Architectural Views and Ruins

Etchings of landscapes that depict ruins and historical architecture, often featuring figures engaged in daily life against scenic backdrops.

Temple of Venus in Rome, Giovanni Battista Piranesi, Italian, 1720-1778, Etching, Horizontal rectangle. In mid-distance the ruins of the Temple of Venus; the apse at the right; marble pieces in foreground. A group of figures at left. Inscribed, lower right: 'G.B. Piranesi Archt. incise'; along lower margin: 'Veduta degli avanzi di due Tricliny ... Campo Vaccino'; lower left: 'Presso l'autore ... Mezzo', Italy, after 1759, Print, Print

Markscène in Dolo, Canaletto, 1707 - 1768 print View of Dolo with the Duomo di Dolo (San Rocco) on the left and Villa Zanon-Bon on the right. In the foreground figures on the market. On the right the River Brenta. Venice paper etching market. church (exterior). river Dolo. Brenta

The Forge 17th century Thomas Wijck Dutch. The Forge 373730

Wooden Cross on Oude Stadspoort, Aegidius Sadeler (II), After Pieter Stevens (II), 1624 - c. 1650 print On the right an old city gate. A devotion cross on top of the city gate. On the left travelers at a villa. The sixth print of an eight -part series with Bohemian landscapes. Venice paper etching / engraving city-gate (+ city(-scape) with figures, staffage). 'en route', traveller under way. the cross ~ symbols of Christ Bohemia

Ruined Abbey with Cattle and a Man Chopping Wood. Dated: 1758. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Paul Sandby.

Landscape with ruins and a watermill, Jan van de Velde (II), 1616 print Landscape with figures and pakezels on a road at ruins. On the left a watermill. Eleventh print of part four of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with ruins. watermill in landscape. pack-animal

Three bathing women or nymphs at a fountain, François Denis Née (Possible), After Jean Baptiste Lallemand, 1752 - 1817 print Paris paper etching / engraving nymphs (in general); 'Ninfe in commune' (Ripa). taking a bath - AA - in the open air. landscape with ruins

View of the Temples of Venus and of Diana in Baia from the South ca. 1594 circle of Jan Brueghel the Elder Netherlandish. View of the Temples of Venus and of Diana in Baia from the South 335122

La ville au delà d'une rivière. 1701 - 1800. Canaletto, 1697-1768. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Temple of Venus in Rome, Giovanni Battista Piranesi, Italian, 1720-1778, Etching, Horizontal rectangle. In mid-distance the ruins of the Temple of Venus; the apse at the right; marble pieces in foreground. A group of figures at left. Inscribed, lower right: 'G.B. Piranesi Archt. incise'; along lower margin: 'Veduta degli avanzi di due Tricliny ... Campo Vaccino'; lower left: 'Presso l'autore ... Mezzo', Italy, after 1759, Print, Print

La Vieille Femme Assise Jean Morin French. La Vieille Femme Assise 369224

Fastose Aguglie e Mausolei vetusti. Dated: published 1767/1770. Dimensions: plate: 17.2 x 11.5 cm (6 3/4 x 4 1/2 in.) sheet: 35 x 23.9 cm (13 3/4 x 9 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FRANCESCO COSTA.

This 1550/1551 etching by Hieronymus Cock depicts Colossaei Ro Prospectus 7, emphasizing architectural and landscape elements, perspective, and Northern European etching technique.

Saint John's Cemetery with a View of the City of Nuremberg, from Collection of Memorable Medieval Buildings in Germany. Domenico Quaglio II; German, 1787-1837. Date: 1819. Dimensions: 385 x 416 mm (image/text); 486 x 555 mm (sheet). Lithograph in black, with tint stone in light brown, on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Altra veduta interna della Villa di Mecenate in Tivoli, Interior of the Temple of Hercules Victor in Tivoli, verso - stamped, View in the Temple of Hercules Victor (on print the Villa Maecenas) at Tivoli. Title and explanatory letters on a banderole at the bottom right., print, prints, height 424 mm, width 606 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Landscape with a lapse tower: June; Iunius; The twelve months; Duodecim Anni Mensium. View of a lapse tower in a landscape, for which four resting figures, representing the month of June. Sheep are shaved on the left. At the bottom of the astrological symbol of the constellation. Print from a series of twelve.

. Landscape with a fountain, in which the water flows out of the wall in a basin. In the background a sailboat on a river. Left in the foreground a flute man.

