Architectural Views of Iconic Places

Watercolor artworks depicting famous architectural sites like Versailles and Verona, highlighting intricate details and lively scenes, often with figures enjoying the surroundings.

A View of the Grand Trianon, Versailles, with Figures and Vessels on the Canal. Louis-Nicolas de Lespinasse (1734-1808). Pen and black ink, watercolour and bodycolour

Nekes collection of optical devices, prints and games, Nekes collection of optical devices, prints and games, ca. 1840

1843 watercolor by Rudolf von Alt depicting Piazza Bra with the Roman amphitheater in Verona, featuring glossy highlights and pencil traces.

A View of the Grand Trianon, Versailles, with Figures and Vessels on the Canal. Louis-Nicolas de Lespinasse (1734-1808). Pen and black ink, watercolour and bodycolour

Paul Sandby RA, 1731-1809, British, Bayswater - London, undated. Pen and gray ink and watercolor on medium, beige, slightly textured wove paper.

Thomas Rowlandson, 1756-1827, British, Fox-Hunting set of six: 4. The Refreshment, 1788. Aquatint, hand-colored.

Watercolour - Greenwich George Heriot (1759-1839)

The K, Picture gallery against the Bassin , Vue du Belvedere Verse Le Bassin st budget, Carl Schütz -, Artist, Artaria , Co, Verlag, Publishing House

Fairlop Fair, Essex ca. 1816 Thomas Rowlandson British Rowlandson here depicts a country road packed with wagons and pedestrians, the scene observed by cottagers at left. Three versions of the composition are known, one with a sign over the cottage door inscribed "Fairlop Fair, Essex." This annual event originated as a meal hosted each July by a London engineer, Daniel Day (1683-1767). The latter centered on a huge five hundred year old tree, the Fairlop oak, in Hainault Forest. Traders with stalls came to serve the crowd and, by the middle of the eighteenth century, the "fair" drew close to a hundred thousand. In June 1805, the oak caught fire and by 1820 it had blown down. In this drawing, Rowlandson represents the tree as a leafless silhouette standing at the center of a distant field.. Fairlop Fair, Essex 358458

View of the Grand Canal in the garden of the Palais de Fontainebleau, Anonymous, 1700 - 1799 print paper. cardboard. watercolor (paint) etching / brush garden. water-works in garden Palais de Fontainebleau

FERNANDO VI Y BARBARA DE BRAGANZA EN LOS JARDINES DE ARANJUEZ - 1756 - OLEO/LIENZO - 68 x 112 cm - NP 4181 - BARROCO ITALIANO. Author: FRANCESCO BATTAGLIOLI (1725-1796). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Robert Dighton, 1752-1814, British, Coits Played opposite the Horns, Kennington Common, ca. 1784. Pen and black ink and brown ink and watercolor.

Fountain's Boarding School, Marylebone, James Miller, active 1773-1814, 1780, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount, Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm), Sheet: 9 3/4 × 14 7/8 inches (24.8 × 37.8 cm), and Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm), architectural subject, boarding school, camels (mammals), genre subject, street, students, trees, weathervane, England, Europe, London, Marylebone, United Kingdom, Westminster

Marktcène, Jan van de Velde (II), 1603 - 1641 drawing Market scene with figures in the foreground. In the middle a gentleman with dog. Left front are round cheeses on the floor. The church with the hexagonal tower in the background resembles the St. Jacobskerk in The Hague. Possibly a design for a print. prepared paper. ink pen / brush square, place, circus, etc.. market

Velde, Esaias van de, Photographic reproduction of a drawing of a street scene in Haarlem by Esaias van de Velde, verso - stamped, photograph, photo, reproduction, photos, topography, E. vd Velde, Haarlem, 1902, A 4706, recto - handwritten, 28, 50, E. vd Velde, RPK, verso - handwritten, height 180 mm, width 237 mm, photographer, 1902 - 1902, photographic paper, photo paper, cardboard, gelatin silver print, developing gelatin silver print, Northern Netherlands, 1587-05-17 - 1630-11-18, intermediary draughtsman

The fireworks in the Prater , La Place du Feu dArtific au Prater st budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, Publishing House

View of the Grand Canal in the garden of the Palais the Fontainebleau; Veüe du Canal, the Fontainebleau ..

