Artistic Figures and Portraits

A collection of artistic images including a dancer in motion, an artist studying, and a sculpture of a faun, each conveying different historical and artistic styles.

Photo production of the painting Portrait of a woman to George Hendrik Breitner, George Hendrik Breitner (Possible), After George Hendrik Breitner, 1886 - 1910 photograph baryta paper. cardboard gelatin silver print picture, painting

Photo production of the painting Portrait of a woman to George Hendrik Breitner, George Hendrik Breitner (Possible), After George Hendrik Breitner, 1886 - 1910 photograph baryta paper. cardboard gelatin silver print picture, painting

Athena receiving Stymphalian bird , Antiquities, Sculpture, Goddesses, Birds, Stymphalian birds Greek mythology, Athena Greek deity. Nicholas Catsimpoolas Collection

Duncan, Irma 3 Irma Duncan Collection.. 1915. Photographs. Jerome Robbins Dance Division. Duncan, Irma

Print to a painting by Nicolaas Pieneman, representing Rembrandt who studies an etching test, Eduard Isaac Asser, 1852 - 1860 photograph Amsterdam paper. photographic support. cardboard salted paper print art Netherlands

Florence. Artist: Julia Margaret Cameron, British, 1815-1879

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Tonal Study II. Collection of Juhl, acquired 1916

Young Woman Holding a Candle in a Bedchamber 1690-1715 Nicholas Verkolje Dutch Verkolje, a painter of portraits and subject pictures active in Amsterdam, learned mezzotint printmaking from his father. In the present work, he reproduced a design by Schalcken, a Dutch painter and etcher celebrated throughout Europe for his depiction of artificial light. (During an extended sojourn in London, from 1692 to 1697, Schalcken famously painted King William III by candlelight.). Young Woman Holding a Candle in a Bedchamber 360258

Portrait of Mies Rosenboom -Merkelbach as a kneeling nude, Jacob Merkelbach, 1925 - 1940 photograph Amsterdam photographic support. paper. cardboard gelatin silver print historical persons (portraits and scenes from the life) - BB - woman. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Warsaw. Royal Azienki. "Faun"; Bu Hak, Jan (1876-1950); 1920 (1920-00-00-1920-00-00);

Study for a Plaque in Terracotta, Paris. Alphonse Maria Mucha, photographer (Czech, 1860 - 1939) negative 1899, print about 1980 (Verso, sheet) inscribed in pencil, at lower right corner: "12"; in red ink, at upper center: "12/10"

Lazio Roma Rome S. Eligio dei Ferrari3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries (17-18th centuries), sculptural relief, stucco Object Notes: Constructed in first half of 16th century by confraternity of the blacksmiths. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving and etching by Noël Le Mire from 1740-1801 depicting the death of Cleopatra, showing detailed figures and composition.

Olga Niewska in her studio, W around 1933 (1933-00-00-1943-00-00);Penalted , artist studios, sculpture (artist), Polish sculpture

Sitting man, Adamo Scultori, After Michelangelo, c. 1585 Figure from Michelangelo's ceiling painting. Numbered below: 60. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figure from Michelangelo's ceiling painting. Numbered below: 60. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bourdelle, Antoine (Emile Antoine Bourdelle, dit) (n.1861-10-30-D.1929-10-01), woman's head (main title). Very erased lead on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

La fouriure 1860s Pierre-Louis Pierson French. La fouriure 261406

Pioneers balustradesMeissen. Pioneers Balustrade

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sunlight. Clarence H. White; American, 1871-1925. Date: 1899. Dimensions: 20.8 x 15.4 cm (image); 20.8 x 15.9 (paper); 27.9 x 20.2 (first mount); 36.2 x 27.6 cm (second mount). Platinum print. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study for the left maenad, Vintage Festival,” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857-1903, White, yellow, brown, rose pastel crayon on grey paper, Female figure posed with bent knee and arms raised across torso. Shown as in the poroject, only part of the right hand is executed., New York, NY, USA, 1895-1898, figures, Drawing, Drawing

Charles I Berg, Coquette, 1901 Coquette

Study of a male nude model, upright and slanted from the front, in the studio of sculptor / painter Jacques de Lalaing.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Study of a feminine nude model, lying on a tiger sheet, and head down, in the studio of sculptor / painter Jacques de Lalaing.

