Architectural Sculpture Fragments

Photographs of medieval architectural fragments and tomb sculptures, illustrating rich textures and historical significance.

Cappodoce Euiuk: un des pieds-droits de la porte du palais, Exploration archéologique de la Galatie et de la Bithynie: d'une partie de la Mysie, de la Phrygie, de la Cappadoce et du Pont: exécutée en 1861 et publiée sous les auspices du Ministère de l'Instruction publique, Delbet, Jules, Guillaume, Edmond, Perrot, Georges, 1832-1914, Photolithograph, 1862-1872, Photolithograph. Jules Delbet is also one of the book's three authors.

Unknown photographer, fragment in Baalbek (without date): detailed view. Photo, 13.2 x 18.4 cm (including scan edges) unbek. Fotograf : Fragment in Baalbek (ohne Dat.)

Décoration de l'entrée du grand Spéos d'Abousembil (Le Dieu Phré recevant les offrandes de Rhamsès-le-grand) March 1850 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174

Relief IV in Bishapur, representing the Sassanidian King Bahram II and an Arabian embodiment. Part of Risalbum of H. Dunlop with photos of sights in Persia, Scotland, Germany, Russia, China and Canada.

Thebes. Palais de Karnak. Sculptures extérieures du Sanctuaire de granit 1850 Maxime Du Camp French. Thebes. Palais de Karnak. Sculptures extérieures du Sanctuaire de granit 263234

ROCK TEMPLE OF ABOO SIMBEL. Egypt, engraving 1879

Palais de Karnak, Sculptures Extérieures du Sanctuaire de Granit; Thèbes Made 1849-1851 France. Salted paper print, plate 40 from the album Egypte, Nubie, Palestine et Syrie (1852) . Maxime Du Camp

Cappodoce Euiuk: un des pieds-droits de la porte du palais, Exploration archéologique de la Galatie et de la Bithynie: d'une partie de la Mysie, de la Phrygie, de la Cappadoce et du Pont: exécutée en 1861 et publiée sous les auspices du Ministère de l'Instruction publique, Delbet, Jules, Guillaume, Edmond, Perrot, Georges, 1832-1914, Photolithograph, 1862-1872, Photolithograph. Jules Delbet is also one of the book's three authors.

Facade of the Temple of Simbel, Nubia, From the West. Francis Frith (English, 1822 - 1898)

Unknown photographer, fragment in Baalbek (without date): detailed view. Photo, 13.2 x 18.4 cm (including scan edges) unbek. Fotograf : Fragment in Baalbek (ohne Dat.)

The harvest scene. Pl. 2 is the first of the series of scenes on the left side of the tomb chamber.. Tylor, J. J. (Joseph John), 1851-1901. Prints. 1900. General Research Division. Tombs & sepulchral monuments , Egypt, Elkab (Extinct city)

Unknown photographer, Medinet Habu in Theben-West (without dat.): Tempelwand, fight of the ram. Photo on cardboard, 32.2 x 23.8 cm (including scan edges) unbek. Fotograf : Medinet Habu (Theben-West)

Karnak (Thèbes), Palais - Construction de Granit - Décoration Sculptée et Piente au Point R. Artist: Félix Teynard (French, 1817-1892). Dimensions: 23.7 x 30.5 cm. (9 5/16 x 12 in.). Printer: Imprimerie Photographique de H. de Fonteny et Cie. Date: 1851-52, printed 1853-54. Museum: Metropolitan Museum of Art, New York, USA.

