Artistic Illustrations of Women

Colorful and stylized artworks featuring women in various poses, showcasing elegance, fashion, and vibrant designs in early 20th-century styles.

Illustration for Salome by Oscar Wilde, Beardsley, Aubrey (1872-1898)

France, Paris, Claude-Achille Debussy (1862-1918), La demoiselle elue, 1893, Cover of the original edition, illustrated by Maurice Denis

Femme En Corset from Elles Henri de Toulouse-Lautrec (French, 1864-1901). , 1896. Lithograph on wove paper, 20 11/16 x 15 7/8 in. (52.6 x 40.3 cm). European Art 1896

Illustration for Salome by Oscar Wilde, Beardsley, Aubrey (1872-1898)

Friedrich König colored woodcut titled 'The New Hat,' created in 1900, depicting a figure wearing a new hat in a detailed scene.

Yvette Guilbert: Linger, Longer, Loo. Medium: photomechanical process. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

TheLamp. Artist: Mary Cassatt, American, 1844-1926

Three kneeling figures for winged man.Rechts is a man with wings instead of ears. He turns to the three figures that kneel for him. In his left hand he holds a flower; With the right he points to the sun in which a bird can be seen with spread wings.

L'attentive / sitting woman. .

Today's modes and manners, 1922, pl. 4: Amazon, 1923 A woman standing by a balustrade, in an Amazon costume (Rijkostuum). She is putting on her glove. Whip under the arm. In the courtyard is a rider who takes his hat. Next to his horse a hedgewind dog. The print is part of a series of 12 woodcuts by Fernand Siméon, with lyrics by Paul Valery, for the seventh part (10th Année 1922) by Modes et Manières d'Aujourd'hui. Each edition had a circulation of only 300 pieces and was exclusively devoted to one artist who designed 12 prints around a certain theme. This series focuses on 'life of the fashionable woman in society'. paper fashion plates. riding a horse, ass, or mule; rider, horseman. baring the head, lifting one's hat. dog. gloves, mittens, etc. (+ women's clothes). coat (+ women's clothes). trousers, breeches (+ women's clothes). boots (+ women's clothes). balcony. whip. ensembles of pieces of clothing (RIDING COSTUME) (+ women's clothes)

Henri de Toulouse-Lautrec, Yvette Guilbert: Linger, Longer, Loo, French, 1864-1901, photomechanical process

Eau de Cologne Perfumerie by Privat-Livemont, Henri (1861_1936) / Private Collection / 1899 / Belgium / Colour lithograph / Poster and Graphic design / 75x40 / Art Nouveau

Henri de Toulouse Lautrec, At the Ambassadeurs (Aux Ambassadeurs), 1894 At the Ambassadeurs (Aux Ambassadeurs)

Woman in green striped linen dress with pink linen border and fichu, holding a bird and cage. Robe de linon raye, bordee de linon rose, fichu aussi de linon rose. Handcoloured pochoir (stencil) etching after an illustration by Charles Martin from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Toulouse-Lautrec, Henri, de (1864-1901) © Museum of Modern Art, New York Graphic arts 52x40,3 Portrait,Genre Seated Clowness (Mademoiselle Cha-u-ka-o)

Ladies and Animals Sideboard - Good and Bad Animals - Study of a Lady Pursued by Bees, 1860. Design for the right hand side of the cabinet.. Sir Edward Burne-Jones

Woman in evening coat leaving a party, 1921. The coat is of black velvet with bands of grey and black sequins. A man in white-tie watches from the terrace under lanterns. Goodbye! Adieu! Manteau du soir, de Worth, en velours noir, traverse alternativement de larges bandes pailletees acier, et de bandes plus etroites pailletees noir. Le col fronce est egalement en velours, noue par deux rubans tenus par une cocarde de satin cire et de fleurettes. Handcoloured pochoir lithograph by from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1921.

Woman in ball gown of coral taffeta with silk ruffles. Robe de bal en taffetas corail a volants de gaze de soie. Handcoloured pochoir (stencil) etching after an illustration by H. Robert Dammy from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1914.

Title design of the book Town Musicians of Bremen by the Brothers Grimm by Anonymous Private Collection 1910s Colour lithograph Germany Book design Mythology, Allegory and Literature Book Art

French illustration showing a lord and lady of a Manor reviewing restoration work at their castle. 1910

Postcard of Wiener Werkstätte No, New Years card, Unknown, Artist, Wiener Werkstätte, Publishing House

Man in bed and prostitute in bedroom, Anonymous, After Henri de Toulouse-Lautrec, 1896 photograph A man is in bed and a woman or prostitute stands for him with her breasts bared and her hands in her side. Under the reproduction of the illustration in the weekly Le Rire is a French text that makes clear the humorous scope of this performance. The woman asks the man what he likes for breakfast. paper whore, prostitute. bedroom. bed

A woman with a book and an elf, illustration for the Fables of Max Nordau, drawing by Luigi Yobbi, from L'Illustrazione Italiana, Year XXXVIII, No 52, December 24, 1911.

