Architectural Prints of Antiquity

Prints illustrating classical architecture and public baths, depicting grandeur through detailed structures and scenic views.

Charles Meryon (French, 1821 - 1868). Entrée du Couvent des Capucins Français à Athèns, 1854. Etching. Third state.

Ruïnes Van de Themen Van Caracalla TE Rome, Etienne Dupérac, 1575 View of the ruins of the Thermen of Caracalla in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Caracalla View of the ruins of the Thermen of Caracalla in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Caracalla

Two Latwerkangen, Daniël Marot (I), 1702 print Two slats. The upper corridor is decorated with Hermen, the lower one with a niche containing a fountain and a cascade. From series of 6 magazines. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: The Hague paper etching ornamental fountain. trellis. herms (garden ornaments)

The Pier with Chains. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

Cutaway view of Virgil's tomb, Roman burial vault, Vergiliano Park in Piedigrotta, Naples, Campania, Italy, engraving by Giovanni Volpato from a drawing by Natali, from Antichita di Pozzuoli - Puteolanae antiquitates (Antiquities of Pozzuoli), by Paolo Antonio Paoli, plate 9, 1768, Naples.

Plate 11: Temple of Janus (Tempio di Giano) from the series 'Antichita Romana'. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 5 3/16 × 10 1/2 in. (13.2 × 26.6 cm)Sheet: 12 11/16 × 18 7/8 in. (32.2 × 48 cm). Series/Portfolio: Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori (Roman Antiquity of the Time of the Republic and the First Emperors). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Old Paris Remains from the old Collegiate Saint Honor, 1914 Henri Chapelle (1850-1925), French draftsman. Old Paris. Remains of the former Saint Honor Collegiate. Feather, ink of China. Paris (Ier Arr.), 1914.

Demonstration of the hose fire sprayers in the courtyard of the exhibition in Amsterdam, ca. 1670-1680, 1735 print Demonstration of the use of the hose fire sprayers by spraying water and over the tower of the stock market (ca. 1670-1680). In the caption the explanation of the letters A-D in Dutch. Plate 23 in the reprint of the fire spray book by Jan van der Heyden from 1735. Amsterdam paper etching / engraving pump (fire-extinguishing equipment). Exchange, Bourse Fair of Hendrik de Keyser

Stained glass window with King Philip IV that renounces the Netherlands, 1648, 1779 print Stained glass window with a representation of the Spanish King Philip IV who is presented with a document in which he renounces the Netherlands, after closing the Peace of Munster, 1648. In a cartouche a verse of four lines. Stained glass window in the Oude Kerk in Amsterdam placed in 1656 and renewed in 1767. Amsterdam paper etching church-window, e.g. rose-window. signing of peace treaty, concluding the peace Old church

Veduta degli avanzi dell'interno del Portico di Ottavia, in oggi Pescaria, 1828from Views of Rome. circa 1827-1828. Penna, Agostino. circa 1827-1828 See Le Gallerie nazionali italiane: notizie e documenti, 4, for untitled suite by Agostino Penna. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, interest in the city's past grew among certain circles in Rome. Pecci-Blunt's collection came to be known as "Roma Sparita" because of its nostalgic focus on the Rome of a bygone era. Pecci-Blunt marked many of the prints in her collection with her collector's marks. Small, circular marks found on the recto of the prints, typically in the lower right corner, display Pecci-Blunt's family coat of arms, a comet, encircled with the

Kreling August von (1819-1876), the fairy tale of Prince Carnaval and Princess Fastnacht (1846): Pressure to the occasion of a mask festival by the artists in Munich in 1846. Pressure on paper, 96.2 x 70.7 cm (incl. Scan edges) Kreling August von (1819-1876): Das Märchen vom Prinzen Carnaval und der Prinzessin Fastnacht

April; De twaalf maanden.From a series of twelve prints, the imagination of the month of April. Figures leave the city through a city gate to work on land.

Architectural fantasy. Artist: Attributed to Jean Henri Alexandre Pernet (French, Paris 1763-after 1789). Dimensions: 9 in. (22.6 cm.) in diameter. Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Architecture with peacock and painting depicting a town; in the lower part, a bird, Herculaneum, Campania, Italy, engraving by Giuseppe Aloja from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 78, 1757-1787, Naples.

