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Artistic Paperworks

Different paper items including a sketchbook, foot study drawing, and decorative church tablecover, highlighting artistic designs and textures.

Leather old frame nails brown old leather with frame made of upholstery copyright: xzoonar.com/axelxkillianx 5482636
Leather old frame nails brown old leather with frame made of upholstery copyright: xzoonar.com/axelxkillianx 5482636
256 assets in this story
Textile, Schwartz-Huguenin, Medium: cotton Technique: printed by engraved roller on plain weave, A) Wide stripe of solid pink with molette-printed moire pattern of darker pink adjoins wide white stripe divided into squares outlined by grey. Each square contains a pink rosebud with green leaves. B) Same pattern with blue stripe., 1851-63, printed, dyed & painted textiles, Textilebronze box for surgical instruments, La Guardia de Jaén, Iberian culture, Iberian Museum of Jaén, Andalusia, Spain.Loaf of bread from Pompeii still image. 1904-12-27. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Pompeii (Extinct city), Bread, AntiquitiesStill-Life with Cockatoo, Ornamental Ball, Lace, Statuette 1850s T. R. Williams British. Still-Life with Cockatoo, Ornamental Ball, Lace, Statuette. T. R. Williams (British, born 1825). 1850s. Daguerreotype. PhotographsGate lock; XVII/18th century (1701-00-00-1800-00-00);England, London, Little Venice. 'London' written on a plate on the side of a canal barge.Mount; brassTwo-storey House. Unknown maker, AmericanWall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wideTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 47 x 17 1/2 in. (119.4 x 44.5 cm). 1948-1959Japonstrook van zwarte kloskant met medaillons en boeketten.Japon strip of black climbing side, chantilly side. The repeating pattern consists of alternately a medallion filled with a leaf palm and two degree of c-volutes from which a bouquet devolishes with different flowers and leaves. Above the medallion a console has been placed with a similar but smaller bouquet. The motifs are connected by a Maas soil. The full work is made in a cut-off and one type of ornamental soil has been used, to run the motifs thicker contour wires. The sloping edge is formed by a concatenation of leaves under the medallion and roses with leaves under the closed C volutes. The top and sloped sides are finished with a soil.Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various widePlaque, thin gold leaf. Culture: Cypriot. Dimensions: Other: 1 3/4 x 2 5/8 x 1/16 in. (4.4 x 6.7 x 0.2 cm). Museum: Metropolitan Museum of Art, New York, USA.Textile Swatch , 1950s to 1960s. Silk, 22 1/2 x 9 in. (57.2 x 22.9 cm). 1950s to 1960sSet of IIturgical garments, embroidered maniple unknowngold ribbon tableTextile (France); silk, metallic thread; Anonymous bequest in memory of Albert and Rebecca Elsberg; 1938-82-45-fTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 25 3/4 x 8 1/4 in. (65.4 x 21 cm). 1948-1959Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm). 1948-1959Hearing stone with representation of two climbing lions, c. 1875 - c. 1900 Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenwareEmbroidery Sample (USA); Made by Caltabiano Embroideries, Inc. (New York, NY, USA); silk, rhinestones, silver thread, silvered leatherWhite tile with blue in corner, tile pilaster footage fragment ceramic pottery glaze, d 1.3Flower arrangement; about 1865; Hand-colored Albumen silver printlinen bookmark old notebook. High resolution photo. linen bookmark old notebook. High quality photoList, 1880 - 1900 frame glass. cardboardFragment ca. 1150-ca. 1250 European or Middle Eastern. Fragment 696695France, Anonymous, 1880 - 1930 photograph photographic support gelatin silver print FranceCylinder seal and modern impression: hunter spearing a lion before deity with staff ca. 17th century B.C. () Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery nZOCALO DE CERAMICA. Location: ALHAMBRA-MUSEO-CERAMICA. GRANADA. SPAIN.Faceted jar, made with glazed porcelain, from the Joseon Period, Korea. Dated 19th