Artistic Allegories and Scenes

Engravings illustrating allegorical scenes, characters, and historic moments, framed in decorative motifs that emphasize their thematic significance and artistic flair.

Dutch redemption, 1813, anonymous, after Jacobus van Meurs, 1814, Allegory of the redemption or liberation of the Netherlands and the return of Prince William Frederick to the Netherlands on November 30, 1813. In the center, a monument with a bust of Prince William Frederick as sovereign. Above him in the clouds the Peace and a genius with a horn of plenty. Above, a genius announces the news of peace. At the base of the monument, Father Time points out the desperate Dutch Virgin to the monarch's arrival, to the left a grinning Dutch Lion. Rats gnaw on a pillow or bag of grain., draughtsman: anonymous, after: Jacobus van Meurs, (mentioned on object), Netherlands, 1814, paper, pen, brush, h 394 mm × w 270 mm

Maart, Johann Esaias Nilson, 1766 print In a rocaille frame a performance of a young and an old pair for a farmhouse. The young man and woman listen to advice from the old man and wife. On the left are a horse, goat and beef. In the lower margin a four -line French text. Augsburg paper etching / engraving March and its 'labours'. conversation, dialogue; conversation piece. rural housing, e.g. country-house, villa, cottage

Clergy destroy a lectern, Bernard Picart (workshop or), after Bernard Picart, 1718 print Clergymen destroy a desk with Hamers. The show is caught in an ornamental list of horns of abundance on either side. Amsterdam paper etching / engraving ornaments ~ art. Destruction. (liturgical) equipment of church

Cartouche with allegory on the history of Greece; Title page for: Kornelis Westerbaen, General Histori, 1742. A landscape with the colossus of Rhodes in the background and in the foreground some figures at a globe, from which three putti parts are taken. On the right is Minerva in addition to writing history. There are two putti with tablet and paper with Greek areas on the ground.

Allegory on the 100-year anniversary of Dutch Freedom, 1648-1748, Simon Fokke, 1748 print The acclaimed personification of peace is in the air with an olive branch and a caduceus. Under her, Minerva receives a lance with freedom hat from a putto. A second putto offers the vigilance in the middle a book. On the far left, a third putto diabolical figures with a spear chases a flame sea. At the bottom the town hall on Dam Square in Amsterdam with a portrait of Jacob van Campen and a performance of Heiwerkings in construction in 1648. paper etching / engraving Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'. Alertness, vigilance; 'Guard', 'Supervision', 'Supervision to defend yourself & oppose others' (Ripa) (+ Personification). Devil (S) and Demons. (Story of) Minerva (Pallas, Athena) City Hall of Amsterdam (1655-1808)

Nicolas Boileau at his desk with his muse, Bernard Picart (workshop or), After Bernard Picart, 1728 print Nicolas Boileau at his desk. His muse points him to the works of Peletier and Pradon. The show is caught in an ornamental frame. Amsterdam paper etching / engraving ornaments ~ art. (story of the) Muses; 'Muse' (Ripa). book

Dood van Dido, Gaspard Duchange, after Antoine Coypel, 1719 print Dido is lying on her stake while Iris, Juno's Message, cuts a Lok of Dido's hair. print maker: Francepublisher: Paris paper engraving / etching (story of) Dido - death. Iris cuts a lock from Dido's hair to release her soul

Dutch redemption, 1813, anonymous, after Jacobus van Meurs, 1814, Allegory of the redemption or liberation of the Netherlands and the return of Prince William Frederick to the Netherlands on November 30, 1813. In the center, a monument with a bust of Prince William Frederick as sovereign. Above him in the clouds the Peace and a genius with a horn of plenty. Above, a genius announces the news of peace. At the base of the monument, Father Time points out the desperate Dutch Virgin to the monarch's arrival, to the left a grinning Dutch Lion. Rats gnaw on a pillow or bag of grain., draughtsman: anonymous, after: Jacobus van Meurs, (mentioned on object), Netherlands, 1814, paper, pen, brush, h 394 mm × w 270 mm

