Architectural Triumphs and Altar Designs

Intricate prints of historical architectural designs, featuring triumphal arches and altarpieces, rich in decorative details and classical themes.

Design for Stuart Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Intended to be erected in the intercolumniation between two embedded columns, which support an entablature. At left: upon a high pedestal stands a base with two stpes and a plinth and upon it the statue of a ruler in classical attire, extending the right arm, with the mace. Beside him stands upon the upper step a putto supporting a shield and raising the sword. Another sits upon teh same step, at he other side. A third kneels at right upon the lower step, supporting a festoon and possibly the shield. The corners of the steps are bevelled. A canopy hanging from above, forms the background of the group. In front of the pedestal stands the sarcophagus upon a pedestal. Its body is tub-like. Upon the cover two putti, an escutcheon with a crown on top. The second design is at right without framing line; in a smaller scale, the entablature. The sarcophagus i

Triomf gate at the arrival of Karel Alexander van Lorraine and Maria Anna in Brussels, 1744. Triumphoort founded by the arrival of Landvoogd Karel Alexander van Lorraine (Karel van Lorreinen) and his wife (Landvoogdes) Maria Anna van Austria, in Brussels, 26 March 1744 . With inscriptions in pen. According to the inscription, the gate is completely burned out after the arrival.

Mantelpiece, decorated with a representation of Mars, Venus and Amor; Second Livre d'Architectvr (...); Sheet from the series of chimneys. There is a double herme on either side of the show. From a series, consisting of a title page and 66 sheets with chimney jackets, decorated with columns, hermen, cartouches, garlands and mascarons. All chimney jackets are equipped with firesters.

Triumphal arch with hercules that beats a bull; entry from Ferdinand in Ghent in 1635 (no. 36); Lanionum Pegma. Triumphal arch of the meat cutters with a representation of Ferdinand as Hercules that beats a bull. On top of a bust of Ferdinand between Apollo and Diana. Prepared for the Vleeshuis. Leaf no. 36 in a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Altar; Nouueaux Dessins d'cars à la Romaine. In the middle there is an octagonal painting with the possession of Christ. Second print.

Design of a French fireplace with a mirror. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Drawing, Design for a Fountain; Italy; pen and black ink, brush and gray wash, traces of graphite on off-white laid paper

Design for Stuart Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Intended to be erected in the intercolumniation between two embedded columns, which support an entablature. At left: upon a high pedestal stands a base with two stpes and a plinth and upon it the statue of a ruler in classical attire, extending the right arm, with the mace. Beside him stands upon the upper step a putto supporting a shield and raising the sword. Another sits upon teh same step, at he other side. A third kneels at right upon the lower step, supporting a festoon and possibly the shield. The corners of the steps are bevelled. A canopy hanging from above, forms the background of the group. In front of the pedestal stands the sarcophagus upon a pedestal. Its body is tub-like. Upon the cover two putti, an escutcheon with a crown on top. The second design is at right without framing line; in a smaller scale, the entablature. The sarcophagus i

Plate 36: Triumphal arch, surmounted with a portrait bust of Ferdinand, flanked by sculptures of Apollo and Diana; ornamented with allegorical scenes below; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Dimensions: Sheet (Trimmed): 19 5/16 × 15 3/16 in. (49 × 38.5 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like

Collection of planks of furniture: Cabinet. Fifteenth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: cabinet. Fifteenth cabinet of a sequence of 21. Etching. 1575.

Design after the monument of Leonardo Loredano 1625-1700 Antonio Francesco Luccini. Design after the monument of Leonardo Loredano. Antonio Francesco Luccini (Italian, born Florence, 1605). 1625-1700. Etching, squared in red chalk. Prints

Design for a Monumental Altar, Plate 'o' () from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for a monumental altar. The altar is still Baroque in its overall structure but is decorated with rocaille ornaments and floral garlands. The structure is crowned by the all-seeing eye of God surrounded by a ring of cherubs. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate 'o' () from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg

Two Corinthian columns with a pedestal, a main frame and details, Anonymous, After Giovanni Battista Montano, 1636 print From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Graf monument of a General, Jean Marot (I), 1629 - 1716 print The box is placed on a high pedestal, on top is the image of a Roman general. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Cabinet with two doors; Les Cabinets. There is a paratide in the corners and in the middle.

