Architectural Ruins and Landscapes

Impressive prints of ancient ruins and landscapes, evoking a sense of history and decay, with detailed backgrounds of nature and architecture.

Louis XIV (king of France), Paris, Swanevelt, Herman van, Twelve landscapes, Landscape with ruins, verso lower left - stamped, On a country road in front of a walled A few hikers walk through a building complex with some ruins. At a stream on the left a herd of goats with a shepherd can be seen., print, prints, height 186 mm, width 276 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Colosseum te Rome, Jacobus Baptist, after Lievin Cruyl, 1729 print Face in the Colosseum in Rome. The print is part of an album. print maker: Amsterdamafter drawing by: Romepublisher: Leiden paper etching ruin of a building ~ architecture. theatre (building) Colosseum

Depicts a fire site by Caspar David Friedrich, created as an etching in 1802, showing flames, structure, and surrounding landscape in detail.

Louis XIV (king of France), Paris, Swanevelt, Herman van, Twelve landscapes, Landscape with ruins, verso lower left - stamped, On a country road in front of a walled A few hikers walk through a building complex with some ruins. At a stream on the left a herd of goats with a shepherd can be seen., print, prints, height 186 mm, width 276 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Landscape with ruin; Landscapes. Landscape with ruin with two men from whom one with walking stick and the other pointing to the background. Fourded from a series of eight with landscapes.

Ruin of the caracalla thermal baths; Roman ruins and coastal landscapes (series 1). The overgrown ruins of the caracalla thermal baths in Rome. In the foreground two shepherds with a herd of goats. In the background the city of Rome. Print is part of a series of Roman ruins and coastal landscapes to a pictures of Willem van Nieulandt.

Two figures in ruin.

Hubert Robert, The Statue before the Ruins The Statue before the Ruins

Veduta interna della Villa di Mecenate (Interior View of the Villa of Maecenas ), from Vedute di Roma (Views of Rome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Travelers at the Temple of Minerva Medica at Rome; Landscapes to Pieter de Molijn.travelers with pakezels at the Temple of Minerva Medica at Rome. Third Print from a Series of Four.

Landscape with a farmer on a donkey and a fisherman on a river with stone bridge, Jean Jacques de Boissieu, 1763 print print maker: Franceafter own design by: Francepublisher: Paris paper etching / drypoint ass, donkey. landscape with bridge, viaduct or aqueduct. landscapes (+ landscape with figures, staffage). angling

Bathing of caracalla; Romae Thermae Antonianae; Roman ruins. View of the ruins of the Baths of Caracalla, with figures. In Circle. Print from a series of six with representations from Roman ruins. Under the show a rule in Latin.

Print, The Gardens of the Villa Mattei, near Rome; Print Maker: Jean-Baptiste Richard de Saint Non; After Hubert Robert (French, 1733 - 1808); France; etching on paper; 14.7 × 21 cm (5 13/16 × 8 1/4 in.); Bequest of Erskine Hewitt; 1938-57-741-a

Colosseum, with golf players, Hendrick Hondius (I), after Petrus Stephanus, 1600 print Face in the Colosseum with a few golf players in the foreground. In the background two men on a donkey. Print from a series of six with performances of Roman ruins. The Hague paper engraving amphitheatre. ruin of a building ~ architecture. golf Colosseum. Rome

Sorious, Isaac, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, 't Huys vande Heer vande Weert, House of the Lord of Weert, destroyed by the French in 1672, verso center bottom - stamped, The ruins of the house of the Lord of Weert. Fifth print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, prent, historieprent, prints, prenten, height 156 mm, width 256 mm, print maker, prentmaker, 1672 - 1676, paper, papier, etching, etsen

Figures in One of Michelangelo's Niches on the Apse of St. Peter's, Rome ca. 1763 Hubert Robert French This undated drawing relates to a group of views of the Vatican Robert executed in 1763. To emphasize the curvature of Michelangelo's niche, Robert chose a low, oblique vantage point. The perspective presented difficulties nonetheless, despite his use of a straight edge in places. On the left, the hatching sets the columns in shadow, but does not produce a convincing sense of volume. Nor is the rendering of the right side of the pediment, where it is supported by columns and brackets, convincing, largely due to the fact that the perspective of the cornice and that of the entablature do not align. Despite the clumsiness of occasional passages, the architecture plays host to groupings of quickly sketched peasants, some of whom have clambered up into the empty niche, occupying a space presumably intended for sculptures. In the background, a couple of tiny figures are seen in silhouette a

Shepherd at a tower with a well; Landscapes; Amenissimae Aliquot Requculae. Seated shepherd with four goats at a tower with a well in a landscape. Twelfth print of a series of a total of sixty prints with landscapes, divided into five parts of each twelve prints.

