Art Nouveau and Decorative Posters

Colorful and stylized posters from the late 19th and early 20th centuries, featuring elegant figures, floral patterns, and modern graphic designs in advertising.

Color image. Terracotta Panathenaic prize amphora. Pan-Annaphic amphorae constitute a kind of autonomous amphorae that were given as a prize

Paper publication entitled "Le cri de Paris" dated 19 May 1901. Colour illustration of a lady in a gown holding flowers on the grass. The caption reads "How it would be better to be alone than with someone."

Color image. Terracotta Panathenaic prize amphora. Pan-Annaphic amphorae constitute a kind of autonomous amphorae that were given as a prize

Koloman Moser's 1900 color lithograph for 'Austria's Illustrated Newspaper' depicts a stylized figure emphasizing decorative patterns and harmonious composition, demonstrating his contribution to the Vienna Secession and early modernist design.

Albert Breaute (1853-1939). Imprimerie Courmont Frères. Sale of Garat watercolors, Drouot hotel. Poster. Color lithography, in 1896. Paris, Carnavalet museum. Advertising poster, color lithography, advertising

Ex-libris of Edmund Bartłomiejczyk. Bartłomiejczyk, Edmund (1885-1950), graphic artist

BORN. Not wasting. THE. Bread is. OUR. DUTY. Vincent, S. NE. Not wasting. THE. Bread is. OUR. DUTY. Color lithography. 1918.

Design for a charter on the occasion of twelve and a half years of loyal service at the Glue and Gelatin factory. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 157 mm × w 101 mm. Museum: Rijksmuseum, Amsterdam.

Color illustration of The Cognac Chateau by A. Joulin & Co. around 1890, depicting architectural elements and chateau grounds.

Schäfer Carl (1844-1908), Restoration Heidelberg Castle. Friedrichsbau (1900): View glass window with motifs: Autumnus. Ink, pencil watercolor on the box, 81.6 x 55.2 cm (including scan edges) Schäfer Carl (1844-1908): Restaurierung Heidelberger Schloss. Friedrichsbau

What machine buy Ah! A whitworth, at Runts 24 anue of the GDE ARMEE Jules Alexandre Grn (1868-1938). Printing Bourgerie and Cie. WHICH MACHINE Buy Ah! In Whitworth, at ruteaux 24 Avenue de la Grande Arme. To post. Lithograph Color, 1897.

The Ault and Wiborg Company. Label inks , Firecrackers, Fans Accessories, Printing industry

La revueblanche. Artist: Pierre Bonnard, French, 1867-1947

Design for advertisement for `Fokker's Parasol-Eendekker '. Draughtsman: Reijer Stolk. Dating: 1906 - 1945. Measurements: h 324 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

Palais de Glace 1891 France. Color lithograph on cream wove paper . Jules Chéret

We provide a reproduction of the Ichnaton poster above. This beautifully held advertising plate was designed by a former Corporate member, Mr. Sjollema.

A bouquet of contenders

Geo H. Benedict & Co., designers, engravers & electrotypers , Roses, Printing industry

Calendar magazine October with bird on a leg, Theo van Hoytema, 1902 print Herons are flying behind the bird. At the top of the leaf a crack line. Print Maker: Hilversum Printer: Amsterdampublisher: Hilversum paper shore-birds and wading-birds: heron. October ~ other concepts

Lucas, Charles, The Exhibition/ Theater and Music/ July 25 November 25/ Palais de l'Industrie/ Sunday of.50c.- Week 1f./ every Friday Grand Festival 3F. (Registered title (letter)), 1896. Color lithography. Carnavalet museum, history of Paris.

Design for a cover or title page for the 25th anniversary publication of the Viennese Graphic Design School (1888-1913). Artist: Erwin Puchinger (Austrian, Vienna 1875-1944 Vienna). Dimensions: Sheet: 12 1/16 in. × 9 in. (30.7 × 22.8 cm). Date: 1913. Museum: Metropolitan Museum of Art, New York, USA.

Woman in Roman robe, Bernard Willem Wierink, 1907 print Standing woman in Roman robe, laurel wreaths in the lifted hands. New Year's wish for 1907. paper (story of) the Roman women. garland, wreath

March 1, 1871, March 1 - 1918, in Alsace Libered Little girls, are restricted with good heart Grognuz, Beatrix. March 1, 1871, March 1st - 1918, in Alsace Libered Little girls, are restricted with good heart. Color lithography. 1918.

Portada de la revista humorística ¡Cu-Cut!, editada en Barcelona, abril de 1904.