. At the bottom is a grave monument against the wall of the chapel between two corintean columns. The coffin is on two slaves. Leaf 6 from series from title page and 5 sheets, third edition.

Onderboezem, Cornelis Danckerts (I), after Pierre Bullet, c. 1675 - c. 1686 print Above the tablet of the chimney bosom is a Frisian with a variant for the right half, above that there is a pelican on an oval frame. print maker: Netherlands (possibly)after design by: France (possibly)printer: Amsterdampublisher: Amsterdam paper etching chimney-piece, mantelpiece

Study for an Altar Containing a Painting of the Adoration of the Shepherds 1767 Austria. Pen and black and gray ink and brush and gray wash on ivory laid paper, laid down on ivory wove paper . Carl Joseph Haringer

Design for a Fireplace. Édouard Baldus (French, born Germany, 1813 - 1889)

Furniture Design 1565-70 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Pulpse with Paul; Prece chairs. Pulpit with rocaille ornaments, winged putti with garlands and paulus with book and sword. Publisher number 304.

Altar with Tabernacle and Two Priests in Conversation, Filippo Marchionni, Italian, 1732-1805, Pen and brown ink, brush and gray wash, graphite on white laid paper, Alter shown within under an arch. Within the central niche is Christ. Above him, a segmented pediment with a wreath., Rome, Italy, Italy, 1750-75, architecture, Drawing, Drawing

Fireworks drawing in front of the City Hall for the Publication of Peace on 16 Vov (BRE) 1697 (IT)

Submash with painting by Apollo and Marsyas, François de Poilly (I) (Possible), After François de Poilly (I), 1632 - 1693 print On the left, various details are depicted. From series of title page and 5 magazines, second edition. Paris (possibly) paper etching

Intended to be erected in the intercolumniation between two embedded columns, which support an entablature. At left: upon a high pedestal stands a base with two stpes and a plinth and upon it the statue of a ruler in classical attire, extending the right arm, with the mace. Beside him stands upon the upper step a putto supporting a shield and raising the sword. Another sits upon teh same step, at he other side. A third kneels at right upon the lower step, supporting a festoon and possibly the shield. The corners of the steps are bevelled. A canopy hanging from above, forms the background of the group. In front of the pedestal stands the sarcophagus upon a pedestal. Its body is tub-like. Upon the cover two putti, an escutcheon with a crown on top. The second design is at right without framing line; in a smaller scale, the entablature. The sarcophagus is supported by a high pedestal' upon its cover kneel, respectively sit, two winged figures and support a medallion with a portrait, and o

Plate in Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, The fireplace is decorated with an escutcheon flanked by two figures. A roundel framed by garlands and a mask over the mantelpiece. Above, a vase filled with flowers between two sphinxes, and a crowned roundel with cornucopia. Left, a panel depicting a landscape with trees and figures. Scale below., Netherlands, ca. 1700, architecture, Print, Print

Copper engraving by Nicolas Beatrizet depicting the Juliusgrabmal, created in 1554, illustrating the tomb of Julius II.

Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars. Artist: After Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in frontal elevation. The base of the altar is left undecorated, safe for a small rocaille ornament in the right variant. The top of the altar is heavily decorated with rocaille ornaments and candelabras and characterized by a bust on a pedestal depicted in the central opening or niche. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Writing tables, Writing table with candlesticks, Writing table with rocaille ornaments and clock. On the left a three-armed candlestick with putto, on the right a five-armed candlestick. Publisher number 163., print, ornament print, prints, ornament prints, height 300 mm, width 195 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Project for a tabernacle intended to be executed in bronze, Pen, brush and bistre on paper, Vertical composition of a tabernacle. The dome of an open pavillion is supported by four pairs of corinthian columns. In the interior are four kneeling angels who support a high circular structure. At the foot of the dome are four angels with arms of the Passion above the entablature. The project is not shown in its entirety., Milan, Italy, 1575-1600, Drawing, Drawing