Telemachus stands for Minos, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Telemachus on the right, stands for Minos, sitting at a table with a book in his hands. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. III. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Minos, king of Crete. ornament ~ festoon, garland

Cartouche with allegorical show with truth, writing woman and hemelkaart; Title page for: Kornelis Westerbaen, General Histori, 1736. A writing woman with wings is assisted by a figure with wings on the head. A woman on the right shows her a hemelkaart above them on clouds is the truth with a mirror. Putti with book roller, maps and a passer are in the foreground. In the background an obelisk and pyramid. In the frame of the cartouche medallions with the flood, the fall and the tower of Babel.

Man behind a desk calls a spiritual order. A man behind a desk points to a spiritual, led away from him. The performance is caught in an ornamental framework.

. Orangistic allegorical performance in which a Batavier as Hercules drives away the monster of the discord to hell. On the left side of the medallion a trophy with the weapons of the discord, on the right a trophy with the weapons of the unity. At the top the sun shines with orange branch and olive branch, downwards, darkness with a skull and patriot pamphlets. With a peripheral in Latin. To the show a pendulum with text. Used in work by Johannes Le Francq van Berkhey from 1801-1804. A separate statement is one of the print.

Triumphal arch of the mint (back); Entry of Ferdinand in Antwerp in 1635 (no. 36), 1639 - 1641 print Back the triumphal arch of the Mint, arranged at the start of Sint-Michielsstraat or Kloosterstraat. Boog in the form of Mount Potosí in Bolivia or Peru where Spain won a lot of silver. On top of the mountain, Hercules kills the dragon in the garden of the Hesperides while Hispania (Spain) picks the apples of the tree. Left and right of the mountain miners in the Zilvermijnen. In the middle the God Vulcanus. Marked top left: p. 155. Page no. 36 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch. Hercules kills Ladon, the dragon which kept the tree of the Hesperides. mining. (story of) Vulcan (Hephaestus) - specific aspects, allegorical aspects, as patron of Antwerp. Per

Allegorical performance with bust of Sybrand factama; Studio Fovetur Ingenium. Two putto laurels the bust of the artist Sybrand Feestama, which is on a base. On the ground there is a smoking pot, which symbolizes his death. There is also a winch and a roll of paper. Left Apollo, the Muses and Pegasus on the Parnassus. At the top of the frame books and the eternity symbol the Ouroboros.

Medallion, puts and two fillings, leaf from the episode "New Invented Form Booking Before gold and silver workers also other artists are very much useful. A medallion with Putto, two puts with cornucopia, Sense and hourglass and two fillings with foliage and tape work, leaf from the episode "New Invented Form Büchlein in front of gold and silver workers also other artists very much. Inventive and drawn by Iohann Iacob Bühler Seel And in Verlag Bey Ier. Wolff Seel. Heirs in Augspurge Cum PSCM

Portrait of Marco Barbarigo and the personification of Vrede, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Marco Barbarigo with Dogehoed on the front. On the back, the doge on his throne receives an Ottoman delegation. On the pedestal is the personification of peace with palm branch and olive branch in the hand and under her arm a horn of abundance. With a torch, she sets fire to a stack of weapons. She also holds a wolf and a sheep tied together. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). audition; ruler giving audience. 'Cornucopia', Horn of Plenty. beasts of prey, predatory animals: wolf. sheep. torch - BB - torch held upside down

Allegorisch Portret van Jean -Jacques Rousseau, Nicolas Ponce, After Clément Pierre Marillier, 1790 - 1816 print France paper etching / engraving historical persons. portrait of a writer

Copper engraving by Hans Collaert d. Ä. showing Maria with the child seated on a crescent moon, created in 1576.

114 / Historical Explanation / Louits XV Medals / Artifice Fire Drawing Tired for Roy's Festion with Thuileries / The Cave of Thetis. (IT)

Book of Fountains: No. 2, c. 1736. Gabriel Huquier (French, 1695-1772), after François Boucher (French, 1703-1770). Etching; Boucher was one of the most prolific designers of ornament prints. With their aquatic motifs and gracefully curving and scalloped forms, these designs for fantastic, even bizarre fountains perfectly illustrate the whimsical Rococo approach. Derived from the French word for shell, rocaille, the Rococo was a light, playful style filled with shell motifs (which stemmed in part from a vogue for collecting shells), naturalistic curves, scrolls, and plant forms.

