Architectural Prints of Rome

Detailed prints showcasing Roman architecture, including arches and monuments, with a classical aesthetic and historical context.

Gedenk-boog, ter begraaf-plaats der uitgeteerde actionisten Arc memorial dressé au lieu de l'enterrement des actionistes consumés. 1720. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Triumphal arch; Ruins; Cum NECTUS Essem Duodecim Fragmenta Structurae Veteris (...). Remains of a triumphal arch. In the foreground a man is drawing, while a child looks over his shoulder. This print is part of an album.

Decoration for the 3rd act of the Valentine de Milan opera, Etienne Mehula and Jean Nicolas Bouilly. Motte, Charles Etienne Pierre (1785 1836), lithography of C. Motte (paryż)

Chapel of the Spring in the Beech Tree (Cappella del faggio dell'acqua) plate Q, 1612, Volume Title, Descrizione del Sacro Monte della Vernia, engraving, book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.), Illus. Bartsch 1983. nos. 130-136, Jacopo Ligozzi (designer) Italian, 1547 - 1627, Domenico Falcini (engraver) Italian, born c. 1570, Italian 16th/17th Century (engraver), Lino Moroni (author) Italian

Table decoration at the Golden Wedding of Burgermeester Gerrit Hooft, 1757, Simon Fokke, After David Kock, 1757 - 1759 print Table decoration for the feast on the occasion of the golden wedding of Burgemeester van Amsterdam Gerrit Hooft and his wife Hester Hinloopen, on June 28, 1757. Decoration or jewel in the shape of a garden with a temple, priests and allegorical figures in the middle, Made by the Amsterdam sugar baker Adriaen Kok. Amsterdam paper etching fancy-cakes, fancy-pastries. golden anniversary

IMENTS FORM, 1566, 1613 - 1615 print IMENTS FORM, August 20, 1566. Face in a church where men overs saints, turning windows and destroying paintings. Soldiers watch, the right is looted and robbed. With caption of 4 lines in Latin. Numbered: 5. Printed on Verso with text in Latin. Northern Netherlands paper etching iconoclasm

Set Design for Scene 3, 'La Vita Humana overo,' from 'Il Trionfo della Pieta', Giovanni Battista Galestruzzi, Italian, 1615 - 1669, Giovanni Francesco Grimaldi, Italian, 1606 - 1680, Etching on off-white laid paper, A set design for an opera. Three individuals stand at the center of a statue garden. Along the sides are walls with vines and trees and pairs of statues on pedestals in front. AT center a fountain behind the individuals and in the foreground a wall that wraps around and meets at the center of a two tiered monument with central arches, columns on either side and a pediment sitting on top., Italy, 1658, theater, Print, Print

Title page of the cycle Nouveaux Livre de Lembris de Revestement a Panneaux. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Louis XIV (King of France), Paris, Leblond, Jean (I), France, Lepautre, Jean, Vases, Title page: vases, Vase decorated with a kneeling woman holding an oval medallion with a vase. From a series of 6 sheets., print, ornamental print, title page, prints, ornamental prints, height 193 mm, width 130 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1648 - 1655, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Veduta in prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi Architettura di Nicola Salvi, Trevi Fountain in Rome, verso - stamped, View of the Trevi Fountain in Rome. Title in bottom margin., print, prints, height 471 mm, width 706 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Honorary for Willem III, at the Buitenhof in The Hague, 1691, Jacob van der Ulft (Rejected Attribution), 1690 - 1691 drawing Honorary Foundation founded at the Buitenhof for the visit of King Willem III to The Hague, 5 February 1691. Design for a print. Northern Netherlands paper. ink. pencil. chalk pen / brush triumphal arch The Hague

Interior with two magnetic stones. .