Views: The Equestrian Monument, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching;

Two Stone Bridges. Artist: Etched by Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). Dimensions: sheet: 6 1/8 x 8 1/4 in. (15.5 x 21 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Vestigia delle Terme di Tito. View of the ruins of Term Tytus; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, illustration, archeology, antiquity, thermal, architecture, purchase (provenance)

The Staircase with Trophies, from Carceri d'invenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 25 x 19 1/2 in. (63.5 x 49.5 cm)Plate: 21 1/2 x 15 3/4 in. (54.6 x 40 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Carceri d'invenzione. Date: ca. 1749-50. Museum: Metropolitan Museum of Art, New York, USA.

Sepolcro Antico. Reinhart, Johann Christian (1761-1847), graphic artist

In the foreground passing the ruins of a round temple. In the center of the ruin a small pond. Some human figures camp out in the ruins. In the background the sea. The print is added to a ten-part series featuring landscapes with ruins, Landscape with ruins of a temple Landscapes with ruins Regionum, rurium, fundorumque, varii at ove amoeni prospectus , print maker: Adriaen Collaert, Hendrick van Cleve, (mentioned on object), publisher: Philips Galle, (mentioned on object), Antwerp, 1587 - 1618, paper, engraving, h 208 mm × w 288 mm

Shepherd at a tower with a well, Jan van de Velde (II), 1616 print Sitting shepherd with four goats at a tower with a well in a landscape. Twelfth print of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. paper etching landscape with tower or castle. landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. well

Ruins of a temple, anonymous, after Willem van Nielandt (II), 1594 - 1685 print A ruin of a temple surrounded by Zuilen in a landscape. In the foreground two figures. Print from a series of Roman ruins, consisting of copies to a press series by Willem van Nieulandt. paper etching / engraving landscape with ruins

Two hikers at a gate ruins in a park.

Villa Sacchetti; Sachettorum Villa Rundera Imitabatur. The fountain in the park of the villa Sacchetti, a number of people and animals around the basin. Loose caption.

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Veduta interna della Villa di Mecenate, Interior of the Temple of Hercules Victor at Tivoli, verso - stamped, View in the Temple of Hercules Victor (called Villa Maecenas on the print) in Tivoli. Title and text on epitaph center bottom., print, prints, height 475 mm, width 625 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Giovanni Battista Piranesi (1720-1778); , The ruins of the city wall in the ancient city of Paestum ..., 1778

Themense van trajanus te Rome, Giovanni Battista Piranesi, 1745 print Look into remnants of the Thermen of Trajanus in Rome (called the Thermen of Titus on print). Title in the lower margin. Rome paper etching ruin of a building ~ architecture. public baths Thermen from Trajanus

Landschap, Domenico Quaglio, 1821 print paper etching

Ruin with man and girl, Pieter Bartholomeusz. Barbiers, 1809 - 1837 print Under the arch of a ruin stands a man with a hat. There is a girl next to him. The man is slightly bent over and points out something. Haarlem paper landscape with ruins. landscapes (+ landscape with figures, staffage)

The Infant John the Baptist Artist's working dates 1520-1530 France. Jean I de Gourmont made woodcuts in his familyís print shop from 1508 until 1520. From 1522 until 1526, he produced engravings in Lyon. During the Renaissance, Lyon was a major center for publishing in Europe. While there, Gourmont made prints with religious and secular themes.. Engraving in black on ivory laid paper . Jean de Gourmont

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum. Joseph Mallord William Turner; English, 1775-1851. Date: 1812. Dimensions: 181 × 264 mm (image); 210 × 291 mm (plate); 267 × 381 mm (sheet). Etching and engravng in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Classic ruins in a cave, Pieter Anthony Wakkerdak, after Jan Asselijn, 1740 - 1774 print Two shepherds and a shepherdin with a dog are in a cave in classic ruins. Rotterdam paper cave, grotto. ruin of a building ~ architecture. dog. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with bear yacht. A landscape with a Roman temple ruins. In the foreground a bear is attacked by four hunting dogs and two hunters with spears.

