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Architectural Sculpture Fragments

Images of various medieval architectural and tomb sculpture fragments from Italy, highlighting their historical significance and artistic detail.

Lazio Roma Albano Laziale Santa Maria della Rotonda35. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Lazio Roma Albano Laziale Santa Maria della Rotonda35. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
225 assets in this story
6145-52335103
II. Bronzebecken im Mossulstil; Bronzebecken im Mossulstil.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection
6145-59173211
Lazio Viterbo Barbarano Romano Municipio. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, with re-used ancient fragments. Views of medieval town, including retaining walls and towers. Owner: Museo Antiquities: Sarcophagi, cippi General Notes: Includes photographs from two separate campaigns German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Fragment of wall painting: male head ca. 7th century A.D. Sasanian. Fragment of wall painting: male head 324018
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Artists' templates by Johann Victor Krämer on albumin paper from 1898 to 1900, showing preparatory figure drawings and compositional studies.
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Plaster models of decorated panels.. 1907. Photographs. New York Public Library Archives. New York Public Library, New York Public Library. Humanities and Social Sciences Library, Library architecture, Architectural decorations & ornaments, Architectural sculpture
6145-59181892
Lazio Viterbo Viterbo Museo Civico31. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-
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Friuli-Venezia Giulia Udine Gemona del Friuli Cathedral1. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (1290-1337) Object Notes: Photographed during the restoration following the earthquake of the early 1980's. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-59130622
Campania Caserta Caserta Palazzo Reale66. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Tomb of Ptahmose, Saqqara (Memphis). Artist: Théodule Deveria (French, 1831-1871). Dimensions: Image: 8 3/8 × 11 1/16 in. (21.2 × 28.1 cm), irregularly trimmedSheet: 8 7/16 × 11 5/16 in. (21.4 × 28.8 cm), irregularly trimmed. Date: 1859. Museum: Metropolitan Museum of Art, New York, USA.
6176-66100015
This 1910 image shows a wall panel relief in the South West Palace at Nineveh at the time of the Assyrian ruler Sennacherib. It shows coracles on the river bringing materials and passing some fishermen who float on inflated skins. The full relief shows a sculpture of a human-headed winged bull for Sennacherib's palace. The bull is on a sledge, with three officers standing on the bull, one holding a trumpet. Workers bring equipment including saws, hatchets, picks and shovels. The time period of its making is 700-692 BC.
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The Statues of Memnon, Thebes. Francis Frith (English, 1822 - 1898)
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Galleries carved in wood by the leopard moth chestnut, vintage engraving. Galleries carved in wood by the leopard moth chestnut, vintage engraved illustration. Copyright: xZoonar.com/PatrickxGuenettex 10647902
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Sculptures in the form of human heads side by side on a ledge
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Louqsor, Groupe de Colonnes dans le Palais; Thèbes. Maxime Du Camp; French, 1822-1894. Date: 1849-1851. Dimensions: 21.4 × 16.6 cm (image/paper); 43 × 29.9 cm (album page). Salted paper print, plate 26 from the album "Egypte, Nubie, Palestine et Syrie" (1852). Origin: France. Museum: The Chicago Art Institute, USA.
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Fragment. Dimensions: 17 11/16 in. high 13 9/16 in. wide (45 cm high 34.5 cm wide). Date: 5th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
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Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre. ca. 1981-1975 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, MMA 1101), MMA excavations, 1920. Dynasty 12
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Gournah, Colosse Monolithe d'Aménôpht III; Thèbes Made 1849-1851 France. Salted paper print, plate 56 from the album Egypte, Nubie, Palestine et Syrie (1852) . Maxime Du Camp
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View in the Catacombs. Nadar Gaspard Félix Tournachon (French, 1820 - 1910)
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A Sphinx of Old Chi-chen Itza, the God Kukul Can. Original caption: From Page 109- The City of the Sacred Well, by T. A. Willard, New York 1926.
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Ολυμπια. Αετωμα του ναου του Διος , Sculpture, Antiquities, Gods, Horses, Temple of Zeus Olympia, Greece, Zeus Greek deity. Nicholas Catsimpoolas Collection
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Human Cast, Pompeii, Victims of the Volcanic Eruption in 79, Illustration from 1870, Italy, Historic, digitally restored reproduction from a 19th century original, Europe
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Old painting vineyardWittenberg. Old. Paintings "Weinberg d. Mr" V. L.Cran.
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Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum2. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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BOVEDA. Author: SERRANO PABLO. Location: MUSEO DE ARTE ABSTRACTO. BASIN. CUENCA. SPAIN.
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Madonna and Child Pietro di Giovanni d'Ambrogio (Italian, School of Siena, active 1428-1449). Madonna and Child, 1440s. Tempera and tooled gold on poplar panel, 38 1/2 x 20 7/8 x 1 5/8 in. (97.8 x 53 x 4.1 cm). This painting is the cut-down central panel of a triptych, or three-panel work, which would have included two wings” in addition to this main image, as well as a predella below. The depiction of the Madonna and Child conforms to a well-known early fifteenth-century Sienese format: the Child is partly draped, supported in an almost standing position by the Madonna, who holds one of his feet as he reaches out to grasp her. While the delicacy of the features is typical of the Sienese style, the artist also brings other qualities to the painting: the solidity of the Child’s body (a more Florentine characteristic), the intimacy of his touch on Mary’s cheek, and the linear elegance of the drapery. There is about the painting a quiet tenderness, the more moving for its aura of auster