CenturySIN IDENTIFICAR. Author: SANTIAGO SERRANO (1942-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.Untitled (Portrait of a Woman) American. Untitled (Portrait of a Woman), ca. 1860. Daguerreotype, Photo: 2 3/4 x 2 1/8 in. (7 x 5.4 cm). Photography ca. 1860old badly shabby books lying on a dark wooden background. Old Book Woodenin italy sundial and gnomon antique historical medieval decoration wallRoulette Machine by Caille-Schiemer Co., USA, Detroit Publishing Company, 1900Tailor guild of Woerden, Gildepenning with no. 50, Anonymous, c. 1600 - c. 1700 medal Copper oval medal with hole in it. Front: Coat of arms under number No. 50. Down: Crowned Els on open scissors Woerden copper (metal) engraving Woerden in mercallo rusty brass brown knocker a door curch closed metal italy lombardy Grahal-Manzara. Carnavalet 2013-2016 collection sites. Numismatics.Case (Inrō) with Design of Spray of Chrysanthemums 19th century Japan. Case (Inrō) with Design of Spray of Chrysanthemums 58567Paving stones of different colors on a white background Paving stones of different colors on a white background. Free space for text. Copyright: xZoonar.com/by_rmannx 13477501Textiles from Patchwork Quilt. Dated: c. 1936. Dimensions: overall: 29.9 x 22.9 cm (11 3/4 x 9 in.) Original IAD Object: 88" square. Medium: watercolor and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Millia Davenport.Schoenmakersgilde, Gildepenning Engraved over a groan mint or calculation, anonymous, c. 1600 - c. 1750 medal Copper medal. Front: Man sitting at the table busy sewing shoe or sock on his lap; Letters from the old reversal are visible under show. Reverse: bat, boot, sock and shoe under a twig ;; Under performance, letters from old reversal are visible, under a benchmark a coat of arms with lion copper (metal) striking (metalworking) / engravingAnimal tile, crawling frog to the left, seen from above, in blue on white, corner motif oxen head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed paintedStrip with medallion and six putti, anonymous, After Jacques Vauquer, After 1631 - Before 1676 print The background consists of leaf vines. France (possibly) paper engravingPortrait of a historical figure, anonymous, c. 1700 - c. 1800 Round glass plate in a wooden rough. Portrait of a man in armor. A commandostaf in his left hand. Netherlands glass. oak (wood). oil paint (paint) Round glass plate in a wooden rough. Portrait of a man in armor. A commandostaf in his left hand. Netherlands glass. oak (wood). oil paint (paint)Tokens in the form of a shield, anonymous, 1735 medal Metal carrying pin with an eye. penning: metalJewelry packagingBlank old paper sheet and gingerbread cookie over dark wooden background. Halloween invitation.Terracotta fragment of a kylix (drinking cup) third quarter 5th century B.C. Greek, Attic Interior, love scene, above heads ELENI; Obverse; youth holding a strigil in his left hand facing a youth with himation, who holds a fillet in his right hand; behind him, youth with himation; Reverse, draped figure, draped figure holding a phiale in the right hand, leaning on a stick, draped figure. Terracotta fragment of a kylix (drinking cup). Greek, Attic. third quarter 5th century B.C.. Terracotta; red-figure. Classical. VasesPortrait of an unknown woman, Anonymous, 1855 - 1900 photograph iron (metal). cardboard. paper ferrotyping historical persons - BB - womanAltar Front, c. 540-600. Early Byzantium, Constantinople or Ravenna, Byzantine period, 6th century. Marble; overall: 101 x 169.5 x 25.5 cm (39 3/4 x 66 3/4 x 10 1/16 in.).Chimney Scaffold 1860 J. Jeane American. Chimney Scaffold 291909ZOCALO DE CERAMICA. Location: ALHAMBRA-MUSEO-CERAMICA. GRANADA. SPAIN.Luckcock Shield - Button, 1770-1800. 