Artist: Karel Dujardin, Dutch, 1626-1678, BucolicLandscape, Etching, image: 20.2 × 27.7 cm (7 15/16 × 10 7/8 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Cave called 'Il Bergantino' at Lake Albano; Veduta della gameonca, Detta il Bergantino, Presso l'Imbocco Dell 'Emissario del Lago Albano, Ornata Dagli Antichi (...); Two decorated caves at Lake Albano; Due Due Gosponche Ornate Dagli Antichi Alla Riva del Lago Albano. View in a cave called 'Il Bergantino' at Lake Albano. Title in undermarge. Numbered top left: Attn. II.

Numbered at the bottom left: No 9.

Roelant Roghman and Melchior Küsel (German, 1626-1683), The Column: pl.1, etching

Vestingstad aan Zee, Adam Perelle, 1650 - 1695 print Numbered in the bottom right: 3. Paris paper etching coast. fortified city

Face on ruins, possibly the caracalla thermal baths; Roman ruins, 1561. View of Roman ruins. This may be about the ruins of the thermal baths of Emperor Caracalla. Two soldiers, travelers and two men with a dog walk over a road.

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Altra Veduta del Tempio della Sibilla in Tivoli, Temple of Vesta and the Temple of the Tiburtine Sibyl in Tivoli, verso - stamped, View of the remains of the Temple of Vesta (called Temple of the Sibyl in the print) and the Temple of the Tiburtine Sibyl in Tivoli. Title and explanatory list with numbers on the banderole at the bottom right., print, prints, height 446 mm, width 670 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Troglodytes; Romanowicz, Walenty; VIII-IX.1944 (1944-00-00-1944-00-00);

View of the Titus baths; Ruinen van Keiser Titus water bath; In which renowned laokoon has been found.; Faces in Rome. .

Ruin with on the left a shepherd with sheep, Willem Romeyn, 1634 - 1694, draughtsman: Willem Romeyn, 1634 - 1694, paper, brush, h 351 mm × w 270 mm

Casino Farnese on the Palatine Hill, Rome. Dated: 1744/1750. Dimensions: sheet: 11.8 x 18 cm (4 5/8 x 7 1/16 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

Seascape with the ruins of a tower, Aegidius Sadeler (II) (Attributed to), After Paul Bril, 1580 - 1629 print unknown paper engraving sea (seascape). coast (+ landscape with figures, staffage). landscape with ruins

Arco di Druso, 1794, Collection ou Suite de Vues Pittoresques de l'Italie (plate 10), etching on laid paper, plate: 37.6 x 28.2 cm (14 13/16 x 11 1/8 in.), sheet: 49 x 39.2 cm (19 5/16 x 15 7/16 in.), Jacob Wilhelm Mechau (artist) German, 1745 - 1808

Landscape with a company including two men in a fight, Joseph Wagner (Possible), After Franz de Paula Ferg, 1739 - 1780 print paper etching / engraving fist-fight. ruin of a building ~ architecture. one pair dancing; man and woman dancing as a couple

Design for a Stage Set of a Crypt (for the Opera 'La Morosina' ). Artist: Carlo Ferrario (Italian, Milan, 1833-1907). Dimensions: Sheet: 8 x 12 3/16 in. (20.3 x 31 cm). Date: 1833-1907. Museum: Metropolitan Museum of Art, New York, USA.

Riders at a drinking place, Anonymous, 1700 - 1800 drawing paper. pencil. ink pen / brush

View of part of the ruins on the Palatine in Rome with the sunrise over the hills on the left. Print from a series of 25 prints depicting Roman ruins, View of the Palatine with sunrise Rvinarvm palatii maioris (...) (title on object) Roman ruins (series title), print maker: Hieronymus Cock, (mentioned on object), Hieronymus Cock, publisher: Hieronymus Cock, Antwerp, 1550 and/or 1551, paper, etching, h 202 mm × w 276 mm

The Infant St. John Adoring theLamb. Artist: Jean de Gourmont the Elder, French, 1483-1551

Ruins on the Forum Romanum, Anonymous, 1598 - 1608 drawing cartridge paper. ink pen / brush Roman forum

Sepolcro volgarmente detto degli Orazii e Curiazii a Albano, 1795, Collection ou Suite de Vues Pittoresques de l'Italie (plate 20), etching on laid paper, plate: 28.1 x 38 cm (11 1/16 x 14 15/16 in.), sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.), Feuchtmayr 1975, Vol. A, no. 71, State iii/iii, Johann Christian Reinhart (artist) German, 1761 - 1847

Kerker Met Zaagbok, Giovanni Battista Piranesi, 1761 print Face in a monumental space (possibly a dungeon) with a sawbok in the foreground on the right. Numbered at the top right: XII. Rome paper etching / engraving prison, jail. tools, aids, implements ~ crafts and industries

Diocletian thermal baths; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Ruins of the thermal baths of Diocletian, on the outside. All kinds of people and a carriage with two horses in the foreground. In the underwear two lines text in Italian. The print is part of an album.

