Architectural Sketch Studies

Collection of architectural sketches and studies showcasing various designs, plans, and elevations in pencil, reflecting historical architecture.

Study, possibly architecture, c. 1901 Page 54 Recto from a sketchbook with 79 sheets. chalk
Study, possibly architecture, c. 1901 Page 54 Recto from a sketchbook with 79 sheets. chalk
222 assets in this story
6145-46253586
Decorative patterns from Benin. Leaf 52 Recto from a sketchbook with 60 sheets.
1788-21782237
Floor plan of the Royal Palace of Carditello, 1749, Italy, 18th century.
6145-59280529
Study, possibly of buildings, George Hendrik Breitner, 1893 Page 167 and Page 168 from an agenda with 108 sheets used as a sketchbook. Amsterdam paper. chalk civic architecture; edifices; dwellings Amsterdam
6145-51939803
Drawing..
6145-48478586
Klomp Johannes Franziskus (1865-1946), St. Mariä Visitation, Rheine-Hauenhorst (07.1901): Details of the front rosettes (1: 1). Pencil, colored pencil on transparent, 80.9 x 81 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Mariä Heimsuchung, Rheine-Hauenhorst
6145-46154362
Study, possibly from buildings. Page 167 and page 168 A calendar used as a sketchbook with 108 sheets.
6145-46154370
Boats, seen from a viaduct in Amsterdam. Page 193 and page 194 from a diary used as a sketchbook with 108 sheets.
6145-52829564
A pencil drawing on medium-strong paper by Alfred Castelliz showing the floor plan of the open choir stalls in Cologne, St. Gereon, created around 1892.
4409-17503340
Von der Kunnst Perspectiva. Author: Jean Pelerin (French, Bois Jouan 1435/40-1524 Toul). Dimensions: 11 7/8 x 8 1/16 x 1/4 in. (30.2 x 20.5 x 0.7 cm). Published in: Nuremberg. Publisher: Jorg Glockendon (German, late 15th century); Albrecht Glockendon (German, died Nuremberg, 1545). Date: 1540. Museum: Metropolitan Museum of Art, New York, USA.
6145-59299828
Studies, c. 1930 - 1934 Possibly a composition study of a theater performance and a figure study. Page 40 from sketchbook XXXVIII with 45 pages. The Hague paper. pencil the (nude) human figure; 'Corpo humano' (Ripa). theatre, theatrical performance
6145-29315385
Labor Inspectorate Photo Collection. 6.5x9 "sheltered against running cats at continued stand of tongue
6145-43684859
Distribution Department, Southern High Service Forbes Hill Reservoir, Standpipe, details (engineering plan), Mass., ca. 1900 , waterworks, water towers, engineering maps
6145-42603946
Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (1936): General work planning, doors, door formats, tearing. Pencil, colored pencil on transparent, 21.5 x 32.5 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen
6145-59199652
Lincoln Cathedral: communion plate, 1887-1889. Butterfield, William 1887-1889 See also Series III for written estimate. A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London
1746-111524912
Treaty of Versailles with signatures of Lloyd George; Woodrow WilsonAndrew Bonar Law and James Balfour
6145-29753544
Speculum Romanae Magnificentiae: Corinthian entablature from Santa Bibiana, Rome 1537 Master PS Italian or French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, b
6145-29878702
Margaret Concha, Description of a Wedding Dress, c 1936 Description of a Wedding Dress
6145-50485633
An interior, perhaps an assembly hall. Morgan collection of Civil War drawings. Meetings, 1860-1870, United States, History, Civil War, 1861-1865, United States
6145-50447092
Rohscan
6145-59537702
Thank you card with signatures following the Christmas exhibition of the Mimosa club, Reinier Willem Petrus de Vries (1874-1953), c. 1920 - 1986 print Tower with bridge. On the right on the map signatures of different members of the Mimosa club. paper towers ~ fortified city
6145-42612117
N.N., field measurement exercises (without dat.): Field meter angle prism. Light break on paper, 55.5 x 76.4 cm (including scan edges) N.N. : Feldmessübungen
6145-46093141
Photo with risqué Subject: reproduction of a drawing of 'The Pneumatic' Exhilarator '; The Pneumatic 'Exhilarator'. .