36 buttons arranged on card shield backed with textile padding.Roche, Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), double matrix: in the left part Christine L'Amirable / In the right matrix (main title ), 1902. Eglomization - Steel and wood matrix. Petit Palais, Museum of Fine Arts of the City of Paris.Sketchbook with 23 magazines, Cornelis Vreedenburgh, 1890 - 1946 Sketchbook consisting of 23 magazines with mainly landscapes, animals and figure studies. On the back of the book band a study of a head of a child. paper. chalk. pencil. ink. boekband: linen (material). boekband: cardboard pen landscapes. animals. anatomy (non-medical)Plant seeds in small packages on wooden table at homeTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 x 18 1/4 in. (58.4 x 46.4 cm). 1948-1959Door, part of a paneling from the house of Dentz van Schaick, sculpted and inserted stylized flower and leaf motifs and animal and figurative representations, Carel Adolph Lion Cachet, c. 1900 - c. 1905 Door, part of a paneling, made for the house of Mr Th.G. Dentz van Schaick on Frederiksplein in Amsterdam 50-52. The door is decorated with sculpted and inserted stylized flower and leaf motifs and animal and figurative performances. Marked with white paint: AB8B3. Amsterdam rosewood (wood). walnut (hardwood). brass (alloy). ivory gilding Door, part of a paneling, made for the house of Mr Th.G. Dentz van Schaick on Frederiksplein in Amsterdam 50-52. The door is decorated with sculpted and inserted stylized flower and leaf motifs and animal and figurative performances. Marked with white paint: AB8B3. Amsterdam rosewood (wood). walnut (hardwood). brass (alloy). ivory gildingFragment, Panel; wood, carvedLAMINA RECORTABLE AVION. Location: EXPOSICION DE LA GUERRA CIVIL ESPAÑOLA. MADRID. SPAIN.Sharf of ross -baking earthenware, with blue glaze on the front, on which a window, a cartel edge and a stylized flower shape, filled with yellow, are painted in brown, anonymous, 1600 - 1650 Northern Netherlands earthenware. glaze majolica Northern Netherlands earthenware. glaze majolicaView of Japan View of Japan, late 19th-early 20th century. Albumen silver photograph mounted on cardboard, with mounting: 4 1/4 x 6 3/8 in. (10.8 x 16.2 cm). Asian Art late 19th-early 20th centuryArthur Johnson, Mantel Looking Glass, c 1937 Mantel Looking GlassSketchbook, initially an album Amicorum, with 39 magazines, Willem Cornelis van Dijk (Possible), c. 1850 - c. 1858 Sketchbook and album Amicorum consisting of 39 magazines. The album Amicorum, (presumably) dedicated to Willem Cornelis van Dijk, contains drawings of landscapes and a religious performance made by various artists. The book was later used as a sketchbook by Bastiaan De Poorter, who made figure studies in it. paper. pencil. chalk. ink. boekband: cardboard. boekband: leather brush anatomy (non-medical). Christ. landscapesFlotsam, Detail, Rügen, Alluvial woodAmelia Glover, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes ca. 1891 Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Amelia Glover, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 650719Inlay Fragment 3rd-10th century The dot-in-circle motif recalls designs presumed to be of magical significance, most likely an abstract eye to ward off the evil-eye, which serve an apotropaic function. Easily reproduced with a tool and visible in many cultures and times, this symbol may have lost its meaning, and become simply a decorative pattern, or may have one that we have not yet discovered.. Inlay Fragment 446071New Year's wish with pop and heart, Anonymous, 1950 - 2000 drawing On the front a doll and a heart on a pendant. Inside in handwriting the text: "Happy New Year!" And an unreadable signature. paper gluing / brush (playing with) dolls. fowl (cock, hen, chicken, etc.). Christmas cardCOLUMNA-DET DEL RELIEVE. Location: IGLESIA. SAN CEBRIAN DE MAZOTE. Valladolid. SPAIN.Shadow Instrument (conjectural replica). Invented by Pedro Nunes (1502-1578) for measuring the altitude of the Sun, for the determination of latitude. Conveniently oriented, it indicates the altitude by the shadow of the hypotenuse of the triangle over the graduated scale. 16th century. Maritime Museum. Lisbon, Portugal. Author: Pedro Nunes (1502-1578). Portuguese geographer.Untitled (Sand Box). Joseph Cornell; American, 1903-1972. Date: 1944. Dimensions: 26 × 18.1 cm (10 1/4 × 7 1/8 in.); glass top within frame is 23.2 × 15.2 × 4.8 cm (9 1/8 × 6 × 1 7/8 in.). Glass-paned, painted wood box with black sand, metal ring, and ball bearings. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.No image. Jacob Byerly (American, 1807 - 1883)Cylinder seal ca. 14th-13th century B.C.. Cylinder seal 324019Grahal-Manzara. Carnavalet 2013-2016 collection sites. Numismatics.Headrest, Zulu people, South Africa, late 20th Century. Wood, plastic, metal. Headrests are important personal items, especially where hairstyles are complex and would be spoiled by laying the head on the ground. Often they are believed to communicate dreams to the owner and, after their death, are a means by which the deceased may be contacted.Sherd ca. late 3rd millennium B.C.. Sherd 326132Cigarette Case, c. 1900. House of Fabergé (Russian, 1842-1918), Alexander Karpov (Russian). Silver, cabochon sapphire mounted in gold; overall: 1.6 x 10 x 7.2 cm (5/8 x 3 15/16 x 2 13/16 in.).Piece of a Towel, 19th century, 25 5/8 x 16 in. (65.09 x 40.6 cm), Linen, silk; needlework, Turkey, 19th centuryTop view of wooden cutting board on a gray marble background with space for text.French plaquette of Mont St.Michel. Artist: J. Picaud, French, born 1911Sketchbook: Europeantravels. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896Earrings 1870-90 American. Earrings 110740BoxGolden box. Bronze. China. Paris, Cernuschi museum. 76403-2 Chinese art, Dore box, bronze, archating bronze, detail, writing, inscription, decorative motifHolzrahmen - Wooden frame Holzrahmen - Wooden frame Copyright: xZoonar.com/lantapixx 6597951Kyogen Kataginu Kyogen Kataginu, 19th century. Textile, 34 1/2 x 24 1/2 in. (87.6 x 62.2 cm). Asian Art 19th centuryWriting Box (Suzuribako) with Woodcutter 19th century Attributed to Ogata Krin Japanese. Writing Box (Suzuribako) with Woodcutter. Attributed to Ogata Krin (Japanese, 1658-1716). Japan. 19th century. Black and gold lacquer on wood with gold maki-e and mother-of-pearl inlay. Edo period (1615-1868). LacquerShield. Culture: Philippine, Moro. Dimensions: Diam. 31 in. (78.7 cm); D. 4 1/2 in. (11.4 cm); Wt. 5 lb. 4.4 oz. (2392.7 g). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.Colorful wooden crate boxes for sale in a marketEmbroidery sample, Medium: silk thread, silk chenille thread, cotton gauze appliqué, flat gold and silver metal thread wound on a silk core, gold and silver metal coils, metal sequins, metal beads on silk ground Technique: embroidered on cut voided supplementary warp pile (velvet) Label: Satin, stem, and knot stitches in silk, chenille, and gold and silver metallic thread; embroidered gold and silver metal wire coils, sequins, beads; gauze appliqué on cut voided supplementary warp pile (velvet); paper enclosure, Dark green cut and voided velvet with minute dot pattern embroidered in elaborate border design of flower sprays in gold and silver with silver and white beads., France, ca. 1770, embroidery & stitching, Embroidery sampleWhite tile with blue curved and horizontal lines, partially colored, and letters OP, tile picture footage fragment ceramics pottery glaze, ... OP Rotterdam education Academy of Fine Arts and Technical Sciences Cool Coolvest Dijkzigt G.J. de Jonghweg City Triangle Blaak Academy of Fine Arts and Technical Sciences Rotterdam.Button Sample Book (France); paper, metal foil, thread, paillettesDEL CUARTO - 1977 - COBRE - 25,5x22x15. Author: PABLO PALAZUELO (1916-2007). Location: PRIVATE COLLECTION. MADRID. SPAIN.Chalice and paten . Roman Catholic church. France. Collapsible Folding Knife. Dated: c. 1941. Dimensions: overall: 42.4 x 54.4 cm (16 11/16 x 21 7/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Cannella.A) Locust B) Block 1898, Middle East, Israel and/or PalestineGlass Fragment 13th-14th century European. Glass Fragment. European. 13th-14th century. Pot metal glass. Glass-StainedPile of blank craft envelopes on table close up"City Bank" Toy Bank. Dated: c. 1938. Dimensions: overall: 21.8 x 30.5 cm (8 9/16 x 12 in.) Original IAD Object: 5 5/8" high; 2 7/16" deep; 3" wide. Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William O. Fletcher.