View of festivities on the Seine, Jacques Rigaud, 1686 - 1758 print Spectacle with rowing boats and sea monsters powered by fire, on the occasion of the marriage of Louise Elisabeth of France and Philip of Spain. paper etching / letterpress printing canals, waters (in city). public festivities - AA - festivities on the water

Print made by Jean B. C. Chatelain, 1710-1771, French, A Prospect of the Royal House at Richmond, ca. 1740. Engraving.

Map of Amsterdam with design for the fourth explanation; Amstelo damum Amplificatum / New Difference from Amsterdam with Syne Vermatereke. Map of Amsterdam with Daniel's design Stalpaert for the fourth explanation (expansion) of the city. Above left a cartoche with the coat of arms of the city flanked by two lions. To the right of it the legend 39-50. Under this cartouche a design for a bridge over the Amstel and a cartouche with the assignment. At the top of the middle of the Latin title. At the top right a cartouche with the city stamp, flanked by two figures (possible Wildemannen), below that a crankcase: 2500 Amsterdam feet. To the left of it the legend 51-63. Under this cartouche a design for a bridge over the IJ to the old city hostel and a cartouche with the legend A-Z. Along the bottom - from left to right - a cartouche with the legend 1-37; the Dutch title and information with Neptunus above; and the legend 64-98. Orientation: Zuidzuidwest above.

Uprising of the cheese and bread people in Haarlem, 1492, Simon Fokke, 1747 - 1759 print Uprising of the cheese and bread people in Haarlem, 1492. Riots by farmers on the Grote Markt, the town hall is being looted. Bailiff Claes van Ruyven is murdered on the right. Northern Netherlands paper etching street-fights, riots. violent death, being killed; being mishandled and maltreated; seeking death Haarlem

Anniversary of the Fall of the Bastille, Paris, July 1790 ca. 1790 Anonymous, French, 18th century. Anniversary of the Fall of the Bastille, Paris, July 1790 341739

of 2