An image for a ruin; Les Soireés de Rome; Roman faces. Three men at antique residues and in addition to an image on a base. Behind a wall high columns of a ruin. Third print from a series of ten.

Paul Sandby, Ruins with Two Women Washing Clothes in a River, 1758 Ruins with Two Women Washing Clothes in a River

Landscape with city on a hill and a shepherd, Claes Moeyaert (Possible), 1602 - 1655 drawing paper. ink pen / brush herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. city-view, and landscape with man-made constructions

Arch of Septimus Severus at Rome, anonymous, after Jan Brueghel (I), after Willem van Nieulandt, after Matthijs Bril, 1601, intermediary draughtsman: Matthijs Bril, draughtsman: anonymous, draughtsman: Jan Brueghel (I), (rejected attribution), 1601, paper, pen, h 196 mm × w 273 mm

View of the Ponte Molle or Milvian Bridge over the Tiber two miles outside Rome, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1762. Dimensions: 437 x 675 mm (image); 440 x 677 mm (plate); 562 x 788 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Landscape with ruin between trees, Jan van Delden, 1794 - 1854 print Amsterdam paper etching landscape with ruins

Figures at the temple of Sybille in Tivoli, Jan van de Velde (II), after Jan Brueghel (I), 1603 - 1641 print Figures on a path along the temple of Sybille in Tivoli. Northern Netherlands paper etching landscape with ruins Temple of Sibille

The Bathers, from Various Scenes Designed in Florence Made 1618-1620 France. Etching on paper . Jacques Callot

Avanzo del Tempio di Minerva Medica. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving;

View of the Palatin with sunrise, Hieronymus Cock, 1551 print View on a part of the ruins on the Palatijn in Rome with the sunrise above the hills on the left. Print from a series of 25 prints with Roman ruins. Antwerp paper etching ruin of a building ~ architecture Palatin

Schaapherder near Ruin, Jan Smees, 1705 - 1729 drawing paper. ink pen / brush herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. ruin of a building ~ architecture

Landscape; Four und Zwanzig Landschaftliche Gegenstände Heredden und Radirt von Dom. Quaglio, Königlich Baierischem Hofmahler. Print is part of twenty-four etchings with landscapes and architecture faces in original folder.

Sorious, Isaac, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, Overmeer, destroyed by the French in 1672, verso bottom center - stamped, The French among the ruins of the village of Overmeer. Seventh print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, historical print, prints, height 158 mm, width 259 mm, print maker, printmaker, 1672 - 1676, paper, papier, etching, engraving, engraving (printing process)

Joseph Mallord William Turner and William Say, Tenth Plague of Egypt, published 1816 Tenth Plague of Egypt

Cityscape; Italian landscape. A face on a street along a wall and buildings. A bar casts a shadow on the street where different people are walking. Under the show some exercises, including a face and a leaf motif, in different techniques.

Architectural Fantasy with Figures Bathing, Jean-Charles Delafosse, French, 1734-1791, Pen and brush and black ink, wash on white laid paper, Architectural fantasy showing columns, sculpture, urns and female bathers in a pool of water below., France, 1770, architecture, Drawing, Drawing

View of the drainage channel of the lake at Albano, Wilhelm Friedrich Gmelin, 1811 print Rome paper etching sluice, weir. fishing (sports) Castelli Romani

Face of the tivoli waterfalls; Catarcts Tiburti; Ruinarum Varii Prospectus. View of the waterfalls of Tivoli as well as the antique ruins of the town. The print is part of a series that depicts different places in the Mediterranean.

Landscape, plate I. Achille Etna Michallon (French, 1796-1822); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 197 × 268 mm (image); 264 × 378 mm (sheet). Lithograph in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Framed Design for a Stage Set. 1772-1842 attributed to Mauro Berti Italian. Framed Design for a Stage Set. 342042

Landscape with overgrown ruins and travelers; Ruinarum Vararum Fabricarum Delinations Pictibles Caeterisque ID genus Artificibus Multum Utiles. Overwooded classical ruins in a landscape. Links in the foreground Two travelers with a dog.

