Architectural Ruins Landscapes

Etchings depicting scenic views of ancient ruins, featuring figures and horsemen, set in lush landscapes, conveying a sense of history and exploration.

Figures and pack mules at the Baths of Caracalla in Rome. Tenth print from part five of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Caracalla's Baths in Rome Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Figures and pack mules at the Baths of Caracalla in Rome. Tenth print from part five of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Caracalla's Baths in Rome Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Two horsemen seen from behind on a path along a ruin. Twentieth print of a series of 36 prints of landscapes, divided into six parts, Landscape with ruins and two horsemen Playsante lanscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

Two riders from behind seen on a path along a ruin. Twentieth print of a series of 36 prints of landscapes, divided into six parts.

Beads of Caracalla in Rome; Landscapes; Amenissimae Aliquot Requculae. Figures and pakezels at the caracalla baths in Rome. Tenth print of part five of a series of sixty prints with landscapes, spread over five parts of each twelve prints.

Landscape with ruins, an image and a church; Landscapes to Marco Ricci. Landscape with ruins, a picture on a base and a church. In the foreground men who study the ruins.

Beads of Caracalla in Rome; Landscapes; Amenissimae Aliquot Requculae. Figures and pakezels at the caracalla baths in Rome. Tenth print of part five of a series of sixty prints with landscapes, spread over five parts of each twelve prints.

Antique ruins with grave looters and palm tree; Italian landscapes.

Landscape with the merciful Samaritan at the inn; Italian landscapes. For an inn is the Merciful Samaritan, which pays the innkeeper for the care of the injured man. The injured traveler is supported in the inn. On the right in the landscape a ruin and in the background a landscape with the angel castle. To the Bible story in Luc. 10: 25-37. Print from a series of Italian landscapes.

Le Bouvier Assis Jean Morin French. Le Bouvier Assis 369191

Vue des debris des bains de Neron from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); after Hubert Robert (French, Paris 1733-1808 Paris); Adélaide Allou (French). Dimensions: Plate: 7 3/8 × 9 9/16 in. (18.8 × 24.3 cm)Sheet: 9 3/4 × 12 15/16 in. (24.7 × 32.8 cm). Publisher: Pierre François Basan (French, Paris 1723-1797 Paris ()). Series/Portfolio: Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Figures at a castle near a river, Jan van de Velde (II), 1616 print Three figures on a bank of a river near a castle. Ninth print of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching water course. landscape with tower or castle

Romeinse ruïne; Romeinse ruïnes en kustlandschappen (serie 1).On the right a ruin in a landscape, left three figures on a road. Print is part of a series of Roman ruins and coastal landscapes to a pictures of Willem van Nieulandt.

Landscape with Ruin, Jurriaan Cootwijck, after Jan Lievens, 1724 - 1798 print Landscape with the ruin of a gate. In the foreground two shepherds and their goats. Amsterdam paper landscape with ruins (+ city(-scape) with figures, staffage)

Fourth view of ruins on the Palatijn, Johannes or Lucas van Doechum (attributed to), afteronymus cock, c. 1578 - c. 1600 print Fourth view of the ruins on the Palatijn in Rome. Two men play with their dogs among the ruins. paper etching / engraving landscape with ruins Palatin

Landscape with column and ruins, Adriaen Collaert, after Hendrick van Cleve, 1587 print In the foreground, a caravan passes along a ruin and a column on a pedestal. The sea in the background. The print is part of a ten -part series with landscapes with ruins. Antwerp paper engraving landscape with ruins (+ city(-scape) with figures, staffage)

Landscape with ruin, Johannes Gronsveld, after Jan van Goyen, 1679 - 1728 print Landscape with ruin with two men in the foreground, one with a walking stick and the other pointing to the background. Fourth print from a series of eight with landscapes. Amsterdam paper etching landscape with ruins

Landscape with ruins and a watermill, Jan van de Velde (II), 1616 print Landscape with figures and pakezels on a road at ruins. On the left a watermill. Twentieth print of part two of a series of a total of 52 prints with landscapes, spread over two parts of 26 prints each. Northern Netherlands paper etching landscape with ruins. watermill in landscape. pack-animal

Women by a water fountain at Olevano, near Rome, Italy, 1822, (1943). Creator: Franz Theobald Horny.

Colossaei. Ro. Prospectus. 3 (Third View of the Colosseum in Rome). Dated: c. 1561. Dimensions: plate: 20.7 × 32.6 cm (8 1/8 × 12 13/16 in.) sheet: 21.2 × 33.1 cm (8 3/8 × 13 1/16 in.). Medium: etching on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hieronymus Cock Giovanni Battista Pittoni.

