Architectural Prints of Antiquity

Prints illustrating classical architecture and public baths, depicting grandeur through detailed structures and scenic views.

Charles Meryon (French, 1821 - 1868). Entrée du Couvent des Capucins Français à Athèns, 1854. Etching. Third state.

Bathing Women, 1794 - 1851 print Bathing women in a pond in a gatehouse. Through the arches a view of an antique temple on a mountain. Numbered in the middle: No. Iv. paper public baths. washing and bathing - AA - in the open air. architecture

Elevazione e prospetto d'un'altra piscina esistente nella vigna de' PP. della Compagnia di Gesù a Castel Gandolfo , Archaeological sites, Reservoirs. The Antonio Cardinal Tosti Collection

After returning from several years spent in Italy, the French printmaker George-Francois Blondel settled in London in order to take advantage of the English taste for images of Italian sites. This is one of a series of eight prints he published in 1766 depicting imagined and real Italian interiors. Using the relatively new technique of mezzotint, which creates velvety, dark tonal areas, as well as low vantage points, Blondel created towering, awe-inspiring spaces. For special patrons, he printed the plates in sepia ink, rather than in black; the CMAs set includes two of these unusual sepia impressions. A View of the Vestibule of St. Peter at Rome, 1766. Georges Francois Blondel (French, 1730-1800). Mezzotint printed in black; platemark: 56.6 x 40.9 cm (22 5/16 x 16 1/8 in.); sheet: 64.5 x 52.8 cm (25 3/8 x 20 13/16 in.).

Dryburgh , Tombs & sepulchral monuments, Abbeys, Ruins, Dryburgh Abbey Dryburgh, Scotland. Sir David Young Cameron (1865-1945). Prints

The Arch of Marcus Aurelius, Giovanni Battista Piranesi, Italian, 1720-1778, Etching, Vertical rectangle. The arch is seen, partially in ruins, spanning a city street (the Corso, Rome). Below, the inscription: 'ARCUS MARCI AURELIT IMP. EX EJUS ARCHETYPIS, EFFORMATIS ANTE QUAM / DESTRUERETUR OB AMPLIANDUM HIPPODROMUM . A, B. ANAGLYPHI QUI ASSERVAN -/ TUR IN AEDIBUS CAPITOLINIS. C. COLUMNA COCHLIODES EJUSDEM MARCI'. Published in 'Il Campo Marsio dell'antica Roma', pl. 36 (See 1956-15-1). Calcographia Nazionale reprint., Italy, 1762, Print, Print

Méryon, Charles (n.1821-11-23-D.1868-02-13), La Galerie Notre-Dame (Main title), 1853. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Charles Meryon (French, 1821 - 1868). Entrée du Couvent des Capucins Français à Athèns, 1854. Etching. Third state.

Etching by Marco Ricci from 1730 depicting a landscape with ancient ruins, including crumbling structures and natural surroundings in a historical setting.

A View of the Vestibule of St. Peter at Rome, Print made by Georges François Blondel, 1730-ca. 1791, French, after Georges François Blondel, 1730-ca. 1791, French, 1765 to 1767, Mezzotint, Sheet: 22 3/8 x 16in. (56.8 x 40.6cm), Rome

Print made by Georges François Blondel, 1730-ca. 1791, French, A View of the Vestibule of St. Mary at Rome, 1765 to 1767. Mezzotint.

Interior of the Temple of Bacchus, Jacques François Blondel, 1765 - 1767 print London paper temple, shrine ~ Roman religion Rome

Etching by Giovanni Battista Piranesi from 1761, second edition, depicting lion reliefs with detailed architectural elements and ornamental composition.

The Staircase with Trophies, plate 8 from Imaginary Prisons 1750 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Saint-Francois () dans un paysage de ruines, Jean-Laurent Legeay, French, ca. 1710-86, Etching Support: cream laid paper, France, 1768, published 1770, architecture, Print, Print

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: Entrance to the Barqello, Florence 1st. May 1842. Pen, brush and black ink over graphite.

