Art Exhibition Rooms

Gallery-like spaces featuring elegant arrangements of paintings and sculptures, designed to highlight artistic expressions in various formats.

The silver arrangement in room 229. Set up silver. In the middle of the room view of tilt placed display cabinets in which silver objects are shown. On the right against the wall there are other display cabinets with silver. The ceiling consists of painted beams. On the floor crossed squares parquet.

Corner of a kog room with cupboard, table and paintings; Youth exhibition Dutch art 1625-1650. .

Interior of an exhibition hall with paintings by Breitner, Weissenbruch et al. Arti, Rijksmuseum?. .

Room with five portraits, a hanging over the passage to another room; Three centuries portrait in the Netherlands. .

The silver arrangement in room 229. Set up silver. In the middle of the room view of tilt placed display cabinets in which silver objects are shown. On the right against the wall there are other display cabinets with silver. The ceiling consists of painted beams. On the floor crossed squares parquet.

Room 369 in the drucker extension with arrangement of 19th century paintings in 1928. Hall 369 with setup of Breitner and Bauer in 1928 (cf. Photo 224)

Room with seven portraits and a passage left; Three centuries portrait in the Netherlands. Side hall ground floor in the eastern courtyard with a full right a portrait of Hendrickje Stoffels and also a portrait of a young girl in the window, both of Rembrandt's hand.

Hoek van Zaal with paintings, passage and a bank for visitors; Refurbishment halls 1958. Room 220 seen to the northwest. In the room, among other things, a view of the Christ and the woman from Canaan (left) and the quotation between Orests and pylades (to the right of the passage), two works by Pieter Lastman.

Hall 114 Seen to the west with paintings, a bust and a showcase; Interiors historical department, January 1963..

Hall 105 Seen to the southwest with a coffin at the bottom left; Interiors historical department, January 1963..

Room with eight paintings, in the middle a show with fish; Drucker collection (room 369). .

Face in a room of the Centraal Museum (Agnietenstraat 1) in Utrecht with some exhibited objects at the Oude Kunst exhibition in the city and province that was organized on the occasion of the 100th anniversary of the Stedelijk Museum van Oudheden.n.b. The exhibition was held from 2 July to 15 September 1938. The collection of the Stedelijk Museum is one of the collections that have been housed in the Centraal Museum since 1921.

Room with showcases with chinese porcelain, banks with seat cushions and paintings; Troostzaal. Links exhibited The inspectors of the Collegium Medicum in Amsterdam by Cornelis Troost, which had the Rijksmuseum until 1975 on loan from the Amsterdam Historical Museum. On the right wall in the middle the regents of the Aalmezeniersweeshuis in Amsterdam, also Van Troost.

Room with paintings from the early rembrandt school, including a portrait, and banks for visitors; Hall 235b. .

Exposure The Samaritan luxury in the spring of 1926. Anonymous photography, after 1926. Paris, Cognacq-Jay. 79621-30 Folles, year 1920 20, collection, exhibition, interior, exhibition hall, luxury samaritaine, interior view

National Museum in Warsaw, ul. Podwale 15; Polish Painting Gallery; around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw (1862-), National Museum in Warsaw (1862-) - collections, Podwale (Warsaw - street), exhibitions, galleries, painting, Polish painting, furniture, museums, sculpture (artist), Polish sculpture, interiors

St Mary's polychrome hall in the Matejko House museum exhibition from the early twentieth century unknown

04/30/1910. The Barcelona Portraits exhibition. Overall view of the Sorolla Rooms and its Annexes.

Room with paintings, furniture and in the front on both sides a display cabinet with ceramics. Room C-245b with, among other things, two paintings on which a hunting boat is depicted and at the bottom right a portrait of Gerard Bicker. Left and right in the photo A display cabinet with Delft Pottery from the John F. Loudon collection.

Hall 112 Seen to the southeast with two globes and paintings; Interiors historical department, January 1963..

Warszawa. Muzeum Narodowe, ul. Podwale 15; Galeria Malarstwa Polskiego - sala malarstwa portretowego XVII w.. Ryś, Jan (1889-1939), photographer

Angle of a room with paintings exhibited between a passage and a showcase with, among other things, glasses; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. Lagoon hangs at Venice on the left on the wall, attributed to Francesco Guardi.

Warszawa. Muzeum Narodowe, ul. Podwale 15; Galeria Malarstwa Polskiego - sala malarstwa epoki saskiej. Ryś, Jan (1889-1939), photographer

Room with five paintings, right a cityscape; Drucker collection (room 369). .

