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Artistic Interpretations of Reality

Dramatic artworks capturing symbolic scenes, including figures fighting dragons and other expressive subjects, rendered in various artistic styles.

Campania Caserta Capua Museo Campano81. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an
Campania Caserta Capua Museo Campano81. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an
165 assets in this story
6145-59118421
Firenze - Loggia Innocenti. Un Bambino. (Andrea della Robbia.) "Florence. Hospital of innocents-Andrea della Robbia (1435-1528), Medallion with the image of a baby; Alinari, Fratelli (Florence; Florence; Photographic Plant; 1852-); around 1890 (1880-00-00 -1920-00-00; , 1 cm, width 19.3 cm, pad: height 41.8 cm, width 33.7 cm, cardboard: height 41.8 cm, width 33.7 cm; Di 56853 MNW; All rights reserved .
6145-51843155
George Henry Seeley, Conspiracy, 1910, photogravure.
6145-48501298
Rohscan
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Portrait of simile, chanteen and Aforced Victas to the prick landscapes flowered enlnance by capular. Portrait of Simile, Chanteen and Aforced Victas to The Prick Landscapes Flowered Enlnance by Capular. Card from screws (front). Photographical photographic photograph. Draw on albuminum paper, 1860-1890. Paris, Carnavalet museum.
6145-29869905
Jane Iverson, Clay Indian Doll Saguna, 1936 Clay Indian Doll - Saguna
4409-21521821
1279 Impronte umane Scoverta 1873, Italy, Giorgio Sommer, 1834ñ1914, one of Europeís most important photographers of the 19th century, c. 1888 - c. 1903.
6145-59200098
Umbria Perugia Gubbio Palazzo dei Consoli1. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative
6145-52845834
Anonymous color depiction from around 1900 showing a building at Rudolfsheim, Vienna, representing electrical power rental signage, architecture, and streetscape.
6145-59168109
Lazio Roma Rome Ss. Marcellino e Pietro3. Hutzel, Max 1960-1990 Medieval: Sculptural relief. Post-medieval: Architecture, architectural sculpture, sculpture, painting. Object Notes: Of remote origins (4th century), it was reconstructed in 1751 by Theodoli. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-59453759
Study sheet with two women, Adrien de Witte, 1877 print paper etching / drypoint adult woman (+ two persons). the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure
6145-59199736
Umbria Perugia Foligno S. Feliciano, Cathedral0. Hutzel, Max 1960-1990 Medieval: 12th-13th century architecture (begun 1133), 12th century crypt. Post-medieval: 16th-20th century architectural renovations and restorations, architecural sculpture, mosaic, paintings on canvas, paintings on panel, sculpture, sculpture in wood, sculpture in silver, stucco, fresco Owner: S. Feliciano, Cathedral Antiquities: spolia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-29167339
Figure 53: Whimpering and false laughter 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 53: Whimpering and false laughter 623055
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Woman tells a letter, James Watson (Print Maker), After Gabriël Metsu, 1771 print A woman holds a piece with a burning candle to seal a letter. On the right is a maid. London paper sealing wax. seal, stamp. maid ~ house personnel. letter, envelope. candle
6145-29834383
Eastern woman ca. 1760-70 Doccia Porcelain Manufactory Italian. Eastern woman 189035 Factory: Doccia manufactory, Eastern woman, ca. 176070, Hard-paste porcelain, Height: 5 1/2 in. (14 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1906 (06.396)
6145-52884894
A multiple oil conversion by Heinrich Kühn around 1912 depicting Walther, showing the subject with detailed pose and expression on Japanese paper.
4409-17571644
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-30294061
, Lainz - Versorgungsheimplatz - nursing home Lainz - Luegerdenkmal, postcard, Carl Karl Ledermann jun, Producer
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Lazio Roma Anguillara Sabazia S. Francesco11. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic
4409-17571650
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-52885712
Photograph by Johann Victor Krämer around 1900 showing a young girl posed in front of a painting by the artist, highlighting the model, setting, and composition.
486-5862
Florence Shirley, ""Apple Blossoms"", operetta by Charles Dillingham
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Adolf Friedrich Erdmann Menzel -, painter, draftsman, Unknown, photographer
6145-59196499
Tuscany Siena Montalcino Museo Civico2. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
4409-17571310
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17571513
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17475910
Astonishment, stupefaction, amazement, plate 57 from the album, The Mechanism of Human Facial Expression. Dated: 1854-1856. Dimensions: image: 22.3 × 15.9 cm (8 3/4 × 6 1/4 in.) mount: 40.1 × 27.6 cm (15 13/16 × 10 7/8 in.). Medium: albumen print, printed 1862. Museum: National Gallery of Art, Washington DC. Author: Guillaume-Benjamin-Amant Duchenne (de Boulogne).