Netherlands, Kruseman, Jan Diederikus, Church interior, verso - stamped, In the interior of a church, with pews and an organ, a person stands., print, prints, height 87 mm, width 55 mm, 1828-08-15 - 1918-06-08, print maker, printmaker, 1838 - 1918, paper, papier, chine collé, etching, etsen

Carcere oscura. Dark prison.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Capricci, Interiors, Arches, Prisons

Man walks up on the spiral staircase in Tower, Jonkheer Isaac Lambertus Cremer van den Berch van Heemstede, 1821 - 1879 print paper etching staircase

A View of the Vestibule of St. Mary at Rome, Print made by Georges François Blondel, 1730-ca. 1791, French, after Georges François Blondel, 1730-ca. 1791, French, 1765 to 1767, Mezzotint, Sheet: 22 3/8 x 16in. (56.8 x 40.6cm), Rome

Three halves of Latwerkpaviljes, Cornelis Danckerts (II), After Pierre Lepautre, 1750 - 1765 print With plans, and two details of the crown element. From series of 6 magazines, later edition than the series with Latwerk pavilions published by Justus Danckerts. Third print. paper etching

Two figures at Ruin, Anthonie van den Bos, 1778 - 1838 print paper etching landscape with ruins

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Decoration on the house of Mr. H. van der Souw in Naarden, 1766, 1774 - 1776 print Decoration applied to the house of the pastor Henricus van der Souw in Naarden. Panel with the prince at the Dutch Virgin in the Dutch garden. With four -line verse. On the occasion of the majority of Prince Willem V on March 8, 1766. Numbered at the top: XVIII. Northern Netherlands paper etching / engraving public festivities (+ festive decoration ~ festive activities). fenced or walled garden; 'Hortus Conclusus' Naarden

Etching by Stefano della Bella depicting the sixth scene of the sky and a volcanic cave scene, created in 1637.

Ark; Romanowicz, Walenty; III.1941 (1941-00-00-1941-00-00);

The Gallery of Notre-Dame, Paris Original 1853 France. Etching on verdtre (greenish) laid paper . Edmond Gosselin

Brown ink drawing by Ludwig Krug depicting Saint Hieronymus in his cell, early 16th century.

Schouwburg with theater decor: De Aldoude Hofgallery, Adolf van der Laan (attributed to), after Hendrik de Leth, 1770 - 1772 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the scenesendecor De Aldoude Hofgallerij with scene from: the marriage of Orondates and Statira. The decor printed of a separate plate within a new passe-partout with the room, orchestra box and the facade of the stage with columns and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a later edition of the series of 12 theater decors. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Collection of Different Subjects of Vases, Tombs, Ruins and Fountains... about 1770 Jean Laurent Legeay French. Collection of Different Subjects of Vases, Tombs, Ruins and Fountains... 353089

Montvilliers , Interiors, Abbeys. Sir David Young Cameron (1865-1945). Prints

Stading of city from the water, Nicolas Perelle, 1613 - 1695 print Numbered at the top right: 28. Paris paper etching setting on fire (of conquered city)

Castle of Vianden, Martinus Antonius Kuytenbrouwer jr., 1854, Ruins of the Counts' Hall of the Castle of Vianden., print maker: Martinus Antonius Kuytenbrouwer jr., (mentioned on object), Brussels, 1854, paper, etching, drypoint, h 321 mm × w 230 mm

The Infant John the Baptist. Jean de Gourmont; French, 1506-1551. Date: 1520-1530. Dimensions: 115 × 114 mm (sheet, cut to platemark). Engraving in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

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The Gallery, Nôtre-Dame Cathedral, Paris 1853 Charles Meryon French. The Gallery, Nôtre-Dame Cathedral, Paris 371690

Thermen from Caracalla, 1680 Ruins of the Thermen of Caracalla in Rome. Three people see the building in the foreground. In the lower margin three lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Thermen from Caracalla Ruins of the Thermen of Caracalla in Rome. Three people see the building in the foreground. In the lower margin three lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Thermen from Caracalla

Beads of Caracalla; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Ruins of the caracalla thermal baths in Rome. Three people see the building in the foreground. In the underwear three lines text in Italian. The print is part of an album.

Theater with stage decor: The Aloude Hofgallery; The Aloude Hofgallery; Theater decors of the Amsterdamse Schouwburg, ca. 1770. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the coulis decor The Aloude Hofgallerij with scene from: the marriage of Orondates and Statira. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

Print (Germany)

Washington's birthday , Skyscrapers, Commercial streets, City & town life, Flatiron Building New York, N.Y.. Childe Hassam (1859-1935). Prints and Drawings

Netherlands, Kruseman, Jan Diederikus, Woman at a Church Portal, verso - stamped, print, prints, height 85 mm, width 50 mm, 1828-08-15 - 1918-06-08, print maker, printmaker, 1838 - 1918, paper, papier, chine collé, etching, etsen

Monuments of Kazmierz and Wiekka Jagiello Czyków - board 10 from the album "The graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (edition); 1822-1827 (matrix) (1822-00-00-1851-00-00);

Flooded column hall or terms with boats, Jacques Androuet, after Léonard Thiry, 1550 print Remains of a column hall that has been flooded. Between the columns, two rowing boats with people sail. This print is part of an album. Orléans paper etching ruin of a building ~ architecture. rowing-boat, canoe, etc.

