Architectural Sketches and Plans

Historical pencil drawings of architectural designs, showcasing wall views, details, and elevations from different time periods.

Klomp Johannes Franziskus (1865-1946), Church in Krassow (1910-1910): Jocha. Pencil on transparent, 29.3 x 32.1 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Kirche, Krassow

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Wall view. Pencil on transparent, 29.2 x 43.1 cm (including scan edges)

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): Wall views Speiesaal 1:50. Pencil on transparent, 52.5 x 109.9 cm (including scan edges)

Sievers Carl (1834-1891), French embassy in Berlin (1864): interior detail, arcade. Pencil on paper, 14.3 x 20.6 cm (including scan edges) Sievers Carl (1834-1891): Französische Botschaft, Berlin

Böhmer Franz (1907-1943), Fuschl Castle near Salzburg. Conversion (1929-1929): Gutshof: View. Pencil on transparent, 22.9 x 45.5 cm (including scan edges) Böhmer & Petrich : Schloss Fuschl bei Salzburg. Umbau

Baltzer Johannes (1862-1940), church with 1012 places (approx. 1890): Upper side view, interior view with gallery, partial view of the gallery, cross-section (by main and side aisle), cut by the gallery, de. Pencil on cardboard, 26.1 x 34.7 cm (including scan edges) Baltzer Johannes (1862-1940): Kirche mit 1012 Plätzen

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (June 29th): Garden: Floor plan Terrace covering 1: 100 (proposal B). Pencil on transparent, 46 x 82.2 cm (including scan edges)

Stier Wilhelm (1799-1856), St. Sion, Cologne (without dat.): Window view. Pencil on paper, 19.8 x 11.7 cm (including scan edges) Stier Wilhelm (1799-1856): St. Sion, Köln

Böhmer Franz (1907-1943), Park Hotel in Posen (September 21, 1940): Door between the restaurant and anteroom: views, average 1:20. Pencil on transparent, 55.9 x 85.1 cm (including scan edges)

Klomp Johannes Franziskus (1865-1946), Church in Krassow (1910-1910): Jocha. Pencil on transparent, 29.3 x 32.1 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Kirche, Krassow

Unknown architect, Technical University of Berlin-Charlottenburg. Interior of the main building (without a year): ceiling fields, view, color proposal. Pencil watercolor on the box, 69.7 x 79.7 cm (including scan edges)

Lehmmübner Paul (1855-1916), church stalls. () (Without Dat.): Side view and cut. Pencil on transparent, 108.2 x 72.1 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirchengestühl ()

Lange Ludwig (1808-1868), Museum in Leipzig. (From: L. Lange, works of higher architecture, 1860) (1856-1856): Details of the windows, heating clothing. Pressure on cardboard, 44.3 x 66.4 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1860. Museum, Leipzig

Böhmer Franz (1907-1943), Poznan Castle, Poznan (1939-1943): Plan content N.N. detected. Material/technology N.N. Captured, 31.5 x 42 cm (including scan edges) Böhmer & Petrich : Schloss Posen, Posen. Umbau

Lechner N., church, Bromskirchen. (From: Denkmäler d. German architecture, Darg. V. Hessische Verein F.d. Middle Ages Medieval Works, Darmstadt, Vol. 1, Atlas, 1856): floor plan, cut, details. Lithograph on cardboard, 53.6 x 35.2 cm (including scan edges)

Potsdam, city lock, garden, design for a compartment, floor plan

Böhmer Franz (1907-1943), Park Hotel in Poznan (1940-1940): wall view. Pencil on transparent, 55.8 x 110.4 cm (including scan edges)

Raschdorff Julius (1823-1914), Gutshof with brick factory. Brick oven (without date): floor plan, view, cuts. Tusche watercolor on paper, 57.5 x 76 cm (including scan edges) Raschdorff Julius (1823-1914): Gutshof mit Ziegelei. Ziegelofen

Böhmer Franz (1907-1943), Reich Ministry of Nutrition and Agriculture in Berlin-Mitte (1938-1938): Door Stairwell Main Cup. Light break on paper, 49.8 x 80 cm (including scan edges)

Drawing, Landscape View of Rome from the Banks of the Tiber River, with Distant Views of the Castle Sant Angelo, Claude's Villa, and Saint Peter's Basilica, Part 1; Frederic Edwin Church (American, 1826-1900); Italy; graphite on green-gray wove paper; Sheet: 30.1 x 44.3 cm (11 7/8 x 17 7/16 in.)