Allegorical figure on Throne, Anonymous, 1662 print A woman with globe sitting on a throne surrounded by men of different origins. In front of her are two kneeling men with a book and map in hand. paper engraving sitting figure - AA - female human figure. throne

Copper engraving by Adriaen Collaert depicting a title page and dedication featuring a Roman emperor of antiquity, created between 1587 and 1589.

This 1856 copper engraving and etching by Moritz von Schwind depicts a round image from the Elisabeth Gallery titled 'Hour the Tired', showing fatigued figures in a detailed interior.

Chinese deity, Anonymous, After Jean Antoine Watteau, in Or after 1729 print In a garden there is an image of a sitting Chinese God in the middle. Figures worship the image left and right. Around the show a ornamented frame with rocailles, weapons and leaf motifs. In the lower margin a two -line French and German text. Germany paper etching representations ~ gods, demi-gods, heroes, etc. (traditional Chinese religions)

Frontispiece Design from Body Inscriptionum, Jan Goeree, c. 1707 drawing Allegory on the decline of the ancient artworks and monuments ink pen / brush

Erepoort in Lange Oudestraat, 1751; Earlier in the Lange Oudestraat in Vere.The Erepoort placed in the Lange Oudestraat. On the arc portraits of Anna van Hannover and the children Prince Willem V and Princess Carolina. Part of the illustrations of the festive inauguration of Stadholder Willem IV as a Markgraaf van Veere on 1 June 1751. Legged at the top right: 7.

Man and woman in landscape; Figures in landscapes; 9ME Livre I Morceaux de Caprices, Propre a Divers Usages. A man plays on a flute, next to him is a woman against a tree under a hanging cloth. Right and in the background animals run. Around the show an oramic frame.

Schubert, Franz.

Poetry mourns the death of Adriaan de Kramer, Jan Caspar Philips, 1737 print Poetry mourns the death of the writer Adriaan de Kramer. She is accompanied by putti with attributes that symbolize the arts. In the background the grave monument with the writer's portrait. In heaven he is honored, surrounded by muses. In the frame of the cartouche a face on Amsterdam, flanked by two river gods. Putti with Vanitas symbols on the top corners. Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). grave, tomb and other grave-forms and grave-markers. crowning with laurel. the Muses acting together (as group). river-gods Amsterdam

Tomb monument from Willem V, Prince of Orange-Nassau. Through a gogged facade, a face of a grave monument for Willem V, Prince of Orange-Nassau. A putto crowns the portrait of Willem V in a medallion that is flanked by two allegorical woman figures. To the right of the monument is historiography and the library Caritas on the left.

Louis Sixteen / King of France and Navarre / Born in Versailles on August 23, 1754 / Death in Paris, January 21, 1793

Map of Poland Divided between the princes, 1773, Johann Esaiaas Nilson, After Noël Le Mire, 1773 print Cartoon from 1773 on the distribution of Poland by Frederik the Great Van Prussia, Joseph II of Austria, Stanislaus II of Poland and Catharina the Great of Russia. Fama blows in the air on two trumpets. The treaty that led to the first Polish division was concluded on 17 February 1772. The performance was officially started on August 5, 1772. Copy to the original of Lemire. paper etching / engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Studying in Map Poland

Copper engraving by an unknown engraver showing the Sibyls and prophets from the Sistine Chapel ceiling, illustrating figures, gestures, and architectural details, created in 1628.

Mare de Déu de la Trapa, grabado por Francesc Jordà,entre 1810-1821, , iglesia parroquial de S'Arracó, Andratx, Mallorca, balearic islands, Spain.

