Architectural Sketches and Designs

Historical architectural sketches showcasing details of mantelpieces and ceilings. The style emphasizes precise lines and classical design elements.

Baroque oak table from the collections of Stanisław Ursyn-Rusiecki in Warsaw in 1917-a fragment of the view relative to the long side on a scale of 1: 5; Sztolcman, Władysław Roman (1873-1950); 1917 (not after 2/03/1917) (1917-00-00-1917-00-00);

Chimney mantle, bowl and a monumental arch, 1819 - 1849 Leaf 34 Verso from a sketchbook with 52 sheets. paper. pencil chimney-piece, mantelpiece. arch, archivolt ~ architecture. bowl

Klomp Johannes Franziskus (1865-1946), St. Matthäus, Altena (1892-1898): Detail of the high altar 1: 1. Pencil, colored pencil on transparent, 110.1 x 84.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Matthäus, Altena

Hardishm a blackboard, c. 1830 - c. 1850 Paris tracing paper pen Paris tracing paper pen

Design for Ceiling 18th century Workshop of Leonardo Marini Italian. Design for Ceiling 365449

Baroque oak table from the collections of Stanisław Ursyn-Rusiecki in Warsaw in 1917-a fragment of the view relative to the long side on a scale of 1: 5; Sztolcman, Władysław Roman (1873-1950); 1917 (not after 2/03/1917) (1917-00-00-1917-00-00);

Sculpted and patinated bronze marquee for the interior decor of the Fouquet store (dummy title)

Three vases. .

Reliquary, 1857 Page 8 Recto from a sketchbook with 77 sheets. paper. pencil relics (and reliquaries)

Drawing, Project for a Salon; Italy; pen and ink, brush and wash on paper

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Sloten, David van der Kellen (1804-1879), in Or Before 1865 - 1878 print Three ditches from the sixteenth century. paper etching lock ~ furniture

Uprising of the design for a choir fence in Neo-Renaissance style in the Jacobikerk in Utrecht.

Wilkinson Tracing, Design for a pier glass and table, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Study for a pedestal, Vintage Festival,” Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of a pedestal., New York, New York, USA, 1896, mural designs, Drawing, Drawing

Beckmann Carl (1799-1859), sketch from the Danzig Museum. Door (without dat.): View. Pencil on paper, 13.3 x 8.7 cm (including scan edges)

Lehmmübner Paul (1855-1916), town hall in Goslar (1903): coat of arms and relief over the fall of the door. Pencil on the box, 35.3 x 25.2 cm (including scan edges) Lehmgrübner Paul (1855-1916): Rathaus, Goslar

Design of architectural ornaments and an Amphora. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 14 7/16 x 5 1/16 in. (36.7 x 12.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Dining Room Mirror, for 11 Princes Gate, London. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Parts of ceilings, c. 1866 - c. 1900 drawing Parts of ceilings have been drawn in four frameworks, there are two more sketches outside of it. paper. pencil drawing

Schupmann Ludwig (1851-1920), festival decoration for the Royal Opera in Berlin. Monthly competition December 1877 (12,1877): Turning the interior of the interior; Scale bar. Pencil on paper, 33.3 x 48.3 cm (including scan edges) Schupmann Ludwig (1851-1920): Festdekoration für die Königliche Oper, Berlin. Monatskonkurrenz Dezember 1877

Print (France)

Twee voetstukken.Two ornamented pedestals with ribs and acanthus leaves, right with a pendulum and a shell pattern.

Medallion. .

Diebitsch Carl von (1819-1869), interior equipment, Berlin. () (Without Dat.): Partial tear wall. Pencil on cardboard, 32.7 x 44.1 cm (including scan edges) Diebitsch Carl von (1819-1869): Innenraumausstattung, Berlin ()

Design for Ceiling. Artist: Charles Monblond (French, 19th century). Dimensions: 18 3/4 x 13 11/16in. (47.6 x 34.7cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Paneled Ceiling 19th century Anonymous, British, 19th century British. Design for Paneled Ceiling 363359

Kassbaum Gustav (1878-1929), tombstone. Monthly competition March 1907 (03.1907): site plan, turmoil front view, side view, turmoil view of the fencing 1:10; Scale bar. Ink on cardboard, 60.1 x 47 cm (including scan edges) Kassbaum Gustav (1878-1929): Grabstein. Monatskonkurrenz März 1907

