Architectural Scenes of Historical Events

Prints illustrating significant moments during the French Revolution and notable architecture, encapsulating social and political themes.

Félix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), French, 1847 - 1898, 1878, etching, aquatint, drypoint, and roulette with burnishing on turpentine soaked japan paper

The Simplon, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, first published state

French Revolution: Day of 11, 12, 13 August 1792. Statue of Louis XIV by Desjardins, slaughtered by the people. Place des Victories. 1st and 2nd boroughs. Plate #68 of the historical paintings of the French Revolution (factic title)

. The coupling decor the citizen neighborhood, with a scene from: mischief love. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

Félix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), French, 1847 - 1898, 1878, etching, aquatint, drypoint, and roulette with burnishing on turpentine soaked japan paper

Minerva asks envy to ignite jealousy in Aglauros, Johannes or Lucas van Doetechum, after Gerard van Groeningen, 1601 - 1652 print Cityscape. On the left, Minerva is at Nijd and asks her to make Aglauros jealous of her sister Heerse. Because of this jealousy, Aglaurus wanted to stop Mercury to enter the Chamber of Heerse and she was changed to black stone with his staff. Under the show a text from the metamorphoses of Ovidius, book 2, Versrules 792-793. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving Minerva visits the cave of Envy (Invidia) in order to punish Aglauros

Print (Germany)

Applauding Hendrik Danielsz. Hooft op de Dam, 1787, Willem Kok, 1787 drawing The Amsterdam mayor Hendrik Danielsz. Hooft is welcomed by the public on Dam Square on departure in his carriage, 26 February 1787. In the margin Het Wapen van Hooft with two arrows bundles. Design for a print. Northern Netherlands paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Mayor, Burgomaster. Crowd, Mob City Hall of Amsterdam (1655-1808). Dam. new church

Street face with wall fountain, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Fountain for a landing. The fountain consists of an elongated basin, worn by four sphinxes in rolling work. There are four water squirting Hermen against the wall. In between there are three statues in Nissen. Left on the street a woman with a child by the hand. The print is part of an album. Antwerp paper etching Fountain for a landing. The fountain consists of an elongated basin, worn by four sphinxes in rolling work. There are four water squirting Hermen against the wall. In between there are three statues in Nissen. Left on the street a woman with a child by the hand. The print is part of an album. Antwerp paper etching

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Illustriss: D:ni Baronis N. Tessini Regiae Aulæ Marescalli Primariiq: Aedific: Hortorumq: Reg: Praefecti, Palatium Holmense prope Arcem situm, Inner garden and palace of Nicodemus Tessin the younger, to the south, The print is part out of an album., print, album page, prints, height 234 mm, width 335 mm, 1655 - 1727-05-18, print maker, 1702 - 1702, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Stadsplein with a vase-shaped fountain surrounded by figures; Artis perspectiva (...). Square with a vase-shaped fountain in three floors. The vase is in a cross-shaped pelvis and is crowned by a sphere from which water is spitting bird heads. The fountain is crowned by a picture of a woman with a tazza and a drinking cup in the hands. Left in the foreground a minne couple. In the background women who were drying. The print is part of an album.

unknown, Hondius, Hendrick (I), Vinckboons, David (I), The Hague, The four seasons, Far, Spring, a company at a castle, verso lower left - stamped, Castle garden with pergola and trees and the castle on the right. In the garden an elegant company that is relaxing in various ways. On the right in the foreground a pleasure boat with a lady and gentleman and a gondolier. On the quay stands a gentleman with a lute. Below the representation a text in Latin. Print from a series of the four seasons., print, prints, Henricus hondius sculp et excud., lower left - engraved, David Vinckboons Invent., Cum privill, lower right - engraved, VER, lower center in the margin - engraved, Bruma vale, nivibus...in vitibus uvae., height 378 mm, width 507 mm, Noord-Nederlands, 1573-06-09 - 1650-10-25, granter of privilege, 1618 - 1618, paper, papier, engraving, engraving (printing process), Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publication, publisher, issuer

Funeral of the French Count de Maillebois in Maastricht, 1791, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Funeral of the French Count de Maillebois in Maastricht, December 17, 1791. Funeral parade with procession of carriages accompanied by Pages on foot with torches. Amsterdam paper etching cortege, funeral procession Maastricht