Design for a chimney depicting a mythological hero, sword in hand, on his horse The mantelpiece is decorated with ornaments A scale in the bottom center Print No 204, Design for a chimney with a hero on horseback Ne, print maker: anonymous, Gerrit de Grendel, (mentioned on object), publisher: Martin Engelbrecht, (mentioned on object), Middelburg, publisher: Augsburg, 1708 - 1756, paper, engraving, h 282 mm × w 184 mm

Parijs, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, L Tables Grecques, Les Indes, Indië, Paris, verso - stamped, An ornamented table with garlands and a crowned head with swords. Above it a censer, a book, a caduceus, fruit, ears of corn and an oval medallion with a beehive and a column. Print number 58., print, ornamental print, prints, ornamental prints, height 380 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Three pois stables; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Three poast stables. On the Piewasher on the left, two grieving putti at a coat of arms on a tree. They keep their torches down. A Roman dining room on the middle Piestick. On the pie stable right a seated woman with a baby on the arm and a child who is at her. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Juan d'Austria .

Heraldic design with two unicorns from Architectvra: Von Außtheilung, Symmetria vnd Proportion der Fünff Seulen (Strassburg, 1598), 1593-94 (published 1598), Wendel Dietterlin, German, c. 1550-1599, 13 3/4 x 10 1/4 in. (34.93 x 26.04 cm) (sheet)9 7/8 x 7 3/16 in. (25.08 x 18.26 cm) (plate), Etching, Germany, 16th century, Wendel Dietterlin was a mannerist painter primarily active in Strassburg (now Strasbourg) during the last quarter of the 16th century. Though only one of his paintings is known to survive, several large-scale projects are documented, including frescoes for the residence of the bishop of Strassburg and an enormous ceiling and the walls of the same room in the pleasure palace of Duke Ludwig of Württemberg.

The Portuguese triumphal arch (front); entry from Ferdinand in Antwerp in 1635 (no. 10); Arcus Lusitanici Pars anterior. The Portuguese triumphal arch in the long Gasthuisstraat (front). In the central show, King Philip IV sends its brother Ferdinand to Germany to free that country. On the corners of Wapentrophies with chained prisoners. Signature upper left: p. 19. Sheet No. 10 in a set of 43 plates that illustrate the publication of the arrival of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on 17 April 1635 as the new governor for the Spanish Netherlands.

Antiquiteitenzaal.An antique room with small side cabinets with various objects such as weapons and mummies. In the middle of the room, under a dome, there is a cupboard with a mummy and shields. The room is closed by a wrought iron fencing. In the undermaster a ten-line German text.

Underbousa for a wall; Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces. A frieze has been displayed between the chimney ball and the cornice with a sacrificial scene in bas-relief. There are two nymphs in addition to a smoldering urn. From series of 6 sheets.

Subsema with fourteen vases and teapots, c. 1680 - c. 1700 print Submash with two plates with nine and five Chinese vases and teapots. There is a portrait bust of a woman in front of the mirror. Amsterdam paper etching

Cabinet-making: decorative architectural elements. Etching by J. Verchère after himself, 1880.

Design for a Tomb, with Ducal Crown at the Center. Artist: Anonymous, Italian, 18th century. Dimensions: 11-3/4 x 9 in. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Johannes Meursius On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.Triumphal arch decorated with scenes from Roman mythology and history: Mars on h

A 17th-century etching by Antonio Francesco Lucini depicting a monument dedicated to Leonardo Loredan, showing sculptural and architectural elements.

Cabinet with two doors, Anonymous, After Jean Lepautre, c. 1680 - c. 1700 print In the corners and in the middle is a caratide. print maker: Netherlandsafter design by: France (possibly)publisher: Amsterdam paper etching

An ornate garden obelisk flanked by statues of women holding garden produce. Etching by J. Goeree after S. Schynvoet, early 18th century.