Böhmer Franz (1907-1943), Bruchmühle settlement in Petershagen (1938-1938): site plan. Pencil, colored pencil on transparent, 46.2 x 67.2 cm (including scan edges)

Perspective study of a multi-nave, cross-ridge vaulted hall by Carl von Hasenauer, drawn in black and red pen, 1853.

Survey of a bomber of one of the pavilions of the Concorde Square.

Photo production of a technical drawing of a building, Edouard Pourchet, After Anonymous, c. 1880 - in or before 1907 photograph Paris paper albumen print urban housing

Lange Ludwig (1808-1868), Museum in Leipzig. (From: L. Lange, works of higher architecture, 1860) (1856-1856): Details of the windows, heating clothing. Pressure on cardboard, 49.9 x 67.1 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1860. Museum, Leipzig

Quast Ferdinand von (1807-1877), rock temple in Egypt (without date): two longitudinal sections, two floor plans, two side views of standing and sitting Osiris . Pencil on transparent, pencil and ink on paper, partly gray -laved, 34.1 x 21.5 cm (including scan edges) Quast Ferdinand von (1807-1877): Felsentempel in Ägypten

Arnim Ferdinand von (1814-1866), Canary bird hedge. (From: Architectural sketchbook, H. 3, 1852.) (1852-1852): floor plan, cross-section, details. Stitch on paper, 33.3 x 24.5 cm (including scan edges) Arnim Ferdinand von (1814-1866): Kanarienvogelhecke. (Aus: Architektonisches Skizzenbuch, H. 3, 1852)

Quast Ferdinand von (1807-1877), the crooked tower of Dausenau (1873): View of the tower of the medieval city wall and site plan. Pencil on transparent, 40.3 x 26.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Der Schiefe Turm von Dausenau

Church of the French Protestants (Eglise Français du Saint Esprit), New York (section and plan) 1831-34 Alexander Jackson Davis American The design of the portico of this church may have been inspired by William and Henry William Inwood's Saint Pancras New Church, London (1819-22). The interior was based on Christopher Wren's Church of Saint Stephen's Walbrook, London (1672-79). The dome was destroyed by fire in 1839, and the building was demolished in 1864.. Church of the French Protestants (Eglise Français du Saint Esprit), New York (section and plan) 381866 Artist and architect: Alexander Jackson Davis, American, New York 18031892 West Orange, New Jersey, Architect: Designed by Ithiel Town, American, Thompson, Connecticut 17841844 New Haven, Connecticut, Church of the French Protestants (Eglise Franais du Saint Esprit), New York (section and plan), 183134, Watercolor and ink over graphite, Sheet: 14 3/4 x 8 9/16 in. (37.4 x 21.7 cm). The Metropolitan Museum of Art, New York. H

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (22.08.1940): Garage House in the garden: Seitage view 1: 100. Pencil on transparent, 37.4 x 34.2 cm (including scan edges)

Langhans Carl Ferdinand (1782-1869), Theater in Liegnitz (1841): cross-sections through the Vestibül and the stage house. Ink on paper, 34.5 x 49.7 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Theater, Liegnitz

N.N., Vistula Bridge, Dirschau. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 5, 1855.) (1855-1855): floor plan, view. Stitch on paper, 29.6 x 45.4 cm (including scan edges) Stüler Friedrich August (1800-1865): Weichselbrücke, Dirschau. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 5, 1855)

Obelisk Grave Monument, No. 16 1840-80 Alexander Maxwell Alexander Maxwell designed and made grave monuments for New York area clients in the mid-nineteenth century (a fine example is a Butterfield family mausoleum of ca. 1875 at Woodlawn Cemetery in the Bronx). They likely were related to the marble and granite suppliers Alexander Maxwell & Co. of East Canaan, Connecticut, who provided marble for New York City Hall in 1838, and for a hundred columns used in an extension of the United States Capitol, Washington DC in 1860. This drawing comes from a group of designs for private memorials.. Obelisk Grave Monument, No. 16. Alexander Maxwell (American, active 1838-80). 1840-80. Graphite. Drawings

Böhmer Franz (1907-1943), Stadium in Poznan (June 17, 1940): View 1: 500. Light break on paper, 48 x 92 cm (including scan edges)

Quast Ferdinand von (1807-1877), Church in Büchen (18.08.1864): Four leaves: 1) floor plan, 2) Perspective interior view, 3) window exterior view, 4) Details capitals with cross-section (made of quast sketchbook). Pencil on transparent, pencil on paper, 35.5 x 29.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Kirche, Büchen

Schirrmacher Georg Theodor (1833-1864), Hofoper Vienna (1861): cross-section through stage and magazine. Ink on cardboard, 66.3 x 99.2 cm (including scan edges)

Rebellion and cross -section of the new (South) portal.