Riot for the keys, 1672, 1779 - 1781 drawing Oproer for the keys in Amsterdam on the street, 1672. Design for a print. Northern Netherlands paper Amsterdam

Pallaz zu Genoua Villamena genandt. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Orleans, Thomas Higham, 1796-1844, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

Charles Meryon, French (1821-1868), La Rue Pirouette aux halles, Paris (Pirouette Street, Near the Markets, Paris), 1860, etching

Fontein crowned with around temple on square, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Square with a round fountain, consisting of a pelvis with three water spitting children or men. In the pelvis there is a round temple of two floors in which a woman with three lions is under her feet. Around the fountain men and women with jugs. A corridor of grille work around the square. The print is part of an album. Antwerp paper etching Square with a round fountain, consisting of a pelvis with three water spitting children or men. In the pelvis there is a round temple of two floors in which a woman with three lions is under her feet. Around the fountain men and women with jugs. A corridor of grille work around the square. The print is part of an album. Antwerp paper etching

Exposure of 1889. The exit of the exhibition. (Dummy title)

Gilles van Berlaymont, baron of Hierges, is received at Amsterdam, 1574, Simon Fokke, 1722 - 1784, Night scene in which Gilles van Berlaymont, baron of Hierges, is received at Amsterdam, 1574. In the foreground representatives of the city, in the background soldiers with burning torches. Design for a print., draughtsman: Simon Fokke, 1722 - 1784, paper, pen, brush, h 92 mm × w 52 mm

View of the monument with the image of Charles II, King of England, Sutton Nicholls, 1720 - 1731 print The statue was at the entrance of the stock exchange at Cornhill and Poultry in London. London paper etching / engraving monument, statue. city-view in general; 'veduta' (+ city(-scape) with figures, staffage) London

William Miller, 1796-1882, British, Fontainebleau, 1835. Etching and engrving, engraver's proof.

Ile de la Cité from the Institut, Paris. Dated: c. 1832. Dimensions: overall: 24.2 x 32.7 cm (9 1/2 x 12 7/8 in.). Medium: graphite with stumping on wove paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Shotter Boys.

Title card "Troisieme Livre de Perspectives"; unknown, Marot, Daniel (1661-1752; st.); after 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, architecture, French (culture), title cards, gardens, palaces, perspective, designs, staff

Franz II., Roman-German Emperor portrait in advanced years in his study at Lock Persenbeug receiving a petitioner. Steel engraving according to your own drawing by Josef Kovatsch, 1830s.

Facsimiles of Sketches Made in Flanders and Germany: On the Walls, Cologne, 1833. Samuel Prout (British, 1783-1852), Charles Joseph Hullmandel. Lithograph, hand colored with white gouache on gray paper; sheet: 54.9 x 37 cm (21 5/8 x 14 9/16 in.); image: 40.7 x 28.2 cm (16 x 11 1/8 in.).

Pyreneus and De Muzen, Anonymous, After Jean Lepautre, 1675 - 1711 print Pyreneus invites the nine muses in his temple with the intention of harming them. He points the muses to his temple. Under the show a four -line verse in Dutch and a reference to the text in the metamorphoses of Ovidius. Amsterdam paper etching / engraving the Muses flee from Pyreneus and transform themselves into birds (Pyreneus, trying to catch them, falls down to death from the top of a tower)

Rue Laplace (1895) F. Laughing. Rue Laplace (1895). Feather, Chinese ink, 1895.

The Belvedere, chart 2 from the cycle The Uprising". Dietrich, Fryderyk Krzysztof (1779-1847), graphic artist, Piwarski, Jan Feliks (1794-1859), draughtsman, cartoonist

Prospect iShro Röm, Keyl, And Königl, Cathol, May, Head of Mauth Bey the Rothen Thurn Rotenturmstraße, Franz Josefs-Kai, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Richard Parkes Bonington, 1802-1828, British, Bergues - La Tour du March,. Lithograph.