The Typical 1889-1899 México. Relief etching on zinc on paper . José Guadalupe Posada

One fair daughter, by Frank Frankfort Moore , Snakes, Flowers, Books

Paint and clay club exhibition of 1896 , Organizations, Exhibitions. Charles H. Woodbury (1864-1940). Prints

Man who holds a torch, Richard Nicolaüs Roland Holst, 1904 print On the left in the foreground a work table with a sharpened, beautiful object, probably a diamond. On the object the monogram of the General Dutch Diamond Workers' Association. At the top of the text 'To those who supported us and trusted in days of struggle', at the bottom of the dates '17 February - 17 June 1904 'and the text' Out of gratitude on '. paper. torch. handicrafts ~ precious and semi-precious stones. letter combinations such as letterword, anagram, letter square, monogram, etc.

Koloman Moser colored print depicting the V. Secession art exhibition in 1899, showing gallery interiors and displayed works.

Illustration from a 1900 edition of fables by Jean de La Fontaine (1621 - 1695), French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his Fables, which provided a model for subsequent fabulists across Europe. Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature.

Color print by Julius Klinger depicting 'Notte Veneziana' in the exhibition halls at the zoo, created between 1908 and 1911.

The Saturday evening post, November 24, 1906 , Periodicals

USA: 'The Chief is Still Chief'. Santa Fe Line travel poster featuring a stylised Native American, Hernando G Villa, 1936

Poster for Harper's Magazine Edward Penfield (American, 1866-1925). , March 1896. Lithograph on off-white, moderately thick, smooth-textured wove paper, 18 5/16 x 11 in. (46.5 x 27.9 cm). American Art March 1896

Seated woman (on the last page of JH de Bois' Tweemaandelijksch Bulletin). Draughtsman: Reijer Stolk. Dating: 1906 - 1945. Measurements: h 75 mm × w 110 mm; h 276 mm × w 218 mm. Museum: Rijksmuseum, Amsterdam.

'Abdulla Magic - Out of the Past', 1932. Artist: Unknown.

Kilfire. (Advertiser: Monarch Fire Appliance Co.). Illustrations, Prints. 1899. Irma and Paul Milstein Division of United States History, Local History and Genealogy. Streets , New York (State) , New York, Broadway (New York, N.Y.), New York (N.Y.) , Buildings, structures, etc.

Harper's Poster - April 1896 Edward Penfield (American, 1866-1925). , 1896. Lithograph on wove paper, Sheet: 17 7/8 x 13 3/8 in. (45.4 x 34 cm). American Art 1896

Plate and Musical partition from The babys opera: a book of old rhymes with new dresses. By Walter Crane. The music by the earliest masters.

Tuscany Siena Montalcino Museo Civico83. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

First,

Advertisement for Philadelphia Sunday Press: Oct. 13, 1895. Artist: George Reiter Brill (American, Pittsburgh, Pennsylvania 1867-1918 Florida). Dimensions: Sheet: 20 1/4 × 13 11/16 in. (51.4 × 34.8 cm). Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.

The True Mother Goose. Artist: Blanche McManus Mansfield (American, East Feliciana, Louisiana 1870-1929). Dimensions: Sheet: 21 1/4 × 14 5/16 in. (53.9 × 36.4 cm). Printer: Heliotype Printing Co.. Publisher: Lamson Wolffe & Co.. Date: ca. 1896. Museum: Metropolitan Museum of Art, New York, USA.

Colour illustration by Pizer for the cover of Pan magazine, depicting a coquettish red- haired girl in a skimpy blue dress holding a satyr or Pan- like mask. Date: 1920

Weathercock. Dated: c. 1936. Dimensions: overall: 48.4 x 38 cm (19 1/16 x 14 15/16 in.) Original IAD Object: 25" high; 20" wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Florian Rokita.

The July century , Paper lanterns, People, Fireworks. Charles H. Woodbury (1864-1940). Prints

Poster for magasin de NouveautÈs 'A la place Clichy'. EugËne Grasset 1845 ñ 1917, a Franco-Swiss decorative artist who worked in Paris, France in a variety of creative design fields during the Belle poque. He is considered a pioneer in Art Nouveau design.

An Arkansas Planter. Artist: Will Denslow (American, 1856-1915). Dimensions: Sheet: 21 in. × 15 3/8 in. (53.4 × 39 cm). Publisher: Rand, McNally & Company (Chicago, Illinois). Date: 19th-20th century. Museum: Metropolitan Museum of Art, New York, USA.

