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Artistic Historical Textiles

Detailed fabric items including napkins and tablecloths with historical motifs, showcasing elegant designs and textures.

Tablecloth with roses and forget-me-nots, c. 1725 - c. 1749 Tablecloth from Linnamast with roses and forget-me-nots. Rose-interspersed with forget-me-not tueltje. Wide edge with fine symmetrical rocaillem motifs with grid filling and with inward -facing flower vases, in which three varied flower bouquets. Inner hem from C motives; outdoor limitation of flower garlands. Round: Blocking edge. Dresden linen (material) damask Tablecloth from Linnamast with roses and forget-me-nots. Rose-interspersed with forget-me-not tueltje. Wide edge with fine symmetrical rocaillem motifs with grid filling and with inward -facing flower vases, in which three varied flower bouquets. Inner hem from C motives; outdoor limitation of flower garlands. Round: Blocking edge. Dresden linen (material) damask
Tablecloth with roses and forget-me-nots, c. 1725 - c. 1749 Tablecloth from Linnamast with roses and forget-me-nots. Rose-interspersed with forget-me-not tueltje. Wide edge with fine symmetrical rocaillem motifs with grid filling and with inward -facing flower vases, in which three varied flower bouquets. Inner hem from C motives; outdoor limitation of flower garlands. Round: Blocking edge. Dresden linen (material) damask Tablecloth from Linnamast with roses and forget-me-nots. Rose-interspersed with forget-me-not tueltje. Wide edge with fine symmetrical rocaillem motifs with grid filling and with inward -facing flower vases, in which three varied flower bouquets. Inner hem from C motives; outdoor limitation of flower garlands. Round: Blocking edge. Dresden linen (material) damask
180 assets in this story
Napkin with the history of the prophet Elia, Anonymous, c. 1600 - c. 1649 Napkin van Linnamast the history of the prophet Elia. Midfield: The symmetrically doubled pattern shows four scenes: 1 Elia flight to the Oreb Mountain; 2 Elia's Ascension in the fiery car; 3 Elia hides at De Beek Krith at the Jordaan. Standing edges: single rising wavy slender with birds and flowers. Haarlem linen (material) damask Napkin van Linnamast the history of the prophet Elia. Midfield: The symmetrically doubled pattern shows four scenes: 1 Elia flight to the Oreb Mountain; 2 Elia's Ascension in the fiery car; 3 Elia hides at De Beek Krith at the Jordaan. Standing edges: single rising wavy slender with birds and flowers. Haarlem linen (material) damaskSketchbook (17 leaves, linencover). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wideTablecloth with roses and forget-me-nots, c. 1725 - c. 1749 Tablecloth from Linnamast with roses and forget-me-nots. Rose-interspersed with forget-me-not tueltje. Wide edge with fine symmetrical rocaillem motifs with grid filling and with inward -facing flower vases, in which three varied flower bouquets. Inner hem from C motives; outdoor limitation of flower garlands. Round: Blocking edge. Dresden linen (material) damask Tablecloth from Linnamast with roses and forget-me-nots. Rose-interspersed with forget-me-not tueltje. Wide edge with fine symmetrical rocaillem motifs with grid filling and with inward -facing flower vases, in which three varied flower bouquets. Inner hem from C motives; outdoor limitation of flower garlands. Round: Blocking edge. Dresden linen (material) damaskFragment Made 1590-1610 Italy. Silk, cut, uncut, voided velvet with additional patterning wefts in gold foil against plain weave foundation .Welum; 18th century (1701-00-00-1800-00-00);Group portrait of girls on a rock.Part of Family Album with Mainly Photos of a Young American Girl.Excerpt red and yellow silk dam mast with woven floral motifs, anonymous, c. 1590 - c. 1625 Copper -red side with pattern in white pattern of twigs that form windows in which stylized flower figure. Spain ketting: silk. inslag: cotton (textile) damask Copper -red side with pattern in white pattern of twigs that form windows in which stylized flower figure. Spain ketting: silk. inslag: cotton (textile) damaskFragment of the fabric; XVII century (1601-00-00-1700-00-00);Dąmbska, Grażyna - collection, fabrics, purchase (provenance)Tablecloth from Linnamast with Acanthusvoluten and weapons of Bronckhorst and Van der Capellen, Anonymous, c. 1680 Tablecloths of Linnamast with pattern of acanthus fillets and weapons Eustatius van Bronckhorst (1640-1697) and Margaretha van der Capellen (1641-1716), who married in 1680. Belong to two napkins (BK-1976-113-A and B). Flanders (Possible) Holland (Possible) linen (material) damask Tablecloths of Linnamast with pattern of acanthus fillets and weapons Eustatius van Bronckhorst (1640-1697) and Margaretha van der Capellen (1641-1716), who married in 1680. Belong to two napkins (BK-1976-113-A and B). Flanders (Possible) Holland (Possible) linen (material) damaskCollar 1700-1943 American. Collar. American. 1700-1943. cottonDoll Cradle. Dated: c. 1938. Dimensions: overall: 24.8 x 35.8 cm (9 3/4 x 14 1/8 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Therkel Anderson.Napkin from white Linnamast ,, 1919 White linen dams napkin with the peace of Versailles. Netherlands (possibly) linen (material) damask White linen dams napkin with the peace of Versailles. Netherlands (possibly) linen (material) damaskSketchbook (94 leaves, vellumcover). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897OLYMPUS DIGITAL CAMERAAttic Red-Figure Calyx-Krater Fragment. Attributed to the Berlin Painter (Greek (Attic), active about 500 - about 460 B.C.)Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wideWall Facing (Holland); tin-glazed earthenware, underglazePiece 17th century Japan. Piece 71770Fragment of a tablecloth from white Linnamast with a pattern of stripped flowers and fruits, c. 1670 - c. 1680 Fragment of a tablecloth from white Linnamast with a pattern of stripped flowers and fruits. Flanders (Possible) linen (material) damask Fragment of a tablecloth from white Linnamast with a pattern of stripped flowers and fruits. Flanders (Possible) linen (material) damaskTapa Cloth, 1800-1825, 30 13/16 x 62 in. (78.26 x 157.48 cm), Bark, pigment, United States, 19th century, Barkcloth (tapa) was made throughout Oceania and used in the same context as woven fabric. To make the cloth, the inner bark of a mulberry tree was harvested, soaked, and beaten with a short club.Tablecloth ,, 1717 White linen dams of tablecloth with the conquest of Belgrade and with the "Belgrade" and "Temeswar" inwing, marked da. Southern Netherlands linen (material) damask White linen dams of tablecloth with the conquest of Belgrade and with the "Belgrade" and "Temeswar" inwing, marked da. Southern Netherlands linen (material) damaskWall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wideShoulder Plane. Dated: c. 1937. Dimensions: overall: 35.3 x 24.3 cm (13 7/8 x 9 9/16 in.) Original IAD Object: 8 3/4" long; 1 5/8" deep; 2 1/2" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Natalie Simon.Jack Miller , Miller, Jack, 1924-1948. Jack Miller CollectionLa Farge Sketchbook #7 (39leaves). Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896Napkin with Christ and the Samaritan woman, Quirijn Jansz. Damast, c. 1650 Linnamast napkin with Christ and the Samaritan woman at the well. Midfield: The symmetrical pattern shows two scenes from bottom to top: 1 Christ and the Samaritan woman at the well, above which a pulley. A bird over the woman's head. 2 two disciples come with a basket with bread from a city, the gate of which is open. Under this performance the text IOAN IIII. Standing edges: a single pendulum border between which birds and flowers. The napkin has no horizontal edges. Haarlem linen (material) damask Linnamast napkin with Christ and the Samaritan woman at the well. Midfield: The symmetrical pattern shows two scenes from bottom to top: 1 Christ and the Samaritan woman at the well, above which a pulley. A bird over the woman's head. 2 two disciples come with a basket with bread from a city, the gate of which is open. Under this performance the text IOAN IIII. Standing edges: a single pendulum border between which Textile with Boar's Head Roundels 7th century Iran, Afghanistan or China (Xinjiang Autonomous Region) Boar heads set in pearl roundels were an important protective motif popular in Iran, Afghanistan, and Central Asia. Paintings that