Face Lock Rosersberg, Nicolas Perelle, 1670 - 1674 The print is part of an album. paper etching Slot Rosersberg The print is part of an album. paper etching Slot Rosersberg

Prospect above the parlor Thor woolen line, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus - , Johann Andreas the Pfeffel -, publisher

Westminster Bridge, or Westminster Clock Tower 1860-98 Félix-Hilaire Buhot French. Westminster Bridge, or Westminster Clock Tower. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1860-98. Etching, drypoint, roulette, aquatint and spit bite; second state of eight. Prints

Balzer Dahl (1825-1893); Niels Bredal (1841-1888), Faerge over the Tiber, 1825 - 1893

Michel Paul sen. (1877-1938), sketchbook. 1898-99 (1898): Meißen. Schloßhof View. Pencil on paper, 13.8 x 20.9 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1898-99

Reproduction of paintings: Bujko, Bolesław (1878-1939), Pantheon and Montmartre; from: "Tygodnik Ilustrowany" 1904, II. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Rebuilding the Campanile, Venice, No.I. Dated: 1911. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The innocent fountain Bernard. The Fountain of Innocents. Paris (IER ART.). Watercolor.

The Athenaeum, Portsmouth. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 5/16 x 5 7/8 in. (21.1 x 14.9 cm)Sheet: 11 5/8 x 8 13/16 in. (29.6 x 22.4 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

The Campagna of Rome, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper

Bliżej Kultury Wyczółkowski, Leon (1852 1936), Cotty, Jan (print and lit.)

'Place Baudoyer', 1915. Artist: Frank Milton Armington.

Grand' Place, Brussels. Dated: 1887. Dimensions: overall: 21.8 x 14 cm (8 9/16 x 5 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Prospect above the parlor Thor woolen line, Stubentor, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Palaces, Brussels. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 220 x 141 mm (sheet excluding tab); 223 x 141 mm (sheet including tab). Etching and drypoint with foul biting in black ink on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

1893 Art Work - Bologna Charles John Watson.

Lady on horseback in Florence, Johann Sadeler (i), after monogram FLB, after Jan van der Straet, 1601 - 1618 print A lady (Johanna van Austria) On horseback, driving through a street in Florence, accompanied by a four men and a boy. Right front is a beggar. Antwerp paper engraving riding a horse, ass, or mule; rider, horseman. street Florence

View of the Warsaw Institute of Music incorporated into the bass clef symbol, initial. Lentz, Stanisław (1861-1920), draughtsman, cartoonist

Gaudís showcase at the Universal Exhibition of Paris, 1878.

The Fountain of Trevi - Rome, Italy George Wharton Edwards, circa 1928

Ettliche Pallazzi zu Venedig alla Fondamenta nove genandt. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Theater Decor: De Burgerbuurt, Reinier Vinkeles (I), after Jan Gerard Waldorp, 1775 print The CoulissenDecor de Burgerbuurt, with a scene from: Wanhine Love. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Venice, Viero, Teodoro, Italy, Moretti, Giovanni Battista, Sandi, Antonio, Views of Venice, Superba moles Pontis Rivoalti ad orientalem plagam, View of the Rialto Bridge over the Canal Grande in Venice, verso - stamped, Title in Latin in bottom margin. Numbered lower right: 9., print, prent, prints, prenten, width 321 mm, height, 441 mm, Italian, 1733-10-09 - 1817-09-04, print maker, printmaker, 1743 - 1817, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Publication (Event), Publication, 1740-03-19 - 1819-08-02, publisher

Bliżej Kultury Stroobant, François (1819 1916), Litographic Plant Time (Krakow)

Study for Mounting Guard, St James Park, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 189 × 258 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Ratisbonne. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Greetings from Alt-Wien, Lobkowitz-Platz with the citizen-Spitale , Unknown, producer, after, Johann Adam Delsenbach -, Engraver

Entrance to Zocodover, Toledo. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 255 x 192 mm. Oiled charcoal and stumping, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Serenade. Night cityscape with a singer and spectators.

Thomas Rowlandson, 1756-1827, British, Greenwich Church, undated. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

William Walcot, Covent Garden, Bow Street, c. 1913, etching and drypoint on laid paper.