Affiche américaine pour la revue "Harper's Magazine". Penfield, Edward, 1866-1925. text. Prints, Posters. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Women, Winds, Rabbits

Fair of Cent, 31 Street Bonaparte, International Exhibition of Posters Henri Marie Raymond de Toulouse-Lautrec said Monfa (1864-1901). Printing Bourgerie and Cie. Fair of Cent, 31 Street Bonaparte, International Poster Exhibition. Poster. Color Lithography, 1896.

New England magazine Christmas 1895 , Periodicals

The hell gate , Karl Wiener -, artist

Autotypie by Ernest Haskell from 1896 titled 'TRUTH', showing Christmas themes, figures, and decorative elements.

The Chap-Book. Artist: Frank Hazenplug (American, 1873/74-1931). Dimensions: Sheet: 16 1/8 × 10 7/8 in. (41 × 27.6 cm)Image: 13 3/8 × 7 15/16 in. (34 × 20.1 cm). Publisher: Stone and Kimball (Chicago). Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.

Secession V. Art Execution of the Association of Fine Artists in Austria. .

Kemm & Cie by Moos, Carl (1878-1959) / Private Collection / 1916 / Schwitzerland / Colour lithograph / Poster and Graphic design / 128x90,5 / Art Nouveau

MARILYN LANGUIDA 1 - 1998 - 100x70 - DECOLLAGE. Author: MIMMO ROTELLA (1918-2006). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Art - Goût - Beauté, Feuillets de l 'élégance Féminine, Noël 1928, no. 100, 9th Année, p. 55. Text'La plus Séduisante Offrine the Noël' with two images. At the bottom right: two children at a box of chocolate from Pihan. Page from the Modelijdschrift Art-Goût-Beauté (1920-1933).

Interior of Lincoln Memorial, Washington, D. C. , Monuments & memorials, Tichnor Brothers Collection, postcards of the United States

Bookplate of Dr Ernst Nowack. Leiteritz, Woldemar (1878-1915), graphic artist

From Maine to Florida / Gordon Ross. - digital file from original print | Library of Congress

Lithography by Egon Schiele from 1916 depicting a self-portrait title leaf for 'The Action', a weekly on politics, literature, and art edited by Franz Pfemfert, issue 35/36.

H. Bertrand. "Marxilly's Transformer, imitator at the end of the century". Lithography. 1880-1900. Paris, Carnavalet museum. 58876-4 Artist, imitation, number, silhouette, transformer

Portada del "Vals lento" deFrédéric François Chopin (Fryderyk Franciszek Chopin) (Zelawowa Wola, Varsovia, 1810-París, 1849). Compositor y pianista polaco.

Reproduction of a painting Axentowicz, Teodor (1859-1938), 2nd exhibition of `Sztuka` ; from: "Tygodnik Ilustrowany" 1904, 1, 495. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Band design for: M. Delly, The return of Ralph Hawton (La Vengeance de Ralph), c. 1933-1941, Unknown, c. 1933 - c. 1941 drawing Face of a young woman who wears makeup with the silhouette of a pipe-smearing man and a rose in the background. paper. paint (coating). deck paint. chalk. pencil brush pipe ~ tobacco. flowers: rose

Calendar cover 1895. Calendar wrap for the Architectural Sodity Architectura et Amicitia, Amsterdam. A seated woman with crown and staff keeps a ball in her left arm on which a row of symbols of the zodiac can be seen. Bottom left a cat.

Affiche pour le journal "l'Éclair".. Thomas, H.. text. Prints, Posters. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

A 1897 autotype print by Franz von Stuck depicting the VII International Art Exhibition in Munich's Glaspalast, organized by the Munich Artists Association with the Secession, illustrating exhibition architecture and display.

Parody / gill / and / quince

Bergé, Louis, Armand/ Guill/ Transformations (Inscribed title (Letter)), 1880. Color lithography. Carnavalet museum, history of Paris.

Confetti 1894 Henri de Toulouse-Lautrec French. Confetti 334066

Color print by Fritz Rehm from 1908/1909 depicting His Sollfrank, showing cigars, cigarettes, and tobacco products with commercial packaging and display.

Architecture and interior exhibition surrounded by the garden 1912 Kraków 1912 May October poster advertising the exhibition Czajkowski, Józef (1872 1947), Litographic Zak

Vignette of publishing company L.J. Veen, Unknown, in or after 1887 - c. 1930 drawing A man with a hat walks with his hands in his pockets over a street. Above the performance, which is contained in a rectangle, the motto 'Labor Integer Vincit' and at the bottom of the name and year of establishment of publishing company L.J. Peat. paper. ink. deck paint. pencil pen / brush walking. hand in the pocket - AA - both arms or hands

Band design for: Henri van Wermeskerken, De Groene Hell. The white mystery of the Matto Grosso, 1933, Unknown, in Or Before 1933 drawing Head of a frowning man with long hair. tracing paper. paint (coating). deck paint. pencil brush face. frowned eyebrows

The Eccentric's Wanerson's, Great attraction Anonymous. "The Eccentric's Wanerson's, Great Attraction". Lithography. 1880-1900.