Seated shepherd with four goats near a tower with a well in a landscape. Twelfth print from a series of sixty prints with landscapes, divided into five parts of twelve prints each, Shepherd near a tower with a well Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), intermediary draughtsman: Jan van de Velde (II), Jan van de Velde (II), 1616, paper, etching, h 135 mm × w 200 mm

Seventh View of the Colosseum in Rome, Hieronymus Cock, 1551 print Seventh view of the ruins of the Colosseum in Rome. On the left is an artist to draw. Print from a series of 25 prints with Roman ruins. Antwerp paper etching artist (in general) studying classical remains - BB - out of doors Colosseum

Landscape with ruins and water basin, Marco Ricci, 1730 print Landscape with ruins of classic buildings and a large water basin. Two women at the basin. Different figures on and between the ruins. Assignment in the end margin. Italy paper etching landscapes. landscape with ruins - II - ideal landscapes. ruin of a building ~ architecture. ornamental fountain

Graftombes Aan de via Appia Antica, Giovanni Battista Piranesi, c. 1756 - c. 1757 print View of the remains of tombs on the Via Appia Antica. Title and explanatory letters in STUDMARGE. Numbered above: Tom. Ii. / XLVII. Rome paper etching grave, tomb. landscape with ruins. ruin of a building ~ architecture. city-view, and landscape with man-made constructions Via Appia Antica

'View of a City with a Statue of the Sitting Horus'. From the Album No 2 "Souveni d'Italie". 1785 - 1787. Dimensions: 26,4x38,2 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Paul Sandby, Ruins with a Seated Man, and a Covered Wagon in the Distance, 1758 Ruins with a Seated Man, and a Covered Wagon in the Distance

La Vieille Femme Assise. Artist: Jean Morin (French, Paris ca. 1605-1650 Paris); After Cornelis van Poelenburch (Dutch, Utrecht () 1594/95-1667 Utrecht). Dimensions: sheet: 7 5/16 x 9 9/16 in. (18.5 x 24.3 cm)image: 5 11/16 x 8 3/16 in. (14.5 x 20.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Face on a harbor place, b; Italian port sites. View of a harbor place. Two figures with a dog and true in the foreground. In the background masts of boats.

Fountain in ruin with a round tower, Gillis van Scheyndel (I), After Antoine Perelle, 1605 - 1653 print There is a ruin with a round tower and a fountain in a landscape. Along the ruin, two travelers travel with a horse. In the foreground some figures are looking at the ruin. The print is part of a series of twelve landscapes. Netherlands paper etching landscape with ruins. 'en route', traveller under way. ornamental fountain

Landscape with an image of a sphinx, Laurens Barata, Before 1628 - After 1656 print Landscape with ruins and an image of a sphinx. paper etching landscape with ruins. sphinx (lion/woman); 'Sfinge' (Ripa)

Ruin with in front of it a group of women and children and two playing dogs. In the doorway are a woman and a child. Print from a series of Italian landscapes, Ruin with a group of women and children Italian landscapes (series title), print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, engraving, h 242 mm × w 315 mm

The Collonade n.d. Thomas Wijck Dutch. The Collonade 373729

Ruins of the palace substructures of Septimius Severus, Rome, Gerard ter Borch (I), c. 1607 - c. 1609, draughtsman: Gerard ter Borch (I), (signed by artist), Rome, c. 1607 - c. 1609, paper, h 202 mm × w 176 mm

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Landscape with the Colosseum and the Arch of Constantine, verso - stamped, A landscape with part of the Colosseum on the right and the Arch of Constantine on the left. Men with horses are busy between the monuments. In the foreground a block with the letters SPQR and in the background the Forum Romanum (then still called the Campo Vaccino)., print, prent, prints, prenten, height 130 mm, width 132 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Figures at a port and a tower; Landscapes; Amenissimae Aliquot Requculae. Figures at a port at a tower used as a lighthouse. Between the quays a wooden bridge. A city on the horizon. Fifth print of part two of a series of sixty prints with landscapes, spread over five parts of each twelve prints.

Rome from the Farnesean Gardens, John Le Keux, 1783-1846, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Etching and engraving on medium, smooth, cream, wove paper, with cream, chine colle, Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm), Chine collé: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm), and Image: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)

Kop van A cow, Jacobus Cornelis Gaal, after Pieter Gaal, 1851 print paper etching cow

Landscape with Ruins. Dated: 17th century. Dimensions: sheet (cut to platemark): 16 x 18 cm (6 5/16 x 7 1/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Antonio Francesco Lucini.