Sketch of the Geertekerk / sleeping place and men quarter / face taken from the couch next to / the elders bank / 11 April 1855

The Bernardine Church board XI from the portfoIIo: Churches of old Lviv, 11 etchings engraved by Wanda Korzeniowska, Lviv: H. Altenberg, G. Seyfarth, E. Wende and Co., 1917 Korzeniowska, Wanda (1883 1935)

Giovanni Battista Piranesi, The Sawhorse, 1780s The Sawhorse

John Thomas Smith, 1766-1833, British, Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed.

Aschenputtel (Cinderella). Dated: 1847. Dimensions: plate: 72 × 54.2 cm (28 3/8 × 21 1/4 in.) sheet: 83.7 × 63.6 cm (33 1/16 × 25 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Eugen Napoleon Neureuther.

Dihm Ludwig (1849-1928), St. Gotthardkirche, Brandenburg/Havel (without dat.): Wall painting north side, uncovered 1904. Photo on paper, 42.6 x 36.7 cm (including scan edges)

Le Carceri d'Invenzione, pl. 32, 1750, 41 x 55.5 cm

Ruin of an Amphitheatre at Pouzzoles (Kingdom of Naples), plate 9 from Oeuvres de A. Calame. Alexandre Calame (Swiss, 1810-1864); published by F. Delarue (French, 1805-1886); printed by Jacomme et Compagnie (French, 19th century). Date: 1851. Dimensions: 287 x 193 mm (image); 406 x 290 mm (sheet). Lithograph on buff chine collé, laid down on off-white wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, USA.

Print made by Charles William Sherborn, 1831-1912, British, Westminster Abbey, 1877. Etching on medium, slightly textured, cream wove paper.

. Demophontes stage show for the Stadtholder Willem V and Prinses Wilhelmina van Prussen in the new Amsterdam Schouwburg on Keizersgracht, 1 June 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Reproduction of a painting by Johannes Bosboom with the Vierschaar of the town hall in Middelburg, Anonymous, After Johannes Bosboom, 1898 photomechanical print paper collotype townhall. court-room Town Hall (Middelburg)

To lead the theatrum anatomicum from the inside; L'anatomy d'apresent. The Theatrum Anatomicum (anatomical theater) in line on the inside, as it looked at this print at the time of the appearance (1712). Different people are present in the room and skeletons of people and animals are drawn up. Mounted animals hang on the ceiling. Leged below numbered: 8.

Zatta, Giacomo, work, Michelangelo Buonaroti, (1000 - 2000), (line and) dot engraving, graphics, plate width 13, 9 cm, plate height 20,4 cm

View of the Colosseum in Rome, in the foreground, a one-horse cab covered in canvas. Colisei prospectus.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), graphic artist

Interior view of the Pantheon, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1768. Dimensions: 458 x 559 mm (image); 482 x 564 mm (plate); 557 x 720 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

STATUE OF HER MAJESTY IN THE VICTORIA GARDENS, BOMBAY, PRESENTED BY THE GUICOWAR OF BARODA, 1872 engraving

Die Grosse Grotte auf dem Heidelberger Schlosse (The Large Grotto at Heidelberg Castle). Dated: 1806. Dimensions: plate: 36 × 46.4 cm (14 3/16 × 18 1/4 in.) sheet: 36.2 × 46.7 cm (14 1/4 × 18 3/8 in.). Medium: etching with aquatint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Georg Primavesi, after Peter Speeth.

Carceri Series, Plate XVI, Giovanni Battista Piranesi, Italian, 1720-1778, Etching, Horizontal rectangle. Arcades with staircases in the background, before which are monuments bearing pseudo-Latin inscriptions. Numerous figures in the scene. Upper center, Calcografia number 364., Italy, 1745, Print, Print

Gothic interior with a rosette. Jabłczyński, Feliks (1865-1928), graphic artist

Title print with face in dungeon and title on wall, Giovanni Battista Piranesi, 1761 print Rome paper etching / engraving prison, jail

A Draftsman in the Capitoline Gallery. Hubert Robert (French, 1733 - 1808)

Etruscan graft chamber in Tarquinia with a large mural with a procession on the back wall. Etruscan Grafkamer Tomba della Mercareccia in the Necropolis of Monterozzi at Tarquinia with a large mural with a procession on the back wall.

Hospice de la Charité, Rheims, France: staircase. Lithograph by A. Dauzats after himself.