Design for a Lady's Tomb 16th century Anonymous, French, 16th century French. Design for a Lady's Tomb. Anonymous, French, 16th century. 16th century. Black chalk, pen and brown ink, brush and brown wash. Drawings

Two contiguous columns, Corinthian column, plan and rebellion of the capitals and a pedestal, 1610 print Blad 15 from series of title page and 28 magazines. paper etching

Palace Façade with Cartouche, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and black ink, brush and gray wash on laid paper, Design for wall decoration, architectural design with cartouche at center, over which putti surrounded in drapery are holding a royal crown., Naples, Italy, mid- 18th century, architecture, Drawing, Drawing

I Dieci Libri Dell'Architettvra. Frontispiece. Palladio, Andrea, 1508-1580. Vitruvius Pollio. text. Prints, Illustrations, Frontispieces. 1556. Spencer Collection. Architecture

Fireplace with candlestick and an eagle; Nouveau Livre des Chemines (...). A fireplace with rocaille ornaments, braid, an eagle right, a candlestick in the middle, garlands and flower baskets. On the right half of a furniture with crockery and draperery is visible.

Drawing, Design for a Tomb Niche with Effigy; Italy; pen and ink, brush and wash on paper

Schouw with Termen, Jean Lepautre, 1658 - 1670 print Fireplace flanked by two terms, with a square painting by Venus at the top that mourns Adonis. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Back of the triumph port Arcus Fernandi on the Friday market; arrival of Ferdinand in Ghent in 1635 (no. 12); Posterior Portae Triumphalis Facies. Historiae Similes. Back of the triumph port Arcus Fernandi on the Friday market. Triumphoort decorated with historical and allegorical scenes and figures. Leaf no. 12 In a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Railings for Chapels, from 'Clostures de Chapelles', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, 1659, Print, Print

Underboezem, wall and small ornament. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 418 mm × w 290 mm. Museum: Rijksmuseum, Amsterdam.

Arc de Triomphe, Place Dauphine. August 26, 1660. (TF)

Rocaille closet. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 373 mm × w 274 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Fireplace. Édouard Baldus (French, born Germany, 1813 - 1889)

Above personifications of virtues and vices in a classical building with Ionic columns and a pediment. On the left, the personification of Prosperity holding a horn with coins and a branch with possibly oak leaves. To her left and right medallions with personifications of Sincerity, Gratitude, Loyalty, Love and Charity. Below that are renderings of Avarice, Pride and Sloth. In the center the winged Virtue with a spear, a laurel wreath and a horn of plenty. She is enthroned on a platform on which Vice is trampling the tablets containing the Ten Commandments and a child, possibly as a symbol of innocence. To the right, ragged Poverty stands with a child on her arm between medallions of Friendship, Obedience, Justice, Diligence and Humility. Below representations of Deceit, Disobedience and Ingratitude. At the bottom the rules in Dutch and French, Dice game with rules Game of virtue, Le jeu de la vertu , print maker: Jan Gerritsz. Visser, Jan Voorman, (mentioned on object), publisher: Jan

Underbias; Verschyde mantels chimney. Above the tablet of the chimney attempt is a frieze with a combat scene; Above there is a portrait medallion of Louis XIV.

An ornate vase and pedestal with a bullfight carved on the side, in a classical garden. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.

Print (France)

unknown artist, ( Italian School ), Design for an Altarpiece with a drawing of St. Luke mounted at the center, undated. Pen and brown ink, brown wash, gray wash, white gouache, graphite, and collage on medium, moderately textured, cream laid paper.

Composite basement and capital with details of main fries and fries, anonymous, After Giovanni Battista Montano, 1636 print At the bottom are three lines of text. From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

These about logic and morality of Michel Sublet de Romilly (part), Claude Mellan (Attributed to), 1643 - 1688 print paper etching / engraving historical persons. scholar, philosopher

Rüdell Alexander (1852-1920), tomb of the Archbishop Johannes von Metzenhausen in the cathedral, Trier (1879): View. Ink on cardboard, 78.1 x 57.8 cm (including scan edges) Rüdell Alexander (1852-1920): Grabmal des Erzbischofs Johannes von Metzenhausen im Dom, Trier

Underbooling with square painting; Nouueaux Dessseins the Cheminées A Peu de Frais. Underbianity flanked by two consoles of leaves, at the top of a painting of a landschp. From second edition.

Copper engraving by Nicolas van Aelst around 1540 depicting the Erythraean Sibyl from the Sistine Chapel, showing the seated female figure with drapery and symbolic gestures.