Allegory of Freedom, Equality and Brotherhood, 1795, Anonymous, 1795 print Allegory of freedom, equality and brotherhood, 1795. Central niche with statue of freedom, left and right -standing figures with skulls, at the bottom two other allegorical medallions with bows. At the top put in heaven with Bible book Isaiah. Netherlands paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). the book of Isaiah

Antwerp, Plantin, Christoffel, Picart, Bernard, Maes, Joseph, Carrosse, XVIIIe Siècle, Reproduction of a print with details of the carriage of Philip V of Spain during his entry into Utrecht in 1713 by Bernard Picart, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, Carosse fait pour, recto - printed, LITT: C. - PL. 26, JJvY, height 365 mm, width 237 mm, photographer, 1875 - 1880, paper, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception, Northern Dutch, 1673-06-11 - 1733-05-08, after a print by, 1514 - 1589-07-01

Portrait of Giovanni Barbarigo and the personification of trust or safety, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Giovanni Barbarigo with banner on the front. On the back a vesting port with ship. The flags with the weapon of Venice. The text: Regni Securitas. The pedestal is flanked by two harnessed men with banners. The left has an eagle on his coat of arms. The right a centaur with bat. The woman in the middle is trust or safety. She wears an olive wreath on her head and supports her head with her left arm that rests on a pillar with elbow. A skewer in her right hand. The print is part of an album. paper engraving Medal (Considered as a Piece of Sculpture, Regardless of Its Specific Function). Harbour. Confidence, Security, Tranquility; 'Confidence', 'Safety and tranquility', 'Sicurtà', 'Safe or Security', 'Tranquility' (Ripa)

Asia; l'Asie; L Tables Grecques; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). An oramic table with garlands and a vase. Above a book, a cornucopia and a list of a man and a camel next to a tree. Print number 28.

Gravestone in the church of Hallum; Gravestone in the church in Hallum of Ernst van Goslinga (...). The grave is decorated with an architectural construction containing family weapons, a skull and a sleeping putto.

Portrait bust of a poet, Jacobus Buys, 1777 drawing Possibly a design for a print. paper. ink pen / brush piece of sculpture, reproduction of a piece of sculpture. portrait of a writer. anonymous historical person portrayed alone

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Print, Design for Coat of Arms, from "Livre de Cartouches"; Print Maker: Nicolas Guérard (French, 1648-1719); France; etching on paper; 26.6 × 18.1 cm (10 1/2 × 7 1/8 in.)

Dochters van Pelias Doden Hun Vader, Virgil, 1569 print Medea forces the daughters of the sleeping Pelias to kill their father. On the right a kettle with the ram that Medea turned into a lamb to convince the daughters of her magic art. In the background Medea pulled on her car through dragons. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Medea boils an old ram in a cauldron: a young lamb comes out; the daughters of Pelias watch the scene. the daughters of Pelias kill their father in his bed; Medea plunges his body in boiling water

Allegorical representation with bust of Sybrand Factama, Reinier Vinkeles (I), After Jacobus Buys, 1773 print Two putto laurel the bust of the artist Sybrand Factama, which stands on a pedestal. On the ground is a smoking pot that symbolizes his death. There is also a winch and a roll of paper. On the left Apollo, De Muzen and Pegasus on the Parnassus. Amsterdam paper etching / engraving smoking pot as symbol of 'Vanitas'. honouring the artist with laurel wreath. Parnassus, sacred to Apollo Musagetes

Allegory of the Baker's Trade 1807 Johannes Petrus van Horstok Dutch This large drawing by Johannes Petrus van Horstok, an artist active largely in Alkmaar but with connections in both Amsterdam and Haarlem, served as a design for an engraving (in the same orientation) produced in 1808 by the two Haarlem printmakers Izaak de Wit (1744-1809) and Joannes Pieter Visser Bender (1785-1813). A bust of Ceres, the goddess of agriculture and wheat, sits atop a marble column surrounded by vignettes showing the different stages of the production of bread, from the cultivation of wheat at upper left to the commercial activity of a bakery at center. Three winged putti hold aloft this central, framed scene, while a fourth in a bakers cap holds a basket of bread and blows a horn. At lower left are the various tools of the trade. At right, a chicken eats some grains lying on the ground.This image was probably engraved for the members of the Haarlem bakers guild, whose shop on Jacobijnestraat has bee