Lazio Viterbo Caprarola Palazzo Farnese28. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The monument is Adam Mickiewicz in Vilnius A Project of Zbigniew Pronaszka unknown

Vacquerie, Auguste (n.1819-11-19-D.1895-02-19), the hanged, photography from a drawing by Victor Hugo (dummy title), 1854. According to negative glass. Houses of Victor Hugo Paris - Guernsey.

Feleley

Study of a naked toddler and wife of sculptor / painter Jacques de Lalaing, preliminary study for the sacred virgin with the child, plaster.

Lazio Rieti Rieti S. Ruffo7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, stucco decoration. The church was originally built in 1141, but was completely redesigned in 1746, with a Baroque facade and marble and gilded stucco interior. In a side chapel is the painting the Guardian Angel, attributed to Giovanni Antonio Galli (called lo Spadarino). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Card Number 126, Mlle. Perrine, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes 1880s Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Card Number 126, Mlle. Perrine, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes 647997

Image reproduction: Feliks Cichocki (1861-1921), orphan; Z: "Wędrowiec", 1899, No. 28, p. 541; Wanderer (Warsaw; magazine; 1863-1906); 1899 (1899-00-00-1842-00-00);

Photomontage of Félix Nadar. Date/Period: 1855 - 1860. Print. Salt. Height: 198 mm (7.79 in); Width: 139 mm (5.47 in). Author: Nadar (Gaspard Félix Tournachon).

A barber with his back turned, standing by his chair. Etching by the Comte de Caylus, 1737, after E. Bouchardon.

Julia Marlowe ()

Vilnius. "Mikhahm, Micha Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Study of a male nude model, in the studio of sculptor / painter Jacques de Lalaing, with quadrature.

Exterior left panel from a triptych: weapon of family van schoten ..

Portrait of the artist; Rembowski, Jan (1879-1923); 1909 (1909-00-00-1909-00-00);Young Poland (Styl), Partage Plus, Rembowska, Marie (18 ..- 19 ..), Rembowska, Marie (18 ..- 19 ..)-iconography, Witke-Jeżewski, Dominik (1862-1944), Witke- Jeżewski, Dominik (1862-1944) - collection, gift (provenance), Polish graphics, Poland (culture), busts, portraits, women's portraits

A Lovely Sketch. Artist: Julia Margaret Cameron (British (born India), Calcutta 1815-1879 Kalutara, Ceylon). Dimensions: 31.0 x 24.3 cm. (12 3/16 x 9 9/16 in.). Date: 1873. Museum: Metropolitan Museum of Art, New York, USA.

Jean-Baptiste Aubry-Lecomte/According to Anne-Louis Girodt-Trioson (1767-1824). "Bathering". Engraving. Paris, Carnavalet museum. 59465-16 Batager, bath, bare back, Epingle, woman, body hygiene, swimming, braid, XIX th century, engraving

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

fine arts, Fuglsang, Hans (1889 - 1917), graphic, ""Die Schande"" (The shame), etching, aquatint, 29.5 cm x 24.2 cm, 1915 / 1916, Kunsthalle Kiel,

Doris Humphrey. Arthur F. Kales, photographer (American, 1881 - 1936) about 1920 (Verso) inscribed in pencil, at left center edge: "Gelatine / Single transfer"; in pencil, at lower center edge: "78"