April, Giles Sadeler (2), after Pieter Stevens (1), after Pieter Stevens (2), 1624 - c. 1650 print Left in the foreground a country house with landing with classicist columns. In the middle of a garden with fountain, in which two gardeners are working. Linsk for some ladies and children; The Lord of the Huizes gives instructions. In the background right gardens and country houses, a hilly landscape on the left. In the air the constellation bull. The print has a Latin caption. print maker: Praagpublisher: Venice paper engraving April and its 'labours' (+ with zodiacal signs). gardening. gardening-tools. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes)

Les fêtes vénitiennes after 1759 Gabriel de Saint-Aubin French. Les fêtes vénitiennes 459377

Indoor, draughtsman: Gerrit Lamberts, 1786 - 1850, paper, pen, brush, h 180 mm × w 151 mm

Leidens Jammer Toneel. Draughtsman: C. van Waard. Dating: 1807. Measurements: h 363 mm × w 487 mm. Museum: Rijksmuseum, Amsterdam.

Fountain of Turtles Op Piazza Mattei Te Rome, Giovanni Battista Fonda, 1653 - 1691 Numbered below: 23. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Turtle fountain. Piazza Mattei. Rome Numbered below: 23. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Turtle fountain. Piazza Mattei. Rome

fine arts, Nilson, Johannes Esaias (1721 - 1788), graphic, ""Neues Cafehaus"", copper engraving, coloured, Augsburg, Germany, circa 1770, private collection,

Anna betrays her love for serestus; Illustrations at the torment game "Didos Doot". Anna, Dido's sister, has revealed her love for serestes. She is collapsed on the ground in the arms of a woman's figure. There is a two-legged caption in Dutch in the margin. This illustration is made at the first company of the torrent game "Didos Doot" (1668), written by Andries Pels. The print is part of a four-part series with scenes from this torrent game.

Chanceful from the side, anonymous, after Jean Lepautre, c. 1670 - c. 1690 print With hanging, square body decorated with consoles on the corners and medallions and garlands of fruit in between. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Arnold von Westerhout, Il Greco in Troia Plate 2 Il Greco in Troia: Plate 2

Fireworks at the celebration of the Peace of Utrecht, 1713, 1713 print Stellage with fireworks set out on behalf of the States General on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. In the caption De Titels and the legends at the fireworks in Dutch and French. Northern Netherlands paper etching festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works Hofvijver

Amsterdam, Netherlands, France, Lepautre, Jean, Portraicture de Diverses Vases, Vase carried by two naked men, Sheet 11 from a series of 6., print, ornament print, prints, ornament prints, height 186 mm, width 131 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1628 - 1732, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Part of the exterior of a classic mausoleum (Engelenburcht in Rome), Anonymous, After Jacques Androuet, 1500 - 1549 print Part of the exterior of a classic mausoleum that, according to the Latin caption, houses the remains of Hadrianus (Engelenburcht in Rome): an image on a base for a round building with two more images in niches. This print is part of a series of prints of antique buildings. paper engraving mausoleum EngelenBlt

Morning; Of the Liebe tomorrow; Day parts. A shepherd stands for fantasy building and blows on an instrument. His loved one looks and listens from a window with hatch to him. There is a beef next to the shepherd. Publisher number LVIII.

Fable of the spider and the swallow, Dirk Stoop, John Ogilby, 1665

. Fireworks for celebration of victory at Vigo, 1702. Comprehensive image of the fireworks lit at the states-general on a statement in the Hofvijver in The Hague on December 13, 1702. In the middle of the pond a scaffold with a temple decorated With eight representations of victories of the Allies on France and Spain in the year 1702, miniature ships depict the victory at Vigo. With captions in Dutch and French.

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Ornamental vases, Two vases, verso - stamped, Designs for two ornamental vases with two ears, flowers, fruit, garlands, ornaments and goat heads. Publisher number 30., print, ornamental print, prints, ornamental prints, height 169 mm, width 245 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, etching, etchings, Work conception, after own design by, seller

