Architectural Sketches and Studies

Pencil sketches exploring architectural designs and decor elements, showcasing intricate designs and classical structures with a focus on symmetry and detail.

Leclère, Achille-François-René (n.1785-10-29-D.1853-12-23), monument project. (Dummy title). Lead mine, ranges brown wash. Carnavalet museum, history of Paris.

Pencil sketch by Josef Danhauser of the Karl-Borromäus Altar in St. Stephen Cathedral, executed on brown paper.

Ornament designs, c. 1897 - c. 1898 Page 16 Verso from a sketchbook with 29 sheets. paper. pencil ornaments ~ art

Study for The Hall and Staircase, British Museum, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 256 × 195 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Leclère, Achille-François-René (n.1785-10-29-D.1853-12-23), monument project. (Dummy title). Lead mine, ranges brown wash. Carnavalet museum, history of Paris.

Two sketches of cards and sarcophagus; Ruszczyc, Ferdynand (1870-1936); 1903-1907 (1903-00-00-1907-00-00);Partage Plus, Sienkiewicz, Henryk (1846-1916) - illustration, Illustrated weekly (Warsaw - magazine - 1859-1939) - illustration, illustration projects, purchase (provenance)

The Little Café au Bois. James McNeill Whistler; American, 1834-1903. Date: 1894. Dimensions: 210 x 156 mm (image); 313 x 197 mm (sheet). Transfer lithograph in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Mirror of a yacht with a standing putto and a weapon in shield, Willem van de Velde (II), 1643 - 1707 drawing paper. pencil. ink pen / brush parts of ship's exterior (with NAME). sailing-ship, sailing-boat (with NAME). cupids: 'amores', 'amoretti', 'putti'

Corner of a Room with a High Coved Ceiling. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Buchschmuck, Vignette Architectur, Otto Wagner , draft

Study for 'On the Sands', Spencer Frederick Gore, 1878-1914, British, 1910, Black chalk and graphite on thin, smooth, cream wove paper, Sheet: 8 7/8 x 11 inches (22.5 x 27.9 cm), architectural subject, audience, ballet, boxes (audience spaces), boxes (box seats), boxes (theater spaces), columns, curtain, perspective, proscenium, shape, stage, stage design, theater, theater design

The Laundress La Blanchisseuse de la place Dauphine Made 1894 United States. Transfer lithograph in black on ivory laid paper . James McNeill Whistler

A pencil sketch sheet by Rudolf Weyr on transparent paper, featuring figure or architectural studies emphasizing line, form, and layout.

Input party of Twickel castle. Page 38 From a sketchbook with 83 sheets.

Cleopatra. Dimensions: overall: 44.4 x 30.5 cm (17 1/2 x 12 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: GUSTAVE DORÉ.

In Our Room, Bourges, Arnold William Brunner, American, 1857-1925, Graphite on brown paper, Room of artist shown, fire place with rug, fireplace mantel with objects and suitcase right. Right, two sketches of North porch of the Cathedral., USA, 1883, architecture, Drawing, Drawing

Two Trial Sketches: A. Grand Rue, Dieppe; B. An Interior. James McNeill Whistler; American, 1834-1903. Date: 1891. Dimensions: 72 x 216 mm (image); 166 x 246 mm (sheet). Transfer lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Theme from the Motława River, fragment of the Long Bridge. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 15.5 cm, Berndtson, Gunnar

Design for a room piece: garden house at the end of a lane with trees. Design for a painting.

Bading girls on the banks of the Ganges in Benares, Wijnand Otto Jan Nieuwenkamp, 1917 print In the background ghats, stairs that lead to the river. paper drypoint taking a bath - AA - in the open air. river. sloping street; street with steps or stairs Ganges. Benares

Drawbridge. Draughtsman: Jan Veth. Dating: 1885. Measurements: h 175 mm × w 129 mm. Museum: Rijksmuseum, Amsterdam.