James Miller, active 1773-1814, Gentlemen Punting near a Country Villa/ Heathan House, Twickenham. Watercolor and gray wash over graphite.

Thomas Rowlandson, 1756-1827, British, Covent Garden Market, between 1795 and 1810. Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream, wove paper.

Print (France)

Picking Mulberries, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige, wove paper, Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm), Contemporary drawn border: 5 13/16 × 8 1/8 inches (14.8 × 20.6 cm), and Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm), baskets, cottages, genre subject, ladder, men, mulberry, picking, trees, women

Drawing by Charles-Joseph Natoire depicting Santa Maria Maggiore as seen from the gardens of Villa Negroni, created with black pen, brush, watercolor with reddish and white highlights over black chalk on blue paper, dated 1765.

Vauxhall Illustrated: Scrapbook of miscellaneous British 18th and 19th century prints, including Vauxhall Gardens 1883. Vauxhall Illustrated: Scrapbook of miscellaneous British 18th and 19th century prints, including Vauxhall Gardens. 1883. Illustrations: hand colored engraving, etching.

Camp de Compiègne, 1698. Artist: Eugène-Louis Lami (French, Paris 1800-1890 Paris). Dimensions: 15 9/16 x 27 7/8 in. (39.5 x 70.8 cm). Date: ca. 1860. Museum: Metropolitan Museum of Art, New York, USA.

The elevator of the knights in Laxenburg in front of the Carousel on July rd , Elevation of the knights in Laxenburg in front of the carousel on July , Johann Hieronymus Rohenkohl -, publishing house

View of the Cascades of the garden of the Chteau de Marly; Vuë de la Cascade de Marli.in the underwear two rules French text.

Arts and sciences, decoration at the Noordermarkt, 1795; Ten plates of decorations at the Alliantiestiefestest in Amsterdam in 1795. Arts and sciences, allegorical decoration established at the Noordermarkt in Amsterdam at the Alliance party on 19 June 1795. Minerva sitting in the clouds with plumb (equality) above a wreath and fire. At the top Apollo playing on the winch.

Print made by Henry Burn, active 1845, Bedford from the North, ca. 1840. Hand-colored lithograph on moderately thick cream card.

Piazza San Marco z widokiem na bazylikę, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Stage Design: Set Proposal for a Ballet, c. 1790, Bernardino Galliari, Italian, 1707 - 1794, 6 1/4 x 8 7/16 in. (15.88 x 21.43 cm) (image), Pen and brown ink, ink wash, and graphite on paper, Italy, 18th century

Thomas Rowlandson, 1756-1827, British, Picking Mulberries, undated. Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige, wove paper.

Jozef II (German Emperor), Schleuen, Johann David (I), Germany, Augsburg, Probst, Georg Balthasar, Berlin, Prospect of the King's Arsenals, against the Cron.Prinzl. Palace in Berlin, View of the Zeughaus in Berlin, verso bottom center - stamped, In the background on the left the Kronprinzenpalais. Numbered top right: 157. Numbered bottom left: 42., print, prent, opticaprent, prints, prenten, opticaprenten, height 318 mm, width 422 mm, Publication (Event), Publication, German, 1732 - 1801, publisher, uitgever, 1742 - 1801, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, Borstel, print maker, printmaker, Work conception, 1711 - 1771, after print by, 1741-03-13 - 1790-02-20, grantor van privilege

Muller, Charles François (n.1789 - D.1855), the Champs -Elysées under the 1st Empire (dummy title). Sepia. Carnavalet museum, history of Paris.

LA CALLE DE ALCALA EN 1847 - LITOGRAFIA SIGLO XIX -ROMANTICISMO ESPAÑOL. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS COLOREADOS. MADRID. SPAIN.

Amphitheater in Kleef, seen to the south, Jan van Call (I), 1675 - 1685 drawing paper. watercolor (paint). ink. gouache (paint) pen / brush garden fountain Cleves

Anne Rushout, ca. 1768-1849, British, Alton Towers August 1830, 1830. Watercolor on moderately thick, slightly textured, cream wove paper.

