Artistic Female Figures

A collection of artistic depictions of women from various eras, including photography and fine art, showcasing elegance and grace in different forms and styles.

The Chicken Woman of Dieppe, Photogravure Print from the Original 1876 Painting by Antoine Vollon, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sara Comfort with her doll, draughtsman: Cornelis Troost, 1740, paper, brush, h 390 mm × w 282 mm

Lazio Viterbo Viterbo Museo Civico14. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

The Japanese Robe. Artist: Alfred Stevens (Belgian, Brussels 1823-1906 Paris). Dimensions: 36 1/2 x 25 1/8 in. (92.7 x 63.8 cm). Date: ca. 1872. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction of a painting: Władysław Czachórski (1850-1911), Among flowers ; sheet from the series Album of 'Kraj', `Kraj` 1906. Trenke & Fusnot (Petersburg ; drukarnia ; fl. XIX/XX sec.), printing house, Jabłoński, T. i Spółka (Kraków ; zakład reprodukcyjny ; 1890-1926), reproduction atelier, Kraj (Petersburg ; czasopismo ; 1882-1909), publisher

Queen Anna Austrian; Paulussen & Co. (Vienna; Graphic Plant; 1906-1923), Kober, Marcin (CA 1550-ANTE 1598), Radziwiłł, Maria Róża (1863-1941), Altenberg (Lviv; Bookstore; 1880-1934); 1911-1913 (1911-00-00-1913-00-00);

El ole, Pepita de Oliva facsimile signature, 1853, Bartsch, Gustav, b. 1821. Additional, Portrait., 1853 (Inferred)., Berlin. Publisher, Druck v. J. Hesse. Durán y Ortega, Josefa, 1830-1871. Lithographs., Lithograph on tinted ground, 30.3 x 18 cm., Lithograph portrait of Pepita de Oliva, featuring a facsimile signature. The artwork is created on a tinted ground, measuring 30.3 x 18 cm

Gfin Gourci geb Moscom , Nobility, Alexandre Benois Collection

Two girls dress up a kitten in a bonnet. Mezzotint by T. Watson, 1781, after Joseph Wright.

Campania Salerno Cava dei Tirreni Museo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Candeliera nel Museo Campidoglio, Roma. Unknown

Handsome Morning -- A Dakota Harry C. Edwards (American, 1868-1922). Handsome Morning -- A Dakota, 1921. Oil on canvas, frame: 81 9/16 x 45 9/16 x 4 1/8 in. (207.2 x 115.7 x 10.5 cm). Harry C. Edwardss striking studio portrait of Handsome Morning—a woman the artist identifies as Dakota Sioux—reflects a turn-of-the-century fascination with romanticized subjects in costume. Handsome Mornings regalia consists of a fringed dress with beaded yoke, a tubular bone-bead necklace, beaded moccasins, and a buffalo-hide robe. It is likely that she was styled and posed according to conventional portrayals of Native American people made popular by the theatricalized portraits of photographer Edward S. Curtis, which included the mixing of tribal dress and ornamentation, and the use of stoic expressions and gestures. Akin to the 1880 U.S. government-commissioned Crow Peace Delegation portraits, which were later appropriated and annotated by contemporary artist Wendy Red Star (on view nearby), Edwar

Tuscany Siena Casole d'Elsa S. Niccolo. Hutzel, Max 1960-1990 Exterior views of facade of Romanesque church with campanile. Interior photos show general shots and specific shots of the vault, with its paintings. Negatives of the interior show details of the vault paintings, among which are the 4 Evangelists, Mary Magdalen, and a possible to St. reference to the St. Nicholas legend of the impoverished daughters. Object Notes: Hutzel photo campaign notes are undated. It is possible that some prints are missing from the Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in

Pencil drawing by Gilles Demarteau between 1742 and 1776 depicting a seated male nude study with anatomical detail.

French postcard, c1900. Artist: Unknown

Old French postcard

Photograph of painting: Władysław Podkowiński (1866-1895), Frenzy, 1894, oil, canvas photograph of painting exhibited in Vilnius. Hermanowicz, Jan (1865-1906), photographer

Le montagnard 1860s Pierre-Louis Pierson French. Le montagnard 261418

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile67. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Decroza

Photo production of a painting representing John the Baptist; Firenze - R. Galleria Uffizi. San Giovanni Nel Deserto. Dettaglio. (Raffaello). Part of photo album with recordings of sights in Italian cities and works of art.