Two sketches of a garden, one with a garden vase and herme, the other with architecture and pond. Design for a painting, Two sketches of a garden., draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, h 166 mm × w 204 mm

Sketch for a fireplace (dummy title)

Partial Design for the Decoration of the Surround of the Barrel Tang of a Firearm. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 4 1/4 x 4 1/8 in. (10.8 x 10.5 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

Study for the Great Hall, Bank of England 1807-1808 England. Graphite on ivory wove paper . Augustus Charles Pugin

Print, The Man at the Window; France; etching on vellum paper; Plate: 28 × 21 cm (11 in. × 8 1/4 in.) Paper: 32.5 × 25.4 cm (12 13/16 in. × 10 in.)

Fireplace and a candlestick; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Design for Dados, Pen and black ink, brush and brown wash on paper, Studies of wall friezes., Italy, 1725-50, architecture, interiors, Drawing, Drawing

Rose bush in a quarter of an oval. In the oval also a study of a standing figure. Possibly a design for a window. Leaf 7 verso and 8 recto from a sketchbook with 24 sheets.

To design. Possible decoration for a piece of furniture. Leaf 2 recto from a sketchbook with 29 sheets.

Near the Entrance to Newport from East Cowes, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)

Design for a painting, Design for a hall piece: garden house at the end of an avenue with trees., draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, h 227 mm × w 236 mm

A drawing by Rudolf Weyr depicts a ship, showing vessel structure, sails, and maritime composition in a preparatory study.

Frau auf dem Sofa sitzend (Dora), pl.12. Stremel, Max Artur (1859-1928), graphic artist, Maison Moderne (Paryż ; wydawnictwo ; 1897-1903), publishing house

Järnefelt, Eero, work, Sketch book, approx. 1910, pencil, drawing, 19 cm x 25.5 cm, Järnefelt, Eero, approx. 1910, pencil, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Two sketches of a garden with a pond, in the foreground an open fence, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Frau auf dem sofa Sitzend (dora), pl.12; Stremel, Max Artur (1859-1928), Maison Moderne (Paris; Publisher; 1897-1903); 1899 (1899-00-00-1899-00-00);Leykam-Lewińska, Aleksandra (1882-1927)-collection, partage plus, gift (provenance), women, modernism (style), portraits, female portraits, sofas

Composition studies with interiors with figures, 1819 - 1849 Among other things, a study by a woman and husband, possibly a monk, in a study. Page 56 Recto from a sketchbook with 58 sheets. paper. pencil interior of the house. anatomy (non-medical)

Chairs, c. 1897 - c. 1898 Page 1 recto from a sketchbook with 29 sheets. paper. chalk. pencil chair

Polands Renaissance style. Perle, Edmund (1854-1935), draughtsman, cartoonist

Staircase Made 1891 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Alexander Rothaug created five composition designs around spring 1901, executed in pencil and ink.

In St Magloire / February 2, 1860

Pencil study by Alfred Castelliz showing a source version in perspective, executed with Aquafix, including preliminary and spring drawings in black.

A series of ink sketches by Moritz von Schwind from spring 1859-1860 illustrating studies of figures and compositional arrangements.

Hundred to write on the epitaph of Filip Buonaccorsi Kallimachem in the Dominican church in Krakow - a fragment on a 1: 5 scale; Sztolcman, W Adys Aw Roman (1873-1950); 1917 (not after 15.05.1917) (1917-00-00-1917-00-00);

Dorpsstraat with figures. Leaf 21 Recto from a sketchbook with 95 sheets.

Schmalz Otto (1861-1915), travel sketches from Italy (November 2, 1900): Trabes: Fountain on the cattle market (perspective view). Pencil on paper, 42.9 x 30.9 cm (including scan edges)

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Two designs for a garden view, one with a fountain, the other with a bust on a pedestal. Two designs for a garden view, one with a fountain, the other with a bust on a pedestal., draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, h 162 mm × w 206 mm

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 17.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Doorway, Stables - Loches. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 148 x 81 mm (image, trimmed within plate mark); 216 x 81 mm (sheet). Etching and drypoint with foul biting in brown ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The pillar stands at the inner side of a pillar which divides two naves. Below is the common base. Above it stands the pedestal, consisting of a fluted panel with a broad band in front, evidently decorated with a coat of arms between two flying angels. Above is another framed panel with a figure in it. The dimensions for the single parts are inscribed. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Rue des Bons Enfants, Tours. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 149 x 79 mm (image, trimmed within plate mark); 152 x 79 mm (sheet). Etching with foul biting in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Various Graf monuments, Jan Baptist Tetar van Elven, 1822 - 1895 print Five performances of different grave monuments in a cartouche. Among other things, hunebeds, the holy grave in Jerusalem and a cathedral are depicted. paper etching grave, tomb

Grave monuments. Leaf 34 Recto from a sketchbook with 37 sheets.