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684-1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and a church. Right edge of each section taped to folding cardboard mount of which parts g and h are cross members., Augsburg, Germany, 1730-50, toys & games, Print, Print

Attributed to Augustin de Saint Aubin, Parade (A Theatrical Procession in Paris) Parade (A Theatrical Procession in Paris)

Samuel Davis, 1757-1819, British, A European Gentleman Entering a Bungalow in India, undated. Watercolor, pen and black ink over graphite on medium, moderately textured, cream laid paper.

Noon, 1769. Paul Sandby

Depicts a view of Kremsier in watercolor on a peep box leaf, with gloss and scraped-out white highlights, showing town structures, roofs, and landscape features, with traces of pencil.

The dance of death: the urchin robbers. Coloured aquatint by T. Rowlandson, 1816.

Joseph Mallord William Turner, Hoolay Deedy, Seringapatam, c.1800, watercolor and gouache over graphite on white wove paper.

Adam-Frans van der Meulen (1632-1690). "The Château Neuf de Saint-Germain and the gardens during the reconstruction of the terraces (between 1664 and 1665)". Paris, Carnavalet museum. 24104-16 Arrive, Carrossian, New Chateau, Cortege, Reconstruction, King France, Suite, Terrace, General view

Leeds, Joseph Mallord William Turner, 1775-1851, British, 1816, Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm), cityscape, dogs (animals), genre subject, laborers, landscape, stones, walls, England, Europe, Leeds, United Kingdom, Yorkshire

View in a garden with a pond and a fountain, in the foreground a peacock. Design for a painting, View of a garden with a pond, a fountain and a peacock., draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 200 mm × w 327 mm

Jardin des Plantes, Paris. Fernand Auguste Besnier (d. 1927). Watercolour and pencil on paper. Dated 1904. 53.6 x 69.8cm.

Italy, Bologna, painting of Neptune Square

Paris, Depeuille, Debucourt, Philibert-Louis, La Promenade Publique, Elegant company in the Jardin du Palais Royal in Paris, verso - stamped, Company from the highest circles of Paris, on the eve of the French Revolution, chatting and flirting in the garden of the Palais Royal. The company includes several well-known figures from Parisian society, such as the future Louis XVIII (then Duke of Chartres), who sends a kiss with his hand to a woman behind him., print, engraving, prints, engravings, height 443 mm, width 632 mm, French, 1755-02-13 - 1832-09-22, print maker, printmaker, 1792 - 1792, paper, aquatint, etching, colour printing, hand colouring, Work conception, after own design by, Publication (Event), Publication, publisher

John Nixon, ca. 1760-1818, British, Skating in St. James' Park, ca. 1790. Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper mounted to board.

Landscape, Sybrand Feitama (II), after Jan Brueghel (I), 1704 - 1758, draughtsman: Sybrand Feitama (II), after: Jan Brueghel (I), 1704 - 1758, paper, brush, pen, h 163 mm × w 232 mm

View of the built-up Pont Saint-Michel over the River Seine in Paris, On the water boats sail with goods., print, image, optical print, prints, images, optical prints, height 296 mm, width 442 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, paperboard, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, etchings, brush, cutting, perforating, print maker, printmaker

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

View of a bed with trees, hedges and lawns with orange trees in the summer, basset, 1700 - 1799 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden fountain. trees: orange-tree. cultivation of (ornamental) garden. ornamental plants

Anne Rushout, ca. 1768-1849, British, October 10, 1832, Wanstead House, 1832. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

View of the Hofvijver in The Hague, Georg Balthasar Probst (Possible), After Isaac van Haasterert, 1742 - 1801 print In the foreground De Vijverberg. On the left the Mauritshuis and the Binnenhof with the Hofkapel. On the right the Buitenhof. publisher: Augsburgprint maker: Germany paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating canals, waters (in city) (+ city(-scape) with figures, staffage). street (+ city(-scape) with figures, staffage). parts of church exterior and annexes: chapel Hofvijver. Mauritshuis. Vijverberg. Buitenhof. Courtyard. Chapel

France, Paris, Set design sketch for Stravinsky's ""Petruchka""

Michael "Angelo" Rooker, 1746-1801, British, Abbot's Kitchen, Glastonbury, ca. 1795. Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper.