John Emlen Bullock. John G. Bullock (American, 1854 - 1939)

Evelyn Thaw

Belle-Elmore

Shell -shaped scale with dragon, from the Louvre, Charles Thurston Thompson, 1866 - 1890 photomechanical print Louvre Museum paper container of metal: bucket, can, canister, drum, tin. dragon Louvre Museum

Ornately carved water pitcher. Alexander Nichol (Scottish, 1843 - 1896)

The Bride of Lammermoor. Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: Image: 27 1/16 × 19 13/16 in. (68.8 × 50.3 cm)Sheet: 29 3/4 × 21 7/8 in. (75.5 × 55.6 cm). Engraver: Thomas Oldham Barlow (British, Oldham, Lancashire 1824-1889 London). Publisher: Thomas Agnew & Sons, Ltd. (London) , Liverpool and Manchester; Knoedler and Co. , New York. Date: 1882.In an episode from Sir Walter Scott's novel The Bride of Lammermoor, Lucy Ashton is escorted through a Scottish wood by Edgar, Master of Ravenswood. He has just rescued her from the attack of a wild bull but cannot contain his negative feelings towards the daughter of a sworn enemy. Despite the rift between their families the couple will soon fall in love, with tragic consequences. When Millais painted this composition in 1878, his youthful association with the Pre-Raphaelite Brotherhood were long behind him. Now a successful Royal Academician he favored uncontroversial, often sentimental,

Vittorio. .

Print made by Gerard Valk, 1651/2-1726, Dutch, A Flower Piece, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Miss: Dutchman

The Sirens, Female Head Study, 1895 Sir Edward Burne-Jones, Drawing, Pencil, Sketch, Pre-Raphaelite, Female, Study

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo71. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The young Marie , Marie Geistinger, the young Marie title page of Der Floh , Karl Klic -, Caricaturist

This 1882 Woodburytype by Victor Angerer depicts a still life containing objects from the Ambras collection and a model of the Danube female by Hans Gasser, showing historical and artistic details.

Melle Boulay , Alexandre Benois Collection

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Die Bettlerin vom Pont des Arts, eine literarische Figur aus dem Roman La Misí rable du Pont des Arts, von der französischen Schriftstellerin Elisabeth Barbier, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, historisch

'Prophet with Arms raised', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

LA DUQUESA DE PASTRANA - SIGLO XVI/XVII. Author: ANDRES LOPEZ (-1641).

Photo production of (presumably) a print to a painting by Titian; Titians Daughter. Part of English family album with photos of people, travel, cricket and artworks.

Reproduction of drawing: Bilińska-Bohdanowicz, Anna (1857-1893), Own portrait; from: "Tygodnik Ilustrowany" p. 16. unknown, draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Zajkowski, Andrzej (1851-1914), woodcutter

Vesta Victoria, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes ca. 1891 Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Vesta Victoria, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes. ca. 1891. Albumen photograph. Issued by W. Duke, Sons & Co. (New York and Durham, N.C.)

Untitled. George H. Seeley (American, 1880 - 1955)

Friedrich Drake - , sculptor, Lehmann , Co, Photographer

Portrait of Izabella from the Czartoryski Department (1830-1899) standing at the door to the courtyard of the castle in his resolution; Krieger, Ignacy (1817-1889); around 1885 (1880-00-00-1895-00-00);Działyńska, Izabella (1830-1899), Działyńska, Izabella (1830-1899)-iconography, Gołuchów (Greater Poland Voivodeship), Rajchman, Aleksander (1855-1915)-collection, architecture, Polish architecture, doors, doors, iron grilles, portraits , women's portraits, gloves, castles (architect)

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Poll photo collection. Birthplace Jeanne d'Arc. Statue of Jeanne d'Arc. undated

François Victor Hugo's hand. François-Victor Hugo (1828-1873). 1853-1855. Photograph by Auguste Vacquerie (1819-1895). Paris, house of Victor Hugo. 56435-7 Son, hand

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

La Chine (Color Version) 1896-1897 England. Etching, softground, acquatint and drypoint in black on ivory laid paper . Theodore Roussel

Sculpture

Antonio Bozzano (1858-1939), Arbiter Elegantiarum photograph of sculpture with dedication of the sculptor to Henryk Sienkiewicz as the author of `Quo vadis?`. Della Nave, Guglielmo, photographer

Two Pupils in Greek Dress. Artist: Thomas Eakins (American, Philadelphia, Pennsylvania 1844-1916 Philadelphia, Pennsylvania). Dimensions: 36.8 x 26.7 cm. (14 1/2 x 10 1/2 in.). Date: 1883.Thomas Eakins employed photography as a way to imbue his paintings with increased naturalism. He used his students at the Pennsylvania Academy of the Fine Arts as models and began to compile a photographic catalogue that would aid his studies of the human form. This image is a study of pose and gesture in which the stance of the models consciously echoes that of the figures in Eakins' sculpted relief Arcadia (1883) seen resting on a worktable. Museum: Metropolitan Museum of Art, New York, USA. Author: Thomas Eakins.

Oph�lie (woman with long hair) Norbert Goenuette (1854-1894). Oph�lie (woman with long hair). Floor, dry tip, shiver print.