Warsaw. Marble fireplace in 1st floor room in the Royal Łazienki Park - front and side view. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Ceiling of a room, Jan Hoynck van Papendrecht, 1868 - 1933 drawing paper. pencil (decorated) ceiling

Design for pendulum and two candelabers, Adrien Louis Marie Cavelier (attributed to), c. 1825 - c. 1835 Paris paper. pencil. ink. watercolor (paint) pen / brush Clock. Chandelier, a candlestick. ornament ~ candlestick

Headfort House: Cornice and Frieze, Robert Adam, 1728-1792, British, undated, Pen and black and brown ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen, Sheet: 20 13/16 x 25 1/2 inches (52.9 x 64.7 cm), anthemions, architectural subject, cornice, friezes, Neoclassical, Headfort House, Ireland, Kells, Leinster, Meath

Stiehl Otto (1860-1940): Sketch and photo album 5: S. Guglielmo, Ferrara

Pencil sketches by Ferdinand Georg Waldmüller showing various subjects, including figures and objects, exploring structure, proportion, and visual composition.

Thomas Daniell, 1749-1840, British, active in India, Architectural Ornaments, undated. Graphite on medium, slightly textured, blued white, laid paper; mounted on moderately thick, slightly textured, cream, wove paper.

Fireworks for childbirth of dauphine, by Dumesnil and Beausire. (TF)

Drawing, Design for Candlesticks; Italy; pen and ink, brush and wash on paper

Design for Tablet, Carlo Marchionni, Italian, 1702-1786, Pen and black ink on laid paper, The upper with the escutcheons for the coat of arms: above of the pope, below of a prelate. The other sketches include the architectural forms of the upper part of the frame, some figures of accounting. On verso, the beginning of a draft of a letter by the artist: Carissimo amico, e Rue. Shmatissimo Verrà da Voi il mio Cognato Agostino, e vi porterà da mia parte 1(i) / quarto occhi di Gatta (jewels), desidererei in primo Luogo”…[etc., Italy, 1740-58, architecture, interiors, Drawing, Drawing

Statue of Saint Rosalia on Monte Pellegrino at Palermo. Leaf 13 Recto from a sketchbook with 26 sheets.

Hardisms, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) pen Paris tracing paper. graphite (mineral) pen

Design for a Chapel with Flight into Egypt as Altarpiece. Artist: Anonymous, Spanish, 17th century. Dimensions: 9-5/8 x 4-9/16 in. (24.4 x 11.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Sjöstrand, Carl Eneas, H.G. Porthan Memorial Statue Drawing, Sketch 1864 , Drawing, MONUMENT; Porthan statue, 35 cm x 45.5 cm

Figures for a facade. The facade is decorated with sculpture. Leaf 27 Recto from a sketchbook with 58 sheets.

A pencil sketch sheet by Rudolf Weyr depicting a fountain, showing the architectural and sculptural elements of the structure and surrounding landscape.

Knoblauch Eduard (1801-1865), Castle in Vogelsang (1845): Details coat of arms. Ink, 43.8 x 36.4 cm (including scan edges) Knoblauch Eduard (1801-1865): Schloss Vogelsang

The third portal of the world in Dakka in Nubia; Leroux, Louis (fl. Ca 1829-1847), Rifaud, Jean-Jacques (1786-1852); 1830 (1830-00-00-1830-00-00);

Klingholz Fritz (1861-1921), wrought-iron hinge (1881): View. Pencil watercolor on the box, 36.8 x 26.7 cm (including scan edges) Klingholz Fritz (1861-1921): Schmiedeeisernes Scharnier

Design for a coupe, draughtsman: Jean-Jacques Feuchère, (attributed to), France, c. 1830 - c. 1840, paper, brush, h 262 mm × w 345 mm

Jacobsthal Johann Eduard (1839-1902), barrel vault in the stairwell in the castle in Mgowo (without date): Detail. Pencil watercolor on the box, 26.8 x 32.5 cm (including scan edges) Jacobsthal Johann Eduard (1839-1902): Tonnengewölbe im Treppenhaus im Schloss Mgowo

Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso) 1558-1601 Giovanni Alberti Italian. Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso) 341911

Sheet with sixteen different cartouches, Jacob Schwartzenbach, 1773 - 1805 print Veere paper etching ornaments ~ art

Two Athéniennes and a pedestal, Berthault, After Jean Charles Delafosse, 1771 print Two ornamented Athéniennes (three -legs) with fire on either side of a pedestal with vases and buccaniums. paper etching / engraving tripod. pedestal of a piece of sculpture (perhaps in the form of a herm)

Diebitsch Carl von (1819-1869), Alhambra, Granada. () (Without Dat.): Detailed vault with color information, was also drawn on the glued back. Pencil on cardboard, 40.5 x 26.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada ()

Sievers Carl (1834-1891), Theater in Paris (1854-1854): Wall and ceiling painting in a proszenium lodge. Pencil watercolored to transparent, 21.7 x 32.3 cm (including scan edges) Sievers Carl (1834-1891): Theater, Paris

Classicistic door ornamentation and other details. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Tomb family Moser, Berlin: 2 recovery, detail

Altar, Weesp, 1857 - 1859 Leaf 32 Recto from a sketchbook with 77 sheets. paper. pencil altar

Design for Ceiling in Chinois Style, Empress Eugenie's Hotel. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 10 7/16 x 15 in. (26.5 x 38.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Map of The Hague (ninth part), 1681 - 1682 print Ninth part of a map of The Hague. Deployment map with a map of The Hague around 1570. On top of the map a banderole entitled in Latin, above that the coat of arms of the city. Nummered at the bottom left: 9. paper etching maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal) The Hague

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 357964

Kultura w sieci Kultura+ Wyspiański, Stanisław (1869 1907)

Study of a mirror. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

The Elevation of a Sepulchral Monument, Probably for the Young Pretender Charles Edward Stuart, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on paper, Probably for the Young Pretender Charles Edward Stuart who died in 1788. Above is the elevation, below is the plan. Standing in a niche with a vault (). A variation of the design 1938-88-1264. One section of steps leads up. Female figures stand upon the lateral pedestals. Only the sarcophagus at the front is repeated. No lamps are above the entablature. The figure on top is similar to that in 1938-88-1650. Colored background beside the upper design., Rome, Italy, ca. 1795, architecture, Drawing, Drawing

Pencil draft by Emerich Alexius Swoboda showing the preliminary layout of a monument.

Design for a mirror with Penanttafel and Guéridons, Daniël Marot (I), 1700 drawing paper. chalk. ink pen furniture to put things on. table. mirror

Design for Two Marble-topped Pier Tables early 19th century Anonymous, British, 19th century British. Design for Two Marble-topped Pier Tables 386889

Sketch of the interior of a church. Draughtsman: Johannes Bosboom. Dating: 1827 - 1891. Measurements: h 283 mm × w 367 mm. Museum: Rijksmuseum, Amsterdam.

Side board and celerett.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , England

Unknown architect, grave monument for Privy Councilor Koch in Thale. Monthly competition November 1877 (11.1877): Detailed tomb (1: 1); Explanation text. Pencil on paper, 50.4 x 33.6 cm (including scan edges) N.N. : Grabdenkmal für Geheimrat Koch, Thale. Monatskonkurrenz November 1877

Frame for Portrait of Armand Guéraud; Projet d'Encadrement Pour Le Portrait d'Armand Guérard. Picture frame with allegorical representation of the invention and application of printing. Books with titles on the tires and printing tools are stacked on top of each other round an empty frame. Under the framework, intended for the portrait of the Printer Armand Guéraud, is a law book with a sword. In a band below you are among other Chinese characters and hereoglyphs. Meryon took a lot of trouble for the development of the frame, he manufactured fourteen states and always changed the titles on the books in addition to other details. Striking are some red accents that the artificial to art experimented.