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk. Artist: Anonymous; After Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: mount: 22 3/16 x 16 13/16 in. (56.4 x 42.7 cm)sheet: 19 5/16 x 11 5/8 in. (49 x 29.5 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the t

Fantastic Garden, Carlo Antonio Buffagnotti, Italian, ca. 1660-after 1715, Pen and brown ink, black chalk on off-white laid paper, Within a vertical oval, an outdoor view of a garden terrace. At right is a fountain with birds upon rocks. Fantastic architecture rises in the left middle distance. Figures of men wearing wide-brimmed hats stand or sit respectively upon the terrace. A balustrade forms the rear enclosure--a part of it is shown forming a corner with the architecture. Another fountain stands in the garden in the right distance. Framed by an ovoidal moulding which is inscribed into a vertical oblong., Bologna, Italy, ca. 1700, architecture, Drawing, Drawing

Nativity Made 1504 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Dahlberg, Erik Jönssen, Hammarsson, Johan, Suecia Antiqua et Hodierna, Summus chorus Templi Wretensis, Regis Ingonis et Reginae Helenae Tumba in Templo Wretensi, Choir of the Vreta monastery church and the tombstone of King Inge I and Queen Helena of Sweden, verso - stamped, The print is part of an album., print, album sheet, prints, height 264 mm, width 162 mm, print maker, printmaker, 1670 - 1615, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Corner fountain with a statue of Christ under a canopy; Artis Perspectivae (...). Corner fountain with a statue of Christ under a canopy. In addition to the fountain a man with beard and beret. Away behind him. This print is part of an album.

Casukenteriers Met Tweecer the cowplows, Johan Conld Rove, After Petrus Francismcus grilled, 1867 - 1867 print A woman stands in front of the window at the sink. A second woman is sitting on a chair with her feet on a stew. The ceiling is vaulted. print maker: Amsterdamafter painting by: Amsterdamprinter: The Haguepublisher: The Hague paper kitchen-interior. foot-stove

Design for a room painting with face through a shaved hedge over a terrace with sphinxes in a garden, Design for a room painting with face through a shaved hedge over a terrace, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, pen, brush, h 420 mm × w 327 mm

Mar's Work, Stirling, Sir David Young Cameron, 1865-1945, British, 1907, Etching and drypoint, Plate: 9 7/8 x 6 3/4in. (25.2 x 17.1cm) and Sheet: 11 1/8 x 8 1/4in. (28.3 x 21cm)

Dungeon with stones reliefs with lions; Dungeons; Carceri d'Invenzione. Face in a monumental space, a dungeon, with two large stone embossed in the foreground with performances of lions. Numbered top left: V.

Request the Hr. Hoogkamer return this ProEV back () / For me C van Hardenberg Ch Geysbeek () "Pencil Recto R.O.

Taddeo Drawing after the Antique; In the Background Copying a Façade by Polidoro; Federico Zuccaro (Italian, about 1541 - 1609); about 1595; Pen and brown ink, brush with brown wash over black chalk and touches of red chalk; 42.3 × 17.5 cm (16 5,8 × 6 7,8 in.)

The Gallery of Notre-Dame, Paris 1853 France. Etching printed in warm black on verdtre (greenish) China paper . Charles Meryon

Bas Reliof of Titus Arch.

Musee deToulouse. Artist: Adrien Dauzats, French, 1804-1868

On the Walls, Cologne. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Woman at a pump on the street, Henri de Braekeleer, 1850 - 1879 print paper etching street. utilitarian, public pump or water fountain

Decapitation of Johannes de Boper, Wilhelm Rohr, after Herri with De Bles, 1858 - 1907 print paper etching / engraving the beheading of John the Baptist

. In an inn, for a fireplace, there is a man, woman and a child, one man sits. At the rear left a woman enters the room. The print represents a scenic scene from Fanny, or the happy repentance, a play of François Thomas Marie de Bacular d'Arnaud.

Shakespeare's Monument at the Church at Stratford upon Avon, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving

Niche with statue and basin; Troisième lieure the perspectives. A man creates water from the basin. In the background a building with ionic columns is visible. From series of 6 sheets.