Homme allongé au pied d'un chàtaignier. Artist: Charles Marville (French, Paris 1813-1879 Paris). Dimensions: 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1850-53.Louis-Désiré Blanquart-Évrard pursued William Henry Fox Talbot's negative/positive experiments and by 1851 was confident enough to open a factory in the outskirts of Lille, in northern France, that cleared the way to mass-producing photographs in the same quantities as traditional prints. At last, photography could hope to succeed as both art and industry. A frequent collaborator of Blanquart-Évrard, Marville contributed more than one hundred photographs, mostly architectural views, to the publisher's many portfolios. This image is somewhat atypical of Marville's oeuvre. Its atmosphere of intimacy and nonchalance evokes the achievements of the wealthy amateur photographers of the time more than the severe architectural views usually associa

The Careful Shepherdess (Miss Searle), Print made by Elizabeth Judkins, active 1772-1775, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1775, Mezzotint (first state) on medium, moderately textured, beige, laid paper, Sheet: 13 9/16 × 9 5/8 inches (34.4 × 24.4 cm), Plate: 13 × 9 inches (33 × 22.9 cm), and Image: 10 7/8 × 8 15/16 inches (27.6 × 22.7 cm)

Hand study by Otto Schmidt consisting of four photographs printed on albumin paper, created after 1880 and stored in a box.

Inviting Nude, Nudes

Reproduction of a cartoon by Erwin Puchinger from circa 1908, illustrating stylized figures and visual narrative.

Head (drypoint) ,. Frank W. Benson (1862-1951). Prints and Drawings

Female, naked, mid-body, arm on armrests Female, naked, mid-body, arm on armrests. Daguerreotype. Museum of Fine Arts of the city of Paris, small palace.

Study of a male nude model, squatting with a bow in hand, in the studio of sculptor / painter Jacques de Lalaing.

An Elaborately Carved Pipe. Unknown, photographer 1910 A man sitting on the ground smoking a large carved pipe. The pipe features a carving of a figure attached to a round basin. A second carved figure is seated at the base of the round basin. (Recto, mount) upper center, pencil: "cropping marks 6 crossed out Swann"; (Recto, mount) lower left, black ink: "The bowl is made/of baked clay."; (Recto, mount) lower center, black ink: "A native chief smoking a very beautifully/carved pipe./It would havecrossed out been "-en" crossed out death for any native other/than the chief who crossed out to attempted "-ed" crossed out to smoke that pipe."; (Recto, mount) lower right, pencil: "illeg 1/2 illeg"; (Verso, mount) lower right, pencil: "2699";

Statue of a winged character in a courtyard Statue of a winged character in a courtyard. Anonymous photography. Draw at gelatin bromide of silver.

Campania Caserta Caserta Palazzo Reale41. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of a naked toddler and wife of sculptor / painter Jacques de Lalaing, preliminary study for the sacred virgin with the child, plaster.

Woman figurine, Alfons Maria Mucha, Alphonse Mucha, Czech Art Nouveau 1895-1905.

Lazio Roma Grottaferrata S. Maria8. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Terni Palazzo Bianchini-Riccardi4. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century) with rusticated portal; frieze decorated with fleur-de-lis; fountain; sculpted busts mounted on column fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Clarence H. White, Model in New York Studio, American, 1871-1925, c.1915, halftone print

Wouldn't you like to..

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Campania Caserta Carditello Plazzo Reale5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two female dancers as nymphs, side by side. Baron Adolf de Meyer (American, born France, 1868 - 1946)

A veiled Egyptian beauty, leaning up against an inlaid Mother-of-Pearl octagonal table. Date: 1910s

Female Model Wearing a Tiara, Paris. Alphonse Maria Mucha (Czech, 1860 - 1939)

Bronisława painting workshop Maria Wiesiołowska (1867-1940) in Warsaw with the exposed painting "Portrait of a woman"; around 1900 (1895-00-00-1910-00-00);

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lighting study. Collection of Juhl, acquired 1916

Louise Halévy Reclining. Edgar Degas, photographer (French, 1834 - 1917) 1895 Louise Halévy, Edgar Degas's friend since childhood, reclines with eyes closed as if in reverie, having fallen asleep reading. The gas lamp that lights the scene is so intense that it appears in the picture as a flare of dominating, unmodulated white, thus breaking the rules of "good" photography. Not formally trained in photography, Degas wrote of wanting to photograph intangible subjects like shadows and states of mind like dreaming.