Candlemas opposed all with lighting a candelabra as all were against any such burning during daylight hours, Walter Crane - Beauty & the Beast

A blonde fairy brushes and arranges her long hair as she looks in the looking glass at her dressing table constructed from toadstools. Date: 1907

May Belfort, Henri de Toulouse-Lautrec (Albi, France, 1864 - 1901) 1895

Ink drawing by Sergius Hruby depicting a figurative scene with multiple figures, executed in 1917.

Print (France)

The depeche, lecsoin Henri Marie Raymond de Toulouse-Lautrec (1864-1901); Printing Cassan Son. "The dispatch, the tocsin". Poster. Color lithography. 1895.

Print (France)

Les Liaisons Dangereuses, 1929 - 1934. A young man carries a young woman a ditch. They wear eighteenth century clothing. The print belongs to the 'Les Liaisons Dangereuses' series illustrated by George Barbier, to the Roman of the same name by Pierre Choderlos de Laclos from 1782.

Selected images from Teikin Orai and Onna Inagawa, 1828, 1834, Woodcuts

Bust of Mademoiselle Lender, 1895. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph; image: 32.7 x 24.4 cm (12 7/8 x 9 5/8 in.).

The portrait of Mademoiselle Caroline Rivière was painted in 1806 by the French Neoclassical artist Jean Auguste Dominique Ingres. Caroline's father, Philibert Rivière, was a successful court official under Napoleon's empire

The Englishman at the Moulin Rouge. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1892. Dimensions: 527 × 373 mm (image); 618 × 487 mm (sheet). Color lithograph on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Brava Brava - The lover of operas. Ink of China, watercolor and ranges of golden gouache on paper. Paris, Museum of Romantic Life. 77220-24 Amateur, ink of China, Gouache, Longue-Vue, Opera, Or, spectator, watercolor

At the Concert Made 1896 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Empédocle, Dieu supposé (Empedocles, Supposed God). Design by George Barbier, engraved on wood by Pierre Bouchet and included in the book Vies imaginaries (Imaginary Lives) by French author Marcel Sch

Trial proof of Reflection in the Fountain (Le reflet dans la fontaine) from the album L'Album d'estampes originales de la Galerie Vollard. Dimensions: 57.1 cm x 43.5 cm, 41.5 cm x 25.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAURICE DENIS.

A color print by Ethel Reed from 1895 depicting the cover of 'The House of the Trees and Other Poems' by Ethelwyn Wetherald, showing typographic and illustrative design.

Max Kurzweil, Der Polster (The Cushion), 1903, color woodcut on japanese paper.

Nightly Conversations (Naechtliches Gespraech). Artist: Moriz Jung (Austrian (born Czechoslovakia) Moravia 1885-1915 Manilowa (Carpathians)). Dimensions: sheet: 5 9/16 x 3 7/16 in. (14.1 x 8.7 cm). Publisher: Published by Wiener Werkstätte. Date: 1907. Museum: Metropolitan Museum of Art, New York, USA. Author: Moriz Jung.

Afternoon Tea Party. Mary Cassatt (American, 1844-1926); printed with Leroy (French, active 1876-1900). Date: 1890-1891. Dimensions: 348 x 270 mm (image/plate); 432 x 301 mm (sheet). Color aquatint with drypoint from three plates, with brush and gold paint, on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

'The Release', 1919. Artist: Francis Ernest Jackson.

A woman holds a perfume flask as butterflies flutter around it, ancient Persia. She stands with a deer under a willow tree as a musician plays music on a lute. Smithsonian-process colour print after Art Deco master George Barbier from Richard le Galliennes Romance of Perfume, Hudnut, New York, 1928.

Colored woodcut by Maximilian Kurzweil titled 'The Upholstery', depicting detailed interior furniture, produced in 1903.

Large Boston Public Garden Sketchbook: Young girls in hats and sashed dresses. Artist: Maurice Brazil Prendergast (American, St. John's, Newfoundland 1858-1924 New York). Dimensions: 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm). Date: 1895-97. Museum: Metropolitan Museum of Art, New York, USA.