Böhmer Franz (1907-1943), Atelier Graf Plettenberg in Berlin-Dahlem (1940-1940): View. Pencil on transparent, 45.5 x 29.6 cm (including scan edges) Böhmer Franz (1907-1943): Atelier Graf Plettenberg, Berlin-Dahlem

Grandjean de Montigny Auguste (1776-1850), meeting room. Conversion (without date): floor plan. Tusche watercolor on paper, 59.4 x 45.1 cm (including scan edges) Grandjean de Montigny Auguste (1776-1850): Kirche, Kassel-Unterneustadt

Böhmer Franz (1907-1943), weekend hotel and lido (1933-1933): lido: South view 1: 200. Pencil on transparent, 33.8 x 103.5 cm (including scan edges)

Knoblauch Eduard (1801-1865), Prussian House of Representatives, Berlin (1849): front view, floor plans. Tusche watercolor, 62.2 x 50.7 cm (including scan edges) Knoblauch Eduard (1801-1865): Preußisches Abgeordnetenhaus, Berlin

Quast Ferdinand von (1807-1877), St. Martin in Euskirchen (1871): side view, floor plan, scale bar. Pencil on transparent, 44.6 x 27 cm (including scan edges) Quast Ferdinand von (1807-1877): St. Martin, Euskirchen

Poelzig Hans (1869-1936), Palace of the Soviets in Moscow (1931): View of the large hall of the 15000 from the side of the stage. Pencil on transparent, 48 x 100.5 cm (including scan edges) Poelzig Hans (1869-1936): Palast der Sowjets, Moskau

Orth August (1828-1901), Emmauskirche, Berlin-Kreuzberg (1891): Grundriss main floor. Ink on transparent, 78.7 x 58 cm (including scan edges)

Diebitsch Carl von (1819-1869), Church, Barcelona (without dat.): Ornament detail. Pencil on paper, 12.3 x 11.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Kirche, Barcelona

Unknown architect, pulpit (without date): Perspective view and details. Ink on transparent, 23.1 x 18.2 cm (including scan edges) N.N. : Kanzel

Quast Ferdinand von (1807-1877), St. Elisabeth Church in Marburg (without dat.): View Western window with four-pass dimensions, scale (meter). Pencil on paper, 36.7 x 24.9 cm (including scan edges) Quast Ferdinand von (1807-1877): Elisabethkirche, Marburg

Octagonal Room with Sectional Views 19th century Attributed to Anonymous, British, 19th century British. Octagonal Room with Sectional Views. Attributed to Anonymous, British, 19th century. 19th century. Pen and ink with watercolor

Lange Ludwig (1808-1868), royal country house in Berchtesgaden (alias residential building Dr. Hestmann in Darmstadt). (From: L. Lange, works of higher architecture, 1858) (1848-1848): View. Pressure on cardboard, 43.3 x 64.4 cm (including scan edges) Lange Ludwig (1808-1868): Werke der höheren Baukunst, Darmstadt 1858. Königliches Landhaus, Berchtesgaden (alias Wohnhaus Dr. Hestmann, Darmstadt)

Recto: Bridge at Shrewbury, Verso: Building Sketches, William Williams (England, active 1763 - 1800) 1798

Shows a roof structure cross-section by Carl von Hasenauer in pencil, highlighting beams, joints, and architectural details.

Survey of a door of the Olysee Champs Panorama.

Model of the tympano of the temple of Zeus in Olympia, c. 1890 - 1895 photograph Part of a group of photos collected by photographer Richard Polak on travel. This photo was exhibited together with other photos collected on his journeys at the Rotterdamsche Kunstkring (1895), Arti and Amicitiae in Amsterdam (1897-1898) And Societeit 't Collegie in Kampen (Date for the time being unknown). Olympia paper. cardboard albumen print temple, shrine ~ Greek religion. piece of sculpture, reproduction of a piece of sculpture

Railway bridge, th, Schönbrunner Schlossallee , Linzer Strasse, Otto Wagner -, artist

Firouz-abad Firuzad. Palais sassanide. (Plan et détails.), 1851 - 1854. By Pascal Coste (1787-1879)., 1851 - 1854, Paris, Publisher, Gide et J. Baudry. Related Iran, Antiquities, Etchings