after a drawing by, Publication (Event), Publication, publisher, uitgever" Amsterdam, Dóll, widow Jan, Amsterdam, Kok, Willem, Beek, Jan Lucas van der, Illuminations and decorations in Amsterdam on the 40th birthday of Prince William V in 1788, Image of the Illumination for the Houses of the WelEd: Gestr: Messrs. H. Muilman Aldermen &c. and PA Hasselaer Commissioner of the City of Amsterdam, on the 8th of March 1788, Illumination for the houses of H. Muilman and PA Hasselaer in Amsterdam, 1788, verso - stamped, Illumination applied for the houses of H. Muilman and PA Hasselaer on the Keizersgracht in Amsterdam. Numbered at the top: VI. Part of a series of twelve plates of the illuminations and decorations in Amsterdam on the 40th birthday of Prince William V on 8 March 1788., print, prints, Frederik Muller Historieplaten, height 231 mm, width 265 mm, 1753-05-06 - 1818-10-12, print maker, printmaker, 1788 - 1788, paper, papier, etching, engraving, engraving (printing process), 1761 - 18

View of the Colonnade in the garden of Versailles, Anonymous, 1700 - 1799 print Two lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. garden buildings. garden ornaments. garden fountain Colonnade

Ester for Haman's house, 1645 - 1657 print When Mordekai finds out that two bodyguards of the king plan an attack, he tells Queen Ester (near the door) what he has heard. In the background in a gallery, Ester Ahasveros warns against the bodyguards. They were sentenced to death. The print is part of an album. paper letterpress printing

Analysis of Beauty: pl.1. Dated: 1753. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

C�cile Renaud Arrested at Robespierre, May 22, 1794 Jules-Adolphe Chauvet (Born in 1828) According to Duplessis-Bertaux. C�cile Renaud Arrested at Robespierre, May 22, 1794. Lavis de Sepia.

Meeting of the representatives of the States General on the peace negotiations for the file, February 6, 1608, 1608 print Meeting of the representatives of the States General on the peace negotiations for the file, 6 February 1608 in The Hague. The members are sitting around a large table in a departure with tapestries on the wall. Northern Netherlands paper etching peace negotiations The Hague

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 52e Cahier, Vuurdokken, Feu a la Romaine, Vuurdok met putto en vaasen, verso - stamped, An ornamented firedog with a reclining putto, its legs ending in an ornament, and two vases with fire. Print number 307., print, ornament print, prints, ornament prints, height 205 mm, width 330 mm, 1736 - 1780, print maker, 1772 - 1779, paper, etching, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Trompe-l'oeil ceiling with mythological representation; Ceilings. Ceiling with rectangular center piece with curved sides with a mythological representation supported by columns, pilasters and a cornice of doric orders. On the short silk crowned coats of arms flanked by two figures.

Gabriel de Saint-Aubin. Conference of lawyers. Eat, 1776. Museum of Fine Arts of the City of Paris, Petit Palais. 18th 18th 18th 18th 18th 18th century, engraving

Gruppo di colonne. Group of columns.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Capricci, Fountains, Arches, Stairs

Funerary structures and vases; Inventions Nouveaux The Differents Vases (...); Dessoints de la fashion Neuve au Gout Antique (...). Vases and three ornamented funerary structures with garlands and vases.

Spring. Draughtsman: Reinier Vinkeles (I). Dating: 1769. Measurements: h 170 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Count Floris IV murdered during a joust, 1234, Simon Fokke, 1782 print Count Floris IV killed during a jousting in Corbie. There are spectators around the jousting around the joust. There is a castle in the background. Amsterdam paper etching tournament Corbia

Entertain your eyes, youth! in seven planetes. / Every run in his circle. They therefore finds it (...). Leaf with a large representation of a staircase with seven celestial bodies: Marcurius, Mars, Luna, Sol, Jupiter, Venus and Saturn. Under the stairs a bow with a representation of symbolic attributes, including a harp and a book. Under the show a verse in two columns. Numbered at the top right: N. 41.