Diana and Callisto; Les Peintures de Charles Le Brun et d'Eustache le sumer qui sont dance (...) La Maison du Président Lambert. Grisaille, with the representation of the Goddess Diana, which discovers the pregnancy of the NiMF Callisto, in the corner of the ceiling of the Chambre des Bains in the Hôtel Lambert. The representation of Diana and Callisto is flanked by a power godin and a flow god, each with a water gun. In the middle of two putti with coral. Print is part of a series of prints to paintings at the Hôtel Lambert in Paris.

Portrait of François Roux held up by a writing woman, Gottfried August Gründler, 1720 - 1775 print Hall on the Saale paper engraving historical persons. bookshelves. writing tools. pergola. rocaille ornament

Print, Elevation dune Fontaine; Print Maker: A. Le Canu (French, active 1746 - 1768); After Eurimond-Alexandre Petitot (Parma, 1727-1801); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768); Dedicatee: François Franque (French, 1710 - 1894); France; etching on laid paper

Allegorical show on the grave of Willem V, Prince of Orange-Nassau. Father time reveals a monument with the bust of Willem V, Prince of Oranje-Nassau. The bust is worn by an allegorical female figure with a freedom hat on stick and a female figure with a Bible. In the foreground the female personification of truth, the historiography with laurel wreath and book, on the statue of Willem V.

Two women honor the three graces with flowers and music, Daniel Nikolaus Chodowiecki, 1793 print In the margin, a landscape with Pegasus and a putto is etched in a sketchy way. Berlin paper etching ornament ~ festoon, garland. ornament ~ medallion. Graces (Charites), generally three in number; 'Gratie' (Ripa). sacrifice ~ non-Christian religions. crowning with laurel. lyre, cithara, psaltery. cupids: 'amores', 'amoretti', 'putti'. Pegasus, the winged horse

Man and Woman at Balustrade, Gabriel Huquier, After Jacques de la Joue (II), 1731 - 1761 print A man stands at a balustrade in front of a staircase, next to him a woman is sitting on the balustrade. To the left next to the stairs is a vase with two standing women. A round frame around the show. Paris paper etching standing figure. sitting figure - AA - female human figure. balustrade

Umbria Terni Terni S. Maria dell'Oro, Convent church. Hutzel, Max 1960-1990 One exterior view of this 15th-century convent church rebuilt in the 17th century. Interior views focus on the coffered ceiling; a saint or friar is painted on each coffer. Also views of paintings and a crucifix. Negatives show immured relief sculpture, perhaps Roman spolia. Object Notes: Hutzel photo campaign date: 9/29/82 General Notes: This monument is discussed in Hutzel's notes "Terni - Konvent di S. Maria dell'Oro" but does not appear in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then b

Apollo and Hyacinthus; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. A painting, with a representation of Apollo and Hyacinthus, above a door portal. The painting is flanked on either side by a sculpture of a Sater.

Portrait of Arrigo van Muggia and the personification of Faam, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Arrigo of Muggia, the ancestor of the Barbarigo family on the front. According to legend, Arrigo defended the city of Muggio against the Saracens. He cut off his opponents the beards and thus earned his nickname Barba-Arigo. Arrigo is depicted in armor, with laurel wreath. A chain of Saracenian beards around his neck. Arrigo cuts the beards on the back. In addition, the text: A Victoria Nomen. Above the pedestal, Faam draws the coat of arms of the Barbarigo family. An eagle holds the ink jar. With a palm branch in his other claw, the eagle here is the symbol of power and victory. The pedestal is flanked by two coats of arms. On the left that of the city of Muggia. The print is part of an album. paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). beard. Fame; 'Fama', 'Fama buona', 'Fama chiara' (R

Birth of Esau and Jakob, Cornelis Cort, after Frans Floris (I), 1563 print Antwerp paper engraving birth of the twins: Jacob clutches Esau's heel

Rectangular panel with a river godin; Nouveaux Dessseins d'Orgenens de Paneaux, Lambris, Carosse & C .. Left and bottom right is a siren.

