Artistic Agricultural Scenes

Etchings and sketches depicting rural life and festivities, combining elements of nature and human activities.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Pastoral landscapes after Berchem, Shepherds at a waterfall, verso - stamped, A shepherdess on a donkey and a shepherd point to a waterfall. Two cows drink from a ford., print, engraving, prints, engravings, height 152 mm, width 199 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

A cavier field.

Group figures with cattle, walking towards a fountain, Jean Louis Demarne (attributed to), 1762 - 1829 print paper etching cattle. utilitarian, public pump or water fountain. 'en route', traveller under way. landscapes (+ landscape with figures, staffage)

Plate 22 from the 'Tauromaquia':Manly courage of the celebrated Pajuelera in the ring at Saragossa. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm)Sheet: 12 3/16 × 17 7/16 in. (30.9 × 44.3 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

The runaway , Carriages & coaches, Horses, Passengers, Accidents. Thomas Rowlandson (1756-1827). Prints and Drawings

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Arab of the Desert 1819 United Kingdom. Black crayon, with graphite, on cream wove paper . Mary Trevor

Willem van de Velde and his sons Willem and Adriaen, Adriaen van de Velde (Possible), 1646 - 1672 drawing Willem van de Velde, on horseback, and his sons Willem and Adriaen. Drawing with text by Baron P.C. van Leyden: A drawing with Roedt by Willem van de Velde on Reijs on Paardt, Vegseldte van sijn Two Soons, Willem van de Velde who shows him a drawing, and Adriaan van de Velde who to draw sit, uyt the cabinet of the Lord of the Lord Valkenburch Verkogt in Haarlem in Meij 1784. paper. ink. pencil pen / brush draughtsman at work - CC - out of doors. historical persons. painter in non-work situation (+ the artist and his family, relatives, etc.)

Depicts 'Of the Reitergefecht' by Rembrandt van Rijn, created as an etching around 1629, showing mounted figures and battle composition.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Pastoral landscapes after Berchem, Shepherds at a waterfall, verso - stamped, A shepherdess on a donkey and a shepherd point to a waterfall. Two cows drink from a ford., print, engraving, prints, engravings, height 152 mm, width 199 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

Francisco Goya (1746-1828). "Tauromachie - Pl. 12 - Desjarrette de la Canalla con Lanzas, Medias -Lunas, Backet Y Otras Armas - H 215 III1". Eat, chisel and aquatint, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. 29701-17 Aquatinte, chisel, etching, picador, first edition, bull, lance

Return of hunting, Gerrit Malleyn, 1808 drawing paper. ink. pencil pen / brush return from the hunt

Modèle Théodore Gericault French 1800-1824 View more. Modèle. Théodore Gericault (French, Rouen 1791-1824 Paris). 1800-1824. Lithograph; first state of three. Prints

Houthakkers in a winter landscape, Jean Moyreau, After Philips Wouwerman, 1754 print France paper etching woodcutting, woodcutter ~ forestry. winter ~ human activities (the four seasons of the year). tools, aids, implements ~ crafts and industries: axe

Landscape with Pakekezels and Travelers, Otto Baron Howen, 1784 - 1848 print Two packing fabrics and two figures in a landscape. unknown paper etching landscapes (+ landscape with figures, staffage)

Rome, Aelst, Nicolaus van, Tempesta, Antonio, The twelve labors of Hercules, Hercules and the cattle of Geryon, verso - stamped, Geryon lies dead on the ground and Hercules leads the herd of cattle away., print, prints, height 99 mm, width 142 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Cartoon in response to the indignant reactions to the cartoon about the 200th anniversary of the Portuguese Synagogue, 1875, Screaming geese and braying donkeys. Cartoon in response to the indignant reactions to the previous cartoon (no. 33) about the 200th anniversary of the Portuguese Synagogue in Amsterdam, 1675-1875. Plate published in the weekly De Nederlandsche Spectator, no. 34, 1875., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 215 mm, width 275 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1875 - 1875, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Have milkmish.