States of Holland and West Friesland, The Hague, Beeck, Anna, Northern Netherlands, Vianen, Jan van, Series of sixteen small prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations, 1697, The Second Chamber of the Ambassadors of France, Second chamber of the French ambassadors in the Huis ter Nieuburch in Rijswijk, The second chamber of the French ambassadors in the Huis ter Nieuburch in Rijswijk. In the caption the two titles in French and Dutch. Part (print 9) of the series of sixteen smaller prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten, height 144 mm, width 157 mm, Noord-Nederlands, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, papier, etching, etchings, Publication (Event), Publicatie, Nederlands, 1657 - 1717, publisher, uitgever van privilege

Vier episodes uit de vaderlandse geschiedenis; Illustraties uit de vaderlandse geschiedenis.Needs of leaves with four performances from national history. From left to right: Willem IV, Prince of Orange visits the University of Utrecht; Murder of Chinese in Batavia; Church head of Roermond lets anisitive couple to bring to the monastery; Large fire in the palace on the Koudenberg in Brussels.

Transparents' show and illuminations organized in June 1762 by the queen to celebrate the king's birthday; Cunny, Domenico (1727-1803), Adam, Robert (1728-1792); 1775 (1775-00-00-1778-00-00);

Amsterdam, Dóll, widow Jan, Kok, Willem, Beek, Jan Lucas van der, Illuminations and decorations in Amsterdam on the 40th birthday of Prince William V in 1788, Image of the Illumination for the House of Mrs. de Wid: de WelEd: Heer A: van Hemert in Amsterdam, on the 8th of March 1788, Illumination for the house of the widow of A. van Hemert in Amsterdam, 1788, verso - stamped, Illumination made for the house of the widow of A. van Hemert on the Herengracht in Amsterdam. Numbered at the top: XI. Part of a series of twelve plates of the illuminations and decorations in Amsterdam on the 40th birthday of Prince William V on 8 March 1788., print, prent, prints, prenten, Frederik Muller Historieplaten, height 230 mm, width 240 mm, 1753-05-06 - 1818-10-12, print maker, printmaker, 1788 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Catafalque for Rudolf II of Austria 1612 or after Giovanni Maria Filippi Top corners trimmed.. Catafalque for Rudolf II of Austria. 1612 or after. Etching

In 't Jaar 1590. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Die Gärten des Maecenas, oder Horti Maecenatis, erbaut von Gaius Maecenas, historisches Rom, Italien, digitale Reproduktion einer Originalvorlage aus ...

Dominicus Sapma escapes in the clothes of his wife from the Rasphuis in Amsterdam, 1621, 1780 - 1782 print The Remonstrant pastor Dominicus Sapma van Hoorn escapes the clothing of his wife from the Rasphuis in Amsterdam, September 22, 1621. Netherlands paper etching law and jurisprudence (+ escape from prison) Rasphuis

Stellage for the fireworks raised at the uplifting of Willem V to Knight of St. Joris, 1754; Ation of the fireworks, on March 21, 1754, in the Gravenhage, from because of the illustre and Aloude Confrerie van den Ridder St. Joris, on the Tournoy field, for the Sales, ran-stubbed / Représentation du Feu d'Artifice (.. .). Stellage for the fireworks lit on the tournament area at the Sint-Joris derels in 's-Gravenhage on the occasion of the uplifting of Prince William V to Knight in the knighthood of Saint Joris, March 21, 1754. Central to the scaffolding a representation of the Holy Joris The dragon beats, left and right pots with orange branches. On the leaf under the plate A description of the stellage in Dutch and French.

View of a palace garden with a fountain, 1787 - 1833 print View of a palace garden and a fountain with six prancing horses and three naked figures. People are looking in the foreground. The print is part of an album. paper etching landscapes. garden fountain

Picart, Bernard, Amsterdam, Putto at orange tree, verso - stamped, A putto points with an orange in his hand at an orange tree and a palace. At the top on a banderole the motto: Tot Pendebunt Et Ab Arbore Poma., print, prints, height 43 mm, width 68 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1729, second quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Bruiloft te Kana, Gabriel Huquier, after Claude Gillot, 1705 - in or before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching Christ orders (six) jars to be filled with water ~ marriage-feast at Cana

Gezigt, on the Ialien theater: in the Tujn at / from Mollem to Utregt. DT: 23. August: 1745.