Meno Haas (1752-1833); Johann Christoph Kimpfel (1750-1805), illustration with weights that greet young couples, 1801

Equestrian statue of Louis XV on pedestal in decorative table. .

Copper engraving and etching by Abraham Blooteling depicting Mars, the Roman god of war, created between 1656 and 1690.

17th-century Thesenblatt by Bartholomäus Kilian, featuring engraved text, ornamental borders, and detailed line work in copper and etching.

Theater performance at the reopening of the Amsterdam Schouwburg, 1749, Simon Fokke, 1749 print Theater performance of the play by Lucas Pater entitled 'Leeuwendaal restored by the Peace' at the reopening of the Amsterdam Schouwburg on the Keizersgracht on July 28, 1749. The theater had been closed since 1747. paper etching / engraving group of actors, troupe; actors on the stage Schouwburg Keizersgracht (1637-1772)

Portret van Paus Pius VI, Friedrich Grögory, 1782 print paper engraving historical persons. pope. trees: laurel (branch, stick). writing tools. key

Hercules en Cerberus, Virgil, 1569 print Hercules with a raised sword for Cerberus, the three -headed dog that monitors the entrance of the Hades. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. (12) Cerberus captured and carried away by Hercules

Judith in Holofernes, Nicolas Pigné, After Bernard Picart, 1728 print paper etching / engraving Judith prays before killing Holofernes

Drie Fonteinen puts Putti, Louis de Châtillon, After Charles Le Brun, 1672 - 1686 print Three fountains. Putti on swans are wearing a shell with armor sitting above. Left and right under fountains with putti with arrow and arch sitting on hippocampi surrounded by putti with fish tails. Paris paper etching Ornamental Fountain. Cupids: 'Amores', 'Amoretti', 'Putti' Versailles

Altaar Met Twee Ramskoppen, Johann Franz Ermels (the older), 1651 - 1693 print paper etching 12FF62 altar ~ Roman religion - FF - in the open air. landscape with ruins. ram's head ~ ornament Rome

Firebox with sphinx; C Cahier de Six Feux de Cheminées, à l'Usage des Fondurs; Oeuvres The Sculptures and Bronze, Contenant Girandoles, Flambeaux, Feux (...). An ornamented firebox with braid and a putto with a torch on the back of a sphinx.

Aarde, Johann Esaias Nilson, 1731 - 1788 print Allegorical representation of the Earth Element. There is a hunting point for a rocaille cartouche with a vase. On the left a hunter and hunter with guns and a dog, on the right is a hunting nap with four dogs. The performance rests on two pillars with a glimpse to a landscape with a hunting. Publishing number XIX. Augsburg paper etching 'Terra', 'Carro della terra' (Ripa). hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

Print (France)

July; Iulius; The twelve months of the year. In a rocaille frame with floral motifs a show of a painter. A painter and two women look at greater farmers in the field in the background. Left in the foreground rests a piping man. A four-line French text in the undermarge.

Richter's Werke (binder's title). Author: Written by Adrian Ludwig Richter (German, Dresden 1803-1884 Dresden); Written by Johann Christoph Friedrich von Schiller (German, 1779-1857). Dimensions: Overall: 14 5/16 x 11 5/8 x 1 9/16 in. (36.4 x 29.5 x 4 cm). Engraver: August Gaber; Kaspar Oertel (German, born 1840); H. Gunther (German). Printer: Printed by C. C. Meinholdt and Söhne; Printed by Römmler and Jonas (German). Publisher: Published by J. Heinrich Richter , Dresden; Published by Georg Wiegand , Leipzig; Published by Meyer & Richter , Dresden; Published by Gaber and Richter , Dresden; Published by Breitkopf & Härtel (German). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA.