A Spanish knight kills the bull after having lost his horse, plate nine from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 204 x 313 mm (image); 247 x 353 mm (plate); 330 x 447 mm (sheet). Etching, burnished aquatint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Donkey. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: Image: 6 1/8 × 7 1/2 in. (15.6 × 19.1 cm)Sheet: 7 x 8 3/8 in. (17.8 x 21.3 cm). Publisher: Maurice Le Garrec (French, 1881-1937). Series/Portfolio: Le Garrec printing, 1921. Date: 1862 reprinted 1921. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Illustration to the Odyssey (classy with whip, and a flight of the horses ...); Kossak, Juliusz (1824-1899), Machowski, Edward (Fl. 1869-1874), after 1871 (1861-00-00-1886-00-00);

Beef (Bartsch 27) Herman van Swanevelt (1600-1650). BOEFS (BARTSCH 27). Etching. 17th century.

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 6), Pieter Nolpe, After Jan Martszen de Jonge, 1660 - 1662 print Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, June 15, 1660. Leaf with Maria Henrietta Stuart, Amalia van Solms and the prince and part of the procession with riders. The rider on the right, marked with the letter C, is Lieutenant Dirck Tulp. Sixth plate in an unassembled ensemble of the procession consisting of seven magazines. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

GOYA Y LUCIENTES, Francisco de (1746-1828). El Cid spearing another bull. 1816. Plate 11 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Berchem, Nicolaes Pietersz., Paris, Ghendt, Emmanuel Jean Nepomucene de, Retour au village, Shepherds returning to the village, verso lower left - stamped, A shepherd, a shepherdess and their son with two cows, a donkey, three goats and a dog. They are crossing a river. The shepherdess is sitting on the donkey. In the background the ruins of a castle. After a painting by Nicolaes Berchem., print, prent, prints, engravings, height 340 mm, width 411 mm, Southern Netherlands, 1738 - 1815-05-17, print maker, printmaker, 1748 - 1815, paper, papier, etching, engraving, engraving (printing process), Northern Netherlands, 1620 - 1683-02-18

Five horse shelves on horseback; Triumph of Emperor Maximiliaan I. Five Hofmaatschalken on horseback in a row, each of them holds an attribute that refers to their task to the court. The rider in front is a cup carrier with a cup, the following are successively a cook with a large spoon, two men with scissors, a hairdresser and a tailor, and a shoemaker with a reading. The men are part of the triumph of Emperor Maximiliaan I.

The rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint and drypoint on ivory laid paper . Francisco José de Goya y Lucientes

Francisco de Goya y Lucientes (1746-1828). Spanish painter. La Tauromaquia (Bullfighting). The most skilled student of Falzes, covered, teases the bull with his dodges (El diestrisimo estudiante de Falzes, embozado burla al toro con sus quiebros). Number 14. Etching. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

A Spanish mounted knight in the ring breaking short spears without the help of assistants (Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf'ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer

He followed everything thoughtful the path of Toulouse ... (IT)

Two riders; The graves and gravingen of Holland. Print of a cut wood block. Two unidentified people on horseback. Later added to the series of graves and gravingen of Holland. Print cut off and pasted on other leaf.

Woman Op Mulezel, Johannes Körnlein, After Nicolaes Pietersz Berchem, 1769 drawing Pressure drawing in red chalk for the print RP-P-1939-1297 Amsterdam paper. chalk

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

A Party of Life Guards. Dated: 1821. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Théodore Géricault.

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Pass-temps" (pl.67). Lithography, 19th century. Paris, Carnavalet museum. 78051-17 Passe-time album, hold, costume, horse, costume, drawing, double, illustration, lithography, character, transport person, car, 19th 19th 19th 19th 19th 19th century, animal

DIY bridge, Jan de Visscher, after Nicolaes Pietersz Berchem, 1643 - 1692 print A shepherd on horseback and a shepherdin on a donkey wad a voorde with their dog. A dilapidated bridge leads over the river, where some shepherds walk over with their herd. Northern Netherlands paper etching / engraving landscape with bridge, viaduct or aqueduct - II - ideal landscapes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. riding a horse, ass, or mule; rider, horseman. ford