Tombstone of M. Antonius Antius Lupus, Anonymous, 1675 - 1711 print Amsterdam paper etching grave, tomb. low hill country

Attributed to Antonio Francesco Lucini (Italian, born c. 1610), Landscape with Ruins, 17th century, etching and engraving on laid paper

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Veduta dell Isola Tiberina (View of Tiber Island), from Vedute di Roma, Etching, platemark: 47.6 × 72 cm (18 3/4 × 28 3/8 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Altra Veduta del Tempio della Sibilla in Tivoli (Another View of the Temple of the Sibyl in Tivoli), from Vedute diRoma, Etching, platemark: 44.8 × 66.5 cm (17 5/8 × 26 3/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Two figures, one carrying a basket for poultry over the shoulder near a ruined tower in a landscape. In the distance a walking couple. 23rd print of a series of 52 prints with landscapes, divided into two parts of 26 prints each, Figures with a bird basket near a tower in a landscape Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Ferry at a bridge and a ruin, Jan van de Velde (II), 1616 print A ferry on which figures and a cart with migratory animals on the water at a stone bridge and a ruin with a tower. On the right on the bank two figures. Seventh print of part two of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching ferry. landscape with tower or castle. ruin of a dwelling, house, castle, etc.. landscape with bridge, viaduct or aqueduct

Landscape with Arched Tomb and an Obelisk. Artist: Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed): 6 5/16 × 9 1/4 in. (16 × 23.5 cm). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.

Remains of ancient buldings among which stands the sepulchral urn of Marcus Agrippa made entirely of porphyry, which serves today as the Tomb of Clement XII ... (Vestiggi d'antichi Edifici fra i quali evvi l'Urna Sepolcrale tutta d'un pezzo di .). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 15 1/4 × 9 5/16 in. (38.7 × 23.6 cm)Sheet: 19 1/2 × 13 1/4 in. (49.5 × 33.6 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Ponte Molle, Jan Both, 1628 - 1652 drawing paper. graphite (mineral). chalk brush Milvische use

View of the ruins of Pompeii, 1789 print paper etching landscape with ruins Pompeii

Thermen van Constantijn in Rome, Etienne Dupérac, 1575 View of the remains of the Thermen of Constantijn in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Constantine View of the remains of the Thermen of Constantijn in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Thermen from Constantine

An airy place on the Camilli estate. Stage Image Atto Secondo, Scena XIX, appearance Aemilia and Silla from the opera "Camillo Generoso" by Carlo Luigi Pietro Grua, called Pietrua (Librettist unknown). Dresden, Opera House on Pagesberg, for Fast Night 1693. Copper engraving etching; Table 7 in textbook. Dresden: Slub Mt.4.111 Rara

Italiananizing landscape with hikers at a staircase in a garden; The fountain on the stairs.

Fountain at ruin with a round tower, Gillis van Scheyndel (I), 1605 - 1653

Two conversing men on a path and a galloping rider at a round tower in a river landscape. On the horizon sailing ships. Sixteenth print of a series with 36 prints of landscapes, divided into six parts.

View of the Colosseum in Rome, in the foreground, a one-horse cab covered in canvas. Colisei prospectus.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), graphic artist

Fantastic landscape with buildings, Monsú Desiderio (Follower of), 1600 - 1699 drawing paper. chalk fantastic architecture, unrealistic architectural fantasies. fantastic architecture, unrealistic architectural fantasies

Drawing, Stage Design, Garden in Villa; Italy; pen and bistre ink, brush and sepia wash on laid paper

Design for a wallpaper painting, Isaac de Moucheron (Possible), After Isaac de Moucheron, 1677 - 1744 drawing paper. ink pen / brush

Ruin to a pullout. .

Hieronymus Cock, Ruins on the Palatine with the Septizonium, 1550 Ruins on the Palatine with the Septizonium

Liber Studiorum: Plate 35, Wenlock Priory, Salop, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.6 x 12.5 cm (7 5/16 x 4 15/16 in.).