Palais de Karnak, Sculptures Extérieures du Sanctuaire de Granit; Thèbes. Maxime Du Camp; French, 1822-1894. Date: 1849-1851. Dimensions: 15.5 × 20.2 cm (image/paper); 30 × 42.8 cm (album page). Salted paper print, plate 40 from the album "Egypte, Nubie, Palestine et Syrie" (1852). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome S. Paolo96. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ibsamboul, Vue Générale Du Grand Spéos De Phrè; Nubie Made 1849-1851 France. Salted paper print, plate 102 from the album Egypte, Nubie, Palestine et Syrie (1852) . Maxime Du Camp

Lazio Viterbo Tuscania S. Francesco4. Hutzel, Max 1960-1990 Medieval: 14th century architecture. Post-medieval: Fresco Object Notes: Two sets of prints, mostly duplicates German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lombardy Milano Milan S. Ambrogio5. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Todiano S. Bartolomeo1. Hutzel, Max 1960-1990 .. Views of exterior and interior, including painting, sculpture, architectural detail. Specific Location: S. Bartolomeo German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Paolo79. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bas-relief at the arch of the garden (Tahkt-i-bustan), Kirmermanshah, Persia, 1925 photograph unknown paper. cardboard gelatin silver print Iran

Hathor temple, detail of bas-relief decoration, Dendera, Egypt, ca 1925.

Koum Amlas (). Francis Frith (English, 1822 - 1898)

Tombe de Ciro a Morgab. Artist: Luigi Pesce (Italian, 1818-1891). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo L'Aquila Bazzano S. Giusta2. Hutzel, Max 1960-1990 Exterior views of this 13th century church focus on the west facade and richly ornamented portal (1238). Prints in the Hutzel collection include views of the main altarpiece, east wall frescoes, crucifix, and 13th century nave frescoes. In the Medieval core collection are general views of the interior, including the arcade, and the crypt. Carved on the pulpit (1180) are signs of the Four Evangelists, the Lamb of God, and St. George Slaying the Dragon. Views of the crypt (13th century) show an entryway to the 3rd century catacombs and a wooden statue of S. Giusta. Views of the interior (remodelled in the 15th century) focus on reused Roman architectural elements (1st century BC - 1st century AD). The arcade includes piers, Roman columns, and a frescoed ancient Roman cornice frieze. In the crypt are Roman gravestones. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his

Molise Isernia Isernia S. Maria Assunta4. Hutzel, Max 1960-1990 Medieval: Remains of Romanesque architecture and architectural sculpture incorporated in a modern restoration Antiquities: Fragments of architectural and other sculpture Object Notes: Much of the sculpture illustrated was subsequently transferred to the Museo Comunale. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief in the temple of Seti I, Abydos, 1862 - 1895 photograph Part of a group of photos collected by photographer Richard Polak on travel. This photo was exhibited together with other photos collected on his journeys at the Rotterdamsche Kunstkring (1895), Arti and Amicitiae in Amsterdam (1897-1898) And Societeit 't Collegie in Kampen (Date for the time being unknown). Egypt paper. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. temple, shrine ~ Egyptian religion Temple of Seti I.

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V1. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah, p

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bas-relief from the Roman Emperor Valerianus in a rock in Naks-I-Rustam, Persia; A straight-up rock (about 1 1/2 hour on horseback from the village of Swansabad), in which, among other things, carved the group displayed on the PHOTOS, representing the Roman Emperor Valerianus, which, after being prisoned and captured, the persians of prince Shapur (Sapor I) begging to grace. (3rd century n.c.).

The Colossus of Memnon at Thebes; John Beasly Greene (American, born France, 1832 - 1856); print: probably France; 1854; Salted paper print from a Calotype negative; 29.6 x 23.4 cm (11 5,8 x 9 3,16 in.)

Jérusalem, Sarcophage judaïque. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.2 × 32.7 cm (9 1/8 × 12 7/8 in.)Mount: 44.5 x 59.7 cm (17 1/2 x 23 1/2 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854.Ridiculed by fellow scholars for contending that many architectural fragments examined on an 1850 expedition to Jerusalem dated from the period of David and Solomon, Félicien Caignart de Saulcy was further accused of having provided fanciful and inaccurate site drawings to support his thesis. Auguste Salzmann, an artist and archaeologist, entered this scholarly fray late in 1853, setting off for Jerusalem to study and photograph the disputed monuments; after four months' work, he returned to Paris with at least 150 negatives. For Salzmann, the conclusive power of his photographs was self-evident; simple examination of the visual evidence they provided proved de Saulcy correct. With obvious satisfaction, de Saul