Exhibition room. Photography Fair, Grand Palais des Beaux-Arts, avenue d'Antin, Paris (VIIIth arr.) "Photo club de Paris. Aristotype. 1901. Paris, Musée Carnavalet. 100471-17 BIG PALACE

Italy. Milan. inside the Pinacoteca di Brera. 1910-20.

Room with cupboards, paintings and a tapestry on the right; Interiors Modern art. A display case is a table on a table. Ground floor Drucker extension.

Room with eight portraits, right a cupboard and a view to another room at the back; Three centuries portrait in the Netherlands. Side hall in the eastern courtyard.

'The English Room, Venice International Exhibition', 1907. Artist: A Tivoli.

Room 343 with glassware and silver. Room with setup of silver and glassware. The space has a black and white tiled floor, painted beams and goggish passage to the space behind it. Black white checkered tiled floor, panels panels, white painted walls, richly decorated beamed ceiling. To the renovation in 1956 there was a staircase to the parent room here.

Warszawa. Muzeum Narodowe, ul. Podwale 15; Galeria Malarstwa Polskiego - sala malarstwa portretowego XVII w.. Ryś, Jan (1889-1939), photographer

Exhibition room. Photography Fair, Grand Palais des Beaux-Arts, avenue d'Antin, Paris (VIIIth arr.) "Photo club de Paris. Aristotype. 1901. Paris, Musée Carnavalet. 100471-31 BIG PALACE

Room with the middle of a table and left three tapestries; Willem III exhibition ..

Room 222 with paintings, a bank for visitors and a passage; Refurbishment halls 1958. In this room view at Roelof Meulenaer (1618 / 19-1691), Koopmansbode or Postmeester at Antwerp in Amsterdam (to the right of the passage), painted by Ferdinand Bol.

Exposure The Samaritaine in Luxury in January 1926. Anonymous photography, after 1926. Paris, Mus E Cognacq-Jay. 79621-7 Folles, year 1920 20, collection, exhibition, interior, exhibition hall, luxury samaritaine, interior view

Room 104 Seen to the southwest with a part of a harness left; Interiors historical department, January 1963..

Room with paintings by the early-Haarlem school, including portraits, landscapes and still lifes; Room 227.in The Middle, Downstairs, The Lute Player, Extremely Right The Portrait of Feyntje from Steenkiste, Extremely Left Portrait of Lucas de Clercq, All These Works Through Frans Hals.

Room with furniture, wall hanging and a crib; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. Left on the floor carpet is the cradle of the Duke of Bordeaux, manufactured by Félix Rémond from 1819. On the wall wall hanging on which the history of Telemachus is depicted, dating from 1823. On the right a Bonheur du Jour, a writing table for a lady, manufactured about about about around 1820 by Charles-Joseph Lemarchand.

Room with seven paintings, on the right a show by half a mill; Drucker collection (room 372). On the right 'the cut mill' by Jacob Maris.

Hall 114 Seen to the southeast with a costume in the corner; Interiors Historical Section, January 1963. On the right the eastern passage to the Aduard Chapel.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa4. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Room with Asian art including a Buddha statue in a display case. Unclear where and when this recording is made; Possible during exhibition of Chinese Art in 1925 in the Stedelijk Museum Amsterdam.

Room 369 in the drucker extension with setup of 19th century paintings in 1928. Hall 369 with setup of Breitner and Bauer in 1928 (cf. Photo 225)

Installation of paintings in the Rembrandtzaal in 1952. Preparation of regenters in the Rembrandtzaal. The paintings are hung for a curtains wall. The passage leads to the HERGALERIJ. Nachtzaal seen to the northeast. Rectangular room with wound brick coupling on a cornice, which escapes a glass skylight. To obtain the right light for the night watch, the night watch has been moved from the southern to the western wall and is under the light dass is an opaque plate hung. The raveel construction of the skylight consists of composite iron beams, which are worn by four marble columns with karyatides. The fries, the cornice, the cow and the karyatides were provided with decorations, but are in 1925 wors. The walls are covered with velor. Left one of the two passes to the hide gallery.

Room with wall and floor carpets, four-poster beds and furniture; Refurbishment Halls 1957. Room 165 (the former Hall of Admirals) seen from the southeastern direction. At the end two passages to room 166.

Department of History in the Eastern courtyard around 1937. The eastern courtyard with paintings and objects that map history. In the middle of the room is a model of the palace on Dam Square. View of paintings and busts.