Figures at an inn in a round tower in a landscape. On the left, a man fetching water from a river. Sixth print in a series of sixty prints with landscapes, divided into five parts of twelve prints each, Figures at an inn in a round tower Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Les Monuments Romains Jean Morin French. Les Monuments Romains 369184

Landscape with classical temple, Pieter van den Berge, 1669 - 1744 print Landscape with a classic temple and in the foreground two putti with a garland under a garden vase. On the right in the background a standing woman and a sitting man in conversation. Amsterdam paper etching / engraving landscape with ruins. ornament ~ festoon, garland. cupids: 'amores', 'amoretti', 'putti'

Study for Noah's Ark, Plate 40, Physica Sacra, Johann Melchior Füssli, Swiss, 1677-1736, Christian Ulrich Wagner, German, 1686-1763, Brush and grey, black wash, pen and black ink on cream laid paper, A large ship (Noah's Ark) is positioned on a hill in the center left of the image. Below is a large rectangular structure and to the right is a partially constructed ship. The scene is surrounded by an elaborate moulded frame, upon, above, and beneath which are an array of carpenter's tools. The letter D is written near the large rectangular structure, the letter A is written near the partially constructed ship, and B is written near the completed ship positioned on the hill in the background., Zürich, Switzerland, before 1731, landscapes, Drawing, Drawing

Coastal landscape with a water mill, Jan van de Velde (II), 1603 - 1641 print Mountainous coastal landscape with a water mill. Print from a series of eight with Marines. Northern Netherlands paper etching / engraving watermill in landscape. coast

Draftsman at a ruin. On a stone block a young man with a drawing block is on his lap. A man with a hat stands next to him. He points to the ruins that the young man looks. He holds his other arm on his back.

Landscape with gate and ruin, Willem van Nieulandt (II), 1594 - 1618 print There are ruins on the water, perhaps the Porta Furba. On the left a gate. Left in the foreground a road with a mounted donkey and a walker. Two figures run on the bridge. Print from a series of Roman ruins. paper etching landscape with ruins

Jacob Wilhelm Mechau, Arco di Druso, 1794 Arco di Druso

The Fountains Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Veduta dell'Isola Tiberina Giovanni Battista Piranesi (Italian, Venetian, 1720-1778).. Etching on wove paper on board, 7 7/16 x 11 1/4 in. (18.9 x 28.5 cm). European Art

Interieur van de tempel van de god canopus in De Villa Adriana Te Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print Face in the ruins of the Temple of the God Canopus in the Villa Adriana in Tivoli. Title and explanatory letters on banderol right. Rome paper etching villa. ruin of a building ~ architecture Villa Adriana. Tivoli

View of a ruin with six figures, Jean Moyreau, After Giovanni Paolo Pannini, 1701 - 1762 print Paris paper etching / engraving landscape with ruins

View of a big rock in Finsta, Johannes Jacobsz van den Aveele, 1708 The print is part of an album. Stockholm paper etching In finsta The print is part of an album. Stockholm paper etching In finsta

Arcadian landscape with an obelisk and a man at a fountain. Draughtsman: Jan van Huysum. Dating: 1692 - 1749. Measurements: h 210 mm × w 273 mm. Museum: Rijksmuseum, Amsterdam.

Giovanni Battista Piranesi, The Staircase with Trophies, published 1750 1758 The Staircase with Trophies

James Bruce, 1730-1794, British, Veduta di Tunga, undated. Graphite, gray wash, pen and brown ink, red pencil on moderately thick, moderate texture, cream laid paper.

Rüine near Baarland, 1624 - 1650 According to the caption remains of antiques near Baarland, located in the countryside in South Beveland. In the foreground three cows, a man and a milkmaid. On the right the sea with ships and a carriage on the beach. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching South Beveland. Baarland According to the caption remains of antiques near Baarland, located in the countryside in South Beveland. In the foreground three cows, a man and a milkmaid. On the right the sea with ships and a carriage on the beach. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching South Beveland. Baarland

William Miller, 1796-1882, British, Verona, 1834. Etching and engraving, open etching.

Boy after the hunt, Charles Courtry, After Jan Baptist Weenix, 1881 print Paris paper etching spoils of the hunt, game, venison. hunting, chase

Artist: Johann Georg Hertel, German, active 1750-1760, Capriccio with RomanRuins, Etching, image: 30.2 × 19.5 cm (11 7/8 × 7 11/16 in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

Ruins with Roma, Frans Geffels, 1659 - 1671 print An antique ruin. In the foreground, a Roma family cooks some soup. The print is part of a seven -part series with antique ruins. Mantua paper etching landscape with ruins. wandering communities: Romani or Roma

View of marble column row with fountains in the gardens of the Palace of Versailles, Comte, After Sellier, After E. Tomaszkiewicz, 1874 print paper statues, sculptures in garden Castle of Versailles

Travelers at a blacksmith, Jean Moyreau, After Philips Wouwerman, 1736 print publisher: ParisFrance paper etching / engraving smith, blacksmith

The fortress on Ambon, 1607; Afteeckeninge van 't Casteel Amboyna. Int Jaer 1607. Plan of the fortress at Ambon (the castle on Amboina), 1607. Part of the illustrations in the journey report by Cornelis Matelief de Jonge for the VOC to East Indies and China, 1605-1608, No. 5.