Onderboezem, Cornelis Danckerts (I), after Pierre Bullet, c. 1675 - c. 1686 print Above the tablet of the chimney seal hangs a Frisian with leaf vines, above that there is a rectangular painting with a landscape and two lumberjacks. print maker: Netherlands (possibly)after design by: France (possibly)printer: Amsterdampublisher: Amsterdam paper etching chimney-piece, mantelpiece

Lodewijk XIV hands out orders to port workers, Simon Thomassin, After Charles Le Brun, after Jean Baptiste Massé, 1752 print Ceiling painting in Versailles. print maker: Francepublisher: Paris paper etching / engraving dock labourer. ruler commanding. pirate, corsair, buccaneer Versailles

Triumph arch in honor of Emperor Matthias van Austria, 1612 - 1619 print Text in German in the lower margin and text in Latin on the triumphal arch and at the top. A scale distribution above the cartouche. paper engraving knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). triumphal arch. coat of arms (as symbol of the state, etc.) Nuremberg

Graftombe of Willem I, Prince of Orange, 1623, Reinier Vinkeles (I), After Jacobus Buys, c. 1794 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. Amsterdam paper etching grave-building, monumental tomb. interior of church. historical persons New church. Delft

Titelblad: Lambris a la Romaine, 1661 print The title is at the bottom of the pedestal of a statue of Victoria. paper etching

Design for a Four Poster Bed 1565-70 Jacques Androuet Du Cerceau. Design for a Four Poster Bed. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster 1820-71 Charles James Richardson British. Oak Carving from Fireplace in the Jerusalem Chamber, Westminster 363951

Design for a Window Frame, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Below is a dado, with an oblong panel between volutes. An escutcheon with three lilies is on top of the molded frame of the opening. Pilasters and pilaster strips support the entablature and the triangular pediment. A flying dove is shown in the field., Italy, 1750-60, architecture, Drawing, Drawing

Fireplace Wall Elevation, Jean Mariette, 1660-1742, Engraving on paper, Fireplace wall elevation., France, ca. 1660-1772, Print, Print

Drawing, Venus at the Forge of Vulcan, Design for a Sideboard Panel; Jean Bernard Honoré Toro (French, 1661 - 1731); France; black crayon, pen and black ink on paper; 45.8 x 31 cm (18 1/16 x 12 3/16 in.)

Two monuments, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting and the scheme of the lower part are variations of -1352. The upper part of the sarcophagus is covered by a fringed cloth. Above is a low broad pedestal, whose front tablet is intended for the inscription. Upon it stands two female allegories embracing each other with the inside arms supporting with the outside hands respectively, a branch and faces. An oval medallion is outlined below in front of them. At right is another suggestion for the group: the pose is changed to make room for the medallion. It is supported by the inside hands, and the arms crossing each other. In the medallion is a bust portrait of a bearded man., Rome, Italy, 1780-1795, architecture, Drawing, Drawing

Underbousa, shaft decorated with landscape; Livre d 'Architecture et d' Bels. Leaf 10 from second edition of series.

Design for a Wall Decoration with Chimneypiece and Two Figures. Artist: Attributed to Antoine Le Pautre (French, Paris 1621-1679 Paris). Dimensions: 7 1/16 x 9 in. (17.9 x 22.9 cm.). Date: ca. 1650-70.Antoine Lepautre was the third son of the cabinet maker Adrien Lepautre. Little is known about his education, but by the time he got married at the age of 27, he had already been named architect in the service of the king. His buildings are beautiful examples of the emergent French Classicism inspired by the kings Louis XIII and Louis XIV. The hotel Beauvais, which he built for Catherine-Henriette Bellier, mistress to king Louis XIV, was noted by the Italian sculptor and architect Gianlorenzo Bernini to be one of the most beautiful buildings in Paris. This drawing shows a design for an unidentified interior with an elegant chimneypiece. Remarkable is the daring sculpture of two naked, contorted figures which he placed on top of the mantle. The drawing also reveals something of the workin