Jaarbeurs Utrecht 1917 - Feb 26 - March 10, 1917

R.M.S. "Olympic". 1927. Buttolph, Frank, 1850-1924. text. Menus. Rare Book Division

Autotypie by Edward Penfield around 1896 for 'Three Gringos in Central America and Venezuela' published by Harper & Brothers, showing illustrated figures and landscapes.

Almanac Georges. Bans, 1897, Me Annee sic, Art Library, 50 boul. of the Mauburg Tour. 50. Paris Frédéric Auguste Cazals (1865-1941). Advertising poster for the Critical Art Library. Paris (VIIth ARR.). Color lithography. 1897.

Title Page. Dated: probably 1920. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Ernst Barlach.

Political poster supporting Mussolini and the Fascists in Italy, c1924.

Design for Title Page, 'Occupations of Women and Their Compensation', Alice Cordelia Morse, American, 1863-1961, Brush and gouache on greyish-brown paper, mounted on illustration board, A woman in a black dress, with gold bands across her chest and a medallion at the center with the letters 'AT,' stands holding an open book with a gold cover. A crown of three gold flower blossoms appears on top of her red hair. Flanking the woman are two tall black torches with gold flames. Green scrolled vines are intertwined around the torches and overlap with the woman in the foreground. Above the woman is written in black text: OCCUPATION / OF WOMEN AND THEIR / COMPENSATION., New York, NY, USA, ca. 1899, figures, Drawing, Drawing

Harper's Weekly, Christmas 1894 , Supernatural beings, Periodicals, Santa Claus

Joan of Arc saved France. Coffin, Haskell, 1878-1941. 1918. text. Posters. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Exhibition of watercolour paintings by Alice Macallan Swan , Painters Artists. Sir David Young Cameron (1865-1945). Prints

This 1914 lithograph by Otto Hettner depicts the aftermath of the earthquake in Chile, showing damaged buildings, debris, affected people, and landscape in a detailed composition.

Poster for the Cincinnati Fall Festival, showing a woman seated on a pedestal placing a wreath on her head and wearing art nouveau jewelry, by Stanley Thomas Clough, September 7 to 19, 1903.

Band design for: Thérèse Hoven, from the land of the Klapperboomen, 1897, Anonymous, After Willem Wenckebach, in Or Before 1897 photomechanical print Design with abstracted branches of topper trees that fan out in a frame. paper. ink printing block / brush foliage, tendrils, branches ~ ornament

Color poster created by Paul Scheurich for Hollerbaum & Schmidt in Berlin in 1908, showcasing commercial graphic design of the early 20th century.

Bandontwerp Voor: Erich Kästner, Drie Mannen in de Sneuw (three men in the snow), c. 1935-1939, Jan Stapper, 1936 drawing Snowy mountain landscape with a view of a village and a path or track that runs towards the mountains. paper. paint (coating). deck paint brush mountain-range, snow peaks. road, path

Advertisement for the magazine Modern Art; Les maîtres de l'poster. Landscape with a tree reflected in the water.

Print, Acricola Bodenbelag (Acricola Floor Covering), plate 26, in Die Quelle: Flächen Schmuck (The Source: Ornament for Flat Surfaces); Designed by Koloman Moser (Austrian, 1868-1918); Austria; color lithograph on paper; 25 x 29.6 cm (9 13/16 x 11 5/8 in.)

Gabriel Albinet's circa 1910 lithograph 'Pink Cross Lounge' printed on Rosa paper depicts the interior of a lounge space, highlighting furniture arrangement and architectural elements.

Aeroflot', by victor asseriants, 1964.

Pierre Puvis de Chavannes, a sketch, Lily Lewis Rood , Flowers, Books

The Photographer Sescau (Le Photographe Sescau). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: sheet: 24 7/16 x 31 1/8 in. (62.1 x 79.1 cm). Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.

Uncle Sam's Church. Artist: Ethel Reed (American, 1874-after 1900). Dimensions: Sheet: 18 15/16 × 15 1/16 in. (48.1 × 38.2 cm). Publisher: Lamson Wolffe & Co.. Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.

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