Architectural Sculpture in Italy

Black and white photographs documenting medieval and Renaissance architectural sculptures, featuring intricate carvings and details from various historical sites across Italy.

Abruzzo Teramo Campli S. Maria in Platea9. Hutzel, Max 1960-1990 Exterior views of the Medieval and Baroque architecture of the church; inteior views include the Baroque ceiling painting and side altars, and the late Medieval fresco cycle in the crypt. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Tuscania Cathedral4. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bevagna Convento dell'Annunziata0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore0. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

Marches Macerata Castelsantangelo sul Nera S. Stefano8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rue d'Aboukir. Carved relief, rue d'Aboukir, 2nd arrondissement, Paris Relief carved, rue d'Aboukir, Paris (ie Arr.). Anonymous photography. Draw with gelatin-chloride silver.

Virgin Adoring the Christ Child after 1479 Andrea della Robbia Italian A variant of Andrea della Robbia's large Brizi Adoration relief at La Verna (1479). See also 65.181.23 and 65.181.24.. Virgin Adoring the Christ Child. Andrea della Robbia (Italian, 1435-1525). Italian, Florence. after 1479. Relief: glazed terracotta; frame: gilt wood (not original). Sculpture

"La Peinture", Sculpture by François Félix Roubaud, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Lazio Roma Rome S. Paolo18. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila S. Giuseppe2. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, tomb of Camponeschi family (15th century). Post-medieval: Architecture, architectural sculpture, tomb of Camponeschi family One exterior view and four interior apse views. Views of Camponeschi monument. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago30. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Veneto Venezia Chioggia S. Domenico. Hutzel, Max 1960-1990 Medieval: Campanile. Post-medieval: 18th century renovation of 14th century church; architectural sculpture; paintings on canvas; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gypsum model for the fronton of the Pavillon Denon by Pierre Charles Simart.Part of Réunion des Tuileries au Louvre 1852-1857, album 2.

Emilia-Romagna Ferrara Ferrara Certosa3. Hutzel, Max 1960-1990 Post-medieval: Architecture and architectural sculpture (1452-1461), including decorative architectural sculpture in terracotta; stone sarcophagus Object Notes: See separate record for Ferrara, Certosa, S. Cristoforo German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila S. Giuliano S. Giuliano. Hutzel, Max 1960-1990 Two exterior views and numerous interior views, including altars, sacristy, and paintings; several views of the cloister with intensive coverage of the lunette frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Millefleurs ground with attributes of Jupiter (Zeus). unknown c. 1500-1525 Tapestry Dimensions: H 8' x W 39" Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Prince de Ligne, Brussels (). French & Co. purchased from Parke-Bernet Galleries (Butterworth sale) 10/21-23/1954 other dates listed: 10/25/1954 & 10/29/1954; sold to K. T. Keller, Esq. 6/30/1958. United States, Michigan, Detroit, The Detroit Institute of Arts, accno. 58.415. Inscriptions: Inscription in central field identifying figure: IVPPITER.. Jupiter with attributes of staff & eagle Possibly woven in Brussels or Tournai () (Cavallo). Borders missing (Dimitrova). Tapestry seen in frame in one of the French & Co. photographs (GCPA: 0236865) (Dimitrova). French & Co. stock sheet in archive, 55301-b DIA, Woven Splendor (1996), 26,27, no.4 Related Works: Iconographically related tapestries (mythological millefleurs), GCPA 0184290 (Narcissus); & 0239521-0239522, 0183972 (Hercules); 023686

Marches Macerata San Severino Marche S. Domenico. Hutzel, Max 1960-1990 All views are of altarpieces, paintings, and fresco fragments by Salimbeni. The main altarpiece depicts the Madonna and Child with Saints Severino, Ansano, Catherine of Siena, Dominic, and John the Baptist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago84. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Timpaan Door Andrea della Robbia in Prato, Alinari, 1850 - 1900 photograph Prato cardboard. photographic support albumen print sculpture. parts of church exterior and annexes: tympanum Prato

Marches Macerata Tolentino S. Nicola da Tolentino. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Tuscany Grosseto Seggiano Santuario della Madonna della Carita7. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, NEGATIVES PROCESSED6 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese38. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Ss. Andrea e Claudio. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: 18th century Baroque church by Frenchman Derizet. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anonymous, drawing of the portal of Saint-Séverin, side of the mass graves / where the seditious assemblies preceded the league (registered title (letter)) stood. Photomécanic process. Carnavalet museum, history of Paris.