Fantasy landscape with classicist architecture.

Ruines de l'Eglise de Berthancourt-les-Dames, Picardie, c. 1840, James Duffield Harding, British, 1798 - 1863, 13 1/4 x 29 1/2 in. (33.66 x 74.93 cm) (plate)13 1/4 x 19 1/2 in. (33.66 x 49.53 cm) (sheet), Lithotint on chine appliqué, England, 19th century

Les Baigneurs (The Bathers), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) ca. 1618 Jacques Callot French. Les Baigneurs (The Bathers), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes). Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

The Temple of Fortuna; `Templum fortunae Praenestae.`. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), graphic artist

Veduta del Colle Celio, presa dal Palatino from Sette Colli, 1825. Pinelli, Bartolomeo. 1825 This copy of the suite was shown in the 1956 exhibition Mostra di Bartolomeo Pinelli. See the Itinerario, which accompanies, Incisa della Rochetta, Giovanni. Bartolomeo Pinelli. Roma: Amici dei Musei di Roma, 1956. Title from: Itinerario. The Veduta del Colle Capitolino, presa dalle falde del Colle Aventino displays Alessandro Castignari's collector's mark on the verso (Lugt 86a). Ref.: Pacini, Renato. Bartolomeo Pinelli e la Roma del tempo suo. Milano: S.A. Fratelli Treves Editori, 1935, p. 115, 134-135. Imprint: Rome. The suite consists of views of the seven hills of Rome, both drawn and etched by Pinelli in 1825, according to the inscriptions. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As inte

Manerbawr Castle, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales. Paul Sandby; English, 1731-1809. Date: 1775. Dimensions: 186 × 260 mm (image); 239 × 315 mm (plate); 353 × 529 mm (sheet). Etching and aquatint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Nativity (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 7 5/16 × 4 15/16 in. (18.5 × 12.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

A drawing by Nicolaes Piemont depicting a ruined landscape with a shepherd and cow, executed in black chalk, brush, watercolor, and graphite, with vertical fold trace at the edge.

Landscape with ruins and workmen, Joseph Stephan, 1769 print paper etching ruin of a building ~ architecture

Shepherd with herd by river outside the city, Jean Mathieu (attributed to), after Nicolaes Pietersz Berchem, 1759 - 1815 print France paper etching herd, flock. water course. tower, clock tower ~ monumental adornment

Wijck, Thomas, View of a village at a harbour, verso lower left - stamped, A woman, with a package on her head, stands next to a man on a path along a number of houses. On the left the harbour with a moored boat., print, prints, height 143 mm, width 170 mm, Noord-Nederlands, 1624 - 1677-08-19, print maker, printmaker, 1626 - 1677, paper, papier, etching, etsen

Remains of the Kasteel Kranendonk, Jan de Beijer, 1738 - 1739 drawing paper. ink pen / brush castle

Landscape with antique ruins; Incert Cuucemdam Ruin Prospectus; Roman ruins; Praecipua Aliquot Romanae Antiquatatis Ruinarum Monimenta (...). Landscape with a ruin with an antique cassoupart ceiling, overgrown by plants and trees. In the background left there are more antique ruins and an obelisk. Two men walk in the ruin. Title in Latin upstairs.

Avanzi dell'acqua Marzia, Claudia e dell'Aniene vecchio. Dated: 1793. Dimensions: plate: 27.3 x 37.2 cm (10 3/4 x 14 5/8 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Wilhelm Mechau.

Artist: Giuseppe Vasi, Italian, 1710-1782, Artist, forgery of probably: Giovanni Battista Piranesi, Italian, 1720-1778, Parte di Campo Vaccino (Part of the CampoVaccino), Etching, platemark: 21.2 × 32.1 cm (8 3/8 × 12 5/8 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Thermen van Caracalla, 1624 - 1650 Ruins of the Thermen of Caracalla in Rome. Three people see the building in the foreground. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Thermen from Caracalla Ruins of the Thermen of Caracalla in Rome. Three people see the building in the foreground. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Thermen from Caracalla

The Equestrian Monument, from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

Landscape with shepherds at a monument. Landscape with shepherds, a monument and a castle in the distance.

Ustrinum Langs de via Appia Antica, Giovanni Battista Piranesi, c. 1756 - c. 1757 print View of the remains of a Ustrinum along the Via Appia Antica. Title and list of explanatory songs in STUDMARGE. Numbered above: Tom. III. / Rome paper etching landscape with ruins. city-view, and landscape with man-made constructions. ruin of a building ~ architecture Via Appia Antica. Rome

Landscape with Ancient Tombs. Dimensions: sheet: 17 x 28.2 cm (6 11/16 x 11 1/8 in.). Medium: pen and brown ink with gray wash on tan laid paper. Museum: National Gallery of Art, Washington DC. Author: Agostino Mitelli.