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Couvent de St-Georges. Frédéric Boissonnas (Swiss, 1858 - 1946)

Reproduction to painting with portrait of Julia Culp, Anonymous, After Willem Witsen, c. 1915 - c. 1925 print Netherlands paper collotype

c. 1891, Tamamura K., Japanese, active 1890 - 1910, 9 5/8 x 7 5/8 in. (24.45 x 19.37 cm) (image)13 5/8 x 10 1/2 in. (34.61 x 26.67 cm) (mount), Hand-colored albumen print, Japan, 19th century

Design for the Felton Window John La Farge (American, 1835-1910).. Watercolor American Art

Cayetano Palmaroli (After Titian (Tiziano Vecellio)); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Emperor Charles V with a Dog'. 1829 - 1932. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper; 1829 - 1932. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Portrait of a Woman. Jacob Byerly (American, 1807 - 1883)

Weinstein, Nikolaus .

Reverie, Photogravure Print from an Original 1890 Painting by Jules Emile Saintin, Gebbie & Husson Co. Ltd., 1893

Photography.Photography, portrait of Queen Victoria.Provided with the Queen's signature. In the back text with pencil: belongs to mask.U.O.Mess Oscar II.Inom glass and frame of brown polished wood.

Lazio Rieti Rieti Museo Civico27. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Adoree Villany

Fred Welsh

Bliżej Kultury Hanfstaengl, Fr.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The young favorite woman of the sultan, painting by E. Richter. Old 19th century engraved illustration from La Ilustración Artística 1882

Unknown man a bust against the background of the painting composition unknown

Nude in the Parlor, Nudes

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), tomb of Georges Jacob fils, former cemetery Sainte-Marguerite, 36 rue Saint-Bernard, 11th arrondissement, Paris. (Dummy title), 1905. Draw on albumin paper. Carnavalet museum, history of Paris. Paris, atget

9240 Naples - National Museum: Frescoes. Silenze, Pompeii. .

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

À la Barre September 1, 1893 Pierre-Louis Pierson French. À la Barre 286852

Bliżej Kultury unknown

Historic photograph, Cupid, around 1900

Ex Libris van A.F. Baarslag, Lodewijk Schelfhout, 1922 print A pierrot writes with the help of a spring in a book. In the background a bay with sailing ship. paper drypoint types in 'commedia dell'arte': Pierrot. writing and letters

Personification of the morning dew, Eugène Louis Pirodon, After Pierre Prud'Hon, 1839 - 1908 print Numbered at the bottom: 3. Paris paper dew. dawn

Mlle Therasson ; Fréret André-Adolphe-Eugène Disdéri French 1864 View more. Mlle Therasson ; Fréret. André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). 1864. Albumen silver print from glass negative. Photographs

German's triumphtocht in Rome / Thusnelda

1912. text. 1911 - 1913. General Research Division. Art , Poland

Bliżej Kultury unknown

Studie für Maler und Bildhauer, c. 1872, Joseph Löwy, Austrian, died 1902, 5 5/16 x 3 7/8 in. (13.49 x 9.84 cm) (image)8 x 5 5/8 in. (20.32 x 14.29 cm) (mount), Albumen print, Austria, 19th century

Vittoria Colonna, state V. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Lefebvre, Jules Joseph (1836-1912), painter

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Franciszek Murko (1859-1910), lioness; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); 1909 (1909-00-00-1909-00-00);

Study of a male nude model, standing and struggling with mannequin, in the studio of sculptor / painter Jacques de Lalaing, possibly preliminary study for the painting 'the wrestlers', 1884, with quadrature.

Head with halo. Collection of Juhl

Hystero-Epilepsy Contraction. Paul-Marie-Léon Regnard (French, 1850 - 1927)

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A photographic portrait bust of Josef Engelhart by Othmar Schimkowitz, created on cardboard in 1895.

On the meadow painting by the painter Jean-André Rixens (1846 Saint-Gaudens - 1925 Paris) French painter, classical scenes and portraits, France. Europe. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894

Male Model for the Masthead of the Journal, "Le Chroniquer de Paris". Alphonse Maria Mucha, photographer (Czech, 1860 - 1939) negative 1899, print about 1980 (Verso, sheet) inscribed in pencil, at lower right corner: "48"; in red ink, at lower right edge: "48/42" written sideways

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Young draftsman, Jacob Gole, After Godfried Schalcken, c. 1690 - c. 1720 print A boy draws a bust of Venus at candlelight. Amsterdam paper engraving draughtsman studying classical remains. candle

A surreal photographic study of actress Margaret Lockwood. Angus McBean (1904-1990), began his career in the theatre making masks and designing sets. He took an interest in photography from an early age and from the early 1930s took it up as a profession after a stint as a window dresser in the department store, Liberty's. McBean's work was famous for being surreal and experimental, with work frequently featured in TheTatler and Bystander and The Sketch between the mid 1930s to the 1950s.

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