View of the Fontanka River in Saint Petersburg by Anonymous / State Museum of A.S. Pushkin, Moscow/ 1820s/ Russia/ Lithograph, watercolour/ Classicism/ Architecture, Interior,Landscape

'Smithfield Meat Market', c1816, (1944). Creator: Thomas Rowlandson.

Illustration depicting the Dromos and Gymnasia in Sparta

Face on a cypress te Constantinople; Prospect deships Gartens; Constantinople. Possibly the top capitalis's brief garden. At the top right numbered: 214. Left number numbered: 52.

Peep-show, Vue perspective de l'Arc de Triomphe, Ou Se Passa La Furieuse Proscription Sous le Triumvirat d'Antoine, d'Octave et de Lepidus à Rome, No. 45, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Anonymous. Le Pont-Neuf, seen from the entrance to Place Dauphine, around 1760, current 1st and 6th arrondissements. Oil on canvas. 1755-1765. Paris, Carnavalet museum. 76089-19

The Fürstl. Schwarzenberg. City of Krumau in the Budweiser circles. Recorded by Joann. Joseph Dietzler AO 1724. Turned by JoAnn Venuto AO 1803..

Fun-fair in Copenaghen, 1795, by C.F. Stanley, Denmark 18th Century. Drawing.

Picturesque Architecture in Paris, Ghent, Antwerp, Touen, etc. Thomas Shotter Boys (English, 1803-1874); published by Charles Joseph Hullmandel (English, 1789-1850). Date: 1839. Dimensions: 278 × 389 mm (image/sheet). Color lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Place of Music', c1875-1926. Artist: Frank Myers Boggs. Frank Myers Boggs (1855-1926) was an American Impressionist painter.

Anonymous, 1785. Grave paper (enhanced with gouache), Metal (copper alloy), glass. Palais Galliera, fashion museum of the city of Paris.

Anne Rushout, ca. 1768-1849, British, West Front, Wanstead Grove, May 26, 1825, 1825. Watercolor, graphite, pen and black ink and scratching out on moderately thick, slightly textured, cream wove paper.

The waterfall with the obeliske in the K, Garden of Schönbrunn , La Cascade Avec l´obelisque dans le ardin Imp, Et Roy, de Schoenbrunn single budget, Johann Andreas Ziegler -, Copper Engraver, After, Laurenz Janscha -, Drawer, Artaria , Co, Verlag, Publishing House

'De Zes-weg by Phaunus na 't Beeld van Ceres te zien', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Depiction of the meeting point of six lanes by the statue of Faunus, visible after the statue of Ceres in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.. 'De Zes-weg by Phaunus na 't Beeld van Ceres te zien', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. n.d.. Color engraving (à la poupée). Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Engraved by Lorenz Scherm (Dutch, active 1619-1707)

South Prospect of Worksop Mannor in the County of Nottingham, Samuel Buck, 1696-1779, British, And Nathaniel Buck, active 1727-1753, c. 1745, Colored engraving, Sheet: 12 1/2 x 22 1/4in. (31.8 x 56.5cm)

Esplanade Park, Helsinki, Finland 19th century. Painting.

'Street scene, Kingston, Jamaica', c1880. Artist: Unknown

Piazza Carlo Emanuele III (Charles Emmanuel III Square) with the statue of the Duke of Savoy, from Views of the City of Novara, Italy 19th Century. Coloured engraving.

The Piazzetta, Venice, by Luca Carlevarijs (1663-1730), oil on canvas, Italy 18th century, 104 x 150 cm.

'Winter Landscape with Figures'. Flanders, Between 1612 and 1616. Dimensions: 15,5x33 cm. Museum: State Hermitage, St. Petersburg. Author: Denys van Alsloot.