A swallow takes a web, with a spider attached, in its beak. Illustration of a fable by Aesopus, Fable of the spider and the swallow Fables of Aesopus (series title), print maker: Dirk Stoop, publisher: John Ogilby, London, 1665, paper, etching, h 259 mm × w 174 mm

Capriccio of a Bridge with the Arcus Argentariorum by a Mediterranean Harbor. Artist: Johannes Abrahamsz Beerstraten (Dutch, Amsterdam 1622-1666 Amsterdam). Dimensions: Sheet: 10 1/16 × 9 3/8 in. (25.6 × 23.8 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Study for St. Stephen's Walbrook, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 202 × 256 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Grafmonument for Engelbrecht II, Count of Nassau-Dillenburg-Breda, 1504. Grafmonument for Engelbrecht II in the Prinsenkapel of the Onze-Lieve-Vrouwekerk in Breda, died on May 31, 1504. On the left is a figure. A rule of Dutch text in the undermarge. Loose explanatory text in letterpress.

Bertoldo hides in an oven; History of Bertoldo, Bertoldino and Cacasenno. Bertoldo is hidden in a stone wood oven. Under the show a three-legged rhyme in Italian. Print from a series of six with the experiences of Bertoldo, part of a series of twenty prints.

Taddeo Drawing by Moonlight in Calabrese's House. Date/Period: Ca. 1595. Drawing. Pen and brown ink, brush with brown wash, over black chalk. Height: 421 mm (16.57 in); Width: 177 mm (6.96 in). Author: Federico Zuccaro.

Percy Thomas, 1846-1922, British, The Temple, London. Etching, proof.

Temple at Tivoli. Jacob van der Ulft (Dutch, 1627-after 1688); after Jan Brueghel, the elder (Flemish, 1568-1625). Date: 1615. Dimensions: 215 x 258 mm. Brush and brown wash, over graphite, on ivory laid paper, laid down on board. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Aquarelle and pencil depiction by Edmund Krenn showing the Capuchin crypt in Vienna with the sarcophagi of Maria Theresa and Franz Stephan, including architectural and ornamental details, 1889.

Amsterdam, Marot, Daniël (I), Netherlands, Nouveau liure de paysages, Colonnade with a view of a harbour, In the front two women and two sheep rest in the shade of two trees. From a series of 6 sheets. sheets., print, ornamental print, prints, ornamental prints, height 249 mm, width 164 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Roman ruins. Draughtsman: anonymous. Dating: after c. 1580 - before c. 1625. Place: Netherlands. Measurements: h 195 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Lower with prisoners on excellent platform, Giovanni Battista Piranesi, 1749 - 1751 print Face in a monumental space, a dungeon, with a group of prisoners on an excellent platform in the foreground on the left. Rome paper etching / engraving prison, jail. prisoner; in fetters

The studio of painter Eugene Giraud (1806-1881), Paris, France, illustration from L'Illustration, Journal Universel, No 385, Volume XVI, July 13, 1850.

Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1778. Dimensions: 469 x 660 mm (image); 495 x 668 mm (plate); 563 x 763 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: GIOVANNI BATTISTA PIRANESI.

Master of 1515, Allegory of Fortitude (), c 1515 1520 Allegory of Fortitude ()

34th Plate, from Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land) 1620 Jacques Callot French. 34th Plate, from Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land). Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa. Jacques Callot (French, Nancy 1592-1635 Nancy). 1620. Etching and engraving; first state of two (Lieure). Pietro Cecconcelli (Italian, active late 16th-early 17th century). Prints

Karl Friedrich Schinkel, Stage Design A Sepulchral Vault, c 1820 Stage Design: A Sepulchral Vault

Two views on the card: 53.castello dell 'Acqua Claudia E anione Nuovo, and Porta Maggiore; 54. Castello dell 'Acqua Marzia Detto and Trofy Mario, Vicino a S.Eusebio; Unknown, Raffaella, Giacomo (1753-1836); 1800 (1800-00-00-1800-00-00);

Chalk lithograph by Franz Sedlacek titled 'The Writer', depicting a figure engaged in writing.

View box at a fair, c. 1800 - c. 1899 print View on a village square with a shooting stall on the left and in the foreground a girl who looks through the viewer window. Further on, a clown or magician leads a performance from an elevation. paper etching performance in the open air (pleasure fair). peep-show

Design for decoration on the building Felix Meritis with Huldiging van Amsterdam. Draughtsman: Jurriaan Andriessen. Dating: 1806. Measurements: h 160 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.

Poortje aan het Werkuis (Lion Gate), in the Nieuwe Kerkstraat in Amsterdam. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 223 mm × w 138 mm. Museum: Rijksmuseum, Amsterdam.