La Toilette 1891 Mary Cassatt (1845-1926 American) National Gallery of Art, Washington, D.C., USA

La Passagère du 54, 1896. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

satirical French illustration showing liberty imprisoned in Spain. 1906

Woman with a Dog. Marie Laurencin; French, 1885-1956. Date: 1915-1925. Dimensions: 355 × 247 mm. Red chalk, with stumping and green, blue, and brown pastel, over graphite on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Design illustration for King Lear van Shakespeare: Knies disguised at King Lear, Jacob Pieter van den Bosch, 1878 - 1948 drawing Design for a print. paper. ink. pencil pen / brush illustration ~ printed matter, book. (SHAKESPEARE, King Lear) specific works of literature (with AUTHOR, Title)

Madame Réjane. Aubrey Vincent Beardsley, imitator of; English, 1872-1898. Date: 1892-1898. Dimensions: 224 × 140 mm. Pen and brush and black ink, over traces of graphite, on cream wove paper, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Afternoon Tea Party Made 1890-1891 United States. Color aquatint with drypoint from three plates, with brush and gold paint, on ivory laid paper . Mary Cassatt

Publius Maro Virgilius (70 BC - 19 AD), the Roman poet, perceived as a sorcerer in popular medieval legend. Illustration by Aubrey Beardsley. Date: 1893

The Fitting Made 1890-1891 United States. Color aquatint with drypoint from three plates, on buff laid paper . Mary Cassatt

Modes et manières d'Aujourd'hui, 1922, pl. 10: L'Attentat. A man and woman are robbed in a train coupe by an armed criminal. The woman is wearing a cloak with checkered bodice, sloping closure and scarf collar. Next to her a travel suitcase, bird cage with bird and barkend dog. The print is part of a series of 12 woodcuts by Fernand Siméon, with texts by Paul Valery, for the seventh part (10th Année 1922) of Modes and Manières d'Aujourd'Hui. Each edition had a circulation of only 300 pieces and was exclusively devoted to one artist who designed 12 prints around a certain theme. In this series the 'life of the fashionable woman in society is central.

Józef Mehoffer (1869-1946), Angel; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

Man in Thatched Hut Viewing the Moon 1740-1749 Japan. Woodblock print; hosoban, sumizuri-e . Nishimura Shigenaga

Fallen Pin (L'épingle tombée). Dimensions: 45 cm x 28.1 cm, 25 cm x 14.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: Jean-Emile Laboureur.

The wheel of fashion Date: 1841

London Types: Costermonger, 1898. William Nicholson (British, 1872-1949). Color lithograph; sheet: 33.2 x 28.5 cm (13 1/16 x 11 1/4 in.); image: 25.4 x 22.9 cm (10 x 9 in.).

Postcard of the Wiener Werkstätte No, Ms, am Brunnen, Carl Krenek -, Artist, Wiener Werkstätte, Publishing House

Print, Plate 4, Au Jardin des Hespérides (In the Garden of the Hesperides), Gazette du Bon Ton (Journal of Good Taste), Vol. 1, No. 11; Designed by George Barbier (French, 1882-1932), Jeanne Paquin (French, 1869-1936); Art Director: Lucien Vogel (French, 1886-1954); France; pochoir on paper; 21.8 × 16.3 cm (8 9/16 × 6 7/16 in.)

Femme au tubLe tub (Woman at the TubThe Tub). Artist: Henri de Toulouse-Lautrec, French, 1864-1901

Vanity fair on the avenue - digital file from original drawing | Library of Congress

Poster for Delft Salad Oil, by Jan Toorop, 1894, Dutch print, ink on paper. Toorop designed this art nouveau advertising poster for the Nederlandsche Oliefabriek, an oil manufacturer in Delft. One of the women dresses lettuce with salad oil. The poster became an icon and lent Dutch Art Nouveau its nickname, the ësalad oil styleí (BSLOC_2016_3_272)

Hojas de la vida. Siglo XX. Museum: Museu del Cau Ferrat, Sitges. Barcelona. Author: SANTIAGO RUSIÑOL.

MUCHA, Alphonse Maria (1860-1939). Farewell American Tour of Sarah Bernhardt. 1905. Poster advertising the American tour of Sarah Bernhardt: 'Farewell American Tour 1905-1906'. Modernism. Painting.

Theatre programme for L'argent by Emile Fabre (Théâtre Libre, 5 May 1895). Dimensions: 32 cm x 23.9 cm, 32 cm x 23.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: Henri de Toulouse-Lautrec.