The Two Monkeys. An acrobat walking on a tightrope in a Southwark theatre is watched by two unimpressed monkeys in a box. A Black trumpeter blows a horn in the orchestra pit. After William Kent. Copperplate engraving by Wison after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.

Library of the University of Leiden, Willem Isaacsz. van Swanenburg, after Jan Cornelisz. van 't Woudt, 1610 print Library of the University of Leiden. Interior with the cupboards with the books on chains. Different visitors in the foreground and between the cupboards. On the left a table with globes. On the right a cupboard marked: Legatu Josephi Scaligeri. Cards, prints and portraits on the walls. Part of a group of four faces from the University of Leiden, later used as an illustration in the supplement of the book by Meursius about Leiden University. Netherlands paper etching / engraving university. public library university of Leiden

5th Plate, from Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land) 1620 Jacques Callot French. 5th Plate, from Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land). Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa. Jacques Callot (French, Nancy 1592-1635 Nancy). 1620. Etching and engraving; first state of two (Lieure). Pietro Cecconcelli (Italian, active late 16th-early 17th century). Prints

Four streams Fontein, Anonymous, after Georg Andreas Böckler, 1664 print Fontein on the Piazza Navona square in Rome with an obelisk decorated with hieroglyphs and crowned with a bird with a laurel branch in his mouth. At the bottom four figures and a coat of arms. print maker: Germanyafter design by: Germany (possibly)printer: Neurenbergpublisher: Neurenberg paper etching

View of the Pedestre statue of Louis Legrand, taking foot.

Expeditious means of the French people to remain an aristocrat, November 13, 1790. (IT)

Drawing, Sketch for a reception at Palazzo Surian; Francesco Guardi (1712 - 1793); Italy; pen and ink, brush and wash on laid paper

France, A scene from act three of Medea (Medee, 1797) by Luigi Cherubini (1760-1842), performed in Paris in 1797, engraving

Print (France)

Speculum Romanae Magnificentiae: The Coloseum 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed

Les Trois Fontaines. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Rigaud.

The Temple of the Three Gods Temple of Jupiter, Juno and Minerva Weichardt, C. (Carl), 1846-1906. 1896. still image. Reconstructions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Pompeii (Extinct city), Architecture, Roman, Temples, Roman temples

Melchior Küsel after Johann Wilhelm Baur, Gardens, Duke d'Altems, 1681 Gardens, Duke d'Altems

A Reconstruction of the Temple of Fortuna. Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 5 1/16 x 7 11/16 in. (12.9 x 19.5 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Le Chateau de Saverne, Rohan Castle, Alsace, France, built 1780-90, architect Nicolas Salins de Montfort, from a rare French print, courtesy of LAlsace Illustree, Cote des Jardins, 1770, Book Illustration from “Cagliostro, The Splendour and Misery of A Master of Magic”, Chapman and Hall LTD, W.R.H. Trowbridge, 1910

Anatomical Theater from Leiden University, Willem Isaacsz. van Swanenburg, after Jan Cornelisz. van 't Woudt, 1610 print Anatomical theater of the University of Leiden. Various spectators are present in the anatomical lesson. Skelets of people and animals are in the room. Part of a group of four faces from the University of Leiden, later used as an illustration in the supplement of the book by Meursius about Leiden University. paper engraving / etching university. anatomy lesson university of Leiden

Fontein and Zuil van Trajanus in Rome, Johannes Lutma (1624-1689), 1656 print Amsterdam paper etching ornamental fountain. triumphal column with helical friezes Column of Trajanus

Four episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with four performances from national history. From left to right: François-Hercule de Valois, Duke of Anjou appointed as landlord; Arrival of Robert Dudley, count of Leicester in the Netherlands; Maurits, Prince of Orange appointed Stadholder; Murder of William I, Prince of Orange. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life)

Antieke Ruïnes, Jean François Janket, after Giovanni San Pianca Pannini, 1762 - 1798 print Ruin of a temple with five figures and a statue of Hercules paper ruin of a building ~ architecture

Fontein and Zuil van Trajanus in Rome, Johannes Lutma (1624-1689), 1656 print Amsterdam paper etching ornamental fountain. triumphal column with helical friezes Column of Trajanus

Circus Maximus. Der römische Circus war für Wagenrennen konzipiert, obwohl auch andere Veranstaltungen in diesen Arenen stattfanden, historisches Rom,...