Basilicata Matera Matera S. Nicola dei Greci. Hutzel, Max 1960-1990 Medieval: Architecture (Early Christian), rock-cut church; Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Abruzzo Pescara Penne S. Domenico39. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Egypte. Les Colosses de Memnon a Thebes. Attributed to Francis Frith (English, 1822 - 1898)

The Colossus of Memnon; John Beasly Greene (American, born France, 1832 - 1856); print: probably France; 1854; Salted paper print from a Calotype negative; 28.9 x 21.7 cm (11 3,8 x 8 9,16 in.)

Dendérah (Tentyris), Temple d'Athôr - Face Postérieure 1851-52, printed 1853-54 Félix Teynard French. Dendérah (Tentyris), Temple d'Athôr - Face Postérieure 261821

(4) Naksh-i Rustam, Near Persepolis. Artist: Luigi Pesce (Italian, 1818-1891). Date: 1840s-60s. Museum: Metropolitan Museum of Art, New York, USA.

Detail of the Doksaal in the Ostchor of the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Egyptian Hieroglyphs- Temple of Ramses, Abydos, Egypt. Vintage engraved Photograph of Egypt, circa 1870s, from work by archeologist Auguste Mariette

Dendérah (Tentyris), Temple d'Athôr - Face Postérieure. Artist: Félix Teynard (French, 1817-1892). Dimensions: 24.7 x 30.0 cm. (9 3/4 x 11 13/16 in.). Printer: Imprimerie Photographique de H. de Fonteny et Cie. Date: 1851-52, printed 1853-54. Museum: Metropolitan Museum of Art, New York, USA.

Jérusalem, Fragments judaïque et romain. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.5 x 30.9 cm (9 1/4 x 12 3/16 in.)Mount: 44.8 x 59.7 cm (17 5/8 x 23 1/2 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854.For Salzmann history was in the details. Though the ravages of time, natural forces, and human conflict erased much of ancient cities, fragments hinted at the existence of civilizations such as the Kingdom of David, the Roman Empire, and earlier phases of the Ottoman Empire--all models for Second Empire France. Salzmann's focus on the smallest details--a frieze's vegetal decoration, loose statuary, a wall's abstract patterns, or a helmet's winged figure--gives his photographs a rare combination of directness and ephemerality. He would return to the holy city on two more archaeological expeditions in the 1860s. The creation of the Jerusalem album was just one step on a costly and grueling path that car

Djerf-Hocein (Tutzis), Hemi-Spéos, Colosses de la Partie Extérieure. Artist: Félix Teynard (French, 1817-1892). Dimensions: 23.7 x 30.4 cm. (9 5/16 x 12 in.). Printer: Imprimerie Photographique de H. de Fonteny et Cie. Date: 1851-52, printed 1853-54. Museum: Metropolitan Museum of Art, New York, USA.

Abou-Sembil, Petit Spéos - Partie Gauche de la Façade. Artist: Félix Teynard (French, 1817-1892). Dimensions: 23.3 x 30.5 cm. (9 3/16 x 12 in.). Printer: Imprimerie Photographique de H. de Fonteny et Cie. Date: 1851-52, printed 1853-54. Museum: Metropolitan Museum of Art, New York, USA.

Nubie. Ibsamboul. Entrée du Spéos d'Hathor 1850 Maxime Du Camp French. Nubie. Ibsamboul. Entrée du Spéos d'Hathor 263228

Dakka, Frith, Francis, The temple at Dakkeh, Relief at the temple of Dakka, recto - printed, stereograph, stereophoto, page, photos, photographically illustrated books, LXXII, height 76 mm, width 144 mm, English, 1822 - 1898, photographer, 1857 - 1862, photographic paper, photo paper, albumen print