Egypt, Thebes, Valley of the Kings: entrance to the tomb of Ramses III by Hector Horeau (1801-1872) from Panorama d'Egypte et de Nubia, Paris, 1841

Vienna, Anton Schroll & Co., Pisani, L., Schmidt, Otto, Burg Reifenstein, View of wall paintings in Burg Reifenstein in South Tyrol, Italy, recto - printed, This print is part of a cover with thirty prints and three text sheets., photomechanical print, photographs, photographically illustrated books, Déposé., 3., height 237 mm, width 183 mm, photographer, 1886 - 1891, paper, papier, heliogravure, clichémaker, printer, drukker, Publication (Event), Publication, Austrian, publisher

Theater Decor: De Klooster Kerk, Anonymous, 1748 - 1750 print The CoulissenDecor De Klooster Kerk with scene from: Gijsbrecht van Aemstel. Only the decor of a separate plate, so without the passe-partout. Part of a series of 12 theater sets of the Amsterdam Schouwburg on the Keizersgracht. Northern Netherlands paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

No. 56. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Interior of St. Stephen's Cathedral in Vienna, c. 1810. Karl Friedrich Schinkel (German, 1781-1841). Lithograph; sheet: 46.2 x 31.5 cm (18 3/16 x 12 3/8 in.); image: 24 x 15.8 cm (9 7/16 x 6 1/4 in.).

The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4). Artist: Anonymous, French, 19th century. Dimensions: sheet: 12 3/4 x 13 1/8 in. (32.4 x 33.3 cm). Former Attribution: Formerly attributed to Anonymous, German, 19th century. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Mary Harcourt, 1750-1833, British, An Arch in the Vault of an Overgrown Ruin, ca. 1780. Brush and brown wash on medium, slightly textured, cream laid paper.

Hermit for a stone chapel, design for a garden decoration, Hermit for a stone chapel, draughtsman: Pieter Bartholomeusz. Barbiers, c. 1782 - c. 1837, paper, pen, brush, h 310 mm × w 242 mm

English War Work: The Big Gate of the Big Shop, 1916. Joseph Pennell (American, 1857-1926). Lithograph;

Cheminée de la galerie de chêne (Fireplace in the Oak Gallery), pl. 7 from the suite Chez Victor Hugo (Victor Hugos House). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907 Publisher: Alfred Cadart, French, 1828-1875 Subject: Victor Hugo, French, 1802-1885

Round well with two akers on a pulley, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1574 print A street with a round well between two rectangular basins on an elevation. There are two Akers above the well, each attached to a winch through two pulleys. No.7 from series of 24 small wells paper etching well

Room in the Louvre Containing Gems and Jewels ca. 1860 Jules-Ferdinand Jacquemart. Room in the Louvre Containing Gems and Jewels. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). ca. 1860. Etching. Prints

Study by Franz von Bayros for Dante's Divine Comedy, illustrating Purgatorio V, 135, executed with gathered pencil and fede technique around 1920.

Man Posed in Fontaine des Innocents; Charles Marville (French, 1813 - 1879); Paris, France; 1855 - 1857; Albumen silver print

Design for Setting Consecration of Antique Temple, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Crowd of figures in antique temple hall at twilight, light from hanging braziers in temple at right., Italy, early 19th century, theater, Drawing, Drawing

Brugboog, Alexander Schaepkens, 1830 - 1899 print paper. etching bridge

Temple of Jupiter Stator with the temple of Jupiter Stator, 1624 - 1650 View of the ruins on the slopes of the Palatin, from the Romanum forum. In the foreground the remains of the temple of Jupiter Stator, now better known as the temple of Castor. In the foreground figures, a shepherd with his sheep and a shepherd with his bulls or oxen. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Palatin. Temple of Jupiter Stator. Temple of Castor and Pollux (Rome) View of the ruins on the slopes of the Palatin, from the Romanum forum. In the foreground the remains of the temple of Jupiter Stator, now better known as the temple of Castor. In the foreground figures, a shepherd with his sheep and a shepherd with his bulls or oxen. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Palatin. Temple of Jupiter Stator. Temple of Castor and Pollux (Rome)

Blancard, Hippolyte (1843 - D.1924), the ancient room of the Louvre museum, side of the tribune of Jean Goujon, 1st arrondissement, Paris (dummy title), 1890. Platinum draw. Carnavalet museum, history of Paris.