Plate XII: Caesares, from 'Descriptio Publicae Gratulationis Spectaculorum et Ludorum, in Advent Sereniss' 1595 Peeter van der Borcht Entry of Ernest, Archduke of Austria, into Antwerp, July 18, 1594.. Plate XII: Caesares, from 'Descriptio Publicae Gratulationis Spectaculorum et Ludorum, in Advent Sereniss' 698823

Katafalk of Emperor Matthias of Austria. Artist: Jacques Callot. Draughtsman: Moses ter Borch. Dating: c. 1656 - c. 1657. Place: Zwolle. Measurements: h 275 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Square with Neptunus fountain; Artis perspectiva (...). Façade with a monumental fountain. The fountain has a double pelvis and is crowned by an aedicula with Neptune. Two steps lead to the lower pelvis in which the second pelvis is on a monumental pedestal. On the right a woman hurts to the water. The print is part of an album.

Exhibition of 1867: Inner Court of the Bey Palace of Tunis Albert Maignan (1845-1908). Exhibition of 1867: Inner Court of the Bey Palace of Tunis, 1867. Lead Mine.

Arrival of procession with Maria de 'Medici at the Triumph gate on the pig lock, 1638, Jan Martszen de Jonge, 1638 drawing Design for a print. Arrival of the procession at the triumph gate on the pig lock at the Oudezijds Voorburgwal. Above the gate a painting by Maria de Medicis as Cybele in her chariot. Design drawing for plate 4 of the illustrations in the description of the festivities around the visit of Maria de 'Medici to Amsterdam from 31 August to 5 September 1638. paper. ink pen / brush triumphal arch. four-wheeled vehicle drawn by more than three animals (6). historical events and situations. triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam. Oudezijds Voorburgwal

Woodcut by Leonhard Beck, 1514-1516, showing Emperor Maximilian I learning Wyndisch language skills, reflecting linguistic education in the imperial court.

The Dyer. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 11 13/16 × 9 1/8 in. (30 × 23.2 cm)Sheet: 13 1/8 × 10 11/16 in. (33.3 × 27.2 cm). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Veduta degli avanzi di antiche fabbriche alle falde dell'Aventino sulla strada detta di Marmorata (above), Ruins and the Aqua Claudia in Rome, verso - stamped, Sheet with two representations of Roman buildings. Above: several ruins, according to the title situated along the Via Marmorata at the foot of the Aventine hill. Numbered at top left: Tav. XXIII. Numbered at top right: Fig. I. Title and explanatory list with letters in bottom margin. Below: remains of the Aqua Claudia aqueduct. Numbered at top right: Fig. II. Explanatory list with letters in bottom margin., print, prints, height 134 mm, width 212 mm, height 136 mm, width 202 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Antonio Fontanesi, In Liguria, c 1857 In Liguria

Vue deRouen. Artist: Eugène-Louis-Gabriel Isabey, French, 1803-1886

A woman with a child walks in front of a gate. Above the gateway rise the tops of the trees behind. In the sky, a flight of birds, Woman with child near a gate., print maker: Maria Vos, Netherlands, 1834 - 1906, paper, etching, h 105 mm × w 70 mm

TempeliFant in Madurai, Maria Bauer, 1926 print A figure descends on an elephant a staircase at the entrance of a temple in Madurai in the British Indies. In the foreground some sitting and standing figures. paper etching temple, shrine ~ Hinduism, Buddhism, Jainism. trunked animals: elephant Madurai

Grandside of the Krakow Cathedral - board 9 from the album "The graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

The Abbazia, Venice Made 1900 Scotland. Etching and drypoint on cream laid paper . David Young Cameron

Architectural Fantasy with an Obelisk and Arcade. Dated: 1750. Dimensions: plate: 9.4 x 12.9 cm (3 11/16 x 5 1/16 in.) sheet: 16.8 x 20.2 cm (6 5/8 x 7 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Joseph Le Lorrain.

Johannes de Bosch depicted a park landscape with a small pavilion and two foreground figures using black-gray pen, gray wash, and graphite pencil.