Entrance to the Avenue from Clare Hall Piece, Cambridge. William Westall; English, 1781-1850. Date: 1820-1850. Dimensions: 198 × 277 mm. Watercolor, with graphite and touches of gouache, heightened with white gouache, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Galgewater in Leiden, ca. 1790, 1824 - 1825 View of the Galgewater in Leiden with on the left the scaffolding mill 'De Korenbloem', ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching / engraving To lead. Gallop View of the Galgewater in Leiden with on the left the scaffolding mill 'De Korenbloem', ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching / engraving To lead. Gallop

The Tuileries Palace seen gardens Beauty. "The Tuileries Palace seen gardens". Silk oil fixed under glass.

Wolverhampton Race Course, Thomas Mann Baynes, 1794-1854, British, after Robert Noyes, 1780-1843, no date, Hand colored lithograph, Sheet: 15 1/8 x 24 1/8in. (38.4 x 61.3cm)

View of Vienna from the Belvedere, by Bellotto Bernardo, 1759 - 1760, 18th Century, oil on canvas. Austria, Wien, Kunsthistorisches Museum. Couple: pair conversation Schwarzenberg Palace Garden basin.

The PEI-HAI or Northern Lake Date: circa 1830

Piazza San Marco, Venice, 1780s. Francesco Guardi (Italian, 1712-1793). Pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink; sheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.).

Sketch for the Mayor of Vanves: seen from Paris from Vanves Paul Leon Felix Schmitt (1856-1903). Sketch for the town hall of Vanves: seen from Paris from Vanves. Oil on canvas. 1902.

View of a channel in Venice, Kaiserlich Franziskische Academy, Franz Xaver Habermann, 1755 - 1779 print Augsburg paper. watercolor (paint) etching / brush city-view, and landscape with man-made constructions. canal Venice

GRAN PARADA EN MAHON - GRABADO SIGLO XIX. Location: PRIVATE COLLECTION. France.

Delete cabbage, The walk of the evening at the ditch or the Schnepfenstrich, The walk of the evening at the Graben , or , The Schnepfen-Strät, Johann Hieronymus Delete Kohl -, publishing house

Schnbrunn Gardens, Vienna, Austria, early 19th century engraving by J. Ziegler (detail)

France, Paris, unknown, 57th. View of the Gallery of Glaces in the Palace of Versailles, Numbered in the title: 57., print, optic print, prints, optic prints, height 286 mm, width 442 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, paperboard, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, brush, cutting, perforating, print maker, printmaker

The Augarten in Vienna, Austria 19th Century. Engraving.

Eugène Charles François Guérard, Les Touristes #17: Sur le Rhin, de Strasbourg à Cologne, 1854, chromolithograph, partly hand-colored, on wove paper.

Winter Morning on the Quay, Paris 1883 Félix-Hilaire Buhot French. Winter Morning on the Quay, Paris. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1883. Etching, roulette, aquatint, drypoint, and sandpaper ground; fourth state of five. Prints

Thomas Rowlandson, 1756-1827, British, The Cloisters of a Monastery, undated. Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper.

House of Mademoiselle Hervieux, Plate 58 from 'Vues Pittoresques des Princepaux Édifices de Paris', Les Campion Frères, Paris, France, Laurent Guyot, French, 1756 - 1808, Antoine-Louis-François Sergent-Marceau, French, 1751 - 1847, Engraving and brush and watercolors on paper, The front yard and entrance to a house. A cart, dog, and figures in the yard. Title, artists' and publisher's names below., Europe, Paris, France, 1792, Print, Print

Procession at the Cannareggio. Venice. Drawing by Pradilla. Coloured engraving. The Spanish and American Illustration.

Watercolor and feather drawing by Vincenzo Feoli depicting the statue gallery of the Museo Pio Clementino in the Vatican, including sculptures, architectural elements, and spatial arrangement.

View of the Bassin de LEnscelade in the garden of Versailles, Anonymous, 1700 - 1799 print Two lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. garden fountain. ornamental plants Enlaze basin

View of Place de Greve by Nicolas-Jean-Baptiste Raguenet, Oil on canvas, 1746, 1715-1793, Ukraine,, Sevastopol, M. Kroshitsky Art Museum

Christie's auction room from The Microcosm of London. After a work by Thomas Rowlandson and A. C. Pugin dated 1808.

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