Abruzzo Teramo Atri S. Maria di Propezzano. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior, with emphasis on the interior frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cupid with lion drawing a chariot German 19th century View more. Cupid with lion drawing a chariot. German. 19th century. Hard-paste porcelain. Ceramics-Porcelain

Church Notre-Dame - Detail of the Tomb of Henri Claude d'Harcourt Notre-Dame, Detail of the Tomb of Henri Claude D'Harcourt by Pigalle ", Paris (IVE). Photography of Eug�ne Atget (1857-1927).

Umbria Perugia Trevi S. Maria di Pietrarossa3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Benevento Benevento Arch of Trajan. Hutzel, Max 1960-1990 Antiquities: Roman triumphal arch German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera Duomo52. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Carnavalet Museum. front of the house clothiers, vintage engraving. Carnavalet Museum. front of the house clothiers, vintage engraved illustration. Paris - Auguste VITU 1890. Copyright: xZoonar.com/PatrickxGuenettex 10648633

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo89. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Roma Rome S. Paolo4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral07. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Ostia Antica Episcopal Palace0. Hutzel, Max 1960-1990 There are exterior views of the facade, with detailed views of the sarcophagi imbedded in it and the coat of arms over the main portal. There are interior views of the library and the main hall, with extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Canopy Bed in an Alcove. Artist: Anonymous, French, 18th century. Dimensions: 14 15/16 x 20 7/16 in. (38 x 51.9 cm). Former Attribution: Formerly attributed to Victor Louis (French, Paris 1731-1800 Paris). Date: ca. 1770-90.This drawing shows a design for a large canopy bed, placed in a neoclassical alcove. This type of design is often seen in palaces where an official 'coucher' and 'lever' ceremony (retiring to and rising from bed) was in custom. A select group of prominent people would be invited to observe and sometimes assist during this honorary occasion. The sumptuous draperies of the bed and niches played an important role in the ceremony as they allowed for the alcove to be completely closed off and therefore marked the transfer from public to private and vice versa. It is unknown for whom this stately bedroom was originally designed, but the nude sleeping figures in the friezes and the cupids adorning the bed introduce a slightly erotic theme which indicates that

Campania Napoli Naples S. Lorenzo Maggiore42. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Artwork on back wall of University building in Vienna, Austria

Lviv (Lviv, Ukraine). Armenian cathedral - Epitaph of the Epitaph Marianna née Augustynowicz Balsamowiczowa (around 1708); Jaworski, Józef Kościesza- (Fl. Ca 1911-Ca 1929); 1912 (negative); around 1912 1922 (print) (1912-00-00-1927-00-00);

Basilicata Matera Matera Madonna delle Virtu5. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Exterior architecture (early 17th century) General Notes: Exterior views of this church were included in the numerical sequence for Sassi; these have now been reassigned numbers consistent with the numbering for the individual monument. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Meissen. Painting in the castle Albrechtsburg

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)28. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Veneto Venezia Chioggia S. Domenico. Hutzel, Max 1960-1990 Medieval: Campanile. Post-medieval: 18th century renovation of 14th century church; architectural sculpture; paintings on canvas; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Francesco2. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two images of female angels on either side of a medallion, situated above a door party., C. 1878 - 1881 photograph Paris photographic support albumen print

Emilia-Romagna Modena Nonantola Abbazia di Nonantola4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A capital of Saint-Julien-le-Pauvre, vintage engraved illustration. Paris - Auguste VITU 1890.

Harpsichord top late 16th century Il Poccetti. Harpsichord top. Il Poccetti (Italian, Florence 1548-1612 Florence). Italian, Florence. late 16th century. Painted wood

Pietà early 17th century Northern Italian. Pietà 198303

Mechanics of the clock tower game, Bern, vintage engraved illustration. Magasin Pittoresque 1846.

