Artistic Female Figures

A collection of artistic depictions of women from various eras, including photography and fine art, showcasing elegance and grace in different forms and styles.

The Chicken Woman of Dieppe, Photogravure Print from the Original 1876 Painting by Antoine Vollon, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Artwork by Heinrich Kühn around 1913 depicting Mrs. Richter using multiple oil conversions on Japanese paper.

Female dancer as a nymph, with clasped hands. Baron Adolf de Meyer (American, born France, 1868 - 1946)

Sculpture 'Vanity.', 1850 - 1930, 1876, Philadelphia, Pennsylvania, Publisher, Centennial Photographic Co., Centennial Exhibition (1876 Philadelphia, Pa.), Albumen prints

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

Mrs. Graham, by Gainsborough. Caldesi & Montecchi (British, active 1850s)

Abruzzo Pescara Manoppello Scalo S. Maria Arabona. Hutzel, Max 1960-1990 Exterior views of this Cistercian church (begun in 1208) include details of the restored facade, aisle buttresses, chapter house and cloister buildings. Interior coverage of the nave, transept, aisles, vaulting, and the chapter house. Most prints are of the architectural sculpture: altar, piers, capitals, corbels, tabernacle (or reliquary), and a 13th-century paschal candlestick, gorgeously decorated with vinescroll and birds. Post-medieval: side altar frescoes of St. Sebastian, St. Anthony of Padua and the Pieta (15th century); apse frescoes (14th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Roma

Campania Caserta Capua Museo Campano80. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Mary Cassatt, Waiting, American, 1844-1926, c. 1879, aquatint and soft-ground etching

The Chicken Woman of Dieppe, Photogravure Print from the Original 1876 Painting by Antoine Vollon, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Card Number 57, Billie Barlow, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes 1880s Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Card Number 57, Billie Barlow, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes 646705

Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Les yeux mirés. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: Image: 17.4 x 12.8 cm (6 7/8 x 5 1/16 in.)Mount: 23.5 x 20.6 cm (9 1/4 x 8 1/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Coquette. Dated: 1901. Dimensions: image: 18.3 x 13.4 cm (7 3/16 x 5 1/4 in.) sheet: 20.2 x 14.9 cm (7 15/16 x 5 7/8 in.) mount: 28.5 x 19.7 cm (11 1/4 x 7 3/4 in.) mount: 38.1 x 27.8 cm (15 x 10 15/16 in.). Medium: photogravure in blue on chine collé mounted on white paper and on gray paper. Museum: National Gallery of Art, Washington DC. Author: Charles I. Berg.

Campania Caserta Capua Museo Campano76. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Henriette Fouquier; Emile Auguste Reutlinger (French, 1825 - 1907); about 1894; Albumen silver print

Terracotta sculpture of an actor with mask, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). actor (on the stage). mask

Photo production of a painting, representing a portrait of Leonora Christina Ulfeldt, Julius Wulff, after Karel van Mander, c. 1858 - in or before 1862 photograph photographic support albumen print female royal bastard

Costigliole. Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Graves, Henry (1806 1892)

Anger - Eleonora Duse In 'La Gioconda, John Copley (Manchester, England, 1875 - 1950) 1910

Black and white chalk study by Karl Rahl (The Younger) depicting Maria on blue natural paper.

Le Poète et la Muse , Poets. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Ophelia. Fictitious character from the play ""Hamlet"" by William Shakespeare (1564-1616). Engraving after a painting by Tomas Munoz Lucena (1840-1943), 1882. La Ilustracion Espanola y Americana (The Spanish and American Illustration), 1883.

Ophelia. Fictitious character from the play ""Hamlet"" by William Shakespeare (1564-1616). Engraving after a painting by Tomas Munoz Lucena (1840-1943), 1882. La Ilustracion Espanola y Americana (The Spanish and American Illustration), 1883.

Portrait of a woman by Josef Maria Eder on a glass diapositive from 1881, showing her upper body and facial expression.