Iphigénie, 1706, Engraving, 18th century, 11 x 6.5 cm

Design for the letter C of a pictorial alphabet: Confession, Victor Vincent Adam, 1801-1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper., Letter above, flanked by intertwining rinceau., France, ca. 1830, Drawing, Drawing

N.N., Rathauslaube, Lüneburg (without dat.): Interior view Court of court with wall cabinet paintings. Photo on cardboard, 25.3 x 32.3 cm (including scan edges) N.N. : Rathauslaube, Lüneburg

William Blake, Satan Going Forth from the Presence of the Lord, 1825 Satan Going Forth from the Presence of the Lord

Design for Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the 'Raccolta Di Disegni Originali Di Mauro Tesi...', Count Cesare Massimiliano Gini, Italian, 1739 - 1821, Graphite and black chalk on blue-gray laid paper, laid down on brown kraft paper, Italy, Italy, 1787, ephemera, Drawing, Drawing

Portrait of Willem V, Prince of Oranje-Nassau, Jacob Houbraken, After Hendrik Pothoven, After Misard, 1754 print Portrait of Willem V in an oval with edge. There are a number of allegorical objects around, including a helmet and a book. On the relief an allegorical representation. Amsterdam paper engraving / etching

April; Aprilis; The twelve months of the year. In a rocaille frame a representation of a man and a woman in a garden. Together with two children they plant young trees. A four-line French text in the undermarge.

Friendship complains to Jupiter, Reinier Vinkeles (I), After Jacobus Buys, 1792 print The friendship complains to Jupiter about the flattery that occurs as her. Illustration in the story 'The friendship and the flattery' from 'fables for the Dutch youth'. Amsterdam paper etching Friendship; 'Amicitia' (ripe). (Story of) Jupiter (Zeus)

Attempt to Assassinate Prince Edward in Palestine, Print made by Anker Smith, 1759-1819, British, after Robert Smirke, 1752-1845, British, Published by Nuttall, Fisher & Dixon, active 1818, British, 1816, Etching and line engraving on thin, slightly textured, cream laid paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 7/8 × 7 1/2 inches (30.2 × 19.1 cm), and Image: 10 5/8 × 6 3/8 inches (27 × 16.2 cm), assassination, bed (furniture), frame (furnishing), historical subject, prince, Palestine

Aeneas flees from the burning Troy, Jacob Folkema, 1702 - 1767 print Aeneas stands at the doorway and looks at his wife and son who beg him to take them. On the right in the distance the burning city of Troy. On the same plate is a decorated initial C on the left under this performance with the image of Aeneas that saves his father from the burning Troy. paper etching Aeneas leaves the country of Troy

Tomb of Ferdinand van den Eynde in S. Maria dell'Anima, Rome, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, François Duquesnoy, Flemish, 1597 - 1643, Red chalk on paper, Drawing after François Duquesnoy's tomb of Ferdinand van den Eynde (ca. 1633 - 1640) in S. Maria dell'Anima. The monument features an epitaph in a rectangular frame, flanked by two putti holding a large cloth. Above, an escutcheon and helmet., France, ca. 1759-70, ornament, Drawing, Drawing

Sater with various musical instruments, Gerard de Lairesse, 1674 - 1679 drawing Design for a print. paper. ink pen / brush panpipes. non-aggressive, friendly or neutral activities and relationships of satyr(s) - LL - female satyrs (in general)

Tetragram and sun and moon in ornamental picture frame. In the sky the tetragram as a symbol of God the Father, which creates the light. Sun, moon and stars on the sky above the sea. A whale and a crab on the beach in the sea. The performance is caught in an ornamental list of different animals.

Znamia vremeni Tsaria Alekseia Mikhailovicha, 1645-1676 g. Banner from the reign of Tsar Aleksei Mikhailovich, 1645-1676.. Viskovatov, A. V. (Aleksandr Vasilevich), 1804-1858. text. Prints. 1841. General Research Division. Russia. Armiia , Uniforms , History, Russia. Armiia , Equipment , History, Armor , Russia, Arms & armament , Russia, Russia. Armiia, Russia, Military supplies, Uniforms, Military uniforms

Etching by Tommaso Piroli from 1780-1800 depicting the prophet Zechariah in the Sistine Chapel, showing figures, gestures, posture, and classical composition in Renaissance engraving style.