Prentenibliefhebber, Daniel Nikolaus Chodowiecki, 1780 print Numbered at the top right: 4. With caption in German. paper etching collecting (leisure time activity). print, e.g.: engraving, etching, lithograph

Fresco on a facade of the former house of Hans Jakob Fugger in Augsburg; Frescoes on "The Three Moors House" Augsburg. Part of travel album with photos of Switzerland, Austria, Italy and Germany.

Zuilengang met zuilen van de Toscaanse orde en het zintuig zicht; Thuscana Visus; Architectura.Coloured with columns of the Tuscan building order. In the foreground a man with a crossbow and a sitting woman with mirror in hand. In addition to her an eagle. They depict the sense of sense. At the bottom right: ff. Print is part of an album.

Statue of Desiderius Erasmus in Rotterdam, Daniël Stopendaal, After Hillebrand van der Aa, in or after 1703 print Statue of Desiderius Erasmus on a pedestal in Rotterdam. On the left a quay with activity. Boats on the water. This statue designed by Hendrick de Keyser was placed on the Grotemarkt in 1622 and is nowadays on Grotekerkplein. print maker: Amsterdampublisher: Leiden paper etching / engraving monument, statue Rotterdam. Large market

French crown, Paris, Le Rouge, George-Louis, Septième Cahier des Jardins Anglo-chinois, Sallon Frais Pour les Jardins de la Fée Aline, Design for a pavilion, verso - stamped, Half a design for a pavilion with dome, colonnades and stairs. Decorated with fountains, putti and angels with a coat of arms and trumpets. Top right a design for a staircase with fountains., print, ornamental print, prints, ornamental prints, height 373 mm, width 239 mm, print maker, printmaker, 1779 - 1788, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, 1712 - 1790, publisher, uitgever van privilege

Amarilli and Mirtillo. Dated: 1640. Dimensions: overall: 6.5 x 9 cm (2 9/16 x 3 9/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Arch of Pola in Istria near the Gate, plate 24 from Some Views of Triumphal Arches and other monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 115 x 255 mm (image); 129 x 260 mm (plate); 341 x 461 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Jan Lutma II, The Fountain and the Column of Trajan in Rome, 1656 The Fountain and the Column of Trajan in Rome

Party in the Park of Trianon in honor of Gustave III in 1784. (IT)

Theatrum Sive Coliseum Romanum, Print made by unknown artist, sixteenth century, after Ambrogio Brambilla, active ca. 1579-1599, Italian, Published by Giovanni Giacomo de Rossi, 1627-1691, Italian, Published by Claude Duchet, died ca. 1585, French, Published by Nicolaus van Aelst, ca. 1527-1613, Flemish, 1581, Line engraving on medium, slightly textured, cream laid paper

Round well in a garden with Berceaux, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1574 print Garden, surrounded by Berceaux, with a round well on an elevation. The pulley attached to a cast -iron construction with ornament. On the left a peacock. No. 10 from series of 24 small wells paper etching well

COLUMNA DE TRAJANO - 1761 - GRABADO. Author: GIIVANNI BATTISTA PIRANESI (1720-1778). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Face of the Imperial Court in Beijing; Der Kayserl. Hoff zu pecking in China. Six lines of German and six lines of French text in the underwear.

Speculum Romanae Magnificentiae: St. Peter's 1547 After Antonio da Sangallo, the Younger Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of print

Thesesonon is a grand and Brad

The removal next of the Jacobins. (IT)

The Wittelsbach Fountain in the Royal Residence in Munich, Bavaria, Germany, Historic, digital reproduction of an original 19th-century artwork, Europe

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