Séeberger Frères. "Monument to George Sand (Marble by Sicard), Luxembourg Garden, 6th arrondissement, Paris". Silver gelatin-bromide draw. in 1906-09-1906-09. Paris, Carnavalet museum. 123827-10

Umbria Perugia Bettona Palazzo Podesta8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

L'Accouchée 1860s Pierre-Louis Pierson French. L'Accouchée 261384

Miss L, James Joseph Tissot, French, 1836 - 1902, Etching and drypoint on paper, A woman is represented, standing in a doorway; her umbrella rests on her right arm; her left hand is placed on the door., England, 1876, Print, Print

The Curtain (Le Rideau), 1890, Adrien de Witte, Belgian, Liège 1850-Liège 1935, 29 7/16 × 20 3/16 in. (74.8 × 51.3 cm), Black chalk and black crayon with white highlights on tan paper, Belgium, 19th century, A young, long-haired woman stands at the edge of a stage in front of a large, sumptuous curtain. She wears a crown of thorns. She is the Madre Miserocordia, the Mother of Mercy, one of the many titles bestowed on Mary the mother of Jesus by her devotees in the Roman Catholic Church. Her simple attirelong skirt, sleeveless blouse, and sandalsemphasizes her humility. She looks out to an unseen audience, drawing back the curtain as she points to what lies behind. In the shadows we can make out six huddled figures. Two children are in front. Further back we find two womenone young, one middle-aged. Deep within we can make out two more figures, possibly an elderly couple. These are the downtrodden, the poor, the forgotten. The Mother of Mercy reminds us of our duty to remember them a

Lazio Roma Rome S. Nicola da Tolentino1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, coffers Object Notes: Built in 1599 by the Augustines, renovated and enlarged in 1654 by Baratta. On via Barberini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Camerino Museo Diocesano5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Godel H�l�ne, (dancer) Portrait of Godel H�l�ne, dancer. Business card (front). Photograph of Alphonse Li�bert. Draw on albuminum paper. 1860-1890.

M'lle Winship, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes ca. 1888 Issued by Allen & Ginter American Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.. M'lle Winship, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 414918

Print made by Charles Turner, 1774-1857, British, Miss O'Neill as Hebe, 1811. Mezzotint on moderately thick, moderately textured, cream laid paper.

Marches Macerata San Severino Marche Pinacoteca Civica8. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Queen of England (Victoria of Hanover). Leroy (Paryż ; drukarnia ; fl. ca 1850-1914), printing house, Chierry C., graphic artist, Colin, Adele-Anais (1822-1899), draughtsman, cartoonist

Neapolitanka; Zajkowski, Andrzej (1851-1914), Gierymski, Aleksander (1850-1901); 1889 (1889-00-00-1889-00-00);Naples (Italy), Tygodnik Ilustrowany (Warsaw - magazine - 1859-1939) - illustration, Witke -Jeżewski, Dominik (1862-1944) - collection, amulets, gift (provenance), original drawing, female characters studies

Image reproduction: Olga Boznańska (1865-1940), portrait; Z: "Tygodnik Ilustrowany" 1904, No. 29, (July 16), p. 568; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); after 1865 (1865-00-00-1890-00-00);

Portret van Nelly O'Brien, Samuel Okey, after Joshua Reynolds, 1765 - 1780 print paper historical persons

Beethoven, Ludwig from.

Photography of: W Adys Aw Mazur (1868-1931), a portrait of Kazimierz Kami around 1905 (1901-00-00-1905-00-00);Kamiński, Kazimierz (1865-1928), Kamiński, Kazimierz (1865-1928)-iconography, Karlweis, Carl (1850-1901), Karlweis, Carl (1850-1901). Rich uncle, Masuria, Władysław (1868-1931), Mazur, Władysław (1868-1931)-reproduction, Rajchman, Aleksander (1855-1915)-collection, actors, gypsum models, portraits, men's portraits, sculpture (artist), Polish sculpture, theater (artist)

Miss Nelly O'Brien, Charles Phillips, 1737- after 1783, after Sir Joshua Reynolds RA, 1723-1792, British, 1770, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 18 1/8 × 13 7/16 inches (46 × 34.1 cm) and Image: 16 3/16 × 12 7/8 inches (41.1 × 32.7 cm)

Willem Witsen. .

Engraving by Nicolaas Verkolje depicting a nocturnal scene with girls and a candle, created between 1690 and 1715.