Landschap Met Berenjacht, Aegidius Sadeler (II) (Rejected Attribution), after Jan Brueghel (I), 1578 - 1625 print A landscape with a Roman temple ruins. In the foreground, a bear is attacked by four hunting dogs and two hunters with spears. paper engraving hunt ~ predatory animals (fox, lion). beasts of prey, predatory animals: bear. landscape with ruins (+ city(-scape) with figures, staffage)

Face on the Milvic bridge in Rome; Miluus punch; Ruinarum Varii Prospectus. View of the Milvic Bridge (Ponte Mollo) in Rome. A fight is going on on the bridge. In the background Rome. The print is part of a series that depicts different places in the Mediterranean.

Woman with child at a gate. For a gate a woman walks with a child. Above the gate the tops of the trees standing behind it. In the air a flight birds.

Ruins of the Coliseum, plate 10 from The Ruins of Rome. Bartholomeus Breenbergh; Dutch, 1598-1657. Date: 1639-1640. Dimensions: 104 x 64 mm (plate); 108 x 68 mm (sheet). Etching in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, Greve, Barent, Isaac, Moucheron, Isaac de, Zaal-stucken in 't huys van de Hr. DB Mezquita, Hall pieces in the house of Mr. Mesquita, Landscape with fountains and a palace, verso - stamped, Landscape with two ornamental fountains in the foreground and a statue of a man and a woman. In the background water and on the other side a palace. After the painted wall panel in the hall of the house of the merchant David Bueno de Mesquita., print, prints, height 348 mm, width 245 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1677 - 1744, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, after, after painting by, Publication (Event), Publication, 1677-11-17 - 1757-10-04, publisher, uitgever, Publicatie, Nederlands, 1707 - 1766-06-24

Johan B�low (1751-1828), Roman ruins, 1779

View of the interior of the Temple of Neptune. Board XII from the series "Différentes Vues de Qelques Restes de Trois Grands Edifices Qui Subsister Encore Dans le Milieu de l'Ancienne Ville de Pesto Autmment Authent Mentment Qui est sitée dans la lucanie"; Piranesi, Francesco (1758-1810), Piranesi, Giovanni Battista (1720-1778); 1778 (1778-00-00-1778-00-00);

Tivoli, a Composition, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1827, Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper, Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm), Plate: 21 1/8 × 28 1/4 inches (53.7 × 71.8 cm), and Image: 15 × 23 7/8 inches (38.1 × 60.6 cm), Tivoli

Friedrich, Caspar David, Man and woman by the remains of their burnt-out house, verso middle - stamped, A man and woman stand mourning by the remains of their house, which has been badly damaged by fire., print, engraving, prints, engravings, height 92 mm, width 137 mm, height 250 mm, width 285 mm, German, 1774-09-05 - 1840-05-07, print maker, printmaker, 1802-09-21 - 1802-09-21, first quarter 19th century, paper, papier, etching, etchings

Bella, Stefano della, Herd of cattle near a ruin, verso - stamped, Landscape with a shepherd with a herd of cattle near a ruin., print, prent, prints, height 251 mm, width 174 mm, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, inspirator

Antique ruins with some men at statue; Italian landscapes.

Untitled: Classical scene, George Knapton, 1698-1778, British, after Giovanni Paolo Panini, Italian, 1691-1765, Italian, Arthur Pond, ca. 1705-1758, British, 1740, Sheet: 5 3/4 x 9 3/8in. (14.6 x 23.8cm)

. Three conversing gentlemen at a fort on a hill in a river landscape. A city on the horizon. Print from a series with river landscapes.

Hunting company in a landscape with a castle on a cliff, Gabriel Huquier, after Nicolaes Pietersz Berchem, c. 1772 print print maker: Parispublisher: ParisFrance paper etching castle. hunting, chase

Landscape with palace, anonymous, c. 1700 - c. 1799 drawing Netherlands paper. chalk brush

Palace of Galienus and the Temple of Tudela at Bordeaux, Gerard ter Borch (I), c. 1600 - c. 1604, draughtsman: Gerard ter Borch (I), (signed by artist), Bordeaux, c. 1600 - c. 1604, paper, h 152 mm × w 212 mm

Drawing of a city gate and bridge with figures on the ice of the city moat in winter, executed in gray and brownish-gray wash over graphite pencil, with folds, spots, and dirt marks.