The Forge, Passage du Dragon Made 1894 United States. Transfer lithograph in black with stumping, on cream laid paper . James McNeill Whistler

Casal Rotondo at Via Appia; Burger, Ludwig (1825-1884); 1872 (1872-00-00-1872-00-00);

Spilman, Hendrik, Mierlo, Haen, Abraham de (II), Pronk, Cornelis, Kasteel Mierlo, handwritten in pencil, Sheet 45 recto from a sketchbook with 65 sheets., sketchbook sheet, drawings, tekeningen, mierloo, Noord-Nederlands, 1691-12-10 - 1759-09-29, draughtsman, draftsman, 1701 - 1759, paper, papier, pencil, inkt, 1707-04-06 - 1748-08-08, Northern Netherlands, 1721-02-17 - 1784

Sketch, Figure in Classical Throne with Attributes of Christianity or War. Graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Gropius Martin (1824-1880), sketch album 4: travel sketches from Athens, Venice and Padua: cassette ceiling, Venice. Postatment, Venice (without dat.): View post office, detail ceiling. Pencil on paper, 16.6 x 19.6 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 4: Reiseskizzen aus Athen, Venedig und Padua: Kassettendecke, Venedig. Postament, Venedig

Roach.

Strack Johann Heinrich (1805-1880), draft stove for the company Feilner (without dat.): View. Tusche watercolor on paper, 19.2 x 11.7 cm (including scan edges) Strack Johann Heinrich (1805-1880): Ofenentwurf für die Firma Feilner

Under Old Battersea Bridge. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1876/1878. Prints; etchings. Etching

Kabki near Utena (Lithuania). Roadside cross, according to original photograph p. Czekierskiego in Warsaw. Frankiewicz (Francewicz), Władysław (fl. 1915), draughtsman, cartoonist

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Yellow House, Lannion Made 1893 United States. Whistler experimented with color lithography between 1890 and 1893, creating a small selection of work that demonstrates his quest to translate achievements in pastel drawing to a printed medium. For color transfer lithographs he used shades of black and dark gray ink to provide structure for the compositions, adding carefully placed touches of color to enliven the images.. Transfer lithograph, with scraping, from six stones in black (keystone), greenish gray, brown, green, yellow, and gray on ivory laid paper . James McNeill Whistler

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Nakch-i-Roustam. Tombe royale no. 2. Façade du caveau no. 2. 1851 - 1854, by Pascal Coste (1787-1879). Published in Paris by Gide et J. Baudry. Focuses on Iranian antiquities through etchings

Figures at the entrance of a temple in the British Indies, Wijnand Otto Jan Nieuwenkamp, 1917 print The temple is decorated with sculptures. paper drypoint places and objects of worship ~ Hinduism, Buddhism, Jainism. piece of sculpture, reproduction of a piece of sculpture British India

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Study of the Capital of a PIllar, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/2 × 13 11/16 inches (26.7 × 34.8 cm)

Diebitsch Carl von (1819-1869), fountain (without dat.): View of 1-shell fountain with swan worn by putten. Ink on paper, 29.9 x 36.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Brunnen

Elevation of a Fountain, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A low basin with a circular podium with seated figures below a sphere from which water flows. Additional fountain and detail at left., ca. 1790, architecture, Drawing, Drawing

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (25.03.1887): Rome: Decorative board on St. Peter's Basis (view, cuts). Pencil on paper, 42.8 x 31 cm (including scan edges)

Antonius ABT reading in Garden, Karl Palzow, 1830 print Antonius Abt, reading in a fenced garden of a chapel. Various animals with him, including a pig. Print is part of a cover with text and a series of eighteen lithographs to paintings by Dutch masters. paper the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

Bleigriffel drawing by Bartolomeo Altomonte around 1720 depicting a landscape with architectural elements, showing structures and terrain.