Some sketches, projects and executed buildings, Vol, III, sheet , the Church of the Lower Austrian State Healing and Nursing Centers, Otto Wagner -, architect

Poelzig Hans (1869-1936), Gebr. Meyer in Hannover-Vinnhorst. Administration building (1923): radiator cladding. Pencil on transparent, 28.4 x 25.2 cm (including scan edges)

Poelzig Hans (1869-1936), Friedrich-Theater, Dessau (1935): Perspective interior view from the stage. Pencil on transparent, 63.8 x 89.4 cm (including scan edges) Poelzig Hans (1869-1936): Friedrich-Theater, Dessau

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), detail of the staircase, interior of the Hôtel de Ségur, 97 rue du Bac, 7th Arrondissement, Paris (dummy title). Albumin paper draw. Carnavalet museum, history of Paris.

Böhmer Franz (1907-1943), Stadium in Poznan (1941-1941): Department 1: 2000. Colored pencil over a break on paper, 74.9 x 106.9 cm (including scan edges)

Lazio Viterbo Viterbo Papal Palace1. Hutzel, Max 1960-1990 Exterior views in relation to adjacent monuments, views of fountains, architectural details with emphasis on the loggia. More comprehensive exterior views in Medieval. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Blunck Erich (1872-1950), Evangelical Gustav Adolph Church in Berlin (1925): Rissing: Views after Keplerstraße and after the Kaiserin-Augusta-Allee 1: 200, garden view of the church apartment/ sister station 1: 200. Pencil, colored pencil over light break on paper, 76.6 x 59 cm (including scan edges) Blunck Erich (1872-1950): Evangelische Gustav-Adolph-Kirche, Berlin

Lüdecke Carl Johann Bogislaw (1826-1894), Villa (without a year): 3 floor plans; Scale bar. Pencil on cardboard, 51.6 x 69.2 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Villa

Lange Ludwig (1808-1868), fruit hall in Munich. () (Without dat.): floor plan. Pencil on paper, 36.5 x 24.6 cm (including scan edges)

Unknown architect, rifle house. Monthly competition May 1876 (05.1876): cross -section; Scale bar. Ink on paper, 31.2 x 51.6 cm (including scan edges) N.N. : Schützenhaus. Monatskonkurrenz Mai 1876

Monument no. 10, the façade of the royal tomb located in the southeast of the plateau at Persépolis. Created between 1851 and 1854 by Pascal Coste. Published in Paris by Gide et J. Baudry. The image features antiquities from Iran, presented as etchings

Klomp Johannes Franziskus (1865-1946), unaffected church projects (sketches) (0-0): church tower. Pencil on transparent, 27.4 x 33.2 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Kirchen-Projekte (Skizzen)

Jannasch, garrison of the infantry barrier in Mannheim. Farm building I and II (1899-1901): floor plan attic, rafters 1: 100. Lithograph, 70.7 x 51.7 cm (including scan edges)

Böhmer Franz (1907-1943), Villa von der Heydt in Berlin-Tiergarten. Conversion (1938-1938): Lantern: Views 1: 7. Pencil on transparent, 50.9 x 25.7 cm (including scan edges)

Poelzig Hans (1869-1936), sound film studio, Berlin-Gatow (1930): View with facade ornament. Colored pencil on transparent, 17.9 x 64.3 cm (including scan edges)

Etching after 1785 by Louis-François Cassas depicting Oriental ruins and monuments, including temples, columns, and surrounding landscape.

Lüdecke Carl Johann Bogislaw (1826-1894), theater in Wroclaw. Reconstruction (1866-1866): Rank staircase on the south side: cut, scale bar. Tuser and pencil watercolored on paper, 99.4 x 40.1 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Theater, Breslau. Wiederaufbau

Hofburgtheater, Vienna: floor plan and longitudinal section

Orth August (1828-1901), Friedenskirche in the Humboldthafen, Berlin (1886): Emergency floor plan. Ink, ink colored, watercolor on paper, 106.4 x 68.7 cm (including scan edges)

A. Spaccato de Ponte Ferrato , Bridges, Archaeological sites, Foundations, Rivers. The Antonio Cardinal Tosti Collection

N.N., Marienburg Castle (without date): View. Photo on cardboard, 33.1 x 40.4 cm (including scan edges) N.N. : Schloss Marienburg

James Jones, Mision La Purisima Concepcion End of Cloister Wall, 1935 1942 Mision La Purisima Concepcion - End of Cloister Wall

Raschdorff Julius (1823-1914), excellent projects for the Hamburg town hall building in 1876 (1876-1876): Grundriss eG, 1st floor. Light pressure on paper, 45 x 35.1 cm (including scan edges)

Klomp Johannes Franziskus (1865-1946), church with interior and rectory in Chropaczow (formerly Silesia pit) (1912-1912): Detail of the corner cuboid of the rear outputs (1: 1). Pencil on transparent, 79.1 x 74.1 cm (including scan edges)

Carnavalet museum, history of Paris.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): wall painting. Pencil watercolored on paper, 28.3 x 38 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Plan of central halls with surrounding streets Charles Rohault de Fleury (1801-1875). Plan of the central halls with the surrounding streets. Pencil, Lavis Gray and Rose, around 1836.