Böhmer Franz (1907-1943), Haus Darré in Berlin-Dahlem (1936-1936): hairdresser, hairdresser. Light break on paper, 28.2 x 37 cm (including scan edges) Böhmer & Petrich : Haus Darré, Berlin-Dahlem. Umbau

Hoffmann Emil (1845-1901), weather houses (without date): 5 sketches. Pencil and ink watercolor on transparent, 41.9 x 35.2 cm (including scan edges) Hoffmann Emil (1845-1901): Wetterhäuschen

Sketches for a piano bench , Carl von Hasenauer -, draft

Design for a Sofa with Alternative Suggestions, Pen and black ink, brush and gray and pink wash, graphite on off-white wove paper, Horizontal rectangle. Right half of sofa suggests a curved outline of the back, after the straight one that appears at the left has been erased. Sofa in Neo-Greek style with four straight legs and rose upholstery., Italy, late 19th century, furniture, Drawing, Drawing

Gosting E., medieval console. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (February 25, 1902): View. Print on paper, 33.3 x 24.5 cm (including scan edges)

Two sketches: a fragment of the Tarza; Rococo frame and other small fragments; Ruszczyc, Ferdynand (1870-1936); 1904 (1904-00-00-1904-00-00);Partage Plus, purchase (provenance)

Schadow Friedrich Gottlieb (1761-1831), furniture, ovens, facilities (without dat.): Oven. Pencil watercolored on paper, 28.3 x 20 cm (including scan edges) Schadow Friedrich Gottlieb (1761-1831): Möbel, Öfen, Einrichtungen

Design for the Cove of a Ceiling. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 9 5/8 x 9 9/16 in. (24.4 x 24.3 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Get Peltishemen, Nicolas Dupin, Agree, After nowhere Nathan Francov Buris & in 1779 - 1779 print Twear genoramenamental real audisms metilands. Prent number 32. Paris paper etching / engraving fire-screen. ornament ~ festoon, garland

Eight Culs De-Lampe. At the bottom right of a cul-de-label with acanthus leaves.

Drawing, Designs for Vases and Architecture; Italy; pen and ink, brush and wash on paper

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil

Altaren, 1857 - 1859 Page 63 Verso from a sketchbook with 77 sheets. paper. pencil altar

Hinen-Kou, Tambour Chinois, In or Berere 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. drum (musical instrument) Royal Palace

Pencil sketch by Emerich Alexius Swoboda depicting the Mozart fountain, showing architectural and sculptural details, composition, and design elements

The left half of the fireplace and of the frieze are shown. A single molding forms the frame. The frieze is decorated with festoons hanging beside an ovoidal medallion at right, with figures in the center. Three children are in the center. A standing woman is shown in the medallion. A siren forms the bracket at the corner. A standing quadruped, the central one. Inside the fireplace is the section along the inner side of the corner bracket. Realized version carved in marble by Vincenzo Pacetti, reliefs for the Noble Cabinet, Palazzo Altieri. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1789. Museum: Cooper Hewitt, Smithsonian Design Museum.

Metal Bracket, Rue de Grenelle, St. Honoré. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design with two rectangles and ornaments, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. watercolor (paint). pencil brush

Altaren, 1837 - 1921 Also a study of a weapon. Page 17 Verso from a sketchbook with 23 sheets. paper. pencil altar. coat of arms (as symbol of the state, etc.)

Sievers Carl (1834-1891), staircase in the Louvre in Paris (1854-1854): Figures, Ornament Stucco painted by Abel de Pujot. Pencil on paper, 23.7 x 33 cm (including scan edges) Sievers Carl (1834-1891): Treppenhaus im Louvre, Paris

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794-1879, British, 1834, graphite, pen and black ink, gray wash on sligthly textured, moderately thick, cream wove paper, Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm) and Image: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)

Drawing, Study for the Sala di Apollo, Palazzo Milzetti, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, black chalk on white laid paper; 28.5 x 22.5 cm (11 1/4 x 8 7/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Triumphs. Leaf 43 Recto from a sketchbook with 79 sheets.

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Drawing after John Singer Sargents Prophets mural in Boston, Graphite, Blue laid, 28.6 × 43.8 cm (11 1/4 × 17 1/4 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Studies of architectural details. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Drawing, Design for a Monument; Italy; graphite on paper

Design for a Door Wall, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Door Wall., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Funerary monument of Pierre Cartelier in Father-Lachaise.

Design for a table. Leaf 17 Recto from a sketchbook with 23 sheets.

of 3