Cartoon, Regrets. An elderly man is sorry to see that he has a rival for a lady's affections -- he can't win against a young soldier in uniform with a wounded hand. Date: 1916

Reconciliation France and Germany, Patricq Kroon, 1918 - 1930 drawing The reconciliation between France and Germany. Marianne Kusten with the German emperor Wilhelm II. Other countries look in the background. Design for a political cartoon in the true Jacob. Netherlands paper. pencil. ink. paint (coating) pen / brush political caricatures and satires. personifications of countries, nations, states, districts, etc. (+ nation; national). (lovers) kissing each other France. Germany

Young woman by Alfons Marie Mucha, Color lithograph, 1902, 1860-1939, Private Collection

Good King Arthur.. Brooke, L. Leslie (Leonard Leslie) (1862-1940). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Servants, Dogs, Queens, Dining rooms

Jane Avril, Jardin de Paris 1893 Henri de Toulouse-Lautrec (1864-1901 French) Poster Musee Toulouse-Lautrec, Albi, France

Princely Idyll 1897 France. Color lithograph on cream wove paper . Henri de Toulouse-Lautrec

Odysseus' wife Penelope is shown carrying his bow to the suitors who are making merry in Odysseus' palace.

Mary, Mary, quite contrary, How does your garden grow With silver bells, and cockle shells, And cowslips all of a row.

Sem, lithograph, 1873-1934, lithograph on paper.

Henri de Toulouse-Lautrec, At the Moulin-Rouge: La Goulue and Her Sister, 1892, color lithograph on paper.

"Color artwork by Henri Meunier from 1896 showing Conthier-Meysmans furnishings and freases under supervision, depicting decorative interior elements and composition."

Alfred la Guigne. Dated: 1894. Dimensions: overall: 65.6 x 50.4 cm (25 13/16 x 19 13/16 in.) framed: 91.4 x 76.2 cm (36 x 30 in.). Medium: oil on cardboard. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Krampus Card. Artist: Arnold Nechansky (Austrian, Vienna 1888--1938 Kitzbühel, Tirol, Austria). Dimensions: Sheet: 5 1/2 × 3 9/16 in. (14 × 9 cm). Publisher: Wiener Werkstätte. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Postcard of the Wiener Werkstätte No, Krampus card, Arnold Nechansky -, Artist, Wiener Werkstätte, Publishing House

The Tattoo Artist. Red Grooms (American, born 1937); printed by Steven Anderson; published by Brookes Alexander, Inc. Date: 1979-1980. Dimensions: 835 x 634 mm (image/sheet). Color lithograph on brown Japanese (Chauke) wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Naked boy peeps at a couple. Draughtsman: Peter van Straaten. Dating: 1945 - 2010. Place: Amsterdam. Measurements: h 273 mm × w 186 mm; h 257 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Sir Edward Grey woos American support by a seductive dance - but Bryan isn't taken in by it Date: 1915

Jean Louis Forain, A Game of Solitaire, 1862-1931, pen and black ink and watercolor over faint pencil sketch on paper.

Partie de campagne (Country Outing); le tonneau (The Barrel) or la charette anglaise (The EnglishBuggy). Artist: Henri de Toulouse-Lautrec, French, 1864-1901Printer: Auguste Clot, French, 1858-1936

1893 Art Work - Ouvrard; from Le Cafe-Concert - Henri-Gabriel Ibels.

Overeating and overdrinking, Christmas turned away dried fish as unfit for a gentleman., Walter Crane - Beauty & the Beast

Henri Detouche (French, 1854 - 1913). In the Brambles (Dans les Ronces), ca. 1898. Color lithograph printed in five colors with additional color by stencil on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

The Waltz Made 1891 Sweden. Etching on ivory laid paper . Anders Zorn

Cut and He Will Not Come Again, The Sketch Book of Summer, illustration, 1924, Nostalgia Cards

Whiting's ledger papers , Flowers, Paper industry

Falbalas and fanfreluches: Almanac of present modes, past & future for 1922: butterflies / France 20th century, George Barbier, 1922 magazine Two young women and a young man in a landscape. One of the women, in a pink dress with large circles on the skirt, tries to catch butterflies. The other two are on the floor. Print from the Falbalas & Fanfreluches series (1922-1926). paper fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). sleeves (+ women's clothes). trousers, breeches (+ men's clothes). belt, girdle, waistband (+ men's clothes). insects: butterfly. hunting butterflies

Cats-Cradle, Pastimes

The Eyes of Herod. An illustration from 'Salome' by Oscar Wilde, 1894. Aubrey Beardsley (1872-1898). Date: 1894

Cromo francés Au Bon Marché con ilustración del cuento El Pájaro Azul. Años 1900.

Les rues amoureuses , Conversation, City & town life. Théophile Alexandre Steinlen (1859-1923). Lithographs

The Funeral Made 1891 France. Woodcut in black ink on tan wove paper . Félix Edouard Vallotton

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