Le Chariot de charbon (The CoalWagon). Lithographer: Gerard Rene Villain, French, 1740-1836 After: Théodore Géricault, French, 1791-1824

el Himself ceballos montado qiabra sobre otro en plaza rejoins de madrid /the samrid, in the Arena in Madrid,its on the bulll and attacks anonnemals with the short lance; Board No. 24 from: Laurmaquia Bulfighting, ed. III, Goya, Francisco de (1746 1828)

According to Nicolaes Berchem (1620-1683). "The recalcitrant pasta". Drawing with pen and bistre wash. Museum of Fine Arts of the City of Paris, Petit Palais. 74736-8 Ane, breeding animal, goat, design, drawing, Dutch school, refusal, ruad, cow, 17th XVIIth XVII 17th 17th 17th century, animal

Parsifal; Thoma, Hans (1839-1924); 1920 (1920-00-00-1920-00-00);

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 2). Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. The arrival of the procession with riders at the Haarlemmerpoort. The front rider, marked with the letter A, is Ritmeester Jan van Waveren. Second plate in an unassembled ensemble from the procession consisting of seven sheets.

Heraldic Garland surrounded by angels. Heraldic Garland, depending on a coat of arms and surrounded by winged angels holding shields.

Cheval gris-pommelé (A Dapple-GrayHorse). Artist: Théodore Géricault, French, 1791-1824

The mule with bells (DuTUIT 29) Karel Dujardin (1622-78). The mule with bells (Dutuit 29). Forte, 1653. Museum of Fine Arts in the city of Paris, small palace.

The lovers are caught in a rainstorm while out hunting

Don Quixote and Sancho Panza 19th century Honoré Daumier French. Don Quixote and Sancho Panza. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 19th century. Black chalk and gray wash on wove paper. Drawings

Lovis Corinth, Horseman II (Reiter II), 1916 Horseman - II (Reiter II)

A boy is working on the horse's halter. On the left is a cart with four wheels, Stable with Horse at the Rack Inside of a Village Inn (title on object), print maker: Gijsbertus Craeyvanger, (mentioned on object), Gijsbertus Craeyvanger, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, Netherlands, printer: Amsterdam, 1820 - 1895, paper, h 238 mm × w 270 mm

Pferderennen; Liebermann, Max (1847-1935); 1909 (1909-00-00-1909-00-00);Cascine (Florence - horse racing track), Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, horses, modernism (style), sport, horse racing

A riding house , Horseback riding, Horses, Educational facilities. Thomas Rowlandson (1756-1827). Prints and Drawings

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Plate 5: a barefoot peasant on horseback crossing a river, another peasant on horseback and leading a horse on a bank to right in the background, from 'Diversi capricci' ca. 1644-47 Stefano della Bella Italian. Plate 5: a barefoot peasant on horseback crossing a river, another peasant on horseback and leading a horse on a bank to right in the background, from 'Diversi capricci' 382112 Artist: Stefano della Bella, Italian, Florence 16101664 Florence, Publisher: Nicolas Langlois, French, Paris 16401703, Plate 5: a barefoot peasant on horseback crossing a river, another peasant on horseback and leading a horse on a bank to right in the background, from 'Diversi capricci', ca. 164447, Etching; third state of four (De Vesme), Sheet: 3 1/8 3 7/8 in. (8 9.9 cm). The Metropolitan Museum of Art, New York. Purchase, Joseph Pulitzer Bequest, 1917 (17.50.17-208)

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid,' by Francisco Goya (1746-1828). Created between 1815 and 1816, this first edition etching features aquatint, drypoint, and engraving techniques. The artwork depicts bullfighters and bullfighting in Spain, specifically highlighting the figure of Ceballos on a bull in the Madrid arena

A fair , Fairs, Horses, Horseback riding. Thomas Rowlandson (1756-1827). Prints and Drawings

Aquatint by Francisco Goya from 1816 titled 'The Tauromáquia', showing a bullfighting scene in a Spanish square without assistance from chulos, featuring mounted participants and bulls.

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The cornemuse player (Hollstein 4) Berchem, Nicolaes Pietersz. The cornemuse player (Hollstein 4). Etching.

Shepherd and shepherdess in a front. In a front, a shepherd man points to two shepherdesses with dogs. The shepherd has two cows.