Klomp Johannes Franziskus (1865-1946), Paulus Church and rectory, Nowy Bytom (former Friedenshütte) (1910-1911): Turmspitze. Ink on cardboard, 40.7 x 21 cm (including scan edges)

Böhmer Franz (1907-1943), Foreign Office in Berlin-Mitte (10.10.1940): Wall view with bust. Pencil on transparent, 30.2 x 35.8 cm (including scan edges) Böhmer & Petrich : Auswärtiges Amt, Berlin-Mitte. Umbau

Warsaw. Window curtain clasp from c. 1780, pouched out of thin brass sheets, from the equipment at the White House at the Royal Łazienki Park - front views and side longitudinal section. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Knoblauch Eduard (1801-1865), new synagogue, Berlin (after 1872): floor plan. Ink, 49.7 x 31.5 cm (including scan edges) Knoblauch Eduard (1801-1865): Neue Synagoge, Berlin

Abruzzo Teramo Teramo S. Berardo, Cathedral. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium,

Map of temple of Segesta, Louis Mayer, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Mayer, 1778, paper, pen, h 412 mm × w 275 mm

Eisenlohr Friedrich (1805-1855), Church in Ofterberg (without dat.): Perspective view. Pencil on cardboard, 44 x 51.6 cm (including scan edges)

Raschdorff Julius (1823-1914), Cochem Castle. (From: Architectural sketchbook, H. 133/4, 1875.) (1875-1875): View detail. Stitch on paper, 26.1 x 34.9 cm (including scan edges)

Quast Ferdinand von (1807-1877), Wall Tower (powder tower) at Ruppiner Tor in Gransee (without dat.): Floor plan of the octagonal tower. Pencil on transparent, 34.9 x 28.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Mauerturm (Pulverturm) am Ruppiner Tor, Gransee

Michel Paul jun. (1922-1943), Church of Romanesque style with a covered portal (1941): Perspective viewed portal system (door with fragornment), vaults of three pairs of columns worn by Freiprepp. Pencil on cardboard, 74.7 x 52 cm (including scan edges) Michel Paul jun. (1922-1943): Kirche romanischen Stils mit überdachtem Portal

Décoration et construction des portes batardes, 1769 - 1774, Roubo, M. (André Jacob), 1739-1791, Académie royale des sciences (France). Issued in Paris by De l'imprimerie de L.F. Delatour. Subjects include carpentry and joinery in France, with engravings

Böhmer Franz (1907-1943), Stadium in Poznan (1941-1941): View. Pencil on transparent, 45.7 x 59.5 cm (including scan edges)

Quast Ferdinand von (1807-1877), Wildberg Castle at Calw and Wildenstein Castle on the Danube. (From: Light views from Germany, Austria, Italy and Switzerland) (without date): Two perspective views of the castle complex and bridge of Wildberg Castle and the Wildenstein Castle (from the Danube), both drawings to Merian. Pencil on paper, 33.3 x 21.3 cm (including scan edges) Quast Ferdinand von (1807-1877): Burg Wildberg, Calw und Burg Wildenstein an der Donau. (Aus: Ortsansichten aus Deutschland, Österreich, Italien und der Schweiz)

Klomp Johannes Franziskus (1865-1946), grave monuments, altars and church details (March 28, 1904): floor plan, front view and side view of a grave monument 1:50. Blueprint on paper, 40.9 x 37.3 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Grabdenkmäler, Altäre und Kirchendetails

View of the Église Saint-Vincent-de-Paul in Paris, Anonymous, c. 1850 - c. 1880 stereograph Paris photographic support. cardboard albumen print church (exterior) Saint-Vincent-de-Paul church

Böhmer Franz (1907-1943), Park Hotel in Posen (September 26, 1940): Cut through the roof structure 1:50. Pencil on transparent, 38.2 x 86.3 cm (including scan edges)

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