Hall 116 Seen to the northeast with costumes and portraits; Interiors historical department, January 1963. The original windows, vaults and profiles of this room are derived from the St Michaëlskerk in Zwolle, part of which is still in sight. The original decoration paintings have disappeared behind a white paint layer.

Room 105 with a portrait of M. van Miereveld, for the feet; Interiors historical department, January 1963..

The Metropolitan Museum of Art Series: American Wing, American Rooms: Charles Allen Munn Room | Library of Congress

Hall 115 Seen to the southwest with portraits, showcases and a chair; Interiors Historical Department, January 1963. This space has been fully monitored to the church of the famous Cistercian abbey of Aduard, founded in 1192. The decorative paintwork has been derived from different churches. This original decoration here is out of sight, through the walls hanging along the walls and a suspended ceiling of tense fabric. The space is used here as a card chamber.

Room with paintings, a cupboard, vases and an octagonal display case with various objects; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. .

Room with paintings, left a small painting on a donkey; Night watch expansion with collection of Deterding. .

Room with links Two chairs and on the right two images on either side of a painting, seen from the left; The Venetian masters. .

Wall with paintings in addition to a passage, under the middle painting is a coffin; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. .

Room with six paintings, left two looking through and on the right a cupboard; Exhibition Kaiser-Friedrich Museum. .

Department of History at sea Around 1935. The wall is covered with flags for which the paintings depend on the History department at sea.

Room with paintings by the early-Haarlem school, including portraits, landscapes and still lifes; Room 227. In the middle, downstairs, the lute player, right the portrait of feyntje from stone fabric, both work through Frans Hals.

Room with paintings, a passage in the middle and a cupboard right; Exhibition Kaiser-Friedrich Museum. .

Room with paintings, a carpet, a chair and couches; French retrospective exhibition in the drucker build-up. .

Room with two showcases, a bust for a tapestry and a portrait right; Interiors Modern art. Ground floor Drucker extension.

A studio at an art school with plaster copies of sculptures and photographs of famous works of art; around 1900 (1890-00-00-1910-00-00);

Wall with pleated cloths and two rows of paintings. .

Hall 103 Seen to the southeast with a painting with ships; Interiors historical department, January 1963..

Room 102 with various objects including a number of small portraits on a panel in the middle; Interiors historical department, January 1963..

Umbria Perugia Bovara S. Pietro di Bovara7. Hutzel, Max 1960-1990 Medieval: Architecture, Romanesque (12th century). Campanile added on to in 1582. Restored facade with rose and bifora windows, decorative friezes, and inscription. Interior is barrel vaulted with a trifora window; wooden crucifix (12th century); sculpture and carved choir stalls; stoups. Post-medieval: Architecture, Renaissance: cloister with a two-story loggia; modern presbytery; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

FAP Gallery, 77 Newbury Street, Boston, June 19-July 1, 1939 , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

El Escorial, Comedor en la Casa del Príncipe.

Room with furniture, wall stress and a crib; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. In the foreground is the cradle of the Duke of Bordeaux, manufactured by Félix Rémond from 1819.

Exhibition room. Photography Fair, Grand Palais des Beaux-Arts, avenue d'Antin, Paris (VIIIth arr.) "Photo club de Paris. Aristotype. 1901. Paris, Musée Carnavalet. 100471-28 BIG PALACE

Photo collection Government information service. Museums, paintings. undated. Amsterdam, Noord-Holland

Bliżej Kultury unknown

Room with the theme's beginning of the Eighty Years' War; Eastern courtyard (room 211). .

Bronisław Jamontt painting exhibition (1886-1857) in Vilnius - view of the exhibition; Zdanowscy, Edmund and Bolesław; l. 30. 20th century (1930-00-00-1939-00-00);

Corner of a hall with a tapestry, a painting, furniture, a carpet and a passage; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. On the left is a resting bench made at the end of the seventeenth century.

Interior of Kunstzaal J.C. Schüller on Plein 22 in The Hague, Anonymous, c. 1900 - 1915 photograph Netherlands paper. photographic support. cardboard albumen print The Hague

Room with a portrait of a man above a chair, next to it hangs a seascape above a cupboard; Heegall. Room C-245b. On the left is a showcase with ceramics.

Evacuation in the connecting corridor in 1939; Evacuation of the Rijksmuseum Due to war threat, August - November 1939.staff Picks Dutch Porcelain in baskets. In 1939 Evacuation of Many Cases Took Place in Connection with the War Threat. The museum was closed.