show textiles with boar roundels and peacocks are found in the Buddhist caves of Bamiyan in Afghanistan, attesting to the importance of this subject in Buddhist contexts.. Textile with Boar's Head Roundels 72582Tile Wall Facing (Netherlands); tin-glazed earthenware, underglazeIndian ornamentTile Wall Facing (Holland); tin-glazed earthenware, underglazeSquare empty ceramic plate on textured concrete background. Kitchen utensil itemSharf of red -baking earthenware, with blue glaze on the top with decoration of stripes in brown and yellow, anonymous, 1600 - 1650 Northern Netherlands earthenware. glaze majolica Northern Netherlands earthenware. glaze majolicaBronze tableau with Oskian writing, Stephen Thompson, c. 1869 - in or before 1874 photograph photographic support albumen print writing tabletsPhoto album (empty), Anonymous, 1860 - 1900 Photo album with forty pages with two passe-partouts for Cartes-de Vision on each page next to each other. Among each Passe-Partout is the abbreviation "A. L. Bté S. G. D. G." mention. cardboard. paper. leather. metalNapkin with the Wapen van Wijk bij Duurstede, Anonymous, 1786 Napkin van Linnamast with the Wapen van Wijk bij Duurstede. Midfield: placed in width for a spear with freedom hat, the Wapen van Wijk bij Duurstede: gold with a beam of throat, loaded with three columns; It is surrounded by two lauwert branches and rest on a trophy of bayonets, flags, fire mouth and phases bundle. Below that: 20 March AO 1786 and above it 36. Edges: winding branch with oak leaves and acorns, a plain band list and a block of blocks. North Brabant (Possibly) linen (material) damask Wijk bij Duurstede Napkin van Linnamast with the Wapen van Wijk bij Duurstede. Midfield: placed in width for a spear with freedom hat, the Wapen van Wijk bij Duurstede: gold with a beam of throat, loaded with three columns; It is surrounded by two lauwert branches and rest on a trophy of bayonets, flags, fire mouth and phases bundle. Below that: 20 March AO 1786 and above it 36. Edges: winding branch with oak leaves and acorns, a Stack of three blankets, tied together with band, anonymous, c. 1750 - c. 1800 A stack of three folded and with linen band -tied blankets () Made from cotton double tissue with woven diamond pattern. The back is roughly. Netherlands linen (material). cotton (textile) A stack of three folded and with linen band -tied blankets () Made from cotton double tissue with woven diamond pattern. The back is roughly. Netherlands linen (material). cotton (textile)Carved Furniture Detail. Dated: 1939. Dimensions: overall: 38.2 x 55.8 cm (15 1/16 x 21 15/16 in.) Original IAD Object: 22" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Sullivan.Storage box for cabinet photos from the possession of Carel Vosmaer, 1866 - 1888 box leather. silk. gold leaf. cardboard. wood (plant material)Sketchbook (23 leaves, brown cloth cover inscribed:Sketches). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Fragment van een veelkleurig zijde weefsel.A fragment of a silk tissue. A large branch with a large chalis flower in red and green, and salmon-colored flowers, partly green framed on a brown soil.Terracotta vase fragment. Culture: Roman. Dimensions: 2 3/16 × 1 3/4 × 1/4 in. (5.5 × 4.5 × 0.6 cm). Museum: Metropolitan Museum of Art, New York, USA.Frame Old photo frame with a stained paper Copyright: xZoonar.com/J.xSandvikx 1307634Sketchbook (28 leaves, green pebbled cardboardcover). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Tile Wall Facing (Netherlands); tin-glazed earthenware, underglazeFinger cloth of Linnamast with Dessin Marguerite, Cornelis van der Sluys, c. 1904 Linnamast finger cloth with a flower pattern: Motif Marguerite, Dessin No. 500. The finger cloth belongs to eleven finger cloths, thirteen napkins and a tablecloth. Eindhoven linen (material) damask Linnamast finger cloth with a flower pattern: Motif Marguerite, Dessin No. 500. The finger cloth belongs to eleven finger cloths, thirteen napkins and a tablecloth. Eindhoven linen (material) damaskMedallion, Medium: cotton Technique: withdrawn element with embroidery, Embroidered portrait medallion of a woman in profile showing an elaborate powdered wig topped with pearl, plumes and a large bow. Maker's initial 'U' inside a small medallion containing a handled basket is on the bottom right., possibly France, possibly Germany, possibly USA, ca. 1915, embroidery & stitching, MedallionWall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wideSketchbook (26 leaves, linencover). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Fireplace; beginning of the 19th century (1800-00-00-1810-00-00);Fireplace of baked earth with diamond-shaped distribution. Fireplace of baked earth with diamond-shaped distribution. In the full windows the portrait of a king. Rosettes in the other windows. To a wreath every head.Deurhengsel, c. 1400 - c. 1950 metal metalRoche, Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), matrix (dummy title). Eglomization - Steel and wood matrix. Petit Palais, Museum of Fine Arts of the City of Paris.Horae Beatae Mariae Virginis Horae Beatae Mariae Virginis, ca. 1470-80. Manuscript with opaque watercolor and ink with gold, 6 3/4 × 5 × 1 1/2 in. (17.1 × 12.7 × 3.8 cm). European Art ca. 1470-80Tłok pieczętny. unknown, craftsmanDoor brush. .Centenary of the Zuid-Hollandsche Maatschappij to save shipwriting 1924, Eduard Hüttl, 1924 history medal Rectangular bronze plaquette, on the front a round medallion on which a lifeboat with rowers and a crushed ship on the rough sea, below that six lines of text within an outline, smoothes the downside. bronze (metal) striking (metalworking)SWORD KNIFE HILT, Iwamoto Konkan, 1500-1900 Decoration with plants and grass; Signed iWamoto Konkan. Japan gold (metal) Decoration with plants and grass; Signed iWamoto Konkan. Japan gold (metal)Daguerreotype plate with no image. UnknownFrank La Farge Sketchbook #F3 (55pages). Artist: Frank La Farge, American, 1847-1876Ink Tablet with Peach Tree. Culture: China. Dimensions: H. 4 in. (10.2 cm); W. 3 7/8 in. (9.8 cm). Date: late 19th-early 20th century.Ink for calligraphy and painting was made from soot mixed with a binding medium and formed into ink tablets, which were then ground with water to yield the liquid ink. Ink tablets were among the objects especially treasured and keenly appreciated by Chinese scholars.This ink tablet is decorated with a design of a peach tree, symbolic of longevity. An inscription indicates that it was made in 1576 in the workshop of Fang Yulu (active ca. 1570-1619) under the supervision of Cheng Dayue (Cheng Junfang, 1541-ca. 1616), both famous inkmakers. Museum: Metropolitan Museum of Art, New York, USA.Napkin with a flower pattern, anonymous, c. 1750 Linnamast napkin with a flower pattern. Among other things: Roos, Ranonkel, Lelietje van Dalen, Carnation, Tulp; With stems that are tilted and in rows of the opposite. Standing edge: thin -running volute vines, which among other things, papae flowers, poppy, chrysanthemum, acelei, and is bordered by large asymmetrical rocaillem motifs that are directed on the corners to the middle. Round: Blocking edge. Dresden linen (material) damask Linnamast napkin with a flower pattern. Among other things: Roos, Ranonkel, Lelietje van Dalen, Carnation, Tulp; With stems that are tilted and in rows of the opposite. Standing edge: thin -running volute vines, which among other things, papae flowers, poppy, chrysanthemum, acelei, and is bordered by large asymmetrical rocaillem motifs that are directed on the corners to the middle. Round: Blocking edge. Dresden linen (material) damaskChopping Bowl. Dated: 1937. Dimensions: overall: 33.5 x 42.9 cm (13 3/16 x 16 7/8 in.) Original IAD Object: 18" long; 8 10/16" wide; 3 1/4" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Wellington Blewett.Frank La Farge Sketchbook #F2 (51pages). Artist: Frank La Farge, American, 1847-1876Dining Table. Dated: c. 1936. Dimensions: overall: 29.9 x 37.2 cm (11 3/4 x 14 5/8 in.) Original IAD Object: 147 1/2"total length; 48"wide; 28 1/4"high. See data sh. for dets.. Medium: watercolor, colored pencil, pen and ink and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Harry Eisman.Candle Bracket; Metal Worker: Unknown; wrought ironGrahal-Manzara. Carnavalet 2013-2016 collection sites. Numismatics.Bird Plaque Ornament 3rd century B.C.-A.D. 2nd century Vicús. Bird Plaque Ornament 315411Plaque 700 BCE-500 BCE China. Jade .Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wideTile Wall Facing (Netherlands); tin-glazed earthenware, underglazePiece of fabric. unknown, authorLinnamast napkin, Anonymous, c. 1965 LINE COMMAST ENCLET HEFT HELDSKING VAN the coin of the cooot societye greens, 1765-1965 ". Eindhoven linen (material) damask LINE COMMAST ENCLET HEFT HELDSKING VAN the coin of the cooot societye greens, 1765-1965 ". Eindhoven linen (material) damaskLinnamast napkin, Anonymous, c. 1965 LINE COMMAST ENCLET HEFT HELDSKING VAN the coin of the cooot societye greens, 1765-1965 ". Eindhoven linen (material) damask LINE COMMAST ENCLET HEFT HELDSKING VAN the coin of the cooot societye greens, 1765-1965 ". Eindhoven linen (material) damaskBeige full canvas bag on a beige background, top viewWalletWecker, clock, time, old, antique, white, background alarm clock, clock, time, old, antique, white, gold copyright: xzoonar.com/axelxkillianx 4433975Fragment (Peru); cotton, woolVintage looking CD or DVD Vintage looking CD or DVD for music data video recording reflecting blue sky with clouds Copyright: xZoonar.com/ClaudioxDiviziax 9737550old mailbox on wooden doorBlanket Strip ca. 1875 Crow. Blanket Strip 319866Robert T Gills, Ballot Box, 1935 1942 Ballot BoxEmpty wooden cutting board for preparing ingredients for preparing a delicious dish. Kitchen utensilsSword Guard, 1615-1868. Japan, Edo period (1615-1868). Iron; diameter: 8 cm (3 1/8 in.).Green bamboo frame with empty wooden plank, signboard in cartoon style isolated on white background. Asian tribal decoration, exotic element. Vector illustrationAlbum of Textile Samples, 1790. Japan, 18th century. Silk; overall: 45.1 x 31.5 x 4.5 cm (17 3/4 x 12 3/8 x 1 3/4 in.).Inkstone and cover with mandarin ducks in a lotus pond China 11th-12th century The simple, functional form of this work is typical of Song literati inkstones. Its cover is finely carved with a pair of mandarin ducks swimming in a lotus pond. The low-relief birds and lotus are further animated by lightly engraved ripples and windswept clouds. Similar patterns found on contemporary ceramics as well as on metalwork in gold or silver attest to the extensive exchange of motifs across different media at this time. View more. Inkstone and cover with mandarin ducks in a lotus pond. China. 11th-12th century. She stone. Song dynasty (960-1279). InkstoneTable Runner (USA); Designed by Gustav Stickley (1858 - 1942); linen foundation, linen applique, linen and mercerized cotton embroideryWriting Box, Ivy and brushwood fence design in maki-e lacquer. Date/Period: Edo period, 17th century. Lacquerware. Height: 53 mm (2.08 in); Width: 226 mm (8.89 in). Author: Koma Kyui.LookingglassCoffee Sheet of Stanisław Piegłowski, Castellan of Oświęcim unknownJewelry from Indian Arts and Crafts Board displayCase (Inro) with Design of Grasshopper on Stalk of Flowering Lily. Artist: Nomura Chokei (dates unknown) (Japanese). Culture: Japan. Dimensions: H. 3 1/2 in. (8.9 cm); W. 2 1/16 in. (5.3 cm); D. 1 1/4 in. (3.2 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.Blank branding stationery set isolated on grey as template for identity design presentation.Schizonema parasiticum ca. 1853 Anna Atkins British. Schizonema parasiticum. Anna Atkins (British, 1799-1871). ca. 1853. Cyanotype. PhotographsFragment of a multi -colored Zijddamast, Anonymous, 1730 - 1760 A silk tissue. On a beige soil a continuous pendulum with various light-salmon colorful, yellow and blue flowers and salmon-colored and silver leaves. France (possibly) silk damask A silk tissue. On a beige soil a continuous pendulum with various light-salmon colorful, yellow and blue flowers and salmon-colored and silver leaves. France (possibly) silk damaskSketchbook (21 leaves, brown marbledcover). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Omo Ring Book, Labor agenda (only the repertoire is filled) by Alexandre Kèrechousky for the period: December 1939 - January 1940 (title awarded), 1939. Leather. Cloth. Metal, silver. Printed paper. Ink, pencil, Paris Liberation Museum - General Leclerc Museum - Jean Moulin Museum.Old leather bicolor folder isolated over whitePaint palette of the scribe Pay 1300 B.C.