Landscape with dromedaries, ruins and sleeping men, James Tibbits Willmore, after Charles Lock Eastlake, 1833 print On the right Lord Byron sleeps against a broken column. Men with tulip tires sleep among the dromedaries. printer: Londonpublisher: Londonpublisher: Londonpublisher: Paris paper. etching hoofed animals: dromedary. landscape with ruins (+ city(-scape) with figures, staffage). head-gear: turban. sleeping on the ground - BB - out of doors

Teamears Bij Ruïns, Viegilius Solis, After Jacques Andouret, After Léonard Théone, 1550 - 1562 print Nuremberg paper etching ruin of a building ~ architecture. draughtsman studying classical remains - CC - out of doors. draughtsman at work - CC - out of doors. piece of sculpture, reproduction of a piece of sculpture. ornament ~ grotesque

Hubert Robert, The Well The Well

Ruin of a castle, in the foreground two figures at a water basin, R, print maker: Anthonie van den Bos, intermediary draughtsman: Bartholomeus Breenbergh, Netherlands, 1778 - 1838, paper, etching, h 120 mm × w 72 mm

The Lion Bas-Reliefs. Dated: published 1761. Dimensions: sheet: 76.7 x 53.6 cm (30 3/16 x 21 1/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Invenzioni capric di carceri all'acqua forte, Piranesi, Giovanni Battista, 1720-1778, burnishing, scratching, black-and-white, ca. 1749-1750

Frontispiece to 'Rovine'. Jean-Laurent Legeay (France, Paris, circa 1710-after 1786). France, 1768. Prints; etchings. Etching

Arco della Toretta o sia parte dell'acqua Claudia, agli Arci vicino a Tivoli, 1793, Collection ou Suite de Vues Pittoresques de l'Italie (plate 53), etching on laid paper, plate: 37.2 x 28 cm (14 5/8 x 11 in.), sheet: 49.2 x 39.2 cm (19 3/8 x 15 7/16 in.), Jacob Wilhelm Mechau (artist) German, 1745 - 1808

Ruins of an Amphitheater. Dimensions: plate: 9 x 13.1 cm (3 9/16 x 5 3/16 in.) sheet: 17.8 x 28.2 cm (7 x 11 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gilles Neyts.

Landscape with two shepherds and drinking cattle in a ruin, Pierre Jacques Duret (attributed to), after Nicolaes Pietersz Berchem, c. 1773 print Paris paper etching / engraving landscape with ruins. herd, flock

Two women at a sarcophagus serving as a fountain. Two women at a sarcophagus serving as a fountain; Left images in Nissen, a staircase in the background.

View of the Pincio from the southeast, Rome. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1609. Place: Rome. Measurements: h 136 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Francis Seymour Haden, 1818-1910, British, Mytton Hall, 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper.

Bril, Paul, Nieulandt, Willem van (II), Ruins and a shepherd's family, recto lower right - handwritten, Shepherds, women and children rest with their sheep in front of two overgrown ruins., print, prent, prints, verso - stamped, 35, height 240 mm, width 315 mm, Noord-Nederlands, 1584 - 1635, print maker, prentmaker, 1594 - 1635, paper, papier, etching, engraving, engraving (printing process), brush, Work conception, 1554 - 1626-10-07

Ruins , Ruins, Trees. Thomas Rowlandson (1756-1827). Prints and Drawings

Ermels, Johann Franz (der Ältere), Roman ruins and monuments, Two wells in front of the ruin of a portico, verso - stamped, print, prints, height 86 mm, width 66 mm, 1641 - 1693-12-03, print maker, printmaker, 1651 - 1693, paper, papier, etching, etchings

Giving bread to poor, from the "Landscapes" series; Swanevelt, Herman Van (1603/1604-1655); before 1655 (1625-00-00-1655-00-00);Dembiński, Stefan (1887-1972) - collection, 17th century, architecture, poverty, bread, gift (provenance), charity, philanthropy, landscapes, ruins, state print