Abruzzo L'Aquila Castelvecchio Subequo S. Francesco. Hutzel, Max 1960-1990 Interior and exterior views of the church architecture. Large fresco cycle (late 14th-early 15th centuries) of the life of S. Francis. Other photos depict the interior church decoration: the 17th century wood altar and nave sculptures as well as numerous 15th-16th century paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila San Benedetto dei Marsi S. Sabina9. Hutzel, Max 1960-1990 Medieval: Romanesque architecture and architectural sculpture, largely in ruins. The elaborately carved portal remains intact. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Image of a relief representing "abundance" in the stairwell of the royal pavilion of the N.S. station The Hague H.S. in The Hague.

Border fragments with herms, parrots and fruits. unknown c. 1625-1675 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co.; "sold" written on photo verso.

Hülsen Julius, Bogenschlagstein, Saalgasse 13, Frankfurt/Main. (From: Stone masks at Bämälern Alt-Frankfurt, ed. By Julius Hülsen, Frankfurt/Main 1905.) (1905-1905): View. Light printing on paper, 30.5 x 40.5 cm (including scan edges)

Lazio Viterbo Soriano nel Cimino Palazzo Chigi7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Pescocostanzo, Basilica, Italy, 20th century, photo, photography, Europe

Lazio Roma Albano Laziale Museo Civico Archeologico. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)58. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Willem Joseph van Ghent (1626-1672), Baron van Ghent tot Drakenburgh. Dutch States Navy admiral during the Anglo-Dutch Wars. Tomb of van Ghent, sculpted by Rombout Verhulst (1624-1698) between August 1674 and June 1676. St Martin's Cathedral. Utrecht. Netherlands. Author: Rombout Verhulst (1624-1698). Dutch artist.

June. Le Brun, Charles (French, 1619-1690) (designed after) painter Lacroix, Jean de II (French, ca.1640-d.1714) (workshop) weaver c. 1668-1680 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: France, Pyrénées-Atlantiques, Pau, Musée national du château de Pau. Château de Fontainebleau set in landscape with royal hunting party on horseback; in foreground, balustrade with oriental carpet, vases of flowers, birds & shield; garlanded columns support entablature centered by arms of the king of France & hung with medallion of Cancer (L & R BRD) floral garland centered by cartouche with interlaced "L"s 3rd weaving. Fénaille, Gobelins 2 (1903-1923), 128-65 Göbel, Wandteppiche II:1 (1928), 130-32 Related Works: Panels in set: GCPA 0139264-0139287, 0139307-0139311; compositionally similar set: GCPA 0243866-0243869 (Mobilier National set)

Image of a weapon representing Maria with child on the facade of the N.S. station 's-Hertogenbosch in' s-Hertogenbosch.

Lazio Roma Subiaco Rocca Abbaziale7. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico88. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Image of a stone relief representing from left to right farewell, departure and travel at the front of the Royal Pavilion of the N.S. station Amsterdam et al. in Amsterdam.

SEPULCRO CON ESTATUA SEDENTE DE GIULIANO MEDICIS - DUQUE DE NEMOURS CON LAS FIGURAS ALEGORICAS DEL DIA Y DE LA NOCHE - SIGLO XVI. Author: MIGUEL ANGEL BUONARROTI. Location: IGLESIA DE SAN LORENZO. Florenz. ITALIA. AURORA (MYTHOLOGY). CREPÚSCULO. GIULIANO DE MEDICIS (1479/1516) DUQUE DE NEMOURS.

Campania Caserta Piedimonte di Casolla Castello Cocuzza. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)23. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Terni Piediluco S. Francesco2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting Antiquities: Sculptural fragments Object Notes: Gothic construction from end of 13th century. No information provided by Hutzel. See TCI, Umbria, p. 365 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral43. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Albumin print by Josef Löwy, created in 1878, depicting an album lid with a portrait medallion of Emperor Franz Joseph I, showing decorative and design details.

Veneto Padua Candiana Parrocchiale3. Hutzel, Max 1960-1990 Post-medieval: Architecture (late 15th century); frescos; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The photo dates to the early 1920s. The caption reads: The Life of Humanity. Two groups of George Gray (Also written Grey) Barnard at the entrance to the Pennsylvania State Capitol at Harrisburg. Barnard (1863-1938) was an American scupltor who trained in Paris. His best known works are: Struggle of Two Natures in Man at the Metropolitan Museum of Art in New York, this piece Life of Humanity, and his tstaue of Abraham Lincoln in Cincinnati.