View of the West Facade of Dunkeld Cathedral. Artist: Carl Gustav Carus (German, Leipzig 1789-1869 Dresden). Dimensions: Sheet: 11 1/2 × 9 3/4 in. (29.2 × 24.7 cm). Date: 1844 or later. Museum: Metropolitan Museum of Art, New York, USA.

Two views of a table clock, two consoles and three vases; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Järnefelt, Eero, work, Sketch book, 1910-16, pencil, pastel, watercolor and charcoal, drawing, 23.5 cm x 32 cm, Järnefelt, Eero, 1910-16, pencil, pastel, watercolor and charcoal, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Roadside house chapels for Żmudzi (15th century), a woodcut outfit in: "Tygodnik Ilustrowany" 1860, No. 40 (18/30 June), p. 364 or directly from Römer's drawings; Czachórski, Władysław (1850-1911), Polkowski, Józef Tadeusz (1820-1895), Römer, Alfred Izydor (1832-1897); 1871 PO (1871-00-00-1871-00-00);

Hoffmann Emil (1845-1901), niche (without date): View. Pencil on cardboard, 27.3 x 18.9 cm (including scan edges) Hoffmann Emil (1845-1901): Nische

Maunder's Fish Shop, Chelsea 1890 James McNeill Whistler American. Maunder's Fish Shop, Chelsea 372811

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 357873

Chelsea Shops Made 1888 United States. Transfer lithograph in black ink on grayish ivory chine laid down on off-white plate paper . James McNeill Whistler

Rüster Emil (1883-1949), two fountains near Velletri (1913): View Brunnen. Coal on transparent, 16.6 x 21.4 cm (including scan edges)

Forstén, Berndt Lennart, work, Kattila-koski inunder Polar-Cirkeln, Finland prättädt i techningning, booklets XXII and XXIII, 1848, lithography, main class: graphics, leaf width 32 cm, leaf height 24 cm, image width 20.5 cm, image height 12.5 cm

Study of Interior of Santa Croce, Florence, with Monument to Michelangelo William Trost Richards (American, 1833-1905). Study of Interior of Santa Croce, Florence, with Monument to Michelangelo, ca. 1856. Graphite on paper, Sheet: 4 5/16 x 5 15/16 in. (11 x 15.1 cm). American Art ca. 1856

Old Paris a pinion 57 rue des Gravilliers Henri Chapelle (1850-1925), French draftsman. Old Paris. A pinion 57 rue des Gravilliers. Feather, ink of China. Paris (3rd arrest).

Barge Loading Scene at aRiver. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Figures on a Monumental Interior Stairway recto, probably c. 1754/1765, Album of Drawings: p.33, graphite on laid paper, Overall: 12.2 x 8.8 cm (4 13/16 x 3 7/16 in.), support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in.), Hubert Robert (artist) French, 1733 - 1808

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Sketches by Alexander Rothaug depicting various subjects, including a view titled 'Wildbad', created around 1900 using pencil and ink.

The Fireplace Made 1893 United States. Transfer lithograph in black on ivory laid paper . James McNeill Whistler

Drawing by Ferdinand Boberg. Blekinge, Medelstads hd., Backaryds K: a, stack Nordic

Poelzig Hans (1869-1936), exhibition center, Berlin. Preliminary project (1928): Studies main restaurant. Pencil, colored pencil on transparent, 31 x 24.3 cm (including scan edges) Poelzig Hans (1869-1936): Messegelände, Berlin-Charlottenburg. Vorprojekt

Unknown architect, table attachment. Monthly competition January 1879 (01.1879): Perspective view Mittelstez - variant II. Pencil pencil on transparent, 29.9 x 22.8 cm (including scan edges) N.N. : Tafelaufsatz. Monatskonkurrenz Januar 1879

Drawing, Le Jardin de L'Aviateur (Garden of an Aviator); Designed by André Vera (French, active Paris, 1881-1971), Paul Vera (French, active Paris, 1882-1957); France; graphite, brush and black ink, black wash on cream tracing paper; 54.6 × 47.5 cm (21 1/2 × 18 11/16 in.) Mat: 71.1 × 55.9 cm (28 × 22 in.)

Palace Scene Indian. Palace Scene, ca. 1850. Sepia ink and color on paper, sheet: 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm). Asian Art ca. 1850

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