Reproduction of a painting Axentowicz, Teodor (1859-1938), Sara Bernhardt; from: "Świat" 1889, 512. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Świat (Kraków ; czasopismo ; 1888-1895), publisher

Zo, dart'le Saartje Jans!..., Print made by Cornelis Troost, 1697-1750, Dutch, after Dirk Langendyck, 1748-1805, undated, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm) and Image: 13 × 9 7/8 inches (33 × 25.1 cm)

Seifert, Alfred, Munich, Hanfstaengl, Franz, Alfred Seifert, Photographic reproduction of a painting by Alfred Seifert, depicting a portrait of a woman with a rose in her hand, photograph, photo, reproduction, page, photos, photographically illustrated books, height 135 mm, width 96 mm, German, 1804-03-01 - 1877-04-18, photographer, 1875 - 1885, photographic paper, photo paper, albumen print, albumine print, Publication (Event), Publication, publisher, 1850-09-06 - 1901-02-06

The Etchers Tools. Artist: François Bonvin, French, 1817-1887

After the Carnival. Artist: Jaromír Funke (Czech, 1896-1945). Dimensions: 29.5 x 23.6 cm (11 5/8 x 9 5/16 in.). Date: ca. 1924. Museum: Metropolitan Museum of Art, New York, USA.

Lemercier , Singers, Alexandre Benois Collection

Watson, T., Shropshire, W., Gardner, Daniel, Thomas, Portrait of Frances, Countess of Jersey, print, prints, height mm, width mm, English, 1748 - 1781, print maker, printmaker, 1758 - 1781, paper, papier, mezzotint, 1750 - 1805-08-07, after, after painting by, Publication (Event), Publication, publisher, uitgever, Publicatie

Colossal demi statue of a goddess , Antiquities, Sculpture, Goddesses. Nicholas Catsimpoolas Collection

Reverie. Achille Devéria (French, 1800-1857). Lithograph;

Lemercier , Singers, Alexandre Benois Collection

Love Letter, Nudes

Bartholomäus Bondera -, actor, Johann Hieronymus Delete Kohl -, publishing house

Hearing; Hearing; The five senses. The hearing. A young woman plays a lute. The print is part of a series of the five senses.

Büsserin Nonne; Thedy, Max (1858-1924), Felsing, Kupferdrucarei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965); 1882 (1882-00-00-1882-00-00);

The First Whisper of Love 1884-1894 England. John Douglas Miller was a skilled mezzotint engraver who reproduced Renaissance-era and contemporary works with a painterly touch. This rare, pristine intermediary model drawing was made by Miller after William Bouguereauís small-scale studio version of his painting The First Whisper of Love. Artists and printmakers relied heavily on these drawings during the process of designing prints and often destroyed them afterward.. Watercolor on ivory wove paper . John Douglas Miller

Study of a human figure by Karl Novak produced using rubber printing, with photographs mounted on both paper and cardboard.

Reclining Odalisque. Artist: Roger Fenton (British, 1819-1869). Dimensions: 28.5 x 39 cm (11 1/4 x 15 3/8 in.). Date: 1858.Fenton made a series of photographs inspired by the Victorian vogue for the exotic trappings of empire, modeled on the harem scenes and odalisques of Eugène Delacroix and Jean-Auguste-Dominique Ingres that he had seen in Paris, and motivated by his desire to elevate the status of photography by tackling themes more frequently treated in painting.<p>"Reclining Odalisque" is among the quietest pictures in his series. There are no cowering slaves or leering sultans, no music or dancing, few stage props, no narrative tale. The odalisque is simply there, a vision floating in darkness: the exquisite embodiment of Victorian fascination with the exotic and the erotic. She lies languorously on dark pillows set on layers of carpet; she is barefoot but crowned with golden coins; she wears loose-fitting, patterned harem pants and a blouse fully unbuttoned to reveal a hint of b

In a good mood according to the image of H. Louis. Heuer, likelv (n.n.), Kirmse, k. (N.N.), louis, h.

Image "Hush a Bye, Baby!" Van Giovanni Focardi, possibly prepared at the World Exhibition in Paris in 1889, Anonymous, 1878 - 1890 photograph On the basis of the image, the title is "Hush a Bye, Baby!" Visible 'G. Focardi. London 1877 '. Part of travel album European cities, presumably Swedish. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture). world fair, world exhibition

Photo reproduction painting of naked Turkish harem woman, photograph, photo, photos, height mm, width mm, photographer, 1870 - 1884, third quarter 19th century, fourth quarter 19th century, albumen print

Cipolla, the Cupid Saleswoman, Love Saleswoman, Love Spell, 1887, Italy, Historic, digitally restored reproduction of an original 19th century print, ...