Arreau, Hautes-Pyrénées, France , 1920-1921 - Charente, Gironde, Basse -Pyrénées, Hautes Pyrénées - Fernand Cuville (French - Arreau , Hautes-Pyrénées , France). Church, Christianity, Sculpture, Bas-relief, Door, Middle Ages, Religion , Art, France, Valley of Ossau, Arreau

Kom ombos: bas relief. 1860 - 1869. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt , Antiquities, Hieroglyphics, Temple of Sobek and Haroeris (Ombos), Bas-reliefs , Ombos (Extinct city)

The Statues of Memnon Made 1857 England. Albumen print, No. 56 from the album Egypt, Palestine and Nubia (1862) . Francis Frith

Syout (Lycopolis), Statue Appartenant au Docteaur Cuny 1851-52, printed 1853-54 Félix Teynard French. Syout (Lycopolis), Statue Appartenant au Docteaur Cuny 261814

Two Colossal Statues Mensior (). Thebes. Francis Frith (English, 1822 - 1898)

Jérusalem, Tombeau des rois de Juda, Frise supérieure et centrale. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.2 x 32.2 cm (9 1/8 x 12 11/16 in.)Mount: 44.5 x 59.7 cm (17 1/2 x 23 1/2 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854.For Salzmann history was in the details. Though the ravages of time, natural forces, and human conflict erased much of ancient cities, fragments hinted at the existence of civilizations such as the Kingdom of David, the Roman Empire, and earlier phases of the Ottoman Empire--all models for Second Empire France. Salzmann's focus on the smallest details--a frieze's vegetal decoration, loose statuary, a wall's abstract patterns, or a helmet's winged figure--gives his photographs a rare combination of directness and ephemerality. He would return to the holy city on two more archaeological expeditions in the 1860s. The creation of the Jerusalem album was just one step on a costly

Alinari, Fratelli, No. 11363 PISA, Fresco Fire of Sodom by Benozzo Gozzoli in the Campo Santo in Pisa, PISA - Camposanto. Incendio di Sodoma. (Benozzo Gozzoli)., photograph, foto, foto's, height 189 mm, width 256 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, albumendruk, Publication (Event), Publication, publisher

Jérusalem, Restes de scupltures judaïques. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 23.5 x 33 cm (9 1/4 x 13 in.)Mount: 44.5 x 60.6 cm (17 1/2 x 23 7/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.

Colossal sculptures at Philae. .

Kalabcheh, sculptures de la facade postérieure du temple Maxime Du Camp French 1849-51 View more. Kalabcheh, sculptures de la facade postérieure du temple. Maxime Du Camp (French, 1822-1894). 1849-51. Salted paper print. Photographs

Edfu-Sculptures and Inscriptions on Oriental Face. Dated: 1854. Dimensions: sheet (trimmed to image): 23.3 x 29.9 cm (9 3/16 x 11 3/4 in.) support: 47.4 x 61.9 cm (18 11/16 x 24 3/8 in.). Medium: salted paper print from paper negative. Museum: National Gallery of Art, Washington DC. Author: John Beasley Greene.

Ile de Fîleh (Philæ), Premier Pylône, Inscription Française Gravée Sur L'Ébrasement Oriental, En M 1851-52 Félix Teynard French. Ile de Fîleh (Philæ), Premier Pylône, Inscription Française Gravée Sur L'Ébrasement Oriental, En M 286091

Dendérah (Tentyris). Mammisi - Décoration Extérieure de la Face Sud. Félix Teynard (French, 1817 - 1892)

Ibsamboul. Spéos de Phré; John Beasly Greene (American, born France, 1832 - 1856); Abu Simbel, Egypt; 1853 - 1854; Salted paper print from a waxed calotype negative; 23.2 × 30.5 cm (9 1,8 × 12 in.)

Karnak (Thèbes), Troisième Pylône - Colosse de Spath Calcaire, en D. Artist: Félix Teynard (French, 1817-1892). Dimensions: 24.0 x 30.3 cm. (9 7/16 x 11 15/16 in.). Printer: Imprimerie Photographique de H. de Fonteny et Cie. Date: 1851-52, printed 1853-54. Museum: Metropolitan Museum of Art, New York, USA. Author: Felix Teynard.