Monument for sculptor Antonio Canova; Monumento a Canova. A monument for the Italian sculptor Antonio Canova. A monument consisting of three layers. The bottom layer contains a frieze with clergymen and men who close a deal. The middle layer shows the three gratients mourning. On top of a picture of the lying artist.

Evening, Johann Esaiaas Nilson, 1731 - 1788 print A shepherdin with her herd of sheep is in front of a fountain with a sateerkop. On the fountain, a round view of where a boy looks over a wall to the shepherdin. Publishing number LVIII. Augsburg paper etching pastorals, Arcadian scenes. evening. ornamental fountain

Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 1744-1818, British, after William Hogarth, 1697-1764, British, Published by Longman, active 1804-1914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper

Screen of Six Sheets (309) 1700-1799 France. Etching on paper . Louis Crépy, Jr.

Johann Esaias Nilson, Project d'une Grotte (Plan for a Grotto), c 1755 1760 Project d'une Grotte (Plan for a Grotto)

Reprodukcja rzeźby: Pistoia. Kościół św. Andrzeja (Chiesa di Sant'Andrea) - Giovanni Pisano (ca 1245/1248-ca 1319), Sybilla: detal ambony ; il. z: Der Stil in den bildenden Künsten und Gewerben aller Zeiten, herausgegeben von Georg Hirth, Serie 1., Bd. 2: Der schöne Mensch in der Kunst aller Zeiten: Der schöne Mensch in Mittelalter und Renaissance, München und Leipzig, 1900, taf. 27. Weese, Artur (fl. 1900), author, Hirth, Georg (1841-1916), publisher

An etching by Bernhard Rode from 1792 depicting the death of Frederick II, showing the monarch, attendants, and ceremonial setting in a historical context.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Two putti show a coat of arms, Pieter Tanjé, 1716 - 1761 print Two putti, one with phaces, the other with petasus and caduceus, show a coat of arms. Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. attributes of Mercury: petasus. caduceus (staff with two snakes, attribute of Mercury)

This etching by Antonio Tempesta, produced between 1620 and 1630, depicts episodes from Tasso's 'The Freed Jerusalem', including heroic and military scenes, emphasizing composition and figure arrangement.

Parade of children at a statue, Anton Sonner, Franz Graf von Pocci, 1850 print Allegory at the unveiling of a statue of Bavaria in Munich on October 9, 1850 paper steel engraving monument, statue München

Umbria Perugia Spoleto S. Maria Assunta, Cathedral7. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Title page for: 'Lyk poems on Vrouwe Ida Cornelia Temminck', Reinier Vinkeles (I), After Aert Schouman, 1751 - 1816 print Title page with two women at a grave. One of them is crowned by an angel with a laurel wreath. Amsterdam paper etching / engraving grave, tomb. mourning the dead

Up and down and downfall of the Actionists, 1720, 1720 print Up and down and downfall of the actionists. Leaf with different representations about the unrest as a result of the Windhandel of 1720. Centrally at the bottom of Quinquempoix: a crowd of victims of the wind trade collected on Dam Square at Kalverstraat, above that the Thuillerie Hof: Panic in the Paris Tuileries. At the top a portrait of John Law a note with Mississippi in hand, with a monkey and a wolf that bites a sheep. At the top left, top right excavation work for the Utrecht canal. In the caption a verse in seven columns. Print 7 in the series The great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching construction of canal. financial panic Jardin Des Tuileries. Dam. Constainting util

Ex Libris is István Lusztig, Kornél Révész, 1913 - 1936 Print is part of a catalog with 13 bound objects and two text magazines. Catalog is part of a cover with 64 objects on 34 set -up sheets and a text sheet. Hungary paper etching / drypoint woman (showing herself) undressed, quasi-nude. squatting, crouching figure. book. theatre, theatrical performance. binoculars, spy-glass, etc.

of 3