Figures near a Ruined Colonnade, Charles-Louis Clérisseau, French, 1721 - 1820, Pen and black ink, brush and brown and gray wash, white gouache on off-white laid paper, A ruined colonnade curves from left foreground to lower right. At the center of the composition a sarcophagus decorated with a cow skull serves as a resting place for a group of travelers. At lower right, an additional group of figures has been added with light pen strokes., France, 1761, architecture, Drawing, Drawing

Giovanni Battista Piranesi, The Canopus of the Villa Adriana at Tivoli, 1776 The Canopus of the Villa Adriana at Tivoli

Landscape with Watermolen, 1583 - 1645 print Numbered in the bottom right: 4. paper etching watermill in landscape

Resting family for a ruin, Nicolas Perelle, after Willem van Nielandt (II), after Paul Bril, 1673 - 1695 print Paris paper etching landscape with ruins. sheep. herd, flock

Four representations from classical history; Illustrations from classical history. Four representations from the classic history of one plate, numbered from LVII to LX and all has a caption. Top left: Death of Antiochus Epiphanes. Bottom left: Agis killed next to his mother and grandmother. At the top right: earthquake in Rhodes. At the bottom right: encounter between Lucius Aemilius Paulus and his daughter. LVII and LVIII representations at the top right labeled: against over magazine. 178. LIX AND LX LAX LIGHT LIGHTING: Against Bladz. 231.

Malvern Abbey and Gate, Worcestershire, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Sarcophagus; Les Soireés de Rome; Roman faces. Three figures with an antique sarcophagus in a landscape. In the background a pyramid behind a number of cypresses. Sixth print from a series of ten.

Equality of all positions in the grave, Daniel Nikolaus Chodowiecki, 1770 print In the middle of a field is a burial monument with the text 'Quot Quot Distant'. On top of a skeleton with a scythe, seated on a fallen person. Men, women and children from all positions approach the burial monument. paper etching grave-building, monumental tomb. division into classes (~ society). Death as skeleton (+ Death with scythe)

Netherlands, Kruseman, Jan Diederikus, Figure at a church gate, verso - stamped, print, prints, height 152 mm, width 97 mm, 1828-08-15 - 1918-06-08, print maker, printmaker, 1853 - 1853, paper, papier, chine collé, etching

View of the ruins of the baths of Caracalla, from the inside. In the foreground some walkers. On the left a family of vagrants. The print is part of a series depicting various places in the Mediterranean, View of the ruins of the baths of Caracalla Thermae Caracallae Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 176 mm × w 248 mm

Chateau de Choquer, Print made by Samuel William Reynolds, 1773-1835, British, after George Arnald, 1763-1841, British, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 8 15/16 × 8 11/16 inches (22.7 × 22.1 cm) and Image: 7 7/16 × 7 7/16 inches (18.9 × 18.9 cm)

View of the ruins of the Coliseum from the side. In the foreground a carriage and some walkers. The print is part of a series depicting various sites in the Mediterranean, Ruin of the Colosseum Ruinarum varii prospectus Colisei prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 171 mm × w 244 mm

Ruins of the ancient town of Sagunto, Spain, circa 1800. Part of the theatre 1, and ruins of the citadel 2. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Classical Landscape. Dimensions: image: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 22.2 x 30 cm (8 3/4 x 11 13/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: GOTTFRIED ENGELMANN.

Winter landscape, Jacob van Kouwenhoven, 1782 - 1825 print Winter landscape with a stone bridge behind which there is a farm. Two men move a fully loaded sled on the frozen river. Rotterdam paper etching farm or solitary house in landscape. winter landscape; landscape symbolizing winter (the four seasons of the year)

Albrecht Dürer, The Nativity, 1504 The Nativity

The Nativity, 1504. Albrecht Dürer (German, 1471-1528). Engraving;

Samuel Prout, Scene at Jumièges, 1820 1830 Scene at Jumièges

Thomas Wyck (Dutch, c. 1616 - 1677), Sailors at the Waterside, etching

Ruins at Misenum; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Ruins at Misenum. In the foreground a shepherd with his herd, a man with two swords and a man with a dog and torch. Four lines of text in Italian in the undermarge. The print is part of an album.

General View, 18th century, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720-1778, 18 3/4 x 26 5/8 in. (47.63 x 67.63 cm) (plate)21 1/16 x 28 7/16 in. (53.5 x 72.23 cm) (sheet), Etching, Italy, 18th century

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