Il lui sera beaucoup pardonné, parce qu'elle aura beaucoup dansé ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Paris, Nadar, Sixteen portraits of actresses, recto - printed, From left to right and from top to bottom: Tylda Raphael, Lea de Moulin, Sarah Duhamel and Mademoiselle Ducastel., photomechanical print, page, photos, photographically illustrated books, 11175 9464, recto, Mlle Tylda Raphael Mlle Lea de Moulin, height 165 mm, width 105 mm, French, photographer, 1883 - 1893, paper, collotype, photoprint, cliché maker

Card Number 598, Miss Sutherland, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes. Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm). Publisher: Issued by W. Duke, Sons & Co. (New York and Durham, N.C.). Date: 1880s.Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Museum: Metropolitan Museum of Art, New York, USA.

Elisa Weatherby

Italy provides insight into Käsebiers earliest artistic productions. The womans pose and central placement emphasize the pictures formalism and careful construction. Her rigid vertical posture echoes the trees in the background. Soft focus, a device borrowed from Pictorialist photography, frustrates a clear view of her features, suggesting that the image is neither portrait nor snapshot but a symbolic statement about womanhood and its association with nature. Italy, c. 1889. Gertrude Käsebier (American, 1852-1934). Platinum print mounted to Japanese paper; image: 18.6 x 12 cm (7 5/16 x 4 3/4 in.); paper: 18.6 x 12 cm (7 5/16 x 4 3/4 in.); mounted: 30 x 21.1 cm (11 13/16 x 8 5/16 in.).

De Vere

Seated Female Nude 1853-54 Eugène Durieu French Durieu was a lawyer and early advocate and practitioner of photography in France who, in 1853-54, made a series of photographic studies of nude and costumed figures as models for artists. The French Romantic painter Eugène Delacroix helped him pose the figures and later praised the prints, from which he sketched, as "palpable demonstrations of the free design of nature." While the painter saw the accurate transcription of reality as a virtue of photography, Durieu knew that a good photograph was not simply the result of the correct use of the medium but, more significantly, an expression of the photographer’s temperament and vision. In an important article he emphasized the interpretative nature of the complex manipulations in photography and explained that the photographer must previsualize his results so as to make a "picture," not just a "copy."This photograph proves Durieu’s point: through the elegant contours of the drapery, the sm

Photography of Wiktor Brodzki's "Putto Putto"; Suscipj, Lorenzo (1802-1885), Suscipj, Lorenzo (Rome; Photographic Zak around 1868 (1865-00-00-1875-00-00);

Lazio Rieti Rieti S. Agostino0. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, painting. The church dates from the 13th century, and still possesses two gothic portals. The main portal, of the 14th century, contains a semicircular tympanum within which is a fresco of the Madonna and Child with S. Augustine and S. Nicholas of Bari, a work of the Sienese school from 1354. Above the lunette in the gable is a relief of the Lamb of God. The other medieval portal on one of the transept arms is less elaborate than the main portal, consisting of double-arcaded windows and a central round window above. Post-medieval: Architecture, sculpture, painting. The interior of the structure dates from the Baroque period (end 17th century). In a left side chapel is a cycle of frescoes dating from the 16th century, depicting Christ blessing. In a right side chapel is a cycle of scenes from the life of S. Augustine, dating from the 17th century. Above the altar of the left transept arm, is a paint

Fortunata Alinari, Contante. Contralte; Michele Petagna (Italian, active Rome, Italy 1860s); 1864 - 1870; Albumen silver print

Model for mural , Artists' models, Costumes, Massachusetts Normal Art School

The Dreaming of Iolanthe, King Rene's Daughter From Henri Herz. A Study in Butter, by Caroline S. Brooks, Daughter of Abel Shawk.. Unknown maker, American

Iphigenia. Louis Fleckenstein (American, 1866 - 1943)