The Riveters. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Vatican The Watikan z Ry Rome: II. The rough gallery in the Watikan library (Vatican. Large Gallery in the Vatican Library) Gauchard, Félix Jean (1825 1872)

Giovanni Battista Piranesi (Italian, 1720-1778), Prisoners on a Projecting Platform, published 1749-1750, etching, engraving, sulphur tint or open bite, burnishing

Chapel in a Gothic Church (recto); Outline sketch of an oval form (verso). Artist: Giuseppe Bernardino Bison (Italian, Palmanova 1762-1844 Milan). Dimensions: 9 7/16 x 6 3/8 in. (24.0 x 16.2 cm). Date: 1762-1844. Museum: Metropolitan Museum of Art, New York, USA.

An Ancient Port; Giovanni Battista Piranesi, Italian, 1720 - 1778; Italy, Europe; 1749 - 1750; Red and black chalk and brown and reddish wash, squared in black chalk; 38.4 x 52.9 cm (15 1/8 x 20 13/16 in.)

Architectural Perspective for a Stage Set with a Bridge, Statues and a Fountain in the Background and Human Figures in the Foreground. Artist: Carlo Antonio Buffagnotti (Italian, Bologna 1660-after 1710 Ferrara). Dimensions: 10 -1/8 x 12 -11/16 in. (25.7 x 32.3 cm). Date: 1660-1710. Museum: Metropolitan Museum of Art, New York, USA.

An Ancient Port. Giovanni Battista Piranesi (Italian, 1720 - 1778)

Campania Napoli Naples S. Lorenzo Maggiore67. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Two wells for the ruins of a Portico, Johann Franz Ermels (Der ältere), 1651 - 1693 print paper etching landscape with ruins. well Rome

Two sculptures and a mosaic, presumably from apostles, from the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. architectural detail Basilica of San Marco

Photo production of (presumably) a print, representing the expulsion of Heliodorus from the Temple (Stanza di Eliodoro) to a fresco of Rafaël; Roma. Vaticana. Elidoro. Rafaello. Part of photo album with recordings of sights in Italian cities and works of art.

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Portrait of Johannes Bosboom and some of his paintings, Willem Steelink (II), in Or Before 1887 print The portrait of the seventy-year-old Johannes Bosboom surrounded by six works he painted by a studio, the Sint-Laurenskerk in Rotterdam, a workspace in a farm and a cloister, numbered 1 to 6. Netherlands paper historical persons. picture, painting Large or Sint-Laurenskerk

The imperial staircase towards the emperor's hall in Frankfurt am Main City Hall Rmer Below left is the entrance to the staircase On the ornamental ceiling of the stairwell, a fresco shows the victory of virtue over vice Top right Pag 19, Inside of staircase in Frankfurt am Main city hall Inwendiger Prospect der Neuen Stiege im Rmer , print maker: Michael Rössler, (mentioned on object), intermediary draughtsman: Willem Naarding, (mentioned on object), publisher: Johann David Jung, Frankfurt am Main, 1742, paper, engraving, h 390 mm × w 309 mm

Arches of the Larger Baths at Hadrian's Villa. Dated: c. 1748. Dimensions: overall: 30.5 x 47.5 cm (12 x 18 11/16 in.). Medium: black chalk and white chalk with stumping on light brown laid paper, with later framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: Charles Michel-Ange Challe.

Print made by Bernard Lens, 1659-1725, British, Peter Delivered out of Prison by an Angel, undated. Mezzotint on medium, slightly textured, cream laid paper.

Print (Netherlands); Jan van Doetechum the Elder (Netherlands); After Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Print Maker: Johannes van Doetechum I (ca. 1530 - 1606), Lucas van Doetechum (Dutch, after 1584); support: white laid paper; Platemark/repeat: 20.5 x 25.5 cm (8 1/16 x 10 1/16 in.)

Two horsemen plastering on the forehead of an inn with a monumental gate, Two horsemen plastering on the forehead of an inn, draughtsman: Johann Heinrich Roos, draughtsman: Karel du Jardin, (rejected attribution), 1641 - 1685, paper, pen, brush, h 244 mm × w 192 mm

the international exposition 1855, Paris, France, exhibition with the products of Algier, Algeria / die internationale Ausstellung 1855, Paris, Frankreich, Ausstellung mit den Produkten von Algier, Algerien, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

An ornate garden obelisk decorated with flaming urns and figures with burning torches. Etching by J. Goeree after S. Schynvoet, early 18th century.

Fragment of the Old City Wall at San Giovanni Laterano. Dated: 1764. Dimensions: sheet (trimmed to plate mark): 17 x 9.5 cm (6 11/16 x 3 3/4 in.). Medium: etching on laid paper proof state. Museum: National Gallery of Art, Washington DC. Author: Franz Edmund Weirotter.

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