Artist: Leon Lhermitte, French, 1844-1925, Le Rond-Point des ChampsElysees, Etching, sheet: 20 × 25.2 cm (7 7/8 × 9 15/16in.), French, 19thcentury, Works on Paper -Prints

The Woolworth through the Arch. Joseph Pennell; American, 1857-1926. Date: 1920-1921. Dimensions: 252 x 175 mm (image); 308 x 191 mm (sheet). Etching in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The view from the window knew the end of St. Mary's and the cloth Hall and knows Town Hall; Wyczóżó Kowski, Leon (1852-1936); 1913 (1913-00-00-1913-00-00);Kraków (Lesser Poland Voivodeship), Mickiewicz, Adam (1798-1855) - iconography, young Poland (Styl), Partage Plus, Town Hall (Kraków - Main Rynek), Main Square (Kraków), Sukiennice (Kraków), Witke -Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Poland (culture), Polish drawings

Veduta del Porto di Ripa Grande (View of the Port of Ripa Grande), from Vedute di Roma (Views ofRome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Emile Henry's mother - Emile Henry's home, Cité Faler - Cabaret / Mrs. Henry, in Brévannes

Thermen van Agrippa, Jan Goeree, 1704 print Stone Wall with two performances on it. Above a reconstruction of the Thermen of Agrippa. Below that a representation of the ruins of the Thermen. In the foreground is a young man and an older man kneels. Numbered at the top right: fol. 774. I. The print is part of an album. print maker: Netherlandsafter own design by: NetherlandsAmsterdam paper etching representation of real building (either existing or having existed). piece of sculpture, reproduction of a piece of sculpture. landscape with ruins. public baths Thermen from Agrippa

Print (Germany)

The times, pl. 2 , Fountains, Gardens, Sculpture, Rulers. John D. Merriam Collection

Exit from Krakow in 1549; Care, Ignacy (1865-1941), Matejko, Jan (1838-1893); 1897-1898 (1897-00-00-1898-00-00);Barbican (Kraków), Christ's Frasivny (iconogr.), Kraków (Lesser Poland Voivodeship), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, Jagiellonian University (Kraków - 1364-), Polish graphics, Poland (culture), bonuses, bonuses of the Society of Encouragement of Fine Arts, students

Fresco on a facade of the former house of Hans Jakob Fugger in Augsburg; Frescoes. Part of travel album with photos of Switzerland, Austria, Italy and Germany.

Sworn in the Government Regulations in Haarlem, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1795 print Solemn ceremony with the sworn in the new government regulations founded in a temple on the Grote Markt in Haarlem, 5 September 1787. Archers are set up around the square. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving warfare; military affairs (+ citizen soldiery, civil guard, citizen militia). proclamation of new government Large market. Sint-Bavokerk

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

La Place des Martyrs et La Taverne du Bagne (The Place des Martyrs and the Jailhouse Tavern). Dated: 1885. Dimensions: plate: 34 x 44.7 cm (13 3/8 x 17 5/8 in.) sheet: 36.5 x 48 cm (14 3/8 x 18 7/8 in.). Medium: etching, aquatint, lift-ground aquatint, and drypoint in blue-black on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Statue of Willem II, King of the Netherlands, at the Buitenhof in The Hague, 1853 - 1949 print Statue of Willem II by Eduard François Georges on the Buitenhof in The Hague. Figures are on the street. Netherlands paper monument, statue Buitenhof

Funeral Procession on the Boulevard de Clichy (Convoi funèbre au Boulevard de Clichy). Dimensions: 36 cm x 48.6 cm, 33 cm x 44.9 cm, 33 cm x 44.9 cm. Photomechanical reproduction, etching, aquatint, stop-out and drypoint in for colours, partly à la poupée and printed with two plates (one for the central image and one for the margin), on wove paper on Japan paper. Museum: Van Gogh Museum, Amsterdam. Author: Félix Hilaire Buhot.

Reproduction of a painting: Bellotto, Bernardo (1721-1780), Ossoliński entering Rome; excerpt from an album. unknown, publisher

35. Donner fountain at Neue Markt in Vienna; Mollo, Tranquillo (1767-1837), parchment, Sigmund Ferdinand von (1778-1841), 1818 or 1823 (1818-00-00-1823-00-00);

Study for Somerset House, Strand, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 211 × 265 mm. Graphite with pen and brown ink, on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print made by William Miller, 1796-1882, British, Venice, the Piazzetta, 1853-1874.