6145-44028296
Pioneers harvestMeissen. Pioneers harvest
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Sebastiano del Piombo. Portrait of a lady
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Athènes. Jeune homme d'Anticythère (Musée National) , Sculpture, Antiquities. Nicholas Catsimpoolas Collection
6145-48836501
Kosloff as Warrior. Louis Fleckenstein (American, 1866 - 1943)
4409-17571782
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-29167227
Figure 20: Profound suffering, with resignation 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 20: Profound suffering, with resignation 623038
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Fig. 33.
1899-24810867
Park of the Monsters. bomarzo. lazio. Italy 1940.
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Standing Female Nude ca. 1853 Julien Vallou de Villeneuve French A student of the painter Jean François Millet (1814-1875) and a lithographer of scenes of daily life, costume, and erotica in the 1820s and 1830s, Vallou reportedly took up photography in the early 1840s. Because his early photographs have not been identified, it has been assumed that they depicted naked women, a subject for which it was to improper to acknowledge authorship. Between 1851 and 1855, Vallou made a series of small-scale paper photographs of female nudes that he marketed (and legally registered) as models for artists. Vallou's nudes have long been associated with those of Gustave Courbet (1819-1877), who is known to have used photographs in his painting process. Though no absolute one-to-one correspondence can be pointed to, there are some striking similarities in pose, and the heavy, soporific quality of Vallou's models is very close to Courbet's concept of the nude.. Standing Female Nude. Julien Vallou
6145-43857863
Delos. Nike (Victory) by Archermos , Antiquities, Sculpture, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection
6145-45844404
Relief of a child's figure to the vision hospital in Florence.
4409-17571614
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17571235
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17571450
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-48868206
Attesa. Baron Wilhelm von Gloeden (German, 1856 - 1931)
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Figure 83: Lady Macbeth, ferocious cruelty. Artist: Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806-1875); Adrien Tournachon (French, 1825-1903). Dimensions: Image: 28.3 × 21.4 cm (11 1/8 × 8 7/16 in.)Sheet: 30 × 22.9 cm (11 13/16 × 9 in.)Mount: 40.2 × 28.4 cm (15 13/16 × 11 3/16 in.). Date: 1854-56, printed 1862. Museum: Metropolitan Museum of Art, New York, USA. Author: ADRIEN TOURNACHON. Guillaume-Benjamin-Amand Duchenne de Boulogne.
6145-48833609
Lochiel. Ronald Ruthven Leslie-Melville (Scottish,1835 - 1906)
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Vesper Bells. Rudolph Eichemeyer, Jr.; American, 1862-1932. Date: 1897. Dimensions: 18.9 x 14.7 cm (image); 21.2 x 16 cm (paper); 38 x 28 cm (mount). Photogravure, No. 6 from the portfolio "American Pictorial Photography, Series I" (1899), edition 146/150. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
1035-781
Statue of a suit of armor
6145-59020996
Anonymous. "Propaganda photography: practitioner-sculptor in a workshop". A young worker sliced a block. Next to him / the panthograph. On the right, in the foreground the model / (2350). Gelatino-silver-bromide draw. Dactylographed legend in black ink. in 1943-09-1943-09. Paris, Carnavalet museum. 144783-30
4409-17367666
Costumbres del país. Tipo de gitano.
4409-17571596
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17459520
Attention, plate 8 from the album, The Mechanism of Human Facial Expression. Dated: 1854-1856. Dimensions: image: 22 × 15.8 cm (8 11/16 × 6 1/4 in.) mount: 40.2 × 27.5 cm (15 13/16 × 10 13/16 in.). Medium: albumen print, printed 1862. Museum: National Gallery of Art, Washington DC. Author: Guillaume-Benjamin-Amant Duchenne (de Boulogne).
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Bliżej Kultury unknown
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RVD / Royal House photo collection. Beatrix workpieces. zd}
6145-45448241
Kraków Sukiennice Exhibition of Muhammads, Asian and European ceramics; February April 1934 Światowida Photo Agency
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Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-30384517
Xenocrates. Artist: Unknown
4409-33303
Gigantes de Barcelona, representando a Jaume I y Violant de Hungria, acompañados de los cabezudos por las calles de la ciudad. Años 1930.
6145-48849202
G. De Briganti. Fédèle Azari (Italian, 1895 - 1930)
4409-17571766
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-48871097
Pasquale. Baron Wilhelm von Gloeden (German, 1856 - 1931)
4409-17571233
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-46777486
Statue of Axel Oxenstierna.
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Georgia O'Keeffe. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864-1946 New York). Dimensions: 23.9 x 18.9 cm (9 7/16 x 7 7/16 in. ). Date: 1933. Museum: Metropolitan Museum of Art, New York, USA.
4409-17571517
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
6145-44326342
Turner am Barren. .
4409-17571801
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17571463
Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.