Umbria Terni Ferentillo Abbazia di S. Pietro in Valle5. Hutzel, Max 1960-1990 The abbey was founded on the location where two hermits, Lazzaro and Giovanni, lived during the sixth century. It was founded by the Duke of Spoleto Faroaldo II. The nave of the church is unique in that it is oriented to the east. The church was reconstructed in the tenth and eleventh centuries, and it was completely restored in 1931. Photographs include exterior views, courtyard views, frescoes, sarcophagi and relief sculpture. Iconography includes Madonna and Child with Sts. Peter and Paul, Christ in a mandorla, S. Benedetto, S. Sabina, S. Lucina, S. Cristina, S. Caterina, S. Sebastiano with Madonna and child, and the Creation of Adam and Eve Antiquities: Roman sarcophagi; Roman sculptural and architectural fragments. Object Notes: Hutzel photo campaign date: October 7, 1982. General Notes: Description from TCI 1978 and Hutzel notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed i

Photo production of a painting from a lying woman to George Hendrik Breitner, George Hendrik Breitner (Possible), after George Hendrik Breitner, 1886 - 1910 photograph baryta paper. cardboard gelatin silver print picture, painting. lying figure - AA - female human figure

A portrait of a young woman facing left; Raynefeld, Józef (1908-1940); 1930-1940 (1930-00-00-1940-00-00);

Frida ,

Painting by Johann Victor Krämer after 1894 depicting a woman reading, illustrating late 19th-century figurative portraiture and domestic scene representation.

"DOLLY VARDEN", FROM THE PAINTING BY EDGAR HANLEY, EXHIBITED AT THE ROYAL ACADEMY, UK, 1883

Self-Portrait, 1645. Anthony van Dyck (Flemish, 1599-1641). Etching;

Thereza Dillwyn Llewelyn with Her Microscope. Artist: John Dillwyn Llewelyn (British, Swansea, Wales 1810-1882 Swansea, Wales). Dimensions: 23.5 x 18.7 cm (9 1/4 x 7 3/8 in. ). Date: ca. 1854.The border of Llewelyn's image is a photogram of ferns, a clever variation on the decorative borders of lace, cut paper, or ink and watercolor that embellished many nineteenth-century albums. In the central vignette we see the photographer's daughter Thereza (1834-1926), with her books, botanical specimens, and scientific apparatus. label for Gilman IV. Museum: Metropolitan Museum of Art, New York, USA.

Sheet 21 recto from a sketchbook with 24 pages, Ablatsch of the chalk drawing on sheet 20 verso, draughtsman: Sybrand Altmann, c. Mar-1840, paper

Umbria Terni Orvieto Madonna di S. Lorenzo in Vineis. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Oyster Woman, Print made by Philip Dawe, ca.1745-ca.1809, British, after Henry Robert Morland, 1730-1797, British, after Carington Bowles, 1724-1793, British, 1769, Mezzotint on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 9 15/16 inches (36.9 x 25.2 cm) and Image: 12 3/4 x 9 13/16 inches (32.4 x 24.9 cm), bowl (vessel), bucket (vessel), chiaroscuro, dark, genre subject, girl, headscarf, labor, lantern (lighting device), light, modesty, oyster knives, oyster shells, oysters, shadow, shawl, shucking, stripes, woman, working

Photo production of the painting Madonna del Granduca by Rafaël in the Galleria Palatina in Florence, Fratelli Alinari, After Rafaël, 1852 - 1900 photograph Florence cardboard. paper albumen print picture, painting Palazzo Pitti

Seen frontally, sitting naked in geometric environment.Frontaal seen, sitting naked in geometric environment.

Model for mural , Artists' models, Costumes, Massachusetts Normal Art School

Bliej Kultury unknown

Le Caracul (L'Astrakhan). Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Rieti Rieti S. Francesco6. Hutzel, Max 1960-1990 Post-medieval: Built in 1245, added to in 2nd half 13th century, radically restored 1636. Interior: frescoes restored 1980, 1st half 13th century and 14th century; paintings; Baroque organ/choir loft. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Haupt 'Freia' 1876

Vittoria Colonna, state I. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Lefebvre, Jules Joseph (1836-1912), painter

Colossal head of Cybele , Antiquities, Sculpture, Goddesses, Cybele Goddess. Nicholas Catsimpoolas Collection

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