Lazio Roma Rome SS. Giovanni e Paolo, Museum79. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Baalbek. Temple of the sun. Cherubs and festoons on basin in court of altar 1900, Lebanon, Baʻlabakk

Lion before which justice was going, Saint-Severin Church, 5th arrondissement, Paris Lion before which justice was formerly visiting, Saint-Séverin Church, Paris (Fifth Arr.). August 1901. Photograph of Emmanuel Pottier (1864-1921).

Edward DiGennero, Stepping Stone, c 1940 Stepping Stone

Lazio Viterbo Viterbo Museo Civico91. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Sérapéum de Memphis. Charles Marville (French, 1813 - 1879)

Lazio Roma Rome SS. Giovanni e Paolo2. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Relief on the arch of Titus representing objects that are carried as a barge from the temple of Jerusalem, Rome, Italy, Ludovico Tuminello, 1851 - 1900 photograph Rome cardboard. paper albumen print art (+ relief ~ sculpture) Titus bow

Statue of Ramses II at the Temple of Luxor. 1860 - 1869. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt, Temples , Egypt , Luxor, Hieroglyphics, Ramses II, King of Egypt, Columns , Egypt , Luxor

Gournah, Statue de Memnon; Thèbes Made 1849-1851 France. Salted paper print, plate 55 from the album Egypte, Nubie, Palestine et Syrie (1852) . Maxime Du Camp

Lazio Frosinone Casamari Museo Archeologico1. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dec el Bahari. Antonio Beato (English, born Italy, about 1835 - 1906)

Jérusalem. Sarcophage judaïque.

Lazio Roma Artena Palazzo Borghese6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture. This structure was built by Cardinal Scipione Borghese in the 17th century, and the palazzo's portal has been attributed to the artist Martino Longhi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ibsamboul, Colosse Occidental Du Spéos De Phrè; Nubie Made 1849-1851 France. Salted paper print, plate 107 from the album Egypte, Nubie, Palestine et Syrie (1852) . Maxime Du Camp

Details of the sculptures of Girscheh Temple, Nubia, Egypt, engraving by Bishop, from Antiquites de la Nubie, ou Monumens inedits des bords du Nil (Antiquities of Nubia or Unknown monuments on the banks of the Nile), Plate 32, by Francois-Christian Gau, 1822, Paris.

Lazio Roma Albano Laziale Museo Civico Archeologico2. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sphinx at Cairo, Anonymous, c. 1895 - in or before 1905 photograph Part of Reisalbum with photos of sights in Greece and Egypt. Cairo paper collotype sphinx (lion/woman); 'Sfinge' (Ripa) - AA - female human figure Cairo

bas-relief de la grande enceinte, Cappodoce: Pterium (Boghaz-Keui): Iasili-Kaïa, Exploration archéologique de la Galatie et de la Bithynie: d'une partie de la Mysie, de la Phrygie, de la Cappadoce et du Pont: exécutée en 1861 et publiée sous les auspices du Ministère de l'Instruction publique, Delbet, Jules, Guillaume, Edmond, Perrot, Georges, 1832-1914, Photolithograph, 1862-1872, Photolithograph. Jules Delbet is also one of the book's three authors.

Colosse oriental du Spéos de Phré, à Abousembil (Portrait de Rhamsès-le-grand). Artist: Maxime Du Camp (French, 1822-1894). Dimensions: Image: 8 7/16 × 6 9/16 in. (21.5 × 16.6 cm)Mount: 18 11/16 × 12 5/16 in. (47.5 × 31.2 cm). Date: March 1850. Museum: Metropolitan Museum of Art, New York, USA.