Paris, Mariette, Pierre (II), France, Marot, Jean (I), Tombstones or Mausoleums, Round tomb monument with bas-relief, On top sits Minerva (). From first edition., print, ornamental print, prints, ornamental prints, height 211 mm, width 115 mm, french, 1619 - 1679-12-15, print maker, printmaker, 1629 - 1716, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, first quarter 18e eeuw, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

German or Austrian 16th Century, Palatial Mantelpiece with a Scene of Ancient Sacrifice (recto), 1571 Palatial Mantelpiece with a Scene of Ancient Sacrifice recto

Epitaaf With Woman, Jean Lenfant, After Nicolas Blasset, 1625 - Before 1641 print Rectangular field with the letters stupid above which a woman is sitting with a scepter, crowned with a fleur-de-lys. From series of 7 magazines. France (possibly) paper engraving

Chimneys in the Italian Manner. Jean Le Pautre; French, 1618-1682. Date: 1660-1670. Dimensions: 215 × 149 mm (plate); 224 × 155 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Design for an Epitaph with a Variant, flanked by Terms and surmounted by statues of Cherubs 17th century Abraham van Diepenbeeck Flemish. Design for an Epitaph with a Variant, flanked by Terms and surmounted by statues of Cherubs 679415

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Altar with circle in ray wreath; Altars; VI Cahier des Menuismen. Design for an altar on either side awarded two vases. Above a cloud with a ray wreath and the figure 3 in a circle.

Portuguese triumphal arch (front), 1594; Arcus Lusitanorum. Portuguese triumphal arch (front). With images of women sitting on indigenous animals representing the countries: Ethiopia, India, Mauritania and Brazil. Founded on the corner of the Zuidevettersstraat. Part of the description of the arrival of Aartshertog Ernst in Antwerp, July 18, 1594, by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex officina Plantiniana, Antwerp 1595.

Two Alternate Designs for an Altar 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Alternate Designs for an Altar 365698

Choose fence with a bust and two children at the top, Jean Lepautre, After 1634 - Before 1667 print With a variant for the right half. From a third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Tomb of Admiral Maarten Harpertsz. Tromp in Old Church in Delft. Tomb of Admiral Maarten Harpertsz. Tromp in Old Church in Delft. Image of the fallen admiral in harness lying on tomb with sea battle at terheide on Frisian. Against the wall Marble relief with putti with coats of arms and armor flanked by columns and militaria. On top of the list awarded weaping shield held by griffins and flanked by tritons or several men. On the basis of the praise grave a verse in eight rules by Joost van den Vondel.

Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso) 16th century Anonymous, Italian, 16th century Italian. Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso) 343215

Schouw with candlestick and an eagle, Anonymous, After Johann Jakob Schübler, 1699 - 1726 print A fireplace with rocaille ornaments, braid work, an eagle right, a candlestick in the middle, garlands and flower baskets. On the right, half of a piece of furniture with crockery and drapery is visible. paper etching / engraving open hearth, fire-place. chandelier, candelabrum. predatory birds: eagle. (dinner-)service displayed on sideboard

Luca Della Robbia (1435-1525), Oratorio Della Misericordia, Montepulciano. Altar (without date): View altar with Madonna painting. Photo on cardboard, 23.9 x 31.4 cm (including scan edges)

Title page: Architectura von den Funf Seuvlen (...); Architectura von den Funf Seuvlen (...). Portal on a pedestal and crowned with a broken fronton, the five columns stand for different orders. In the middle are two niches, each with a trophy of carpenter and wood cutter tools. Title page from series consisting of a title page and 28 sheets.

Design for a Fireplace; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 27.4 x 19.9 cm (10 13,16 x 7 13,16 in.)

Print (France)

Fireworks celebrating the peace between France and the Empire, January 1698 Anonymous, French, 17th century French 1698 The Treaty of Ryswick was signed on September 20, 1697 ending the War of the League of Augsburg which pitted France against England, Spain and the Holy Roman Empire. The fireworks celebration depicted here took place in January of 1698.

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Lambris a la Romaine, Wall decoration with painting of Aeneas and Anchises, recto upper right, outside plate edge - handwritten in pen in brown ink, print, ornament print, prints, ornament prints, 50, height 230 mm, width 158 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1661, third quarter 17th century, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

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