Met Brandende Banderillas, Francisco de Goya, 1876 print Two picadors and a number of men on foot in the Arena. The bullfighter (Torero) holds two Banderillas in his hands. From the neck of the bull standing opposite him, two Banderillas that smoke comes from. Numbered at the top right: 31. print maker: Spainpublisher: Paris paper etching Bullfight

Houbraken, Jakob, inventor: Frans Decker, Joannes Alberti, 1745, copper engraving, graphics, leaf width 24.1 cm, leaf height 35.3 cm, image width 22.1 cm, image height 33.7 cm

Mulatto slave. On drawings after M Regis de Trobriand.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and last and last board (Dornik-Eger 36; Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Eleventh Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The eleventh sled in the parade. A sledge with the personification of music, drawn by a horse, followed by two Roman soldiers. Part of a series of twelve plates (before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second centenary of the Leiden Relief (October 3, 1574) and the establishment of The University of Leiden (8 February 1575). Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Two Polish Horsemen 1646-1656 Italy. Etching on paper . Stefano della Bella

Infertility, Enea Vico, After Francesco Salviati, 1533 - 1567 print Infertility (sterilitas) as an old woman, sitting on the back of a donkey. At the bottom of a Latin text line. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving 'Sterility' (ripa). mule

Farmers going tomarket. Artist: Matthys van den Bergh, Dutch, 1615-1687

A farmer hits his Pakezel, Jacques Callot, 1621 - 1635 print Presentation of a farmer who runs behind a heavily packed donkey, a stick in his hand raised. This magazine is part of the emblem series 'Monastic Life in Emblemen'. In addition to an illustrated title page and 26 emblems, the second state of this series is a title page and a magazine with assignment, both in book print without image. Nancy paper etching ass, donkey

Johann Adam Klein, Cossack Horses in a Courtyard, 1818 Cossack Horses in a Courtyard

Six oxen in front of a plow, above a sketch of a seated boy, Johan Daniël Koelman, c. 1841 - c. 1857, draughtsman: Johan Daniël Koelman, c. 1841 - c. 1857, paper, h 303 mm × w 476 mm

. The eleventh sled in the procession. A slide with music personification, drawn by a horse, followed by two Roman soldiers. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

Study sheet with various historical figures, Willem Pieter Hoevenaar, 1818 - 1863, draughtsman: Willem Pieter Hoevenaar, 1818 - 1863, paper, h 191 mm × w 322 mm

Title page for the pamphlet: Twist between the Spanish Ginet and French Mazet by Aesopus in Europe, 1701, 1701 print A Spanish and a French horse without drivers for a battlefield. The horses argue about the ranking between Spain and France. Title is on a separate text sheet. Netherlands paper etching / letterpress printing

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Landscapes with shepherds after Berchem, Two donkeys and a shepherd at a ford, verso - stamped, print, prints, height 153 mm, width 212 mm, 1633 - 1692, print maker, printmaker, 1643 - 1701, paper, papier, etching, etchings, Work conception, 1620 - 1683-02-18

Plate 6, from 'Cahier de Six Feuilles de Boeufs et Vaches', Jean-Baptiste Pillement, French, 1728-1808, Jean-Jacques Avril the Elder, French, 1744 - 1831, Etching on paper, France, 1771, Print, Print

Bull-Fight. Alexandre Lunois; French, 1863-1916. Date: 1897. Dimensions: 448 × 603 mm (image); 479 × 625 mm (sheet). Lithograph in black and gray on grayish-ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sophia's Modesty Shocked by a Fall from her Horse, from "The History of Tom Jones, a Foundling" 1792 Thomas Rowlandson. Sophia's Modesty Shocked by a Fall from her Horse, from "The History of Tom Jones, a Foundling". The History of Tom Jones, a Foundling. Thomas Rowlandson (British, London 1757-1827 London). 1792. Etching. Prints

Print, Three Men standing besides a Horse, plate 19 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 21.8 x 17.8 cm (8 9/16 in. x 7 in.); 1931-67-65-b