La rue Pirouette aux Halles, Paris.. Méryon, Charles (1821-1868). 1860. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Paris (France), City & town life, Streets , France , Paris

Castle and boys looking at a bird, Gijsbertus Johannes van Overbeek, 1911 drawing Five boys in nightwear and one dressed boy look at a bird that comes to fly behind a curtain. In the background a second drawing of a castle with moat. Rotterdam paper. India ink (ink). pencil pen nightwear. birds. castle. curtains

Harry Willson, Active 1813-1852, Urban Scene, undated. Watercolor, graphite, and gouache with pen and brown ink on medium, moderately textured, cream wove paper.

This chalk lithograph by Wojcek Stanislaw Weiss depicts a healing spring scene, illustrating figures interacting with a natural water source.

Entering the Wośka church in Lviv; Wooden houses in the Visual; Ukasz Górka; Buildings in the vistula; Because it is a good one; Dymamentowski, Piotr (Fl. 1871-1878), Regulski, Aleksander (1839-1884), Zab Ocki, Feliks ( -1874), Zajkowski, Andrzej (1851-1914), Matejko, Jan (1838-1893), Lewental , Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

James T. Willmore, 1800-1863, British, Nantes, 1826-1837. Line engraving, 1st state on moderately thick, moderately textured, cream, wove paper, with gray, chine colle.

Fireworks from the Engelenburcht, Anonymous, 1575 - 1613 print View of the Engelenburcht in Rome. Fireworks are set off from the different towers of the castle. In the foreground are spectators and large barrels from which fireworks come out. Caption in Italian in STUDMARGE. The print is part of an album. paper etching fortress. bonfire, fire-works English-curvy. Tiber

Allegory of Fortitude (). Dated: c. 1515/1520. Dimensions: sheet: 29.6 x 20.5 cm (11 5/8 x 8 1/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of 1515.

Plein met Neptunusfontein, 1568 print Stadsplein with two palaces. On the right a fountain crowned with Neptune in his car under a canopy. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. palace. (story of) Neptune (Poseidon)

Les voisins de campagne.. Buhot, Félix Hilaire (1847-1898). 1874 - 1888. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Neighbors, Houses , France, Normandy (France)

Nantes, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1828-1832, Line engraving, first published state on moderately thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 6 × 8 9/16 inches (15.2 × 21.7 cm), Chine collé: 5 3/4 × 8 5/16 inches (14.6 × 21.1 cm), and Image: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)

Exhibition of the goldsmith Emile Anthony during the World Exhibition in Antwerp, Th. Lantin, 1894 photomechanical print Antwerp paper collotype world fair, world exhibition. collection, exhibition, show. jeweller, goldsmith, silversmith

Colonna Trajana. Trajan's Column.. Piranesi, Giovanni Battista, 1720-1778. 1748 - 1751. Charrington, John, 1856-1939. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Rome (Italy) , Antiquities, Trajan's Column (Rome, Italy)

Thomas Higham, 1796-1844, British, Orleans, 1833. LIne engraving on medium, smooth, cream, wove paper.

Memory , of the Pentecost week in Prague in , Schleich, Etcher, After, Jan Dworacek, Drawer, Friedrich Kretzschmar, publisher

John Henderson, 1764-1843, British, Venetian Fantasy, undated. Watercolor and graphite on moderately thick, moderately textured, beige, wove paper.

Félix Hilaire Buhot, Le bruit de deux sabots traînant (The sound of two clogs shuffling), 1878 Le bruit de deux sabots traînant... (The sound of two clogs shuffling...)

Prospect of the Fisch-Hoffs between the Bauermarkt and Fleischhof, from, True and accurate illustration , Part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Grass field in a park Park (title on object), figures walk on the path around the field. A flowerbed in the middle. There is a building at the end. Around the image an ornament border with a painter's palette, a bust, a honey board and a globe, park, bee-hive, globe, palette, Heinrich Dilcher (mentioned on object), Amsterdam, 1834 - 1885, paper, h 90 mm × w 120 mm

Souvenir d'Amsterdam, 1915. David Young Cameron (British, 1865-1945). Etching and drypoint;

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