Room with furniture including a resting bench, a fireplace, a timepiece and niche with cupboard; Halls of crafts 1962. Hall 168 Seen in a northwestern direction. On the left a look to the Octagonal room 167 with tapestries. In the niche a pharmacy cupboard from the possession of the Delft pharmacist guild.

Room with paintings and coats of arms; Establishment of Dutch history, September 1971. Right part of a painting by the Ruyter and his family.

Exhibition room. Photography Fair, Grand Palais des Beaux-Arts, avenue d'Antin, Paris (VIIIth arr.) "Photo club de Paris. Aristotype. 1901. Paris, Musée Carnavalet. 100472-1 BIG PALACE

Arapoff, Orr & Greason exhibit, 77 Newbury Street, Boston, April 18-May 6, 1939 , Art exhibitions, Galleries & museums, Arapoff, Alexis Paul, 1904-1948, Orr, Elliot, 1904-1997, Greason, Donald Carlisle, 1897-1981. The Massachusetts WPA Federal Art Project Photograph Collection

Room with oksal, furniture including two tables, majolica, images and a coffin; Halls of crafts 1962. Hall 248 (Italian room) seen in a northwestern direction. At the left rear of the Oksaal (choir separation), from the church in Helvoirt.

Bliżej Kultury unknown

Elsevier photo collection. House ten Bosch palace. Interior: Oranjezaal before 1940. {"before 1940"}. Hague, South Holland

Munch's exhibition in Equitable Palast in Berlin, December 1892, Marschalk, Max (1863-1940)

Kraków Sukiennice Exhibition of Muhammads, Asian and European ceramics; February April 1934 Światowida Photo Agency

1910. The workers' exhibition in Seville. View of one of the rooms, in which the works of the students of the School of Arts and Industries are exhibited.

Room with medieval paintings. Knight hall with medieval paintings (series of three 4020-22) Around 1930 the primitives were exhibited in Zaal 215-220

Bliżej Kultury unknown

Bliżej Kultury unknown

Hall 112 Seen to the northeast with paintings and a chair on the right; Establishment of Dutch history, September 1973. On the left a portrait of Willem I (1772-1843) by J. Paelinck on the wall of Hall 111. On the right a passage to room 114.

Bliżej Kultury unknown

The Wellcome Historical Medical Museum, 28 Portman Square, London: the Entrance Hall, c. 1954. Photograph.

Hall mill with three-legged tables, floor and tapestries, chandeliers, banks for visitors and on either side cabinets; Refurbishment halls 1958. The HERGALERIJ Seen to the North. At the end of the honorary of the tapestry, the passage is located to the front hall. With the restoration of the winter 1957-1958, the space is completely worth. The cabinets have received portals so that the entrance is narrowed.

Room with tapestry, armchair, relief, saints image on base and sideboard; Halls of crafts September 1961. Hall 243 Seen to the southwest. On the left a 16th century dresser from the Proven house (Hofje) eel and from Foreest in Alkmaar, by an anonymous manufacturer. On the right in the corner the image is a throne bishop, also anonymous. On the right in the photo an armchair from the beginning of the 16th century.

The painter A.M. Gorter in his studio, Nassaukade 362, Amsterdam.

Vilnius. USB. Faculty of Fine Arts. Corridor in the Bernardine walls; Bułhak, Jan (1876-1950); around 1931 (1926-00-00-1936-00-00);

Studio of Alphonse-Marie Mucha, New York City. Alphonse Maria Mucha, photographer (Czech, 1860 - 1939) negative 1904, print about 1980 (Verso, sheet) inscribed in pencil, at lower right corner: "51"; in red ink, at right center edge: "51/44" written sideways

Ancient art exhibition "the 16th century" ... ... Brussels 1910, Star, 1910 Postcard, black and white: interiors exhibition about the 17th century. Brussels paper Brussels

Messel Alfred (1853-1909), Palazzo Caffarelli (German Embassy) in Rome (1894-1898): View of the throne hall of the German Embassy in Rome, Palazzo Caffarelli, with the throne by A. Messel and the murals by Herrmann Prell. Photo on paper, 33.4 x 49.1 cm (including scan edges) Messel Alfred (1853-1909): Palazzo Caffarelli, Rom

Room with three paintings and a cassone left; The Venetian masters. Under the painting on the left, a cassone is partially painted poplar wood. The small painting presents the Sacred Sebastian, painted by Andrea Mana.

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