A Horseman 1615-52 Attributed to Hans Caspar Nüscheler Swiss. A Horseman 380397 Artist: Attributed to Hans Caspar Nscheler, Swiss, Zurich 16151652 Zurich, Artist: After Jacques Callot, French, Nancy 15921635 Nancy, A Horseman, 161552, Pen and brown ink, sheet: 2 5/8 x 4 1/4 in. (6.7 x 10.8 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.24)

Mohammed (Mehmet) Ali, governor of Ottoman Egypt, sits on horseback. In the background part of his army and pyramids, Equestrian portrait of Mohammed Ali M, print maker: Victor Adam, (mentioned on object), printer: Benard Lemercier & Cie, (mentioned on object), publisher: Tessari & Cie., (mentioned on object), Paris, 1840, paper, h 376 mm × w 550 mm

Plowman and his Team Resting. Charles Émile Jacque; French, 1813-1894. Date: 1846. Dimensions: 56 × 114 mm (image/plate); 65 × 124 mm (sheet). Etching on buff chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A picador was bumped from his horse and lies under the bull, Francisco de Goya, 1811 - 1816 print In the arena a picador (skewer) was bull from his horse. The picador is on the ground under the bull. There are four men next to the horse. A small group of spectators are in the stands. Spain paper etching / drypoint Bullfight

Char tiré par quatre chevaux de front, Sur lequel étaient les Sultanes et les Eunuques, plate 30 from Caravanne du Sultan à la Mecque 1748 France. Etching on ivory laid paper . Joseph Marie Vien, I

George Chinnery, 1774-1852, British, Equestrian Studies of an English Officer, undated. Pen and brown ink on medium, slightly textured, cream wove paper.

Knecht bij paard en wagen. Wat de beessies zeggen baas ((...)) (title on object). Draughtsman: Pieter van Loon. Dating: 1870. Measurements: h 138 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

Les ânes de Saint-Médard.' by Félix Hilaire Buhot (1847-1898), created between 1872 and 1878. The artwork features donkeys in a Parisian setting, with clouds in the background

Another way of hunting on foot, plate two from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Heraldic garland hanging from a coat of arms and surrounded by winged angels holding shields, Heraldic garland surrounded by angels, draughtsman: Nicolaes Pietersz. Berchem, (possibly), 1630 - 1683, paper, pen, brush, h 108 mm × w 151 mm

Foot servants with horses, plate 9, 1615 - 1620 print Foot servants with horses, plate 9. Procession of Charles V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. print maker: Mechelenpublisher: The Hague paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Rising army, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print A procession of riders, horses and cars goes to a city on the horizon. unknown paper etching historical persons

Aquatint by Francisco Goya from 1816 titled 'La Tauromáquia', depicting a Spanish nobleman killing a bull after losing his horse in a bullfighting scene.

The Bulls of Bordeaux: Spanish Entertainment, 1825. Francisco de Goya (Spanish, 1746-1828). Lithograph;

A brown pen drawing by Karl Emil Döpler the Older depicting a rider wearing a Dreisspitz hat, dated 19th century.

Unknown (1900-1900); Joergen V. Sonne (1801-1890); , Illustration for the poem "Hjorten" by Gotfred Rode, 1858

Feather and lavated drawing by Filippo Angeli showing a fighting scene with two naked riders and two men on foot, emphasizing figure positioning and action.

DESAFIO - ESTOCADA - ALBUM F, 12 - SIGLO XIX. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1814-1816. Dimensions: 210 x 314 mm (image); 250 x 352 mm (plate); 330 x 445 mm (sheet). Etching and burnished aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

No. 29. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Pedro Romero killing the halted bull (Pedro Romero matando á toro parado). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf'ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer

Procession of the shooters along the Haarlemmertrekvaart at the entry of Queen Henrietta Maria in Amsterdam, 1642 (Middenblad), 1642 print Procession of the shooters along the Haarlemmertrekvaart at the entry of English queen Henrietta Maria in Amsterdam, May 20, 1642. Entirely consisting of three magazines: center leaf. The procession with a carriage accompanied by riders pulls along Sloterdijk. In the foreground spectators and cattle. In the caption a list in 12 columns with part of the names of the riders in the procession. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Haarlemmertrekvaart. Sloterdijk

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