Andromache and Priam urging Hector not to go to war. Grenier, Pasquier (Netherlandish (before 1600) - Flanders, act.1459-d.1493) (workshop) weaver c. 1470-1490 Tapestry Dimensions: H 15'10" x W 8'8" Tapestry Materials/Techniques: wool (warp: 13-16/in.); wool with a few silk wefts Culture: Southern Netherlands Ownership History: French & Co. purchased from E. Gimpel & Wildenstein (trans. from 6023; with Dreicer & Co.) 7/6/1916; sold to C. H. Clarence Hungerford Mackay 7/31/1916. United States, New York, New York, The Metropolitan Museum of Art, accno. 39.74. Inscriptions: Inscription along top of panel: Andromata la mort hector doubtans. Quavoit sogie vint ageou plourer / Lui pota en grans pleurs les enfans. En lui priant en ce jour non allerr / En bataile hector se fist armeer. Ce non ostant et acheval monta / roy priat le constrait retourneer. Par la pitie quil print dadromata (Having dreamed of his death, Andromache brought the children to him tearfully & kneeling before him begged h

Relief on the pedestal of Friedrich Drakes statue of Friedrich Wilhelm III in De Tiergarten, Berlin, Johann Friedrich Stiehm, after Friedrich Drake, 1868 - 1870 stereograph Berlin cardboard. paper albumen print pedestal of a piece of sculpture (perhaps in the form of a herm) Zoo

Summer modeled 1745 Meissen Manufactory German. Summer 199397

flora fountain at mumbai maharashtra India Copyright: xArunxMishra/DinodiaxPhotox

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)85. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

marble and statue in old city of london england

Andromache and Priam urging Hector not to go to war. Grenier, Pasquier (Netherlandish (before 1600) - Flanders, act.1459-d.1493) (workshop) weaver c. 1470-1490 Tapestry Dimensions: H 15'10" x W 8'8" Tapestry Materials/Techniques: wool (warp: 13-16/in.); wool with a few silk wefts Culture: Southern Netherlands Ownership History: French & Co. purchased from E. Gimpel & Wildenstein (trans. from 6023; with Dreicer & Co.) 7/6/1916; sold to C. H. Clarence Hungerford Mackay 7/31/1916. United States, New York, New York, The Metropolitan Museum of Art, accno. 39.74. Inscriptions: Inscription along top of panel: Andromata la mort hector doubtans. Quavoit sogie vint ageou plourer / Lui pota en grans pleurs les enfans. En lui priant en ce jour non allerr / En bataile hector se fist armeer. Ce non ostant et acheval monta / roy priat le constrait retourneer. Par la pitie quil print dadromata (Having dreamed of his death, Andromache brought the children to him tearfully & kneeling before him begged h

Meissen. Painting in the castle Albrechtsburg

Sad Lion, monument in the cemetery of the island of Lissa commemorating the naval battle of Lissa on 20 July 1866, today Croatia, Historic, digitally ...

FERNANDO III EL SANTO - ESCULTURA REALIZADA EN 1856. Author: JOSE BOVER (1770-1866). Location: CATEDRAL. Cadiz. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY).

Anefo photo collection. Interior room. February 3, 1987

España. Catalunya. Arco de triunfo levantado en honor al General Joan Prim Prats en Barcelona al regreso de su campaña en Marruecos. Grabado de 1860. Juan Prim y Prats.

Two bronze images of male angels with wheels and stroke hammers in hand, sitting on either side of a medallion, situated above a door party.; 34. Le Nouvel Opéra de Paris. Statues Decoratives.; Le Nouvel Opéra de Paris with 50 photos.

Louis-Émile Durandelle, Masks for the Fireplace in the Management Office, from The New Paris Opera: Ornamental Sculpture, 1865-72, Albumen print from wet collodion negative.

marble and statue in old city of london england

The traditional figure of Gog stand guard ever some of the new stained glass windows in the City of London's restored Guildhall in which are the names of 760 Lord Mayors. The ancient building severely damaged by fire bombs in the war, has been completely restored and will be used for the first time by the Court of Common Council on Thursday. Sir Giles Gilbert Scott, who was responsible for the work, has designed a great new roof wit seven stone areas. November 1, 1954.

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