Veduta della Cascata di Tivoli (View of the Waterfall of Tivoli), from Vedute di Roma (Views ofRome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Two men beside the ruins of a gate in Rome Roman ruins and monuments (series title), print maker: Johann Franz Ermels (der Ältere), 1651 - 1693, paper, etching, h 115 mm × w 99 mm

Print (Germany)

Hieronymus Cocks etching (1550-1551) depicts a landscape scene with architectural ruins and human figures, emphasizing composition, detail, and perspective.

Oever of a river, Leendert de Koningh, in or before 1826 - 1833 print On the left bank buildings including a castle and a fort on a hill. A sailboat on the water. In the foreground cows and two figures. The woman is wearing a basket on her head. Dordrecht paper landscapes in the temperate zone. river bank. castle. cow. sailing-ship, sailing-boat. carrying something on the head or on the shoulders

Landschaftliche Composition (oval). Reinhart, Johann Christian (1761-1847), graphic artist

t Slot in Breukelen

Cityscape, Hermanus Fock, 1781 - 1822 print A face on a street along a wall and buildings. A beam casts a shadow on the street where different people walk. Under the show some exercises, including a face and a leaf motif, in different techniques. Amsterdam paper etching city-view in general; 'veduta' - II - ideal city (+ city(-scape) with figures, staffage)

View From the Banks of the Teverone 1817 France. Lithograph in black on ivory wove paper . Claude Thiénon

. Landscape with a Roman ruin with columns on the right and a ruin with a few arches at a raise. Three figures at the top.

Print (France)

Landscape with antique ruins and monument with lion, Giuliano Giampiccoli, after Marco Ricci, 1739 - 1740 print Venice paper etching landscape with ruins

Two conversing figures near a ruined house in a landscape. Ninth print in a series of twenty, Two figures near a ruined house Ruins (series title) Regiunculae quoddam amenae ruin aeque anti quidres (series title), print maker: Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, engraving, h 96 mm × w 160 mm

Gezigt van de Groote Fonteyn in / Het Bosch.

Lorrain, Claude, Rome, Le Troupeau en marche par un temps orageux, Shepherd with his flock during a storm, top left - handwritten, A shepherd drives his herd of cows, sheep and goats through a landscape with a ruin. Rain falls from dark clouds., print, engraving, prints, engravings, verso bottom right - stamped, F. Jawet 1806, height 162 mm, width 224 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

A black pen and brush drawing with watercolor by Louis-Gabriel Moreau the Elder depicting ruin architecture, with brown and black wash, dated 1765.

Classic ruins in a cave, Pieter Anthony Wakkerdak, after Jan Asselijn, 1740 - 1774 print Two shepherds and a shepherdin with a dog are in a cave in classic ruins. Rotterdam paper cave, grotto. ruin of a building ~ architecture. dog. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

View of the ruins of the Colosseum. View in the Colosseum in Rome with in the foreground two artists, an old shepherd with a herd of goats and two women who were doing.

Six Views of Heidelberg Castle: Western Part , 1820. Ernst Fries (German, 1801-1833), Mohr & Winter, Heidelberg. Lithograph printed in black and a deep ochre tint stone overall; sheet: 38.5 x 50 cm (15 3/16 x 19 11/16 in.).

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Landscapes, Landscapes with arches, verso - stamped, Two decorative landscapes. Ruin landscapes with arches. Publisher number 44., print, ornamental print, prints, ornamental prints, height 281 mm, width 189 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

River Scene ca. 1750-70 Fabio Berardi. River Scene. Fabio Berardi (Italian, Siena 1728-1788 Venice). ca. 1750-70. Etching. Joseph Wagner (Italian, Thalendorf 1706-1780 Venice). Prints

Figures in the middle of Roman ruins, Paul Angier, 1749 print print maker: Londonafter drawing by: Italypublisher: London paper etching / engraving standing figure. landscape with ruins. sculpture

Man met wandelstok bij ziekenhuis; Capricci di varie Figure di Jacopo Callot; Diverse figuren en voorstellingen.Right in the foreground is a man with a walking stick. He points to the left, to a house or hospital in the background, for which some of the cripples and other figures are located. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Secondo frontespizio, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757

Ruin of a temple at Pozzuoli, 1624 - 1650 View of the ruins at Pozzuoli. On the right the remains of a round temple. In the foreground a few stepped down riders and a dog. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Pozzuoli View of the ruins at Pozzuoli. On the right the remains of a round temple. In the foreground a few stepped down riders and a dog. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Pozzuoli

Edouard Eckman after Jacques Callot, Shepherd and Ruins, 1621 Shepherd and Ruins

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