Emilienne d'Alen�on, General Repetition for Folies Berg�res Henri de Toulouse-Lautrec (1864-1901). "Emilienne d'Alen�on, general repetition to ferry shepherds". Lithography. Museum of Fine Arts of the city of Paris, small palace.

Portrait of Bartoletti, Malvira, (dancer) Lands. Portrait of Bartoletti, Malvira, (dancer). Business card (front). Draw on albuminum paper. 1870-1890.

The White Screen. George H. Seeley (American, 1880 - 1955)

Lazio Roma Rome Gesu01. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sicilian Youth with Spear. Baron Wilhelm von Gloeden (German, 1856 - 1931)

Minoan snake goddess figurine , Antiquities, Figurines. Nicholas Catsimpoolas Collection

Death of Jean Valjean (Marius and Cosette at his knees) Gustave Brion (18224-1877). Death of Jean Valjean (Marius and Cosette at his knees). Charcoal on paper. 1862. Paris, Victor Hugo House.

Female Nude in Studio. Artist: Franck-François-Genès Chauvassaignes (French, 1831-after 1900). Dimensions: 19.1 x 15.2 cm (7.5 x 6 in.). Date: 1856-59.This corner of a painter's atelier somewhere in France in the middle of the nineteenth century is scarcely tethered to time or place; it could as easily be a loft in New York today or, had photography existed four centuries earlier, a studio in the Italian Renaissance. What is surprising here is the absence of even the thinnest disguise--no swags of drapery, elaborate coiffure, or skeins of beads as are commonly found in the work of other purveyors of "studies for artists." Here, the model is utterly naked. With her intelligent head and dirty feet, this young woman helped found the matter-of-fact modeling sorority joined a decade later by Édouard Manet's Olympia. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of a painting representing Johannes de Boper, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights in Italian cities and artworks. Florence photographic support albumen print John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff - early life of male saint

A black precipitate. (Registered title (letter)) | Caricatural museum. (Title of all)

Le Réveil by Charles Landelle; about 1864 - 1890; Albumen silver print

Study of a male nude model, with spear in hand, in the studio of sculptor / painter Jacques de Lalaing.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Joan of Arc, Jeanne d'Arc, known as Saint Joan of Arc or the Maiden of Orleans, La Pucelle d'Orléans . Young French peasant who led the French Army in the Hundred Years' War against England, getting Charles VII de Valois to be crowned king of France, Duke John of Bedford burned her alive in Rouen. France, Europe. Old 19th century engraved illustration from El Mundo Ilustrado 1879

Basilicata Matera Matera Duomo67. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Friedrich Kriehuber -, draftsman, print graphic artist, Carl Herberth -, photographer

Portrait titled 'Ugly Petz' by Hugo Erfurth. Silver gelatin print with retouching, produced around 1928.

Odalesque. Dated: 1899. Dimensions: image: 15.8 x 12.3 cm (6 1/4 x 4 13/16 in.) mount: 38 x 27.9 cm (14 15/16 x 11 in.). Medium: photogravure in red mounted on green wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles I. Berg.

Second World War Italian propaganda poster. 20th Century

Nadzieja, ilustracja do "Bańki mydlanej" Elizy Orzeszkowej. Kamieński, Antoni (1860-1933), draughtsman, cartoonist

A Florentine Girl. Robert Jefferson Bingham (British, 1824 - 1870)

Photo production of the painting 'La Chute des Feuilles' by Joseph-Victor Ranvier, Goupil & Cie., After Joseph-Victor Ranvier, c. 1876 - in or before 1881 photomechanical print paper the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Heliogravure by Heinrich Kühn depicting a Dutch girl, created around 1901 and preserved in original format.

Photograph of the first image that appeared on television. The first televsion was invented by John Logie Baird in the 1920s

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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