Petrus and John heal a paralyzed man at the Tempelpoort, Rembrandt van Rijn, 1659 print The performance is based on the text from Acts 3: 4-31. paper etching / drypoint healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31)

The Bellman, 1879. Samuel Palmer (British, 1805-1881). Etching;

Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31) January 1, 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to describe the Swiss city of Laufenburg. Houses and towers with steeply pitched roofs cluster tightly on the bank next to a high, stone-piered bridge that crosses the Rhine to Germany. The letter "A" in the upper margin indicates Turner's category of Architectural landscape.. Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31). Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). January 1, 1811. Etching and mezzotin

A Romantic Landscape, John Varley, 1778-1842, British, undated, Watercolor, brown wash and graphite; verso: watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 10 1/4 inches (16.8 x 26 cm), architectural subject, landscape, romanticism, stones, towers, trees

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Veduta di un Sepolcro antico esistente in una Vigna per la strada di Tivoli, Tomb along the road from Rome to Tivoli, verso - stamped, A tomb along the road from Rome to Tivoli. Title and text in bottom margin. Numbered above: Tom. II., XXXIX., print, prent, prints, height 602 mm, width 400 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Landscape with ruin and a fountain; Landscapes with ruins; Regionum, Rurium, Fundorumque, Varii at Ove Amoeni Prospectus. In the foreground a two walkers with a few dogs pass a Roman fountain. They drink the water. In the background a river and ruin. The print is part of a ten-part series with landscapes with ruins.

Roman triumphal arch, draughtsman: Willem Romeyn, 1634 - 1694, paper, brush, h 551 mm × w 403 mm

Landscape with overgrown ruins and travelers, Lambertus Suavius, 1560 print Grown classical ruins in a landscape. Left in the foreground two travelers with a dog. paper etching landscape with ruins

Le Ponte-Vecchio, a Florence (The Ponte-Vecchio, in Florence), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Ponte-Vecchio, a Florence (The Ponte-Vecchio, in Florence), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Mohammed II in the Aye Sophia. Marius Alexander Jacques Bauer (Dutch, 1867-1932). Etching;

View of Ancient Ruins with a Draughtsman, his Companion and a Dog, Adriaen van der Kabel, c. 1655 drawing France (possibly) paper. ink. graphite (mineral) pen / brush

View of the ruins of the Baths of Diocletian; on the right, men with horses, in the foreground, on the right, two cricket players.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Print made by Samuel William Reynolds, 1773-1835, British, Chateau de Choquer, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue. 1772-1842 Attributed to Mauro Berti Italian. Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue. 342044

The Spring, William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1834, Line engraving on moderately thick, slightly textured, cream, wove paper, with gray chine colle, Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm), Plate: 10 1/4 × 5 11/16 inches (26 × 14.4 cm), Chine collé: 10 × 5 3/8 inches (25.4 × 13.7 cm), and Image: 3 1/4 × 3 1/4 inches (8.3 × 8.3 cm)

The Town of Leoni, near Frascati. Dated: 1640. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Bartholomeus Breenbergh.

Interior Cluny Museum, Paris, 1930, by Roger Fry. Gift of Mrs Pamela Diamond, the artist's daughter, England, 1959.

Rome, Piranesi, Giovanni Battista, Antichità d'Albano e di Castel Gandolfo, Archaeological finds from Albano and Castel Gandolfo, Rovine d'antico edifizio nella Villa Barberina presso Castel Gandolfo, Ruin in Villa Barberini, verso - stamped, View in a ruin in the Villa Barberini near Castel Gandolfo. Title on banderole lower right. Numbered upper right: Tav. XXIV., print, prints, height 391 mm, width 550 mm, Italian, 1720-10-04 - 1778-11-09, print maker, 1764 - 1764, paper, etching, Work conception, after own design of

East Gate, Winchelsea, published 1819, Liber Studiorum: no.67 Finberg 1-71; 1943.3.8129-8199, etching and mezzotint, Finberg 1924, no. 67, State iv/iv, Joseph Mallord William Turner (artist) British, 1775 - 1851, Samuel William Reynolds I (artist) British, 1773 - 1835

The Well. Dated: published 1750/1758. Dimensions: sheet: 45.1 x 59.7 cm (17 3/4 x 23 1/2 in.). Medium: etching, engraving, scratching, burnishing, and lavis. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

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