Colossal figure at Abou Simbel, Nubia. Photographs. 1862. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt, Ethiopia, Ramses II, King of Egypt , Statues, Temples , Egypt , Abû Sunbul, Nubia, Colossi, Great Temple (Abû Sunbul, Egypt), Speoses, Archaeological sites , Egypt , Abû Sunbul, Sculpture , Egypt , Abû Sunbul, Rock-cut temples

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Rameses Colossus, Abou Simbel. Francis Frith (English, 1822 - 1898)

Abruzzo Pescara Penne S. Domenico32. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tableau with Osiris and Horus made up of different parts.; E 63. Seti to Osiris and Horus Offering, Bas-relief. Temple te abydos. Upper Egypt.; Egypt; 729 ABYDOS; Temple the seti i 2me Salle Bas-relief. The photo is part of the photo series from Egypt collected by Richard Polak.

Molise Isernia Isernia S. Maria Assunta5. Hutzel, Max 1960-1990 Medieval: Remains of Romanesque architecture and architectural sculpture incorporated in a modern restoration Antiquities: Fragments of architectural and other sculpture Object Notes: Much of the sculpture illustrated was subsequently transferred to the Museo Comunale. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Louqsor. Sculptures Historiques du Pylône, Massif de Droite. Date/Period: 1854. Print. Salted paper, from a calotype negative. Height: 292 mm (11.49 in); Width: 229 mm (9.01 in). Author: John Beasly Greene.

Médînet-Abou (Thèbes), Constructions Postérieures - Deuxieme Cour - Galerie Nord-Ouest. Artist: Félix Teynard (French, 1817-1892). Dimensions: 30.3 x 24.6 cm. (11 15/16 x 9 11/16 in.). Printer: Imprimerie Photographique de H. de Fonteny et Cie. Date: 1851-52, printed 1853-54. Museum: Metropolitan Museum of Art, New York, USA.

Gournah, Statue de Memnon; Thèbes. Maxime Du Camp; French, 1822-1894. Date: 1849-1851. Dimensions: 21.8 × 16.5 cm (image/paper); 43 × 29.9 cm (album page). Salted paper print, plate 55 from the album "Egypte, Nubie, Palestine et Syrie" (1852). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Colossus from the Temple of Rameses at Abu Simbel. Félix Teynard (French, 1817 - 1892)

Abou Simbel, Nubia. Artist: Francis Frith (British, Chesterfield, Derbyshire 1822-1898 Cannes, France). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.

Egypt and Nubia, Volume II: Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.7 x 32.7 cm (19 3/16 x 12 7/8 in.).

Untitled Georgio Sommer. , n.d. Albumen silver photograph on paper, 3 1/2 x 2 1/4 in. (8.9 x 5.7 cm). Photography n.d.

Bet-Oualli, Sculptures Historiques de la Paroi de Gauche; John Beasly Greene (American, born France, 1832 - 1856); negative: Egypt; 1854; Salted paper print from a Calotype negative; 23 x 30.5 cm (9 1,16 x 12 in.)

Bas-reliefs, Theater of Dionysus , Archaeological sites, Amphitheaters. Nicholas Catsimpoolas Collection

Ibsamboul. Spéos de Phré. Date/Period: 1853 - 1854. Photograph. Salted paper, from a waxed calotype negative. Height: 232 mm (9.13 in); Width: 305 mm (12 in). Author: John Beasly Greene.

Égypte, Egypt, Colosses de Memnon à Thèbes; Félix Bonfils (French, 1831 - 1885); Alais, France; 1877; Tinted Albumen silver print

The caption accompanying this 1903 illustration in Gaston Masperos book on History of Egypt reads: Great Sphinx and Chapel of Thutmosis IV. drawn by Faucher-Gudin from photograph taken in 1887 by Emil Brugsch-Bey. Egyptian sphinxes were sculpted as reclining figures, usually with heads of males - often those of the reigning ruler. The best known of all Egyptian sphinxes is the so-called Great Sphinx at Giza in Lower Egypt, a colossal figure carved from natural rock and serving as a guardian of the Nile Valley. Inscriptions on a pink granite slab between the Great Sphinxs paws tell the sto

Philae:Mammisi. Artist: Antonio Beato, Italian, ca. 1825-ca. 1903

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