Drawing, Roman Ruins with Figures; Designed by Giovanni Paolo Panini (Italian, 1691 - 1765); Italy; graphite, brush and watercolor on white paper

Wall with hieroglyphs and reliefs in Egypt; Abydos Offrande the (...). Part of travel album with 80 photos from Egypt.

Drawing by Ferdinand Boberg. Västmanland, Snevringe hd., Ramnäs sn., Ramnäs Nordic

Drawing by Ferdinand Boberg. Gotland, Hablingbo K: a Nordic

Eine Mutter III (A Mother III). Dated: 1883. Dimensions: image: 41.1 x 31.6 cm (16 3/16 x 12 7/16 in.) plate: 45.4 x 35.7 cm (17 7/8 x 14 1/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Max Klinger.

Etching by Arthur Paunzen illustrating the first phrase of Beethoven's Fifth Symphony, 1918.

Sketch for the town hall (15 arr): in time of war Jacques Ferdinand Humbert (1842-1934). Sketch for the town hall (15th arrest): in time of war. Oil on canvas. Paris (15th arrival), 1884.

Jacobi, CH, Venice, Ongania, Ferdinand, Two images of reliefs from San Marco in Venice, recto - printed, These prints are part of a cover with 58 prints on 50 sheets., photomechanical print, photographs, photographically illustrated books, 282, P.8, P.8.a, P8., P8.a, height 395 mm, width 311 mm, photographer, 1880 - 1885, paper, collotype, cliché maker

Illumination for H.W. Cramer in Amsterdam, 1788, Jan Lucas van der Beek, After Willem Kok, 1788 print Illumination applied for H.W.'s house Cramer on Herengracht in Amsterdam. Numbered at the top: VIII. Part of a series of twelve records of the Illuminations and Decorations in Amsterdam on the 40th birthday of Prince Willem V on March 8, 1788. Amsterdam paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities) Amsterdam

Tombstone of Stanisław Radziwiłł, called the Pious at the Bernardine Church in Vilnius. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Bachelier, Charles Claude (ca 1830-ca 1887), graphic artist, Sadovnikov, Vasilij Semënovič (1800-1879), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

La porte des lionnes à Mycènes. Frédéric Boissonnas (Swiss, 1858 - 1946)

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Miss of MiniICT." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-25 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Drawing, Stage Design, Column with Monument on Top; Italy; pen and sepia ink, brush and wash on paper

Demonstration of the hose fire sprayers in the courtyard of the exhibition in Amsterdam, ca. 1670-1680, Laurens screen (attributed to), 1735 print Demonstration of the use of the hose fire sprayers by spraying water and spraying over the tower of the stock market (ca. 1670-1680). In the caption the explanation of the letters A-D in Dutch. A second plate with text is printed above the plate. Plate 23 in the reprint of the fire spray book by Jan van der Heyden from 1735. paper etching / engraving pump (fire-extinguishing equipment). Exchange, Bourse Fair of Hendrik de Keyser

Escalier saint dans l'église de San Benedetto. Paul-Alfred de Curzon (France, Le Moulinet, 1820-1895). France, 1857. Prints; lithographs. Lithograph

Etching by Claes Jansz Visscher depicting Church of St. Catherine in Amsterdam and the execution of Johan van Oldenbarnevelt, created between 1607 and 1652.

are the stupid

Sculpture on the church of AuNay; No 63 AULNAY (Charente Infre).

Emile Antoine Verpilleux, King's College Chapel, Cambridge, 1913, color woodcut on laid paper.

Jewess of Algiers and a Street in Algiers, 1838. Eugène Delacroix (French, 1798-1863). Lithograph;

Illustration depicting the recently appointed May-Queen, in the South of France. Dated 19th Century

The Crypt of a Church with Two Men Sleeping; Hendrick van Steenwijck the Younger (Flemish, 1580 - 1649); Netherlands; possibly 1625; Pen and dark brown ink, brush with brown wash, graphite, heightened with white gouache, on tan paper; 12.2 x 16.5 cm (4 13,16 x 6 1,2 in.)

Eastern life scene; Pawliszak, Wac AW (1866-1905); after 1890 (1890-00-00-1905-00-00);Arabs, Turek (nationality), Witke-Jeżewski, Dominik (1862-1944)-collection, east, city, to image, study, collection stamp, recovery, collective scene, purchase (provenance)

The Oracle Defied, Act III, Scene ii, The Winters Tale. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

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